Tombstone

~ Release by Bruce Broughton (see all versions of this release, 2 available)

Tracklist

▼ CD 1
#TitleRatingLength
1The Cowboys
recording engineer and mixer:
Mike Ross‐Trevor (engineer)
producer:
Bruce Broughton
orchestra:
Sinfonia of London (John Wilson’s session orchestra)
conductor:
Bruce Broughton and David Snell (British harpist and conductor, library music)
orchestrator:
Don Nemitz
3:52
2A Family
recording engineer and mixer:
Mike Ross‐Trevor (engineer)
producer:
Bruce Broughton and Douglass Fake
editor:
Patricia Carlin and Douglass Fake
orchestra:
Sinfonia of London (John Wilson’s session orchestra)
conductor:
Bruce Broughton and David Snell (British harpist and conductor, library music)
orchestrator:
Don Nemitz
phonographic copyright (℗) by:
Intrada (US soundtrack label)
recorded at and mixed at:
Whitfield Street Recording Studios (operating under this name only since 2004, see annotation for history) in London (Greater London), England, United Kingdom
recording of:
A Family
orchestrator:
Don Nemitz
composer:
Bruce Broughton
2:04
3Arrival in Tombstone
recording engineer and mixer:
Mike Ross‐Trevor (engineer)
producer:
Bruce Broughton and Douglass Fake
editor:
Patricia Carlin and Douglass Fake
orchestra:
Sinfonia of London (John Wilson’s session orchestra)
conductor:
Bruce Broughton and David Snell (British harpist and conductor, library music)
orchestrator:
Don Nemitz
phonographic copyright (℗) by:
Intrada (US soundtrack label)
recorded at and mixed at:
Whitfield Street Recording Studios (operating under this name only since 2004, see annotation for history) in London (Greater London), England, United Kingdom
recording of:
Arrival in Tombstone
orchestrator:
Don Nemitz
composer:
Bruce Broughton
2:16
4Josephine
recording engineer and mixer:
Mike Ross‐Trevor (engineer)
producer:
Bruce Broughton and Douglass Fake
editor:
Patricia Carlin and Douglass Fake
orchestra:
Sinfonia of London (John Wilson’s session orchestra)
conductor:
Bruce Broughton and David Snell (British harpist and conductor, library music)
orchestrator:
Don Nemitz
phonographic copyright (℗) by:
Intrada (US soundtrack label)
recorded at and mixed at:
Whitfield Street Recording Studios (operating under this name only since 2004, see annotation for history) in London (Greater London), England, United Kingdom
recording of:
Josephine
orchestrator:
Don Nemitz
composer:
Bruce Broughton
1:31
5Thespian Overture
recording engineer and mixer:
Mike Ross‐Trevor (engineer)
producer:
Bruce Broughton
orchestra:
Sinfonia of London (John Wilson’s session orchestra)
conductor:
Bruce Broughton and David Snell (British harpist and conductor, library music)
orchestrator:
Don Nemitz
0:47
6Gotta Go to Work
recording engineer and mixer:
Mike Ross‐Trevor (engineer)
producer:
Bruce Broughton and Douglass Fake
editor:
Patricia Carlin and Douglass Fake
orchestra:
Sinfonia of London (John Wilson’s session orchestra)
conductor:
Bruce Broughton and David Snell (British harpist and conductor, library music)
orchestrator:
Don Nemitz
phonographic copyright (℗) by:
Intrada (US soundtrack label)
recorded at and mixed at:
Whitfield Street Recording Studios (operating under this name only since 2004, see annotation for history) in London (Greater London), England, United Kingdom
recording of:
Gotta Go to Work
orchestrator:
Don Nemitz
composer:
Bruce Broughton
1:12
7Fortuitous Encounter
recording engineer and mixer:
Mike Ross‐Trevor (engineer)
producer:
Bruce Broughton
orchestra:
Sinfonia of London (John Wilson’s session orchestra)
conductor:
Bruce Broughton and David Snell (British harpist and conductor, library music)
orchestrator:
Don Nemitz
5:18
8Street Standoff
recording engineer and mixer:
Mike Ross‐Trevor (engineer)
producer:
Bruce Broughton
orchestra:
Sinfonia of London (John Wilson’s session orchestra)
conductor:
Bruce Broughton and David Snell (British harpist and conductor, library music)
orchestrator:
Don Nemitz
7:10
9The O.K. Corral
recording engineer and mixer:
Mike Ross‐Trevor (engineer)
producer:
Bruce Broughton
orchestra:
Sinfonia of London (John Wilson’s session orchestra)
conductor:
Bruce Broughton and David Snell (British harpist and conductor, library music)
orchestrator:
Don Nemitz
7:35
10Aftermath
recording engineer and mixer:
Mike Ross‐Trevor (engineer)
producer:
Bruce Broughton and Douglass Fake
editor:
Patricia Carlin and Douglass Fake
orchestra:
Sinfonia of London (John Wilson’s session orchestra)
conductor:
Bruce Broughton and David Snell (British harpist and conductor, library music)
orchestrator:
Don Nemitz
phonographic copyright (℗) by:
Intrada (US soundtrack label)
recorded at and mixed at:
Whitfield Street Recording Studios (operating under this name only since 2004, see annotation for history) in London (Greater London), England, United Kingdom
recording of:
Aftermath
orchestrator:
Don Nemitz
composer:
Bruce Broughton
1:32
11Cowboy's Funeral
recording engineer and mixer:
Mike Ross‐Trevor (engineer)
producer:
Bruce Broughton
orchestra:
Sinfonia of London (John Wilson’s session orchestra)
conductor:
Bruce Broughton and David Snell (British harpist and conductor, library music)
orchestrator:
Don Nemitz
4:31
12Morgan's Death
recording engineer and mixer:
Mike Ross‐Trevor (engineer)
producer:
Bruce Broughton and Douglass Fake
editor:
Patricia Carlin and Douglass Fake
orchestra:
Sinfonia of London (John Wilson’s session orchestra)
conductor:
Bruce Broughton and David Snell (British harpist and conductor, library music)
orchestrator:
Don Nemitz
phonographic copyright (℗) by:
Intrada (US soundtrack label)
recorded at and mixed at:
Whitfield Street Recording Studios (operating under this name only since 2004, see annotation for history) in London (Greater London), England, United Kingdom
recording of:
Morgan's Death
orchestrator:
Don Nemitz
composer:
Bruce Broughton
2:14
13Wyatt's Revenge
recording engineer and mixer:
Mike Ross‐Trevor (engineer)
producer:
Bruce Broughton
orchestra:
Sinfonia of London (John Wilson’s session orchestra)
conductor:
Bruce Broughton and David Snell (British harpist and conductor, library music)
orchestrator:
Don Nemitz
3:54
14The Former Fabian
recording engineer and mixer:
Mike Ross‐Trevor (engineer)
producer:
Bruce Broughton and Douglass Fake
editor:
Patricia Carlin and Douglass Fake
orchestra:
Sinfonia of London (John Wilson’s session orchestra)
conductor:
Bruce Broughton and David Snell (British harpist and conductor, library music)
orchestrator:
Don Nemitz
phonographic copyright (℗) by:
Intrada (US soundtrack label)
recorded at and mixed at:
Whitfield Street Recording Studios (operating under this name only since 2004, see annotation for history) in London (Greater London), England, United Kingdom
recording of:
The Former Fabian
orchestrator:
Don Nemitz
composer:
Bruce Broughton
1:36
15Brief Encounters
recording engineer and mixer:
Mike Ross‐Trevor (engineer)
producer:
Bruce Broughton
orchestra:
Sinfonia of London (John Wilson’s session orchestra)
conductor:
Bruce Broughton and David Snell (British harpist and conductor, library music)
orchestrator:
Don Nemitz
5:39
16Finishing It
recording engineer and mixer:
Mike Ross‐Trevor (engineer)
producer:
Bruce Broughton
orchestra:
Sinfonia of London (John Wilson’s session orchestra)
conductor:
Bruce Broughton and David Snell (British harpist and conductor, library music)
orchestrator:
Don Nemitz
3:58
17Doc and Wyatt
recording engineer and mixer:
Mike Ross‐Trevor (engineer)
producer:
Bruce Broughton
orchestra:
Sinfonia of London (John Wilson’s session orchestra)
conductor:
Bruce Broughton and David Snell (British harpist and conductor, library music)
orchestrator:
Don Nemitz
2:47
18Looking at Heaven
recording engineer and mixer:
Mike Ross‐Trevor (engineer)
producer:
Bruce Broughton
orchestra:
Sinfonia of London (John Wilson’s session orchestra)
conductor:
Bruce Broughton and David Snell (British harpist and conductor, library music)
orchestrator:
Don Nemitz
8:45