Les incontournables des années 80, vol. 2

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

▼ CD 1
#TitleArtistRatingLength
1P. Machinery
recording of:
p:Machinery
miscellaneous support:
David Sylvian
lyricist:
Ralf Dörper
composer:
Claudia Brücken, Ralf Dörper, Susanne Freytag and Michael Mertens (German musician & producer)
Propaganda3:51
2Two Tribes
additional producer:
Stephen Lipson
producer:
Trevor Horn
bass guitar:
Mark O’Toole (former bassist of Frankie Goes to Hollywood)
drums (drum set):
Peter Gill (UK drummer for Frankie Goes to Hollywood)
guest keyboard:
Andrew Richards (Strawbs keyboard player/record producer) and Anne Dudley (English score composer)
guest percussion:
Luis Jardim
guitar:
Brian Nash (British guitarist (Frankie Goes to Hollywood) and songwriter)
lead vocals:
Holly Johnson, Mark O’Toole (former bassist of Frankie Goes to Hollywood) and Paul Rutherford (member of Frankie Goes to Hollywood)
conductor:
Stuart Bruce
part of:
TV Cream: Real 100 Best Singles Ever (number: 27)
recording of:
Two Tribes
written in:
Liverpool, Merseyside, England, United Kingdom (from 1982 until 1983)
lyricist and composer:
Peter Gill (UK drummer for Frankie Goes to Hollywood), Mark William O'Toole (former bassist of Frankie Goes to Hollywood) and William Johnson
publisher:
Perfect Songs Ltd. (UK publisher, affiliated with PRS)
Frankie Goes to Hollywood4.23:23
3Wouldn’t It Be Good
recording of:
Wouldn’t It Be Good
lyricist and composer:
Nik Kershaw
publisher:
Arctic King, Imagem Music GmbH (subsidiary of Dutch music publishers Imagem), Imagem Music UK, Imagem Songs Ltd., Irving Music, Inc., Mamal, Rondor Music, Rondor Music (London) Ltd., Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing, Synch Division and Yamaha Music EH(CM)
part of:
Gotcha! (1985 film soundtrack)
Nik Kershaw4:27
4Don’t Get Me Wrong
engineer:
Bruce Lampcov
producer:
Bob Clearmountain and Jimmy Iovine
mixer:
Bob Clearmountain
bass:
Chucho Merchán
drums (drum set) and percussion:
Steve Jordan (US drummer/multi-instrumentalist, composer & producer)
guitar:
Chrissie Hynde (rock singer-songwriter and founder of Pretenders) and Robbie McIntosh (English guitarist for The Pretenders)
piano and synthesizer:
Wix (UK / Paul Wickens)
vocals:
Chrissie Hynde (rock singer-songwriter and founder of Pretenders)
phonographic copyright (℗) by:
WEA Records Ltd. (holding company based in the UK) and Warner Music UK Ltd. (not for release label use!) (in 2007)
recording of:
Don’t Get Me Wrong
lyricist and composer:
Chrissie Hynde (rock singer-songwriter and founder of Pretenders)
publisher:
Clive Banks Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and Hynde House of Hits Music
Pretenders4.23:49
5The Promise You Made
producer and mixer:
Steve Hillage
drums (drum set) and percussion:
Louis Molino
lead vocals:
Peter Kingsbery and Anna LaCazio
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1985) and Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP) (in 1985)
mixed at:
Kendun Recorders in Burbank, California, United States
recording of:
The Promise You Made
lyricist and composer:
Peter Kingsbery
publisher:
31, Edwin Ellis Music (publisher), Nurk Twins Music (publisher) and Strictly Confidential France
sub-publisher:
Nichion Synch Division (NICHION, INC. Synch Division) and Sony Music Publishing (Japan), Inc., A Division (Sony Music Publishing (Japan) Inc., A Division)
Cock Robin4.53:54
6Silent Running
engineer:
Simon Hurrell
producer:
Christopher Neil
lead vocals:
Paul Carrack
recorded at:
AIR Studios Montserrat in Saint Peter, Montserrat
recording of:
Silent Running (On Dangerous Ground)
writer:
B.A. Robertson and Mike Rutherford
Mike + the Mechanics46:14
7Forever Young
additional recording engineer:
Uli Rudolf
recording engineer and mixer:
Wolfgang Loos (from 1984-07 until 1984-08)
assistant programming:
Boris Balin and Thomas Beck (technical assistant, likely German)
programming:
Wolfgang Loos
producer:
Wolfgang Loos and Colin Pearson (producer and violinist)
additional keyboard:
Wolfgang Loos (from 1984-07 until 1984-08)
bass:
Ken Taylor (from 1984-07 until 1984-08)
drum machine:
Bernhard Lloyd (from 1984-07 until 1984-08)
drums (drum set):
Curt Cress (from 1984-07 until 1984-08)
keyboard:
