| # | Title | Rating | Length |
|---|
| 1 | Cantate "Weinen, Klagen, Sorgen, Zagen" BWV 12: N.1. Sinfonia (Cantus Cölln, Konrad Junghänel)- recording engineer and producer:
- Andreas Neubronner
- conductor:
- Konrad Junghänel (in 1999-04)
- performer:
- Cantus Cölln (in 1999-04)
- recorded at:
- Kirche St. Osdag in Neustadt am Rübenberge, Niedersachsen , Germany (in 1999-04)
- recording of:
- Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen": I. Sinfonia (in 2000)
- composer:
- Johann Sebastian Bach (in 1714)
- part of:
- Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen"
| | 2:40 |
| 2 | Cantate "Weinen, Klagen, Sorgen, Zagen" BWV 12: N.2 Coro: "Weinen, Klagen, Sorgen, Zagen" (Cantus Cölln, Konrad Junghänel)- recording engineer and producer:
- Andreas Neubronner
- alto vocals:
- Elisabeth Popien (in 1999-04)
- bass vocals:
- Stephan Schreckenberger (in 1999-04)
- soprano vocals:
- Johanna Koslowsky (in 1999-04)
- tenor vocals:
- Gerd Türk (in 1999-04)
- conductor:
- Konrad Junghänel (in 1999-04)
- performer:
- Cantus Cölln (in 1999-04)
- recorded at:
- Kirche St. Osdag in Neustadt am Rübenberge, Niedersachsen , Germany (in 1999-04)
- recording of:
- Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen": II. Coro "Weinen, Klagen, Sorgen, Zagen" (in 2000)
- composer:
- Johann Sebastian Bach (in 1714)
- part of:
- Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen"
| | 5:59 |
| 3 | Cantate "Weinen, Klagen, Sorgen, Zagen" BWV 12: N.3 Recitativo: "Wir müssen dirch viel Trübsal" (Cantus Cölln, Konrad Junghänel)- recording engineer and producer:
- Andreas Neubronner
- alto vocals:
- Elisabeth Popien (in 1999-04)
- conductor:
- Konrad Junghänel (in 1999-04)
- performer:
- Cantus Cölln (in 1999-04)
- recorded at:
- Kirche St. Osdag in Neustadt am Rübenberge, Niedersachsen , Germany (in 1999-04)
- recording of:
- Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen": III. Recitativo (Alto) "Wir müssen durch viel Trübsal" (in 2000)
- composer:
- Johann Sebastian Bach (in 1714)
- part of:
- Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen"
| | 0:44 |
| 4 | Cantate "Weinen, Klagen, Sorgen, Zagen" BWV 12: N.4 aria: "Kreuz und Kronen sind verbunden" (Cantus Cölln, Konrad Junghänel)- recording engineer and producer:
- Andreas Neubronner
- alto vocals:
- Elisabeth Popien (in 1999-04)
- conductor:
- Konrad Junghänel (in 1999-04)
- performer:
- Cantus Cölln (in 1999-04)
- recorded at:
- Kirche St. Osdag in Neustadt am Rübenberge, Niedersachsen , Germany (in 1999-04)
- recording of:
- Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen": IV. Aria (Alto) "Kreuz und Krone sind verbunden" (in 2000)
- composer:
- Johann Sebastian Bach (in 1714)
- part of:
- Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen"
| | 5:21 |
| 5 | Cantate "Weinen, Klagen, Sorgen, Zagen" BWV 12: N.5: "Ich folge Christo nach" (Cantus Cölln, Konrad Junghänel)- recording engineer and producer:
- Andreas Neubronner
- bass vocals:
- Stephan Schreckenberger (in 1999-04)
- conductor:
- Konrad Junghänel (in 1999-04)
- performer:
- Cantus Cölln (in 1999-04)
- recorded at:
- Kirche St. Osdag in Neustadt am Rübenberge, Niedersachsen , Germany (in 1999-04)
