The Complete Recordings

~ Release by Mahler; Philharmonia Orchestra, Giuseppe Sinopoli (see all versions of this release, 1 available)

Tracklist

▶ CD 1: Das klagende Lied
▶ CD 2: Symphony nos. 1 & 2
▶ CD 3: Symphony no. 2
▶ CD 4: Symphony no. 3
▶ CD 5: Symphony no. 3 / Lieder eines fahrenden Gesellen / Sechs frühe Lieder
▶ CD 6: Symphony no. 4
▶ CD 7: Symphony no. 5
▶ CD 8: Symphony no. 6: I - III
▶ CD 9: Symphony no. 6: IV / Kindertotenlieder
▶ CD 10: Symphony no. 7: I - III
▶ CD 11: Symphony no. 7: IV - V / Symphony no. 8, Part I
▼ CD 12: Symphony no. 8, Part II
#TitleArtistRatingLength
1Symphony no. 8: Part II. Poco adagio
producer:
Wolfgang Stengel
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1990-11 until 1990-12)
conductor:
Giuseppe Sinopoli (conductor) (from 1990-11 until 1990-12)
balance engineer:
Klaus Hiemann (engineer/producer) (from 1990-11 until 1990-12)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1990-11 until 1990-12)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: a. Poco adagio (from 1990-11 until 1990-12)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler5:49
2Symphony no. 8: Part II. Più mosso. (Allegro moderato)
producer:
Wolfgang Stengel
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1990-11 until 1990-12)
conductor:
Giuseppe Sinopoli (conductor) (from 1990-11 until 1990-12)
balance engineer:
Klaus Hiemann (engineer/producer) (from 1990-11 until 1990-12)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1990-11 until 1990-12)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: b. Più mosso (Allegro moderato) (from 1990-11 until 1990-12)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler3:34
3Symphony no. 8: Part II. Wieder langsam. Chor und Echo: »Waldung, sie schwankt heran«
producer:
Wolfgang Stengel
choir vocals:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (from 1990-11 until 1990-12)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1990-11 until 1990-12)
conductor:
Giuseppe Sinopoli (conductor) (from 1990-11 until 1990-12)
balance engineer:
Klaus Hiemann (engineer/producer) (from 1990-11 until 1990-12)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1990-11 until 1990-12)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: c. "Waldung, sie schwankt heran" (Chor und Echo) (from 1990-11 until 1990-12)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler4:07
4Symphony no. 8: Part II. Moderato. Pater ecstaticus: «Ewiger Wonnebrand«
producer:
Wolfgang Stengel
solo baritone vocals [Pater Ecstaticus]:
Sir Thomas Allen (baritone) (from 1990-11 until 1990-12)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1990-11 until 1990-12)
conductor:
Giuseppe Sinopoli (conductor) (from 1990-11 until 1990-12)
balance engineer:
Klaus Hiemann (engineer/producer) (from 1990-11 until 1990-12)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1990-11 until 1990-12)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: d. Ewiger Wonnebrand (Pater Ecstaticus) (from 1990-11 until 1990-12)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler1:28
5Symphony no. 8: Part II. Allegro – (Allegro appassionato). Pater profundus: »Wie Felsenabgrund mir zu Füßen«
producer:
Wolfgang Stengel
solo bass vocals [Pater Profundus]:
Hans Sotin (operatic bass) (from 1990-11 until 1990-12)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1990-11 until 1990-12)
conductor:
Giuseppe Sinopoli (conductor) (from 1990-11 until 1990-12)
balance engineer:
Klaus Hiemann (engineer/producer) (from 1990-11 until 1990-12)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1990-11 until 1990-12)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: e. Wie Felsenabgrund mir zu Füssen (Pater Profundus) (from 1990-11 until 1990-12)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler4:50
6Symphony no. 8: Part II. Allegro deciso. (Im Anfang noch nicht eilen). Chor der Engel: »Gerettet ist das edle Glied der Geisterwelt vom Bösen« / Chor seliger Knaben: »Hände verschlinget euch«
producer:
Wolfgang Stengel
choir vocals:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (from 1990-11 until 1990-12) and Southend Boys’ Choir (from 1990-11 until 1990-12)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1990-11 until 1990-12)
conductor:
Giuseppe Sinopoli (conductor) (from 1990-11 until 1990-12)
balance engineer:
Klaus Hiemann (engineer/producer) (from 1990-11 until 1990-12)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1990-11 until 1990-12)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: f. "Gerettet ist das edle Glied" (Engel - Chor und Knaben Chor)) (from 1990-11 until 1990-12)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler0:53
7Symphony no. 8: Part II. Molto leggiero. Chor der jüngeren Engel: »Jene Rosen, aus den Händen«
producer:
Wolfgang Stengel
