Das Alte Werk - 50 CD Collection

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

▶ CD 1: C.P.E. Bach: Organ Sonatas
▶ CD 2: J.S. Bach: Die Kunst der Fuge
▶ CD 3: J.S. Bach: Goldberg Variations
▶ CD 4: J.S. Bach: Harpsichord Concertos BWV 1056–1060
▶ CD 5: J.S. Bach: Mass in B minor
▶ CD 6: J.S. Bach: Mass in B minor
▶ CD 7: J.S. Bach: Brandenburg Concertos 1–3
▶ CD 8: J.S. Bach: Brandenburg Concertos 4–6
▶ CD 9: J.S. Bach: Cantatas BWV 67, 108 & 127
▶ CD 10: Double Concertos by J.S. Bach and his Sons
▶ CD 11: J.S. Bach: Orchestral Suites 1 & 2
▼ CD 12: J.S. Bach: “Jagdkantate” & “Bauernkantate”
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1Cantata No. 208 "Was mir behagt, ist nur die muntre Jagd!", BWV 208: I. Recitativo "Was mir behagt, ist nur die muntre Jagd! (Diana)
soprano vocals [Diana]:
Yvonne Kenny (Australian soprano) (in 1988-05)
orchestra:
Concentus Musicus Wien (in 1988-05)
conductor:
Nikolaus Harnoncourt (conductor) (in 1988-05)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1988-05)
recording of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: I. Recitativo (Sopran I) “Was mir behagt, ist nur die muntre Jagd!” (in 1988-05)
premiered in:
Weißenfels, Sachsen-Anhalt (Saxony-Anhalt), Germany (in 1713-02)
composed in:
Weimar, Thüringen (Thuringia), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1713)
librettist:
Salomon Franck
part of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”
Johann Sebastian Bach0:37
2Cantata No. 208 "Was mir behagt, ist nur die muntre Jagd!", BWV 208: II. Aria "Jagen ist die Lust der Götter" (Diana)
soprano vocals [Diana]:
Yvonne Kenny (Australian soprano) (in 1988-05)
orchestra:
Concentus Musicus Wien (in 1988-05)
conductor:
Nikolaus Harnoncourt (conductor) (in 1988-05)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1988-05)
recording of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: II. Aria (Sopran I) “Jagen ist die Lust de Göter” (in 1988-05)
premiered in:
Weißenfels, Sachsen-Anhalt (Saxony-Anhalt), Germany (in 1713-02)
composed in:
Weimar, Thüringen (Thuringia), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1713)
librettist:
Salomon Franck
part of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”
Johann Sebastian Bach1:51
3Cantata No. 208 "Was mir behagt, ist nur die muntre Jagd!", BWV 208: III. Recitativo "Wie, schönste Göttin" (Endymion)
tenor vocals:
Kurt Equiluz (tenor) (in 1988-05)
orchestra:
Concentus Musicus Wien (in 1988-05)
conductor:
Nikolaus Harnoncourt (conductor) (in 1988-05)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1988-05)
recording of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: III. Recitativo (Tenor) “Wie? Schönste Göttin! Wie?” (in 1988-05)
premiered in:
Weißenfels, Sachsen-Anhalt (Saxony-Anhalt), Germany (in 1713-02)
composed in:
Weimar, Thüringen (Thuringia), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1713)
librettist:
Salomon Franck
part of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”
Johann Sebastian Bach1:13
4Cantata No. 208 "Was mir behagt, ist nur die muntre Jagd!", BWV 208: IV. Aria "Willst du dich nicht mehr ergötzen" (Endymion)
tenor vocals:
Kurt Equiluz (tenor) (in 1988-05)
orchestra:
Concentus Musicus Wien (in 1988-05)
conductor:
Nikolaus Harnoncourt (conductor) (in 1988-05)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1988-05)
recording of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: IV. Aria (Tenor) “Willst du dich nicht mehr ergötzen” (in 1988-05)
premiered in:
Weißenfels, Sachsen-Anhalt (Saxony-Anhalt), Germany (in 1713-02)
composed in:
Weimar, Thüringen (Thuringia), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1713)
librettist:
Salomon Franck
part of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”
Johann Sebastian Bach4:45