- recording of:
- Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen": V. Aria (Basso) "Ich folge Christo nach" (in 2000)
- composer:
- Johann Sebastian Bach (in 1714)
- part of:
- Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen"
| | 2:08 |
| 6 | Cantate "Weinen, Klagen, Sorgen, Zagen" BWV 12: N.6: "Sei getreu, alle Pein" (Cantus Cölln, Konrad Junghänel)- recording engineer and producer:
- Andreas Neubronner
- tenor vocals:
- Gerd Türk (in 1999-04)
- conductor:
- Konrad Junghänel (in 1999-04)
- performer:
- Cantus Cölln (in 1999-04)
- recorded at:
- Kirche St. Osdag in Neustadt am Rübenberge, Niedersachsen , Germany (in 1999-04)
- recording of:
- Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen": VI. Aria (Tenore) "Sei getreu, alle Pein wird doch nur ein Kleines sein" (in 2000)
- composer:
- Johann Sebastian Bach (in 1714)
- part of:
- Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen"
| | 4:07 |
| 7 | Cantate "Weinen, Klagen, Sorgen, Zagen" BWV 12: N. 7. Choral: "Was Gott tutt, das ist wohlgetan" (Cantus Cölln, Konrad Junghänel)- recording engineer and producer:
- Andreas Neubronner
- alto vocals:
- Elisabeth Popien (in 1999-04)
- bass vocals:
- Stephan Schreckenberger (in 1999-04)
- soprano vocals:
- Johanna Koslowsky (in 1999-04)
- tenor vocals:
- Gerd Türk (in 1999-04)
- conductor:
- Konrad Junghänel (in 1999-04)
- performer:
- Cantus Cölln (in 1999-04)
- recorded at:
- Kirche St. Osdag in Neustadt am Rübenberge, Niedersachsen , Germany (in 1999-04)
- recording of:
- Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen": VII. Choral "Was Gott tut, das ist wohlgetan" (in 2000)
- lyricist:
- Samuel Rodigast
- composer:
- Johann Sebastian Bach (in 1714)
- part of:
- Breitkopf 389 Choralgesänge (number: 340)
- part of:
- Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen"
| | 1:02 |
| 8 | Sonate pour Viole de Gambe et Clavecin BWV 1029 en Sol mineur: I. Vivace (Viole de gambe: Juan Manuel Quintana, Clavecin: Céline Frisch) | | 5:24 |
| 9 | Variations Goldberg BWV 988: Aria (Clavecin: Kenneth Gilbert) | | 2:18 |
| 10 | Variations Goldberg BWV 988: Variation 16. Ouverture à un clavier (Clavecin: Kenneth Gilbert) | | 2:53 |
| 11 | Cantate pour Basse: Aria con Chorale "Welt, ade" (Basse: Peter Kooy, La Chapelle Royale, dir. Philippe Herreweghe) | | 7:02 |
| 12 | Magnificat en Ré majeur: Choeur "Magnificat anima mea Dominum" (Soprano: Barbara Schlick, La Chapelle Royale, dir. Philippe Herreweghe)- engineer:
- Michel Pierre
- producer:
- Michel Bernard
- bassoon:
- Kate Van Orden (in 1990-01)
- cello:
- Harm Jan Schwitters (in 1990-01) and Ageet Zweistra (in 1990-01)
- flute:
- Patrick Beuckels (in 1990-01) and Marc Hantaï (in 1990-01)
- oboe:
- Taka Kitazato (in 1990-01) and Marcel Ponseele (in 1990-01)
- organ:
- Jan-Willem Jansen (in 1990-01)
- timbales:
- Jean Chamboux (in 1990-01)
- trumpet:
- Jonathan Impett (in 1990-01), Stephen Keavy (in 1990-01) and Léon Petré (in 1990-01)
- viola:
- Christine Angot (in 1990-01) and Galina Zinchenko (in 1990-01)
- violin:
- Peter Van Boxelaere (in 1990-01), Adrian Chamorro (in 1990-01), Myriam Gevers (in 1990-01), Nicolette Moonen (in 1990-01), Martha Moore (in 1990-01) and Ryo Terakado (in 1990-01)