Bernhard Lloyd (from 1984-07 until 1984-08) and Frank Mertens (German synthpop keyboardist Frank Sorgatz) (from 1984-07 until 1984-08)
background vocals:
Gulfstream (from 1984-07 until 1984-08) and The Rosie Singers (from 1984-07 until 1984-08)
lead vocals:
Marian Gold (from 1984-07 until 1984-08)
arranger:
Alphaville (German synth pop band) and Wolfgang Loos
phonographic copyright (℗) by:
WEA MUSIK GMBH (company, not a label) (from 1984 to present)
recorded at and mixed at:
Studio 54 (Berlin recording studio) in Germany (from 1984-07 until 1984-08)
recording of:
Forever Young (from 1984-07 until 1984-08)
lyricist:
Marian Gold
composer:
Frank Mertens (German synthpop keyboardist Frank Sorgatz), Marian Gold and Bernhard Lloyd
publisher:
Downtown DMP Songs, Fable Music Pty. Ltd. and Rolf Budde Musikverlag (aka Budde Music)
Alphaville4.653:44
8Drive
recording engineer:
Nigel Green (engineer)
producer:
The Cars and Robert John “Mutt” Lange (Robert John Lange)
mixer:
Mike Shipley (audio engineer, mixer, producer)
bass:
Benjamin Orr (co-lead singer for The Cars)
drums (drum set):
David Robinson (US rock drummer)
guitar:
Elliot Easton and Ric Ocasek
keyboard:
Greg Hawkes
vocals:
Elliot Easton, Greg Hawkes, Ric Ocasek and Benjamin Orr (co-lead singer for The Cars)
phonographic copyright (℗) by:
Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1984) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1984)
recorded at:
Battery Studios (London, owned by Zomba group) in London (Greater London), England, United Kingdom
mixed at:
Electric Lady Studios in Greenwich Village, New York, New York, United States
music videos:
Drive by The Cars
recording of:
Drive
publisher:
Ric Ocasek (in 1983)
lyricist and composer:
Ric Ocasek
publisher:
Carlin Music Corp., Gallo Music Publishing, Lido Music, Inc., Universal Music Corp. (USA, affiliated with ASCAP) and Warner/Chappell Music Ltd. (1996–2019)
The Cars43:54
9Time After Time
additional engineer:
John Jansen (US recording engineer and producer) and Rod O’Brien
assistant engineer:
John Agnello (engineer & producer)
engineer:
William Wittman
associate producer:
William Wittman
producer:
Rick Chertoff
lead vocals:
Cyndi Lauper
phonographic copyright (℗) by:
Sony BMG Music Entertainment Inc. (in 1983), Sony Music Entertainment (Holland) B.V. (Sony Music Entertainment's NL subsidiary until 2004) (in 1983) and Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP) (in 1984)
recorded at:
The Record Plant (New York) in Midtown Manhattan, New York, New York, United States
a cappella versions:
Time After Time by Forte A Cappella (Centerville High School)
part of:
VH1: 100 Greatest Songs of the 80's (compiled in 2006) (number: 19), Billboard: The 500 Best Pop Songs (as of October 2023) (number: 116) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 494)
recording of:
Time After Time
writer:
Rob Hyman and Cyndi Lauper
publisher:
Sony Songs Inc. (ended), CBS Songs Ltd., Dub Notes Music (publisher) (, in 1984), Gray Matter Music, Human Boy Music, Reilla Music Company, Rellla Music Corp., Sony Music Publishing (worldwide except Japan, ended 1995), Sony/ATV Music Publishing Ltd., Warner Chappell Music (publisher as Warner/Chappell Music), Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) (until 2019-05-28), Rella Music Co. (publisher) (in 1984) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
Sony Music Publishing (Japan), Inc., A Division (Sony Music Publishing (Japan) Inc., A Division), Warner Brothers Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division) and Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
Cyndi Lauper4.454:01
10Get Up Your Lazy Bed
engineer:
John Buckley (British production music composer)
producer:
Peter Collins (producer)
mixer:
Phil Harding (engineer, producer and remixer)
baritone saxophone:
Ronnie Ross
drums (drum set) and percussion:
Peter Ross
keyboard:
Danny White (keyboardist)
vocals:
Basia and Mark Reilly (guitarist, vocalist, producer, songwriter)
vocals arranger:
Basia
phonographic copyright (℗) by:
WEA Records Ltd. (holding company based in the UK) (in 1984)
recording of:
Get Out of Your Lazy Bed
writer:
Mark Reilly (guitarist, vocalist, producer, songwriter) and Danny White (keyboardist)
Matt Bianco2.653:26
11Clouds Across the Moon
recording of:
Clouds Across the Moon
