The Complete Argo Recordings

~ Release by Choir of King’s College, Cambridge (see all versions of this release, 1 available)

Annotation

A limited edition, 20-CD collection of the Argo recordings made by The Choir of King's College, Cambridge directed by Stephen Cleobury.

Annotation last modified on 2022-12-04 18:52 UTC.

Tracklist

▶ CD 1: Tallis: Spem in alium / Lamentations of Jeremiah
▶ CD 2: Palestrina, Victoria: Masses
▶ CD 3: Lassus: 3 Masses
▶ CD 4: Gabrieli: “The Glory of Venice”
▶ CD 5: Vivaldi: Dixit Dominus / Beatus vir
▶ CD 6: Handel: 2 Psalm settings
▶ CD 7: Handel: Messiah (Part I, Part II beginning)
▼ CD 8: Handel: Messiah (Part II conclusion, Part III)
#TitleArtistRatingLength
1Messiah, HWV 56: Part II. Accompagnato: “All they that see Him” (tenor)
engineer:
Simon Eadon (classical music engineer)
producer:
Christopher Hazell
tenor vocals:
John Mark Ainsley (tenor) (from 1992-12-16 until 1992-12-18, from 1993-03-14 until 1993-03-16)
orchestra:
The Brandenburg Consort (from 1992-12-16 until 1992-12-18, from 1993-03-14 until 1993-03-16)
conductor:
Stephen Cleobury (organist, conductor) (from 1992-12-16 until 1992-12-18, from 1993-03-14 until 1993-03-16)
concertmaster:
Roy Goodman (conductor and violinist) (from 1992-12-16 until 1992-12-18, from 1993-03-14 until 1993-03-16)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom (from 1992-12-16 until 1992-12-18, from 1993-03-14 until 1993-03-16)
recording of:
Messiah, HWV 56: Part II, no. 27. Recitative “All they that see him” (Tenor) (from 1992-12-16 until 1993-03-16)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel0:49
2Messiah, HWV 56: Part II. Chorus: “He trusted in God”
engineer:
Simon Eadon (classical music engineer)
producer:
Christopher Hazell
choir vocals:
Choir of King’s College, Cambridge (from 1992-12-16 until 1992-12-18, from 1993-03-14 until 1993-03-16)
orchestra:
The Brandenburg Consort (from 1992-12-16 until 1992-12-18, from 1993-03-14 until 1993-03-16)
conductor:
Stephen Cleobury (organist, conductor) (from 1992-12-16 until 1992-12-18, from 1993-03-14 until 1993-03-16)
concertmaster:
Roy Goodman (conductor and violinist) (from 1992-12-16 until 1992-12-18, from 1993-03-14 until 1993-03-16)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom (from 1992-12-16 until 1992-12-18, from 1993-03-14 until 1993-03-16)
recording of:
Messiah, HWV 56: Part II, no. 28. Chorus “He trusted in God” (from 1992-12-16 until 1993-03-16)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel2:25
3Messiah, HWV 56: Part II. Recitative: “Thy rebuke hath broken his heart” (tenor)
engineer:
Simon Eadon (classical music engineer)
producer:
Christopher Hazell
tenor vocals:
John Mark Ainsley (tenor) (from 1992-12-16 until 1992-12-18, from 1993-03-14 until 1993-03-16)
orchestra:
The Brandenburg Consort (from 1992-12-16 until 1992-12-18, from 1993-03-14 until 1993-03-16)
conductor:
Stephen Cleobury (organist, conductor) (from 1992-12-16 until 1992-12-18, from 1993-03-14 until 1993-03-16)
concertmaster:
Roy Goodman (conductor and violinist) (from 1992-12-16 until 1992-12-18, from 1993-03-14 until 1993-03-16)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom (from 1992-12-16 until 1992-12-18, from 1993-03-14 until 1993-03-16)
recording of:
Messiah, HWV 56: Part II, no. 29. Recitative “Thy rebuke hath broken his heart” (Tenor) (from 1992-12-16 until 1993-03-16)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel1:51