- choir vocals:
- Collegium Vocale Gent (in 1990-01) and Ensemble vocal européen de la Chapelle royale (in 1990-01)
- orchestra:
- La Chapelle Royale (in 1990-01) and Collegium Vocale Gent (in 1990-01)
- conductor:
- Philippe Herreweghe (in 1990-01)
- concertmaster:
- Roy Goodman (in 1990-01)
- recording of:
- Magnificat D-Dur, BWV 243: I. Coro "Magnificat anima mea" (in 1990-01)
- premiered in:
- Leipzig, Sachsen , Germany (on 1733-07-02)
- composed in:
- Leipzig, Sachsen , Germany (from 1728 until 1731)
- composer:
- Johann Sebastian Bach
- part of:
- Magnificat D-Dur, BWV 243
| | 3:03 |
| 13 | Magnificat en Ré majeur: Aria + Choeur "Omnes generationes" (Soprano: Barbara Schlick, La Chapelle Royale, dir. Philippe Herreweghe)- choir vocals:
- Collegium Vocale Gent
- soprano vocals:
- Barbara Schlick
- orchestra:
- La Chapelle Royale
- conductor:
- Philippe Herreweghe
- compilation of:
- Magnificat, BWV 243: III. Aria "Quia respexit humilitatem" by Collegium Vocale Gent, La Chapelle Royale , Philippe Herreweghe and Magnificat, BWV 243: IV. Chor "Omnes generationes" by Collegium Vocale Gent, La Chapelle Royale , Philippe Herreweghe
- recording of:
- Magnificat D-Dur, BWV 243: III. Aria (Sopran I) "Quia respexit" (in 1990-01)
- premiered in:
- Leipzig, Sachsen , Germany (on 1733-07-02)
- composed in:
- Leipzig, Sachsen , Germany (from 1728 until 1731)
- composer:
- Johann Sebastian Bach
- part of:
- Magnificat D-Dur, BWV 243
- recording of:
- Magnificat D-Dur, BWV 243: IV. Coro "Omnes generationes" (in 1990-01)
- premiered in:
- Leipzig, Sachsen , Germany (on 1733-07-02)
- composed in:
- Leipzig, Sachsen , Germany (from 1728 until 1731)
- composer:
- Johann Sebastian Bach
- part of:
- Magnificat D-Dur, BWV 243
| | 4:11 |
| 14 | Partita en Fa majeur: Prélude (Luth: Paul O'Dette) | | 5:11 |
| 15 | Oratorio de Noël BWV 248, "Am ersten Weihnachtstag": Choeur d'ouverture "Jauchzet, frohlocket" (RIAS Kammerchor, dir. René Jacobs)- engineer:
- Michael Glaser , Horst Langheinrich and Wolfgang Ragwitz
- creative direction:
- Eberhard Geiger
- choir vocals:
- RIAS Kammerchor
- orchestra:
- Akademie für Alte Musik Berlin
- conductor:
- René Jacobs
- phonographic copyright (℗) by:
- harmonia mundi musique s.a.s. (in 2019)
- recording of:
- Weihnachts-Oratorium, BWV 248: Teil I, I. Coro „Jauchzet, frohlocket“ (in 1997-01)
- premiered in:
- Leipzig, Sachsen , Germany (on 1734-12-25)
- composed in:
- Leipzig, Sachsen , Germany (from 1734 until 1735)
- composer:
- Johann Sebastian Bach
- is based on:
- Kantate, BWV 214 "Tönet, ihr Pauken! Erschallet, Trompeten!": I. Coro "Tönet, ihr Pauken! Erschallet, Trompeten!"
- part of:
- Weihnachts-Oratorium, BWV 248
| | 7:40 |
| 16 | Motet BWV 229: Chor, Sopran "Komm, Jesu, komm" (Soprano: Sibylla Rubens, RIAS Kammerchor, dir. René Jacobs) | | 6:58 |
| 17 | Chorals de Leipzig: "Nun dankte alle Gott" BWV 657 (Orgue Silbermann d'Arlesheim: Lionel Rogg) | | 3:29 |
| 18 | Messe en si mineur: Sanctus (Collegium Vocale Gent, dir. Philippe Herreweghe) | | 5:19 |
| 19 | Aria de la Pastorale en ut mineur (Piano Steinway: Alexandre Tharaud) | | 2:36 |
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