Messiah

~ Release by G.F. Handel; Elly Ameling, Philip Langridge, Anna Reynolds, Gwynne Howell, The Academy and Chorus of St. Martin‐in‐the‐Fields, Neville Marriner (see all versions of this release, 5 available)

Tracklist

▼ 12" Vinyl 1
#TitleArtistRatingLength
AMessiah: Nos. 1–9
bass vocals:
Gwynne Howell (operatic bass) (from 1976-01 until 1976-07)
choir vocals:
Chorus of St. Martin‐in‐the‐Fields (from 1976-01 until 1976-07)
contralto vocals:
Anna Reynolds (alto) (from 1976-01 until 1976-07)
soprano vocals:
Elly Ameling (soprano) (from 1976-01 until 1976-07)
tenor vocals:
Philip Langridge (tenor) (from 1976-01 until 1976-07)
orchestra:
The Academy of St. Martin‐in‐the‐Fields (Academy of St Martin in the Fields) (from 1976-01 until 1976-07)
conductor:
Sir Neville Marriner (conductor) (from 1976-01 until 1976-07)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (from 1976-01 until 1976-07)
recording of:
Messiah, HWV 56: Part I, no. 1. Symphony (from 1976-01 until 1976-07)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
recording of:
Messiah, HWV 56: Part I, no. 2. Recitativo “Comfort Ye” (Tenor) (from 1976-01 until 1976-07)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
recording of:
Messiah, HWV 56: Part I, no. 3. Air “Ev’ry valley shall be exalted” (Tenor) (from 1976-01 until 1976-07)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
recording of:
Messiah, HWV 56: Part I, no. 4. Chorus “And the glory of the Lord” (from 1976-01 until 1976-07)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
recording of:
Messiah, HWV 56: Part I, no. 5. Recitative “Thus saith the Lord” (Bass) (from 1976-01 until 1976-07)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
recording of:
Messiah, HWV 56: Part I, no. 6. Air “But who may abide” (from 1976-01 until 1976-07)
composer:
George Frideric Handel (German‐British baroque composer)
version of:
Messiah, HWV 56: Alternative Arias: Air. “But who may abide the day of His coming?” (1741)
part of:
Messiah, HWV 56: Part I
recording of:
Messiah, HWV 56: Part I, no. 7. Chorus “And he shall purify” (from 1976-01 until 1976-07)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
recording of:
Messiah, HWV 56: Part I, no. 8. Recitative “Behold, a virgin shall conceive” (Alto) (from 1976-01 until 1976-07)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
recording of:
Messiah, HWV 56: Part I, no. 9. Air “O Thou that tellest good tidings to Zion” (Alto, Chorus) (from 1976-01 until 1976-07)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
George Frideric Handel?:??
BMessiah: Nos. 10–18
bass vocals:
Gwynne Howell (operatic bass) (from 1976-01 until 1976-07)
choir vocals:
Chorus of St. Martin‐in‐the‐Fields (from 1976-01 until 1976-07)
contralto vocals:
Anna Reynolds (alto) (from 1976-01 until 1976-07)
soprano vocals:
Elly Ameling (soprano) (from 1976-01 until 1976-07)
tenor vocals:
Philip Langridge (tenor) (from 1976-01 until 1976-07)
orchestra:
The Academy of St. Martin‐in‐the‐Fields (Academy of St Martin in the Fields) (from 1976-01 until 1976-07)
conductor:
Sir Neville Marriner (conductor) (from 1976-01 until 1976-07)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (from 1976-01 until 1976-07)
recording of:
Messiah, HWV 56: Part I, no. 10. Recitative “For behold, darkness shall cover the earth” (Bass) (from 1976-01 until 1976-07)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
recording of:
Messiah, HWV 56: Part I, no. 11. Air “The people that walked in darkness” (Bass) (from 1976-01 until 1976-07)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Messiah, HWV 56: Part I
recording of:
Messiah, HWV 56: Part I, no. 12. Chorus “For unto us a Child is born” (from 1976-01 until 1976-07)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
recording of:
Messiah, HWV 56: Part I, no. 13. Pastoral Symphony (Pifa) (from 1976-01 until 1976-07)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
recording of:
Messiah, HWV 56: Part I, no. 14. Recitative “There were shepherds, abiding in the field… And lo! the angel of the Lord come upon them” (Soprano) (from 1976-01 until 1976-07)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
recording of:
Messiah, HWV 56: Part I, no. 15. Recitative “And the angel said unto them” (Soprano) (from 1976-01 until 1976-07)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Messiah, HWV 56: Part I
recording of:
Messiah, HWV 56: Part I, no. 16. Recitative “And suddenly there was with the angel” (Soprano) (from 1976-01 until 1976-07)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Messiah, HWV 56: Part I
recording of:
Messiah, HWV 56: Part I, no. 17. Chorus “Glory to God in the highest” (from 1976-01 until 1976-07)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
recording of:
Messiah, HWV 56: Part I, no. 18: Air “Rejoice greatly, O daughter of Zion” (Soprano) (from 1976-01 until 1976-07)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
version of:
Messiah, HWV 56: Alternative Arias: Air. “Rejoice greatly, O daughter of Zion” (1741)
part of:
Messiah, HWV 56: Part I
George Frideric Handel?:??
▶ 12" Vinyl 2
▶ 12" Vinyl 3