4Messiah, HWV 56: Part II. Arioso: “Behold and see” (tenor)
engineer:
Simon Eadon (classical music engineer)
producer:
Christopher Hazell
tenor vocals:
John Mark Ainsley (tenor) (from 1992-12-16 until 1992-12-18, from 1993-03-14 until 1993-03-16)
orchestra:
The Brandenburg Consort (from 1992-12-16 until 1992-12-18, from 1993-03-14 until 1993-03-16)
conductor:
Stephen Cleobury (organist, conductor) (from 1992-12-16 until 1992-12-18, from 1993-03-14 until 1993-03-16)
concertmaster:
Roy Goodman (conductor and violinist) (from 1992-12-16 until 1992-12-18, from 1993-03-14 until 1993-03-16)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom (from 1992-12-16 until 1992-12-18, from 1993-03-14 until 1993-03-16)
recording of:
Messiah, HWV 56: Part II, no. 30. Arioso “Behold and see” (Tenor) (from 1992-12-16 until 1993-03-16)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Messiah, HWV 56: Part II
George Frideric Handel1:27
5Messiah, HWV 56: Part II. Accompagnato: “He was cut off” (soprano)
engineer:
Simon Eadon (classical music engineer)
producer:
Christopher Hazell
soprano vocals:
Lynne Dawson (soprano) (from 1992-12-16 until 1992-12-18, from 1993-03-14 until 1993-03-16)
orchestra:
The Brandenburg Consort (from 1992-12-16 until 1992-12-18, from 1993-03-14 until 1993-03-16)
conductor:
Stephen Cleobury (organist, conductor) (from 1992-12-16 until 1992-12-18, from 1993-03-14 until 1993-03-16)
concertmaster:
Roy Goodman (conductor and violinist) (from 1992-12-16 until 1992-12-18, from 1993-03-14 until 1993-03-16)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom (from 1992-12-16 until 1992-12-18, from 1993-03-14 until 1993-03-16)
recording of:
Messiah, HWV 56: Part II, no. 31. Recitative “He was cut off out of the land of the living…” (soprano) (from 1992-12-16 until 1993-03-16)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel0:19
6Messiah, HWV 56: Part II. Air: “But though didst not leave” (soprano)
engineer:
Simon Eadon (classical music engineer)
producer:
Christopher Hazell
soprano vocals:
Lynne Dawson (soprano) (from 1992-12-16 until 1992-12-18, from 1993-03-14 until 1993-03-16)
orchestra:
The Brandenburg Consort (from 1992-12-16 until 1992-12-18, from 1993-03-14 until 1993-03-16)
conductor:
Stephen Cleobury (organist, conductor) (from 1992-12-16 until 1992-12-18, from 1993-03-14 until 1993-03-16)
concertmaster:
Roy Goodman (conductor and violinist) (from 1992-12-16 until 1992-12-18, from 1993-03-14 until 1993-03-16)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom (from 1992-12-16 until 1992-12-18, from 1993-03-14 until 1993-03-16)
recording of:
Messiah, HWV 56: Part II, no. 32. “But thou didst not leave His soul in hell…” (soprano) (from 1992-12-16 until 1993-03-16)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Messiah, HWV 56: Part II
George Frideric Handel2:20
7Messiah, HWV 56: Part II. Chorus: “Lift up your heads”
engineer:
Simon Eadon (classical music engineer)
producer:
Christopher Hazell
choir vocals:
Choir of King’s College, Cambridge (from 1992-12-16 until 1992-12-18, from 1993-03-14 until 1993-03-16)
orchestra:
The Brandenburg Consort (from 1992-12-16 until 1992-12-18, from 1993-03-14 until 1993-03-16)
conductor:
Stephen Cleobury (organist, conductor) (from 1992-12-16 until 1992-12-18, from 1993-03-14 until 1993-03-16)
concertmaster:
Roy Goodman (conductor and violinist) (from 1992-12-16 until 1992-12-18, from 1993-03-14 until 1993-03-16)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom (from 1992-12-16 until 1992-12-18, from 1993-03-14 until 1993-03-16)
