Bach & Beyond

~ Release by Bach Collegium Japan, Masaaki Suzuki (see all versions of this release, 1 available)

Annotation

Discs aren't numbered in this boxset.
Included in this set:
BIS-CD-807
BIS-CD-819
BIS-CD-821
BIS-CD-831/32
BIS-CD-865
BIS-CD-871
BIS-CD-891/92
BIS-CD-961
BIS-CD-1011
BIS-CD-1071/72
BIS-CD-1411
BIS-CD-1951

Annotation last modified on 2012-12-30 10:21 UTC.

Tracklist

▶ CD 1: Missa in illo tempore / Vespro della Beata Vergine (opening)

▶ CD 2: Vespro della Beata Vergine (conclusion) / Magnificat a 6 voci

▶ CD 3: Messiah: Part the First / Part the Second (Opening)

▼ CD 4: Messiah: Part the Second (Conclusion) / Part the Third
#	Title	Artist	Rating	Length
1	Messiah, Part the Second: Chorus: Surely, He hath borne our griefs sound engineer: Marion Schwebel executive producer: Robert von Bahr producer: Hans Kipfer choir vocals: Bach Collegium Japan orchestra: Bach Collegium Japan conductor: Masaaki Suzuki (keyboardist, conductor) recorded at: The Shoin Women's University Chapel (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan recording of: Messiah, HWV 56: Part II, no. 24. Chorus “Surely he hath borne our griefs” composer: George Frideric Handel (German‐British baroque composer) (in 1741) part of: Messiah, HWV 56: Part II	Georg Friedrich Händel		1:51
2	Messiah, Part the Second: Chorus: And with His stripes we are healed sound engineer: Marion Schwebel executive producer: Robert von Bahr producer: Hans Kipfer choir vocals: Bach Collegium Japan orchestra: Bach Collegium Japan conductor: Masaaki Suzuki (keyboardist, conductor) recorded at: The Shoin Women's University Chapel (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan recording of: Messiah, HWV 56: Part II, no. 25. Chorus “And with his stripes” composer: George Frideric Handel (German‐British baroque composer) (in 1741) part of: Messiah, HWV 56: Part II	Georg Friedrich Händel		1:34
3	Messiah, Part the Second: Chorus: All we like sheep have gone astray sound engineer: Marion Schwebel executive producer: Robert von Bahr producer: Hans Kipfer choir vocals: Bach Collegium Japan orchestra: Bach Collegium Japan conductor: Masaaki Suzuki (keyboardist, conductor) recorded at: The Shoin Women's University Chapel (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan recording of: Messiah, HWV 56: Part II, no. 26. Chorus “All we like sheep” composer: George Frideric Handel (German‐British baroque composer) (in 1741) part of: Messiah, HWV 56: Part II	Georg Friedrich Händel		4:00
4	Messiah, Part the Second: Accompagnato (Tenor): All they that see Him laugh tenor vocals: John Elwes (tenor) orchestra: Bach Collegium Japan conductor: Masaaki Suzuki (keyboardist, conductor) recorded at: The Shoin Women's University Chapel (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan recording of: Messiah, HWV 56: Part II, no. 27. Recitative “All they that see him” (Tenor) composer: George Frideric Handel (German‐British baroque composer) (in 1741) part of: Messiah, HWV 56: Part II	Georg Friedrich Händel		0:46
5	Messiah, Part the Second: Chorus: He trusted in God that He would deliver Him choir vocals: Bach Collegium Japan orchestra: Bach Collegium Japan conductor: Masaaki Suzuki (keyboardist, conductor) recorded at: The Shoin Women's University Chapel (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan recording of: Messiah, HWV 56: Part II, no. 28. Chorus “He trusted in God” composer: George Frideric Handel (German‐British baroque composer) (in 1741) part of: Messiah, HWV 56: Part II	Georg Friedrich Händel		2:18
6	Messiah, Part the Second: Accompagnato (Tenor): Thy rebuke hath broken His heart tenor vocals: John Elwes (tenor) orchestra: Bach Collegium Japan conductor: Masaaki Suzuki (keyboardist, conductor) recorded at: The Shoin Women's University Chapel (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan recording of: Messiah, HWV 56: Part II, no. 29. Recitative “Thy rebuke hath broken his heart” (Tenor) composer: George Frideric Handel (German‐British baroque composer) (in 1741) part of: Messiah, HWV 56: Part II	Georg Friedrich Händel		1:47
7	Messiah, Part the Second: Arioso (Tenor): Behold, and see if there be any sorrow tenor vocals: John Elwes (tenor) orchestra: Bach Collegium Japan conductor: Masaaki Suzuki (keyboardist, conductor) recorded at: The Shoin Women's University Chapel (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan recording of: Messiah, HWV 56: Part II, no. 30. Arioso “Behold and see” (Tenor) composer: George Frideric Handel (German‐British baroque composer) part of: Messiah, HWV 56: Part II	Georg Friedrich Händel		1:47