5Cantata No. 208 "Was mir behagt, ist nur die muntre Jagd!", BWV 208: V. Recitativo "Ich liebe dich zwar noch" (Diana, Endymion)
soprano vocals [Diana]:
Yvonne Kenny (Australian soprano) (in 1988-05)
tenor vocals:
Kurt Equiluz (tenor) (in 1988-05)
orchestra:
Concentus Musicus Wien (in 1988-05)
conductor:
Nikolaus Harnoncourt (conductor) (in 1988-05)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1988-05)
recording of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: V. Recitativo (Sopran I, Tenor) “Ich liebe dich zwar noch!” (in 1988-05)
premiered in:
Weißenfels, Sachsen-Anhalt (Saxony-Anhalt), Germany (in 1713-02)
composed in:
Weimar, Thüringen (Thuringia), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1713)
librettist:
Salomon Franck
part of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”
Johann Sebastian Bach2:20
6Cantata No. 208 "Was mir behagt, ist nur die muntre Jagd!", BWV 208: VI. Recitativo "Ich, der ich sonst ein Gott" (Pan)
bass vocals:
Robert Holl (bass-baritone) (in 1988-05)
orchestra:
Concentus Musicus Wien (in 1988-05)
conductor:
Nikolaus Harnoncourt (conductor) (in 1988-05)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1988-05)
recording of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: VI. Recitativo (Bass) “Ich, der ich sonst ein Gott in diesen Feldern bin” (in 1988-05)
premiered in:
Weißenfels, Sachsen-Anhalt (Saxony-Anhalt), Germany (in 1713-02)
composed in:
Weimar, Thüringen (Thuringia), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1713)
librettist:
Salomon Franck
part of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”
Johann Sebastian Bach0:38
7Cantata No. 208 "Was mir behagt, ist nur die muntre Jagd!", BWV 208: VII. Aria "Ein Fürst ist seines Landes Pan" (Pan)
recorded in:
Wien (Vienna), Austria (in 1988-05)
bass vocals [Pan]:
Robert Holl (bass-baritone) (in 1988-05)
orchestra:
Concentus Musicus Wien (in 1988-05)
conductor:
Nikolaus Harnoncourt (conductor) (in 1988-05)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1988-05)
recording of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: VII. Aria (Bass) “Ein Fürst ist seines Landes Pan!” (in 1988-05)
premiered in:
Weißenfels, Sachsen-Anhalt (Saxony-Anhalt), Germany (in 1713-02)
composed in:
Weimar, Thüringen (Thuringia), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1713)
librettist:
Salomon Franck
part of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”
Johann Sebastian Bach2:33
8Cantata No. 208 "Was mir behagt, ist nur die muntre Jagd!", BWV 208: VIII. Recitativo "Soll denn der Pales Opfer" (Pales)
soprano vocals [Pales]:
Angela Maria Blasi (soprano) (in 1988-05)
orchestra:
Concentus Musicus Wien (in 1988-05)
conductor:
Nikolaus Harnoncourt (conductor) (in 1988-05)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1988-05)
recording of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: VIII. Recitativo (Sopran II) “Soll denn der Pales Opfer hier das letzte sein?” (in 1988-05)
premiered in:
Weißenfels, Sachsen-Anhalt (Saxony-Anhalt), Germany (in 1713-02)
composed in:
Weimar, Thüringen (Thuringia), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1713)
librettist:
Salomon Franck
part of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”
Johann Sebastian Bach0:37
9Cantata No. 208 "Was mir behagt, ist nur die muntre Jagd!", BWV 208: IX. Aria "Schafe können sicher weiden" (Pales)
recorded in:
Wien (Vienna), Austria (in 1988-05)
soprano vocals [Pales]:
Angela Maria Blasi (soprano) (in 1988-05)
orchestra:
Concentus Musicus Wien (in 1988-05)
conductor:
Nikolaus Harnoncourt (conductor) (in 1988-05)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1988-05)
recording of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: IX. Aria (Sopran II) “Schafe können sicher weiden” (in 1988-05)
premiered in:
Weißenfels, Sachsen-Anhalt (Saxony-Anhalt), Germany (in 1713-02)
composed in:
Weimar, Thüringen (Thuringia), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1713)
librettist:
Salomon Franck
part of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”
Johann Sebastian Bach4:57
10Cantata No. 208 "Was mir behagt, ist nur die muntre Jagd!", BWV 208: X. Recitativo "So stimmt mit ein" (Diana)
soprano vocals [Diana]:
Yvonne Kenny (Australian soprano) (in 1988-05)
orchestra:
Concentus Musicus Wien (in 1988-05)
conductor:
Nikolaus Harnoncourt (conductor) (in 1988-05)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1988-05)
recording of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: X. Recitativo (Sopran I) “So stimmt mit ein” (in 1988-05)
premiered in:
Weißenfels, Sachsen-Anhalt (Saxony-Anhalt), Germany (in 1713-02)
composed in:
Weimar, Thüringen (Thuringia), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1713)
librettist:
Salomon Franck
part of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”
Johann Sebastian Bach0:11
11Cantata No. 208 "Was mir behagt, ist nur die muntre Jagd!", BWV 208: XI. Coro "Lebe, Sonne dieser Erden" (Diana, Pales, Endymion, Pan)
recorded in:
Wien (Vienna), Austria (in 1988-05)
bass vocals [Pan]:
Robert Holl (bass-baritone) (in 1988-05)
choir vocals:
Arnold Schoenberg Chor (in 1988-05)
soprano vocals [Diana]:
Yvonne Kenny (Australian soprano) (in 1988-05)
soprano vocals [Pales]:
Angela Maria Blasi (soprano) (in 1988-05)
tenor vocals [Endymion]:
Kurt Equiluz (tenor) (in 1988-05)
orchestra:
Concentus Musicus Wien (in 1988-05)
conductor:
Nikolaus Harnoncourt (conductor) (in 1988-05)
chorus master:
Erwin Ortner (in 1988-05)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1988-05)
recording of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: XI. Chorus (Aria a 4) “Lebe, Sonne dieser Erdem” (in 1988-05)
premiered in:
Weißenfels, Sachsen-Anhalt (Saxony-Anhalt), Germany (in 1713-02)
composed in:
Weimar, Thüringen (Thuringia), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1713)
librettist:
Salomon Franck
part of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”
Johann Sebastian Bach3:15
12Cantata No. 208 "Was mir behagt, ist nur die muntre Jagd!", BWV 208: XII. Duetto "Entzücket uns beide" (Diana, Endymion)
recorded in:
Wien (Vienna), Austria (in 1988-05)
soprano vocals [Diana]:
Yvonne Kenny (Australian soprano) (in 1988-05)
tenor vocals [Endymion]:
Kurt Equiluz (tenor) (in 1988-05)
orchestra:
Concentus Musicus Wien (in 1988-05)
conductor:
Nikolaus Harnoncourt (conductor) (in 1988-05)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1988-05)
recording of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: XII. Duetto (Sopran I, Tenor) “Entzücket uns beide” (in 1988-05)
premiered in:
Weißenfels, Sachsen-Anhalt (Saxony-Anhalt), Germany (in 1713-02)
composed in:
Weimar, Thüringen (Thuringia), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1713)
librettist:
Salomon Franck
part of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”
Johann Sebastian Bach2:01
13Cantata No. 208 "Was mir behagt, ist nur die muntre Jagd!", BWV 208: XIII. Aria "Weil die wollenreichen Herden" (Pales)
recorded in:
Wien (Vienna), Austria (in 1988-05)
soprano vocals [Pales]:
Angela Maria Blasi (soprano) (in 1988-05)
orchestra:
Concentus Musicus Wien (in 1988-05)
conductor:
Nikolaus Harnoncourt (conductor) (in 1988-05)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1988-05)
recording of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: XIII. Aria (Sopran II) “Weil die wollenreichen Herden” (in 1988-05)
premiered in:
Weißenfels, Sachsen-Anhalt (Saxony-Anhalt), Germany (in 1713-02)
composed in:
Weimar, Thüringen (Thuringia), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1713)
librettist:
Salomon Franck