recording of:
Messiah, HWV 56: Part II, no. 33. Chorus “Lift up your heads” (from 1992-12-16 until 1993-03-16)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel3:18
8Messiah, HWV 56: Part II. Recitative: “Unto which of the angels” (tenor)
engineer:
Simon Eadon (classical music engineer)
producer:
Christopher Hazell
tenor vocals:
John Mark Ainsley (tenor) (from 1992-12-16 until 1992-12-18, from 1993-03-14 until 1993-03-16)
orchestra:
The Brandenburg Consort (from 1992-12-16 until 1992-12-18, from 1993-03-14 until 1993-03-16)
conductor:
Stephen Cleobury (organist, conductor) (from 1992-12-16 until 1992-12-18, from 1993-03-14 until 1993-03-16)
concertmaster:
Roy Goodman (conductor and violinist) (from 1992-12-16 until 1992-12-18, from 1993-03-14 until 1993-03-16)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom (from 1992-12-16 until 1992-12-18, from 1993-03-14 until 1993-03-16)
recording of:
Messiah, HWV 56: Part II, no. 34. Recitative “Unto Which of the Angels…” (Tenor) (from 1992-12-16 until 1993-03-16)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel0:21
9Messiah, HWV 56: Part II. Chorus: “Let all the angels of God”
engineer:
Simon Eadon (classical music engineer)
producer:
Christopher Hazell
choir vocals:
Choir of King’s College, Cambridge (from 1992-12-16 until 1992-12-18, from 1993-03-14 until 1993-03-16)
orchestra:
The Brandenburg Consort (from 1992-12-16 until 1992-12-18, from 1993-03-14 until 1993-03-16)
conductor:
Stephen Cleobury (organist, conductor) (from 1992-12-16 until 1992-12-18, from 1993-03-14 until 1993-03-16)
concertmaster:
Roy Goodman (conductor and violinist) (from 1992-12-16 until 1992-12-18, from 1993-03-14 until 1993-03-16)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom (from 1992-12-16 until 1992-12-18, from 1993-03-14 until 1993-03-16)
recording of:
Messiah, HWV 56: Part II, no. 35. Chorus “Let all the angels of God worship Him” (from 1992-12-16 until 1993-03-16)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel1:36
10Messiah, HWV 56: Part II. Air: “Thou art gone up on high” (contralto)
engineer:
Simon Eadon (classical music engineer)
producer:
Christopher Hazell
contralto vocals:
Hilary Summers (contralto) (from 1989-03-14 until 1989-03-16, from 1992-12-16 until 1992-12-18)
orchestra:
The Brandenburg Consort (from 1992-12-16 until 1992-12-18, from 1993-03-14 until 1993-03-16)
conductor:
Stephen Cleobury (organist, conductor) (from 1992-12-16 until 1992-12-18, from 1993-03-14 until 1993-03-16)
concertmaster:
Roy Goodman (conductor and violinist) (from 1992-12-16 until 1992-12-18, from 1993-03-14 until 1993-03-16)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom (from 1992-12-16 until 1992-12-18, from 1993-03-14 until 1993-03-16)
recording of:
Messiah, HWV 56: Part II, no. 36. Air “Thou art gone up on high” (Bass) (from 1992-12-16 until 1993-03-16)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
version of:
Messiah, HWV 56: Alternative Arias: Air. “Thou art gone up on high” (1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel3:14
11Messiah, HWV 56: Part II. Chorus: “The Lord gave the word”
engineer:
Simon Eadon (classical music engineer)
producer:
Christopher Hazell
choir vocals:
Choir of King’s College, Cambridge (from 1992-12-16 until 1992-12-18, from 1993-03-14 until 1993-03-16)
orchestra:
The Brandenburg Consort (from 1992-12-16 until 1992-12-18, from 1993-03-14 until 1993-03-16)