8	Messiah, Part the Second: Accompagnato (Soprano): He was cut off out of the land soprano vocals: Midori Suzuki (vocalist) orchestra: Bach Collegium Japan conductor: Masaaki Suzuki (keyboardist, conductor) recorded at: The Shoin Women's University Chapel (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan recording of: Messiah, HWV 56: Part II, no. 31. Recitative “He was cut off out of the land of the living…” (soprano) composer: George Frideric Handel (German‐British baroque composer) (in 1741) part of: Messiah, HWV 56: Part II	Georg Friedrich Händel		0:17
9	Messiah, Part the Second: Air (Soprano): But thou didst not leave His soul in Hell soprano vocals: Midori Suzuki (vocalist) orchestra: Bach Collegium Japan conductor: Masaaki Suzuki (keyboardist, conductor) recorded at: The Shoin Women's University Chapel (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan recording of: Messiah, HWV 56: Part II, no. 32. “But thou didst not leave His soul in hell…” (soprano) composer: George Frideric Handel (German‐British baroque composer) part of: Messiah, HWV 56: Part II	Georg Friedrich Händel		2:11
10	Messiah, Part the Second: Chorus: Lift up your heads, O ye gates choir vocals: Bach Collegium Japan orchestra: Bach Collegium Japan conductor: Masaaki Suzuki (keyboardist, conductor) recorded at: The Shoin Women's University Chapel (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan recording of: Messiah, HWV 56: Part II, no. 33. Chorus “Lift up your heads” composer: George Frideric Handel (German‐British baroque composer) (in 1741) part of: Messiah, HWV 56: Part II	Georg Friedrich Händel		3:01
11	Messiah, Part the Second: Recitative (Tenor): Unto which of the angels said He tenor vocals: John Elwes (tenor) orchestra: Bach Collegium Japan conductor: Masaaki Suzuki (keyboardist, conductor) recorded at: The Shoin Women's University Chapel (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan recording of: Messiah, HWV 56: Part II, no. 34. Recitative “Unto Which of the Angels…” (Tenor) composer: George Frideric Handel (German‐British baroque composer) (in 1741) part of: Messiah, HWV 56: Part II	Georg Friedrich Händel		0:22
12	Messiah, Part the Second: Chorus: Let all the angels of God worship Him choir vocals: Bach Collegium Japan orchestra: Bach Collegium Japan conductor: Masaaki Suzuki (keyboardist, conductor) recorded at: The Shoin Women's University Chapel (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan recording of: Messiah, HWV 56: Part II, no. 35. Chorus “Let all the angels of God worship Him” composer: George Frideric Handel (German‐British baroque composer) (in 1741) part of: Messiah, HWV 56: Part II	Georg Friedrich Händel		1:26
13	Messiah, Part the Second: Air (Soprano): Thou art gone up on high soprano vocals: Midori Suzuki (vocalist) orchestra: Bach Collegium Japan conductor: Masaaki Suzuki (keyboardist, conductor) recorded at: The Shoin Women's University Chapel (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan recording of: Messiah, HWV 56: Part II, no. 36. Air “Thou art gone up on high” (Bass) composer: George Frideric Handel (German‐British baroque composer) (in 1741) version of: Messiah, HWV 56: Alternative Arias: Air. “Thou art gone up on high” (1741) part of: Messiah, HWV 56: Part II	Georg Friedrich Händel		2:53
14	Messiah, Part the Second: Chorus: The Lord gave the world choir vocals: Bach Collegium Japan orchestra: Bach Collegium Japan conductor: Masaaki Suzuki (keyboardist, conductor) recorded at: The Shoin Women's University Chapel (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan recording of: Messiah, HWV 56: Part II, no. 37. Chorus “The Lord gave the Word” composer: George Frideric Handel (German‐British baroque composer) (in 1741) part of: Messiah, HWV 56: Part II	Georg Friedrich Händel		1:13
15	Messiah, Part the Second: Air (Soprano): How beautiful are the feet of Him soprano vocals: Midori Suzuki (vocalist) orchestra: Bach Collegium Japan conductor: Masaaki Suzuki (keyboardist, conductor) recorded at: The Shoin Women's University Chapel (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan recording of: Messiah, HWV 56: Part II, no. 38. Aria “How beautiful are the feet…” (Soprano) (soprano aria version without chorus) composer: George Frideric Handel (German‐British baroque composer) part of: Messiah, HWV 56: Part II	Georg Friedrich Händel		2:19