choir vocals:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (from 1990-11 until 1990-12)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1990-11 until 1990-12)
conductor:
Giuseppe Sinopoli (conductor) (from 1990-11 until 1990-12)
balance engineer:
Klaus Hiemann (engineer/producer) (from 1990-11 until 1990-12)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1990-11 until 1990-12)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: g1. "Jene Rosen, aus den Händen" (Engel - Chor) (from 1990-11 until 1990-12)
composer:
Gustav Mahler (composer)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler1:43
8Symphony no. 8: Part II. Schon etwas langsamer und immer noch mäßiger. Die vollendeteren Engel: »Uns bleibt ein Erdenrest«
producer:
Wolfgang Stengel
choir vocals:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (from 1990-11 until 1990-12)
solo alto vocals:
Waltraud Meier (mezzo-soprano) (from 1990-11 until 1990-12)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1990-11 until 1990-12)
conductor:
Giuseppe Sinopoli (conductor) (from 1990-11 until 1990-12)
balance engineer:
Klaus Hiemann (engineer/producer) (from 1990-11 until 1990-12)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1990-11 until 1990-12)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: g2. "Uns bleibt ein Erdenrest" (Engel - Chor mit Alto solo)) (from 1990-11 until 1990-12)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler2:24
9Symphony no. 8: Part II. Im Anfang (die ersten vier Takte) noch etwas gehalten. Die jüngeren Engel: »Ich spür' soeben, nebelnd um Felsenhöh'« / Chor seliger Knaben: »Freudig empfangen wir« / Doctor: Marianus: »Hier ist die Aussicht frei«
producer:
Wolfgang Stengel
choir vocals:
Southend Boys’ Choir (from 1990-11 until 1990-12)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1990-11 until 1990-12)
conductor:
Giuseppe Sinopoli (conductor) (from 1990-11 until 1990-12)
balance engineer:
Klaus Hiemann (engineer/producer) (from 1990-11 until 1990-12)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1990-11 until 1990-12)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: h1. "Ich spür' soeben" (Die jüngeren Engel - Knaben Chor)) (from 1990-11 until 1990-12)
composer:
Gustav Mahler (composer)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: h2. "Hier ist die Aussicht frei" (Doctor Marianus, Knaben Chor) (from 1990-11 until 1990-12)
composer:
Gustav Mahler (composer)
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler1:10
10Symphony no. 8: Part II. Sempre l'istesso tempo. Doctor Marianus: »Höchste Herrscherin der Welt«
producer:
Wolfgang Stengel
choir vocals:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (from 1990-11 until 1990-12)
solo tenor vocals [Doctor Marianus]:
Keith Lewis (tenor) (from 1990-11 until 1990-12)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1990-11 until 1990-12)
conductor:
Giuseppe Sinopoli (conductor) (from 1990-11 until 1990-12)
balance engineer:
Klaus Hiemann (engineer/producer) (from 1990-11 until 1990-12)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1990-11 until 1990-12)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: i. "Höchste Herrscherin der Welt" (Doctor Marianus, Chor) (from 1990-11 until 1990-12)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler5:07
11Symphony no. 8: Part II. Äußerst langsam. Adagissimo. Chor I/II: »Dir, der Unberührbaren« / Chor der Büßerinnen und Una poenitentium: «Du schwebst zu Höhen der ewigen Reiche«
producer:
Wolfgang Stengel
choir vocals:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (from 1990-11 until 1990-12)
solo soprano vocals [Una Poenitentium]:
Angela Maria Blasi (soprano) (from 1990-11 until 1990-12)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1990-11 until 1990-12)
conductor:
Giuseppe Sinopoli (conductor) (from 1990-11 until 1990-12)
balance engineer:
Klaus Hiemann (engineer/producer) (from 1990-11 until 1990-12)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1990-11 until 1990-12)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: j. "Dir, der Unberührbaren" (Chor, Una Poenitentium)) (from 1990-11 until 1990-12)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler3:29
12Symphony no. 8: Part II. Fließend. Magna Peccatrix: »Bei der Liebe, die den Füßen« / Mulier Samaritana: »Bei dem Bronn, zu dem schon weiland« / Maria Aegyptiaca: »Bei dem hochgeweihten Orte«
producer:
Wolfgang Stengel
solo alto vocals [Maria Aegyptiaca]:
Kazuko Nagai (soprano) (from 1990-11 until 1990-12)
solo alto vocals [Mulier Samaritana]:
Waltraud Meier (mezzo-soprano) (from 1990-11 until 1990-12)
solo soprano vocals [Magna Peccatrix]:
Cheryl Studer (soprano) (from 1990-11 until 1990-12)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1990-11 until 1990-12)
conductor:
Giuseppe Sinopoli (conductor) (from 1990-11 until 1990-12)
balance engineer:
Klaus Hiemann (engineer/producer) (from 1990-11 until 1990-12)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1990-11 until 1990-12)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: k. Bei der Liebe, die den Füssen (Magna Peccatrix, Mulier Samaritana, Maria Aegyptiaca) (from 1990-11 until 1990-12)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler4:21
13Symphony no. 8: Part II. Una poenitentium: »Neige, neige du Ohnegleiche«
producer:
Wolfgang Stengel
solo soprano vocals [Una Poenitentium]:
Angela Maria Blasi (soprano) (from 1990-11 until 1990-12)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1990-11 until 1990-12)
conductor:
Giuseppe Sinopoli (conductor) (from 1990-11 until 1990-12)
balance engineer:
Klaus Hiemann (engineer/producer) (from 1990-11 until 1990-12)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1990-11 until 1990-12)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: l. "Neige, Neige, du Ohnegleiche" (Una Poenitentium) (from 1990-11 until 1990-12)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler0:58
14Symphony no. 8: Part II. Unmerklich frischer. Selige Knaben: »Er überwächst uns schon«
producer:
Wolfgang Stengel
choir vocals:
Southend Boys’ Choir (from 1990-11 until 1990-12)
solo soprano vocals [Una Poenitentium]:
Angela Maria Blasi (soprano) (from 1990-11 until 1990-12)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1990-11 until 1990-12)
conductor:
Giuseppe Sinopoli (conductor) (from 1990-11 until 1990-12)
balance engineer:
Klaus Hiemann (engineer/producer) (from 1990-11 until 1990-12)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1990-11 until 1990-12)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: m. "Er überwächst uns schon" (Knaben Chor, Una Poenitentium) (from 1990-11 until 1990-12)
composer:
Gustav Mahler (composer)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler3:46
15Symphony no. 8: Part II. Una poenitentium: »Vom edlen Geisterchor umgeben« / Mater gloriosa: »Komm! Hebe dich zu höhern Sphären« / Doctor Marianus: »Blicket auf zum Retterblick, alle reuig Zarten«
producer:
Wolfgang Stengel
choir vocals:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (from 1990-11 until 1990-12)
solo soprano vocals [Mater Gloriosa]:
Sumi Jo (soprano) (from 1990-11 until 1990-12)
solo tenor vocals [Doctor Marianus]:
Keith Lewis (tenor) (from 1990-11 until 1990-12)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1990-11 until 1990-12)
conductor:
Giuseppe Sinopoli (conductor) (from 1990-11 until 1990-12)
balance engineer:
Klaus Hiemann (engineer/producer) (from 1990-11 until 1990-12)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1990-11 until 1990-12)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: n. Komm! Hebe dich zu höhern Sphären! (Mater Gloriosa und Chor) (from 1990-11 until 1990-12)
composer:
Gustav Mahler (composer)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: o. "Blicket auf zum Retterblick" (Doctor Marianus, Chor und Knaben Chor) (from 1990-11 until 1990-12)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler8:03
16Symphony no. 8: Part II. Sehr langsam beginnend. Chorus mysticus: »Alles Vergängliche ist nur ein Gleichnis«
producer:
Wolfgang Stengel
choir vocals:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (from 1990-11 until 1990-12) and Southend Boys’ Choir (from 1990-11 until 1990-12)
solo alto vocals [Alto I]:
Waltraud Meier (mezzo-soprano) (from 1990-11 until 1990-12)
solo alto vocals [Alto II]:
Kazuko Nagai (soprano) (from 1990-11 until 1990-12)
solo baritone vocals:
Sir Thomas Allen (baritone) (from 1990-11 until 1990-12)
solo bass vocals:
Hans Sotin (operatic bass) (from 1990-11 until 1990-12)
solo soprano vocals [Mater Gloriosa]:
Sumi Jo (soprano) (from 1990-11 until 1990-12)
solo soprano vocals [Soprano I]:
Cheryl Studer (soprano) (from 1990-11 until 1990-12)
solo soprano vocals [Soprano II]:
Angela Maria Blasi (soprano) (from 1990-11 until 1990-12)
solo tenor vocals:
Keith Lewis (tenor) (from 1990-11 until 1990-12)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1990-11 until 1990-12)
conductor:
Giuseppe Sinopoli (conductor) (from 1990-11 until 1990-12)
balance engineer:
Klaus Hiemann (engineer/producer) (from 1990-11 until 1990-12)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1990-11 until 1990-12)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: p. "Alles Vergängliche ist nur ein Gleichnis" (Chorus Mysticus, soloists) (from 1990-11 until 1990-12)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler6:22
▶ CD 13: Das Lied von der Erde
▶ CD 14: Symphony no. 9: I - II
▶ CD 15: Symphony no. 9: III - IV / Adagio from Symphony no. 10

Credits

Release

part of:Collectors Edition (Deutsche Grammophon & Decca Classics) (order: 3)
discography entry:http://deutschegrammophon.com/gb/cat/4714512 [info]