conductor:
Stephen Cleobury (organist, conductor) (from 1992-12-16 until 1992-12-18, from 1993-03-14 until 1993-03-16)
concertmaster:
Roy Goodman (conductor and violinist) (from 1992-12-16 until 1992-12-18, from 1993-03-14 until 1993-03-16)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom (from 1992-12-16 until 1992-12-18, from 1993-03-14 until 1993-03-16)
recording of:
Messiah, HWV 56: Part II, no. 37. Chorus “The Lord gave the Word” (from 1992-12-16 until 1993-03-16)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel1:13
12Messiah, HWV 56: Part II. Air: “How beautiful are the feet” (soprano)
engineer:
Simon Eadon (classical music engineer)
producer:
Christopher Hazell
soprano vocals:
Lynne Dawson (soprano) (from 1992-12-16 until 1992-12-18, from 1993-03-14 until 1993-03-16)
orchestra:
The Brandenburg Consort (from 1992-12-16 until 1992-12-18, from 1993-03-14 until 1993-03-16)
conductor:
Stephen Cleobury (organist, conductor) (from 1992-12-16 until 1992-12-18, from 1993-03-14 until 1993-03-16)
concertmaster:
Roy Goodman (conductor and violinist) (from 1992-12-16 until 1992-12-18, from 1993-03-14 until 1993-03-16)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom (from 1992-12-16 until 1992-12-18, from 1993-03-14 until 1993-03-16)
recording of:
Messiah, HWV 56: Part II, no. 38. Duet “How beautiful are the feet…” (Soprano, Alto & Chorus) (from 1992-12-16 until 1993-03-16)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
is based on:
Messiah, HWV 56: Part II, no. 38. Aria “How beautiful are the feet…” (Soprano) (soprano aria version without chorus)
part of:
Messiah, HWV 56: Part II
George Frideric Handel2:20
13Messiah, HWV 56: Part II. Chorus: “Their sound is gone out”
engineer:
Simon Eadon (classical music engineer)
producer:
Christopher Hazell
choir vocals:
Choir of King’s College, Cambridge (from 1992-12-16 until 1992-12-18, from 1993-03-14 until 1993-03-16)
orchestra:
The Brandenburg Consort (from 1992-12-16 until 1992-12-18, from 1993-03-14 until 1993-03-16)
conductor:
Stephen Cleobury (organist, conductor) (from 1992-12-16 until 1992-12-18, from 1993-03-14 until 1993-03-16)
concertmaster:
Roy Goodman (conductor and violinist) (from 1992-12-16 until 1992-12-18, from 1993-03-14 until 1993-03-16)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom (from 1992-12-16 until 1992-12-18, from 1993-03-14 until 1993-03-16)
recording of:
Messiah, HWV 56: Part II, no. 39. Arioso “Their sound is gone out” (Tenor) (from 1992-12-16 until 1993-03-16)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel1:39
14Messiah, HWV 56: Part II. Air: “Why do the nations” (bass)
engineer:
Simon Eadon (classical music engineer)
producer:
Christopher Hazell
bass vocals:
Alastair Miles (operatic bass) (from 1992-12-16 until 1992-12-18, from 1993-03-14 until 1993-03-16)
orchestra:
The Brandenburg Consort (from 1992-12-16 until 1992-12-18, from 1993-03-14 until 1993-03-16)
conductor:
Stephen Cleobury (organist, conductor) (from 1992-12-16 until 1992-12-18, from 1993-03-14 until 1993-03-16)
concertmaster:
Roy Goodman (conductor and violinist) (from 1992-12-16 until 1992-12-18, from 1993-03-14 until 1993-03-16)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom (from 1992-12-16 until 1992-12-18, from 1993-03-14 until 1993-03-16)
recording of:
Messiah, HWV 56: Part II, no. 40. Air “Why do the nations” (Bass) (from 1992-12-16 until 1993-03-16)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel1:25