16	Messiah, Part the Second: Chorus: Their sound is gone out into all lands choir vocals: Bach Collegium Japan orchestra: Bach Collegium Japan conductor: Masaaki Suzuki (keyboardist, conductor) recorded at: The Shoin Women's University Chapel (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan recording of: Messiah, HWV 56: Part II, no. 39. Chorus “Their sound is gone out” (version for chorus, not tenor solo) composer: George Frideric Handel (German‐British baroque composer) (in 1745) is based on: Messiah, HWV 56: Part II, no. 39. Arioso “Their sound is gone out” (Tenor) part of: Messiah, HWV 56: Part II	Georg Friedrich Händel		1:44
17	Messiah, Part the Second: Air (Bass): Why do the nations so furiously rage together bass vocals: David Thomas (British operatic bass) orchestra: Bach Collegium Japan conductor: Masaaki Suzuki (keyboardist, conductor) recorded at: The Shoin Women's University Chapel (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan recording of: Messiah, HWV 56: Part II, no. 40. Air “Why do the nations” (Bass) composer: George Frideric Handel (German‐British baroque composer) (in 1741) part of: Messiah, HWV 56: Part II	Georg Friedrich Händel		1:23
18	Messiah, Part the Second: Chorus: Let us break their bonds asunder choir vocals: Bach Collegium Japan orchestra: Bach Collegium Japan conductor: Masaaki Suzuki (keyboardist, conductor) recorded at: The Shoin Women's University Chapel (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan recording of: Messiah, HWV 56: Part II, no. 41. Chorus “Let us Break Their Bonds Asunder” composer: George Frideric Handel (German‐British baroque composer) (in 1741) part of: Messiah, HWV 56: Part II	Georg Friedrich Händel		1:45
19	Messiah, Part the Second: Recitative (Tenor): He that dwelleth in heaven tenor vocals: John Elwes (tenor) orchestra: Bach Collegium Japan conductor: Masaaki Suzuki (keyboardist, conductor) recorded at: The Shoin Women's University Chapel (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan recording of: Messiah, HWV 56: Part II, no. 42. Recitative “He that dwelleth in heaven…” (tenor) composer: George Frideric Handel (German‐British baroque composer) (in 1741) part of: Messiah, HWV 56: Part II	Georg Friedrich Händel		0:13
20	Messiah, Part the Second: Air (Tenor): Thou shalt break them with a rod of iron tenor vocals: John Elwes (tenor) orchestra: Bach Collegium Japan conductor: Masaaki Suzuki (keyboardist, conductor) recorded at: The Shoin Women's University Chapel (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan recording of: Messiah, HWV 56: Part II, no. 43. Air “Thou shalt break them” (Tenor) composer: George Frideric Handel (German‐British baroque composer) part of: Messiah, HWV 56: Part II	Georg Friedrich Händel		2:07
21	Messiah, Part the Second: Chorus: Hallelujah! sound engineer: Marion Schwebel executive producer: Robert von Bahr producer: Hans Kipfer choir vocals: Bach Collegium Japan orchestra: Bach Collegium Japan conductor: Masaaki Suzuki (keyboardist, conductor) recorded at: The Shoin Women's University Chapel (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan recording of: Messiah, HWV 56: Part II, no. 44. Chorus: “Hallelujah” composer: George Frideric Handel (German‐British baroque composer) (in 1741) librettist: Charles Jennens part of: Messiah, HWV 56: Part II	Georg Friedrich Händel		3:47
22	Messiah, Part the Third: Air (Soprano): I know that my Redeemer liveth sound engineer: Marion Schwebel executive producer: Robert von Bahr producer: Hans Kipfer soprano vocals: Midori Suzuki (vocalist) orchestra: Bach Collegium Japan conductor: Masaaki Suzuki (keyboardist, conductor) recorded at: The Shoin Women's University Chapel (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan recording of: Messiah, HWV 56: Part III, no. 45. Air “I know that my Redeemer liveth” (Soprano) composer: George Frideric Handel (German‐British baroque composer) (in 1741) part of: Messiah, HWV 56: Part III	Georg Friedrich Händel		5:33
23	Messiah, Part the Third: Chorus: Since by man came death sound engineer: Marion Schwebel executive producer: Robert von Bahr producer: Hans Kipfer choir vocals: Bach Collegium Japan orchestra: Bach Collegium Japan conductor: Masaaki Suzuki (keyboardist, conductor) recorded at: The Shoin Women's University Chapel (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan recording of: Messiah, HWV 56: Part III, no. 46. Chorus “Since by man came death” composer: George Frideric Handel (German‐British baroque composer) (in 1741) part of: Messiah, HWV 56: Part III	Georg Friedrich Händel		2:05