RAH Band4:34
12This Time I Know It’s for Real
recording of:
This Time I Know It's for Real
writer:
Matt Aitken, Mike Stock (of Stock Aitken Waterman), Donna Summer (soul/disco diva) and Pete Waterman
Donna Summer23:37
13You Can Call Me Al
assistant engineer:
Mark Cobrin
engineer:
Roy Halee
producer:
Paul Simon (of Simon & Garfunkel)
baritone saxophone and bass saxophone:
Ronald E. Cuber
bass guitar:
Baghiti Khumalo
drums (drum set):
Isaac Mtshali
electric bass guitar [six-string electric bass] and background vocals:
Paul Simon (of Simon & Garfunkel)
guitar:
Chikapa “Ray” Phiri
guitar synthesizer:
Adrian Belew
percussion:
Ralph MacDonald
solo tin whistle [pennywhistle]:
Morris Goldberg (saxophonist and flutist)
synthesizer:
Rob Mounsey
trombone:
Kim Allan Cissel and David W. Bargeron (US trombonist & tubist)
trumpet:
Alan Rubin, John Faddis, Lewis Michael Soloff and Ronald E. Brecker
vocals:
Paul Simon (of Simon & Garfunkel)
horn arranger:
Rob Mounsey
additional arranger:
Chikapa “Ray” Phiri
recorded at:
The Hit Factory in Manhattan, New York, New York, United States (from 1985-05 until 1986-04)
mixed at:
The Hit Factory in Manhattan, New York, New York, United States (in 1986)
recording of:
You Can Call Me Al
lyricist and composer:
Paul Simon (of Simon & Garfunkel)
publisher:
Paul Simon Music (in 1986)
Paul Simon4.354:40
14A Love Bizarre
producer:
Prince (“The Artist Formerly Known as…”) and Sheila E.
arranger:
Prince (“The Artist Formerly Known as…”) and Sheila E.
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1985) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1985)
recording of:
A Love Bizarre
lyricist and arranger:
Prince (“The Artist Formerly Known as…”)
composer:
Prince (“The Artist Formerly Known as…”) and Sheila Escovedo
publisher:
Sister Fate Music (publisher) (in 1985)
Sheila E.3:49
15I Keep Forgettin’
producer:
Ted Templeman and Lenny Waronker
bass guitar:
Louis Johnson (bass, member of Brothers Johnson)
clavinet:
Greg Phillinganes
drums (drum set):
Jeff Porcaro
guitar:
Steve Lukather
Rhodes piano, synthesizer and lead vocals:
Michael McDonald (R&B & soul singer)
background vocals:
Maureen McDonald (backing vocalist, sister of Michael McDonald)
phonographic copyright (℗) by:
Warner Bros. Records (1958–2019; “WB” logo, with or without “records” beneath or on banner across) (in 1982), Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1982) and Warner Records Inc. (not for release label use; fka Warner Bros. Records Inc. until 2019) (in 1982)
recording of:
I Keep Forgettin’ (Every Time You’re Near)
writer:
Jerry Leiber, Michael McDonald (R&B & soul singer), Ed Sanford and Mike Stoller
publisher:
Bienstock Publishing Company (ASCAP affiliated), Jerry Leiber Music, Mike Stoller Music (ASCAP) and Yellow Dog Music Inc
version of:
I Keep Forgettin’
Michael McDonald4.23:40
16Jealousy
recording engineer and mixer:
Ray Bardani
producer:
Ray Bardani and Michael Colina
alto saxophone:
Lawrence Feldman (flutist and saxophonist)
bass guitar:
Francisco Centeno
drums (drum set):
Buddy Williams (drummer)
electric piano:
Rob Mounsey
guitar:
Nick Moroch (US guitarist)
tenor saxophone:
Michael Brecker (American jazz saxophonist, multi-instrumentalist and composer)
trumpet:
Randy Brecker and Lew Soloff
background vocals:
Yvonne Lewis, Ullanda McCullough, Yolanda McCullough and S. Renee Diggs
vocals:
Michael Franks
brass arranger:
Rob Mounsey
percussion [rhythm] arranger:
Michael Colina and Michael Franks
phonographic copyright (℗) by:
Warner Bros. Records (1958–2019; “WB” logo, with or without “records” beneath or on banner across) (in 1982) and Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1982)
recorded at and mixed at:
Minot Sound Studio in White Plains, New York, United States
recording of:
Jealousy
lyricist and composer:
Michael Franks
publisher:
Mississippi Mud Music Co., Warner–Tamerlane Publishing Corp. (Warner–Tamerlane Publishing Corporation, publisher; do NOT use as release label) and 大洋音楽 (Taiyō Music)
Michael Franks23:33
17Twist in My Sobriety
phonographic copyright (℗) by:
WEA Records Ltd. (holding company based in the UK) (in 1988)
recording of:
Twist in My Sobriety (in 1988)
lyricist and composer:
Tanita Tikaram
publisher:
Brogue Music and Warner Basart (publisher)
Tanita Tikaram4.74:51