15Messiah, HWV 56: Part II. Chorus: “let us break their bonds asunder”
engineer:
Simon Eadon (classical music engineer)
producer:
Christopher Hazell
choir vocals:
Choir of King’s College, Cambridge (from 1992-12-16 until 1992-12-18, from 1993-03-14 until 1993-03-16)
orchestra:
The Brandenburg Consort (from 1992-12-16 until 1992-12-18, from 1993-03-14 until 1993-03-16)
conductor:
Stephen Cleobury (organist, conductor) (from 1992-12-16 until 1992-12-18, from 1993-03-14 until 1993-03-16)
concertmaster:
Roy Goodman (conductor and violinist) (from 1992-12-16 until 1992-12-18, from 1993-03-14 until 1993-03-16)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom (from 1992-12-16 until 1992-12-18, from 1993-03-14 until 1993-03-16)
recording of:
Messiah, HWV 56: Part II, no. 41. Chorus “Let us Break Their Bonds Asunder” (from 1992-12-16 until 1993-03-16)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel1:54
16Messiah, HWV 56: Part II. Recitative: “He that dwelleth in heaven” (tenor)
engineer:
Simon Eadon (classical music engineer)
producer:
Christopher Hazell
tenor vocals:
John Mark Ainsley (tenor) (from 1992-12-16 until 1992-12-18, from 1993-03-14 until 1993-03-16)
orchestra:
The Brandenburg Consort (from 1992-12-16 until 1992-12-18, from 1993-03-14 until 1993-03-16)
conductor:
Stephen Cleobury (organist, conductor) (from 1992-12-16 until 1992-12-18, from 1993-03-14 until 1993-03-16)
concertmaster:
Roy Goodman (conductor and violinist) (from 1992-12-16 until 1992-12-18, from 1993-03-14 until 1993-03-16)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom (from 1992-12-16 until 1992-12-18, from 1993-03-14 until 1993-03-16)
recording of:
Messiah, HWV 56: Part II, no. 42. Recitative “He that dwelleth in heaven…” (tenor) (from 1992-12-16 until 1993-03-16)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel0:11
17Messiah, HWV 56: Part II. Air: “Thou shalt break them” (tenor)
engineer:
Simon Eadon (classical music engineer)
producer:
Christopher Hazell
tenor vocals:
John Mark Ainsley (tenor) (from 1992-12-16 until 1992-12-18, from 1993-03-14 until 1993-03-16)
orchestra:
The Brandenburg Consort (from 1992-12-16 until 1992-12-18, from 1993-03-14 until 1993-03-16)
conductor:
Stephen Cleobury (organist, conductor) (from 1992-12-16 until 1992-12-18, from 1993-03-14 until 1993-03-16)
concertmaster:
Roy Goodman (conductor and violinist) (from 1992-12-16 until 1992-12-18, from 1993-03-14 until 1993-03-16)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom (from 1992-12-16 until 1992-12-18, from 1993-03-14 until 1993-03-16)
recording of:
Messiah, HWV 56: Part II, no. 43. Air “Thou shalt break them” (Tenor) (from 1992-12-16 until 1993-03-16)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Messiah, HWV 56: Part II
George Frideric Handel2:09
18Messiah, HWV 56: Part II. Chorus: “Hallelujah”
engineer:
Simon Eadon (classical music engineer)
producer:
Christopher Hazell
choir vocals:
Choir of King’s College, Cambridge (from 1992-12-16 until 1992-12-18, from 1993-03-14 until 1993-03-16)
orchestra:
The Brandenburg Consort (from 1992-12-16 until 1992-12-18, from 1993-03-14 until 1993-03-16)
conductor:
Stephen Cleobury (organist, conductor) (from 1992-12-16 until 1992-12-18, from 1993-03-14 until 1993-03-16)
concertmaster:
Roy Goodman (conductor and violinist) (from 1992-12-16 until 1992-12-18, from 1993-03-14 until 1993-03-16)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom (from 1992-12-16 until 1992-12-18, from 1993-03-14 until 1993-03-16)
