The Matrix (Original Motion Picture Score)

~ Release by Don Davis (see all versions of this release, 14 available)

Annotation

© «1999 Warner Bros.»
℗ «1999 Warner Bros., under exclusive license to Varese Sarabande Records, under exclusive license to Varese Sarabande Records»

Countries excluded (Deezer + Spotify)

(As of 2024-06-09).

  • Eastern Africa: 🇮🇴 British Indian Ocean Territory (io)
Annotation last modified on 2024-06-09 19:55 UTC.

Tracklist

Digital Media 1
#TitleRatingLength
1Main Title / Trinity Infinity (From “The Matrix”)
recording engineer:
John Rodd (engineer)
assistant engineer:
John Fuchs
producer:
Don Davis (American score composer)
mixer:
Armin Steiner
editor:
Jordan Corngold, Lori Eschler-Frystak and Brenda Heins
conductor:
Don Davis (American score composer)
phonographic copyright (℗) by:
Warner Bros. (holding: File NO Releases)
recording of:
Main Title (The Matrix)
part of:
The Matrix
recording of:
Trinity Infinity (The Matrix)
orchestrator and composer:
Don Davis (American score composer)
part of:
The Matrix
23:55
2Unable To Speak
recording engineer:
John Rodd (engineer)
assistant engineer:
John Fuchs
producer:
Don Davis (American score composer)
mixer:
Armin Steiner
editor:
Jordan Corngold, Lori Eschler-Frystak and Brenda Heins
conductor:
Don Davis (American score composer)
phonographic copyright (℗) by:
Warner Bros. (holding: File NO Releases)
recording of:
Unable to Speak
orchestrator and composer:
Don Davis (American score composer)
part of:
The Matrix
21:15
3The Power Plant
recording engineer:
John Rodd (engineer)
assistant engineer:
John Fuchs
producer:
Don Davis (American score composer)
mixer:
Armin Steiner
editor:
Jordan Corngold, Lori Eschler-Frystak and Brenda Heins
conductor:
Don Davis (American score composer)
phonographic copyright (℗) by:
Warner Bros. (holding: File NO Releases)
recording of:
The Power Plant
composer:
Don Davis (American score composer)
part of:
The Matrix
32:42
4Welcome To The Real World
recording engineer:
John Rodd (engineer)
assistant engineer:
John Fuchs
producer:
Don Davis (American score composer)
mixer:
Armin Steiner
editor:
Jordan Corngold, Lori Eschler-Frystak and Brenda Heins
conductor:
Don Davis (American score composer)
phonographic copyright (℗) by:
Warner Bros. (holding: File NO Releases)
recording of:
Welcome to the Real World
composer:
Don Davis (American score composer)
part of:
The Matrix
22:28
5The Hotel Ambush
recording engineer:
John Rodd (engineer)
assistant engineer:
John Fuchs
producer:
Don Davis (American score composer)
mixer:
Armin Steiner
editor:
Jordan Corngold, Lori Eschler-Frystak and Brenda Heins
conductor:
Don Davis (American score composer)
phonographic copyright (℗) by:
Warner Bros. (holding: File NO Releases)
recording of:
The Hotel Ambush
composer:
Don Davis (American score composer)
part of:
The Matrix
35:23
6Exit Mr. Hat
recording engineer:
John Rodd (engineer)
assistant engineer:
John Fuchs
producer:
Don Davis (American score composer)
mixer:
Armin Steiner
editor:
Jordan Corngold, Lori Eschler-Frystak and Brenda Heins
conductor:
Don Davis (American score composer)
phonographic copyright (℗) by:
Warner Bros. (holding: File NO Releases)
recording of:
Exit Mr. Hat
orchestrator and composer:
Don Davis (American score composer)
part of:
The Matrix
21:23
7A Virus
1:33
8Bullet‐Time
recording engineer:
John Rodd (engineer)
assistant engineer:
John Fuchs
producer:
Don Davis (American score composer)
mixer:
Armin Steiner
editor:
Jordan Corngold, Lori Eschler-Frystak and Brenda Heins
conductor:
Don Davis (American score composer)
phonographic copyright (℗) by:
Warner Bros. (holding: File NO Releases)
recording of:
Bullet-time
composer:
Don Davis (American score composer)
part of:
The Matrix
1:11
9Ontological Shock
recording engineer:
John Rodd (engineer)
assistant engineer:
John Fuchs
producer:
Don Davis (American score composer)
mixer:
Armin Steiner
editor:
Jordan Corngold, Lori Eschler-Frystak and Brenda Heins
conductor:
Don Davis (American score composer)
phonographic copyright (℗) by:
Warner Bros. (holding: File NO Releases)
recording of:
Ontological Shock
orchestrator and composer:
Don Davis (American score composer)
part of:
The Matrix
23:33
10Anything Is Possible
recording engineer:
John Rodd (engineer)
assistant engineer:
John Fuchs
producer:
Don Davis (American score composer)
mixer:
Armin Steiner
editor:
Jordan Corngold, Lori Eschler-Frystak and Brenda Heins
conductor:
Don Davis (American score composer)
phonographic copyright (℗) by:
Warner Bros. (holding: File NO Releases)
recording of:
Anything Is Possible
composer:
Don Davis (American score composer)
part of:
The Matrix
26:49