24	Messiah, Part the Third: Accompagnato (Bass): Behold, I tell you a mystery sound engineer: Marion Schwebel executive producer: Robert von Bahr producer: Hans Kipfer bass vocals: David Thomas (British operatic bass) orchestra: Bach Collegium Japan conductor: Masaaki Suzuki (keyboardist, conductor) recorded at: The Shoin Women's University Chapel (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan recording of: Messiah, HWV 56: Part III, no. 47. Recitativo “Behold, I tell you a mystery” (Bass) composer: George Frideric Handel (German‐British baroque composer) (in 1741) part of: Messiah, HWV 56: Part III	Georg Friedrich Händel		0:40
25	Messiah, Part the Third: Air (Bass): The trumpet shall sound sound engineer: Marion Schwebel executive producer: Robert von Bahr producer: Hans Kipfer bass vocals: David Thomas (British operatic bass) orchestra: Bach Collegium Japan conductor: Masaaki Suzuki (keyboardist, conductor) recorded at: The Shoin Women's University Chapel (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan recording of: Messiah, HWV 56: Part III, no. 48. Air “The trumpet shall sound” (Bass) composer: George Frideric Handel (German‐British baroque composer) (in 1741) part of: Messiah, HWV 56: Part III	Georg Friedrich Händel		8:50
26	Messiah, Part the Third: Recitative (Alto): Then shall be brought to pass alto vocals: Yoshikazu Mera (Japanese countertenor) orchestra: Bach Collegium Japan conductor: Masaaki Suzuki (keyboardist, conductor) recorded at: The Shoin Women's University Chapel (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan recording of: Messiah, HWV 56: Part III, no. 49. Recitativo “Then shall be brought to pass” (Alto) composer: George Frideric Handel (German‐British baroque composer) part of: Messiah, HWV 56: Part III	Georg Friedrich Händel		0:17
27	Messiah, Part the Third: Duet (Alto, Tenor): O Death, where is thy sting alto vocals: Yoshikazu Mera (Japanese countertenor) tenor vocals: John Elwes (tenor) orchestra: Bach Collegium Japan conductor: Masaaki Suzuki (keyboardist, conductor) recorded at: The Shoin Women's University Chapel (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan recording of: Messiah, HWV 56: Part III, no. 50. Duet “O death, where is thy sting” (Alt & Tenor) composer: George Frideric Handel (German‐British baroque composer) (in 1741) part of: Messiah, HWV 56: Part III	Georg Friedrich Händel		1:46
28	Messiah, Part the Third: Chorus: But thanks be to God choir vocals: Bach Collegium Japan orchestra: Bach Collegium Japan conductor: Masaaki Suzuki (keyboardist, conductor) recorded at: The Shoin Women's University Chapel (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan recording of: Messiah, HWV 56: Part III, no. 51. Chorus “But thanks be to God…” composer: George Frideric Handel (German‐British baroque composer) (in 1741) part of: Messiah, HWV 56: Part III	Georg Friedrich Händel		2:09
29	Messiah, Part the Third: Air (Soprano): If God be for us soprano vocals: Midori Suzuki (vocalist) orchestra: Bach Collegium Japan conductor: Masaaki Suzuki (keyboardist, conductor) recorded at: The Shoin Women's University Chapel (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan recording of: Messiah, HWV 56: Part III, no. 52. Air “If God be for us” (Soprano) (original version for soprano) composer: George Frideric Handel (German‐British baroque composer) (in 1741) part of: Messiah, HWV 56: Part III	Georg Friedrich Händel		4:27
30	Messiah, Part the Third: Chorus: Worthy is the Lamb that was slain sound engineer: Marion Schwebel executive producer: Robert von Bahr producer: Hans Kipfer choir vocals: Bach Collegium Japan orchestra: Bach Collegium Japan conductor: Masaaki Suzuki (keyboardist, conductor) recorded at: The Shoin Women's University Chapel (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan recording of: Messiah, HWV 56: Part III, no. 53. Chorus “Worthy is the Lamb… Amen” composer: George Frideric Handel (German‐British baroque composer) (in 1741) part of: Messiah, HWV 56: Part III	Georg Friedrich Händel		7:30

▶ CD 5: The Three Cello Concertos

Credits

Release

rights society:	n©b (Nordisk Copyright Bureau, a rights society; do not use this as a label!)
copyrighted (©) by and phonographic copyright (℗) by:	BIS Records AB (not for release label use!)

Discogs:	https://www.discogs.com/release/8526370 [info]
ASIN:	US: B003Q8XJTM [info]

Bach & Beyond

Annotation

Tracklist

Credits

Release

Release information

Additional details

Labels

Release events

Release group rating

Release group reviews

Tags

Genres

Other tags

External links

Editing

Collections