recording of:
Messiah, HWV 56: Part II, no. 44. Chorus: “Hallelujah” (from 1992-12-16 until 1993-03-16)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
librettist:
Charles Jennens
part of:
Messiah, HWV 56: Part II
George Frideric Handel4:05
19Messiah, HWV 56: Part III. Air: “I know that my Redeemer liveth” (soprano)
engineer:
Simon Eadon (classical music engineer)
producer:
Christopher Hazell
soprano vocals:
Lynne Dawson (soprano) (from 1992-12-16 until 1992-12-18, from 1993-03-14 until 1993-03-16)
orchestra:
The Brandenburg Consort (from 1992-12-16 until 1992-12-18, from 1993-03-14 until 1993-03-16)
conductor:
Stephen Cleobury (organist, conductor) (from 1992-12-16 until 1992-12-18, from 1993-03-14 until 1993-03-16)
concertmaster:
Roy Goodman (conductor and violinist) (from 1992-12-16 until 1992-12-18, from 1993-03-14 until 1993-03-16)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom (from 1992-12-16 until 1992-12-18, from 1993-03-14 until 1993-03-16)
recording of:
Messiah, HWV 56: Part III, no. 45. Air “I know that my Redeemer liveth” (Soprano) (from 1992-12-16 until 1993-03-16)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part III
George Frideric Handel5:57
20Messiah, HWV 56: Part III. Chorus: “Since by man came death”
engineer:
Simon Eadon (classical music engineer)
producer:
Christopher Hazell
choir vocals:
Choir of King’s College, Cambridge (from 1992-12-16 until 1992-12-18, from 1993-03-14 until 1993-03-16)
orchestra:
The Brandenburg Consort (from 1992-12-16 until 1992-12-18, from 1993-03-14 until 1993-03-16)
conductor:
Stephen Cleobury (organist, conductor) (from 1992-12-16 until 1992-12-18, from 1993-03-14 until 1993-03-16)
concertmaster:
Roy Goodman (conductor and violinist) (from 1992-12-16 until 1992-12-18, from 1993-03-14 until 1993-03-16)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom (from 1992-12-16 until 1992-12-18, from 1993-03-14 until 1993-03-16)
recording of:
Messiah, HWV 56: Part III, no. 46. Chorus “Since by man came death” (from 1992-12-16 until 1993-03-16)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part III
George Frideric Handel2:03
21Messiah, HWV 56: Part III. Accompagnato: “Behold, I tell you a mystery” (bass)
engineer:
Simon Eadon (classical music engineer)
producer:
Christopher Hazell
bass vocals:
Alastair Miles (operatic bass) (from 1992-12-16 until 1992-12-18, from 1993-03-14 until 1993-03-16)
orchestra:
The Brandenburg Consort (from 1992-12-16 until 1992-12-18, from 1993-03-14 until 1993-03-16)
conductor:
Stephen Cleobury (organist, conductor) (from 1992-12-16 until 1992-12-18, from 1993-03-14 until 1993-03-16)
concertmaster:
Roy Goodman (conductor and violinist) (from 1992-12-16 until 1992-12-18, from 1993-03-14 until 1993-03-16)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom (from 1992-12-16 until 1992-12-18, from 1993-03-14 until 1993-03-16)
recording of:
Messiah, HWV 56: Part III, no. 47. Recitativo “Behold, I tell you a mystery” (Bass) (from 1992-12-16 until 1993-03-16)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part III
George Frideric Handel0:36
22Messiah, HWV 56: Part III. Air: “The trumpet shall sound” (bass)
engineer:
Simon Eadon (classical music engineer)
producer:
Christopher Hazell
bass vocals:
Alastair Miles (operatic bass) (from 1992-12-16 until 1992-12-18, from 1993-03-14 until 1993-03-16)
orchestra:
The Brandenburg Consort (from 1992-12-16 until 1992-12-18, from 1993-03-14 until 1993-03-16)
conductor:
Stephen Cleobury (organist, conductor) (from 1992-12-16 until 1992-12-18, from 1993-03-14 until 1993-03-16)
concertmaster:
Roy Goodman (conductor and violinist) (from 1992-12-16 until 1992-12-18, from 1993-03-14 until 1993-03-16)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom (from 1992-12-16 until 1992-12-18, from 1993-03-14 until 1993-03-16)
recording of:
Messiah, HWV 56: Part III, no. 48. Air “The trumpet shall sound” (Bass) (from 1992-12-16 until 1993-03-16)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part III
George Frideric Handel8:44
23Messiah, HWV 56: Part III. Recitative: “Then shall be brought to pass” (contralto)
engineer:
Simon Eadon (classical music engineer)
producer:
Christopher Hazell
contralto vocals:
Hilary Summers (contralto) (from 1989-03-14 until 1989-03-16, from 1992-12-16 until 1992-12-18)
orchestra:
The Brandenburg Consort (from 1992-12-16 until 1992-12-18, from 1993-03-14 until 1993-03-16)
conductor:
Stephen Cleobury (organist, conductor) (from 1992-12-16 until 1992-12-18, from 1993-03-14 until 1993-03-16)
concertmaster:
Roy Goodman (conductor and violinist) (from 1992-12-16 until 1992-12-18, from 1993-03-14 until 1993-03-16)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom (from 1992-12-16 until 1992-12-18, from 1993-03-14 until 1993-03-16)
recording of:
Messiah, HWV 56: Part III, no. 49. Recitativo “Then shall be brought to pass” (Alto) (from 1992-12-16 until 1993-03-16)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Messiah, HWV 56: Part III
George Frideric Handel0:18
24Messiah, HWV 56: Part III. Duet: “O Death where is thy sting?” (contralto, tenor)
engineer:
Simon Eadon (classical music engineer)
producer:
Christopher Hazell
contralto vocals:
Hilary Summers (contralto) (from 1989-03-14 until 1989-03-16, from 1992-12-16 until 1992-12-18)
tenor vocals:
John Mark Ainsley (tenor) (from 1992-12-16 until 1992-12-18, from 1993-03-14 until 1993-03-16)
orchestra:
The Brandenburg Consort (from 1992-12-16 until 1992-12-18, from 1993-03-14 until 1993-03-16)
conductor:
Stephen Cleobury (organist, conductor) (from 1992-12-16 until 1992-12-18, from 1993-03-14 until 1993-03-16)
concertmaster:
Roy Goodman (conductor and violinist) (from 1992-12-16 until 1992-12-18, from 1993-03-14 until 1993-03-16)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom (from 1992-12-16 until 1992-12-18, from 1993-03-14 until 1993-03-16)
recording of:
Messiah, HWV 56: Part III, no. 50. Duet “O death, where is thy sting” (Alt & Tenor) (from 1992-12-16 until 1993-03-16)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part III
George Frideric Handel1:09
25Messiah, HWV 56: Part III. Chorus: “But thanks be to God”
engineer:
Simon Eadon (classical music engineer)
producer:
Christopher Hazell
choir vocals:
Choir of King’s College, Cambridge (from 1992-12-16 until 1992-12-18, from 1993-03-14 until 1993-03-16)
orchestra:
The Brandenburg Consort (from 1992-12-16 until 1992-12-18, from 1993-03-14 until 1993-03-16)
conductor:
Stephen Cleobury (organist, conductor) (from 1992-12-16 until 1992-12-18, from 1993-03-14 until 1993-03-16)
concertmaster:
Roy Goodman (conductor and violinist) (from 1992-12-16 until 1992-12-18, from 1993-03-14 until 1993-03-16)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom (from 1992-12-16 until 1992-12-18, from 1993-03-14 until 1993-03-16)
recording of:
Messiah, HWV 56: Part III, no. 51. Chorus “But thanks be to God…” (from 1992-12-16 until 1993-03-16)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part III
George Frideric Handel2:20
26Messiah, HWV 56: Part III. Air: “If God be for us” (soprano)
engineer:
Simon Eadon (classical music engineer)
producer:
Christopher Hazell
soprano vocals:
Lynne Dawson (soprano) (from 1992-12-16 until 1992-12-18, from 1993-03-14 until 1993-03-16)
orchestra:
The Brandenburg Consort (from 1992-12-16 until 1992-12-18, from 1993-03-14 until 1993-03-16)
conductor:
Stephen Cleobury (organist, conductor) (from 1992-12-16 until 1992-12-18, from 1993-03-14 until 1993-03-16)
concertmaster:
Roy Goodman (conductor and violinist) (from 1992-12-16 until 1992-12-18, from 1993-03-14 until 1993-03-16)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom (from 1992-12-16 until 1992-12-18, from 1993-03-14 until 1993-03-16)
recording of:
Messiah, HWV 56: Part III, no. 52. Air “If God be for us” (Soprano) (original version for soprano) (from 1992-12-16 until 1993-03-16)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part III
George Frideric Handel5:19
27Messiah, HWV 56: Part III. Chorus: “Worthy is the Lamb – Blessing and honour”
engineer:
Simon Eadon (classical music engineer)
producer:
Christopher Hazell
choir vocals:
Choir of King’s College, Cambridge (from 1992-12-16 until 1992-12-18, from 1993-03-14 until 1993-03-16)
orchestra:
The Brandenburg Consort (from 1992-12-16 until 1992-12-18, from 1993-03-14 until 1993-03-16)
conductor:
Stephen Cleobury (organist, conductor) (from 1992-12-16 until 1992-12-18, from 1993-03-14 until 1993-03-16)
concertmaster:
Roy Goodman (conductor and violinist) (from 1992-12-16 until 1992-12-18, from 1993-03-14 until 1993-03-16)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom (from 1992-12-16 until 1992-12-18, from 1993-03-14 until 1993-03-16)
partial recording of:
Messiah, HWV 56: Part III, no. 53. Chorus “Worthy is the Lamb… Amen” (from 1992-12-16 until 1993-03-16)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part III
George Frideric Handel3:36
28Messiah, HWV 56: Part III. Chorus: “Amen”
engineer:
Simon Eadon (classical music engineer)
producer:
Christopher Hazell
choir vocals:
Choir of King’s College, Cambridge (from 1992-12-16 until 1992-12-18, from 1993-03-14 until 1993-03-16)
orchestra:
The Brandenburg Consort (from 1992-12-16 until 1992-12-18, from 1993-03-14 until 1993-03-16)
conductor:
Stephen Cleobury (organist, conductor) (from 1992-12-16 until 1992-12-18, from 1993-03-14 until 1993-03-16)
concertmaster:
Roy Goodman (conductor and violinist) (from 1992-12-16 until 1992-12-18, from 1993-03-14 until 1993-03-16)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom (from 1992-12-16 until 1992-12-18, from 1993-03-14 until 1993-03-16)
partial recording of:
Messiah, HWV 56: Part III, no. 53. Chorus “Worthy is the Lamb… Amen” (from 1992-12-16 until 1993-03-16)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part III
George Frideric Handel3:51
▶ CD 9: Handel: Israel in Egypt (Part I, Part II)
▶ CD 10: Handel: Israel in Egypt (Part III)
▶ CD 11: Mozart: Waisenhausmesse / Credi-Messe
▶ CD 12: Mozart: Coronation Mass / Missa Solemnis
▶ CD 13: Mendelssohn, Brahms: “Hear My Prayer”
▶ CD 14: Verdi: Quattro pezzi sacri / Pater Noster
▶ CD 15: Britten: A Ceremony of Carols
▶ CD 16: Howells: “A Celebration”
▶ CD 17: Maxwell Davies: Solstice of Light
▶ CD 18: “Holy, Holy, Holy” - Favourite hymns
▶ CD 19: “O Come All Ye Faithful” - Favourite Christmas carols
▶ CD 20: “The King's Collection”