part of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”
Johann Sebastian Bach1:48
14Cantata No. 208 "Was mir behagt, ist nur die muntre Jagd!", BWV 208: XIV. Aria "Ihr Felder und Auen" (Pan)
recorded in:
Wien (Vienna), Austria (in 1988-05)
bass vocals [Pan]:
Robert Holl (bass-baritone) (in 1988-05)
orchestra:
Concentus Musicus Wien (in 1988-05)
conductor:
Nikolaus Harnoncourt (conductor) (in 1988-05)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1988-05)
recording of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: XIV. Aria (Bass) “Ihr felder und Auen, laßt grünend euch schauen” (in 1988-05)
premiered in:
Weißenfels, Sachsen-Anhalt (Saxony-Anhalt), Germany (in 1713-02)
composed in:
Weimar, Thüringen (Thuringia), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1713)
librettist:
Salomon Franck
part of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”
Johann Sebastian Bach3:20
15Cantata No. 208 "Was mir behagt, ist nur die muntre Jagd!", BWV 208: XV. Coro "IIhr lieblichste Blicke" (Diana, Pales, Endymion, Pan)
choir vocals:
Arnold Schoenberg Chor (in 1988-05)
orchestra:
Concentus Musicus Wien (in 1988-05)
conductor:
Nikolaus Harnoncourt (conductor) (in 1988-05)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1988-05)
recording of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: XV. Chorus “Ihr lieblichste Bliche! ihr freudige Stunden” (in 1988-05)
premiered in:
Weißenfels, Sachsen-Anhalt (Saxony-Anhalt), Germany (in 1713-02)
composed in:
Weimar, Thüringen (Thuringia), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1713)
librettist:
Salomon Franck
part of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”
Johann Sebastian Bach3:37
16Cantata No. 212 "Mer hahn en neue Oberkeet", BWV 212: I. Overture
orchestra:
Concentus Musicus Wien (in 1988-05)
conductor:
Nikolaus Harnoncourt (conductor) (in 1988-05)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1988-05)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": I. Ouvertüre (in 1988-05)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach2:11
17Cantata No. 212 "Mer hahn en neue Oberkeet", BWV 212: II. Duet "Mer hahn en neue Oberkeet" (Soprano, Bass)
bass vocals:
Robert Holl (bass-baritone) (in 1988-05)
soprano vocals:
Angela Maria Blasi (soprano) (in 1988-05)
orchestra:
Concentus Musicus Wien (in 1988-05)
conductor:
Nikolaus Harnoncourt (conductor) (in 1988-05)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1988-05)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": II. Aria (Duetto Sopran, Bass) "Mer hahn en neue Oberkeet" (in 1988-05)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach0:35
18Cantata No. 212 "Mer hahn en neue Oberkeet", BWV 212: III. Recitativo "Nu, Mieke, gib dein Guschel immer her" (Soprano, Bass)
bass vocals:
Robert Holl (bass-baritone) (in 1988-05)
soprano vocals:
Angela Maria Blasi (soprano) (in 1988-05)
orchestra:
Concentus Musicus Wien (in 1988-05)
conductor:
Nikolaus Harnoncourt (conductor) (in 1988-05)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1988-05)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": III. Recitativo (Sopran, Bass) "Nu, Mieke, gib dein Guschel immer her" (in 1988-05)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach0:58
19Cantata No. 212 "Mer hahn en neue Oberkeet", BWV 212: IV. Aria "Ach, es schmeckt doch gar zu gut" (Soprano)
soprano vocals:
Angela Maria Blasi (soprano) (in 1988-05)
orchestra:
Concentus Musicus Wien (in 1988-05)
conductor:
Nikolaus Harnoncourt (conductor) (in 1988-05)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1988-05)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": IV. Aria (Sopran) "Ach, es schmeckt doch gar zu gut" (in 1988-05)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach1:05
20Cantata No. 212 "Mer hahn en neue Oberkeet", BWV 212: V. Recitativo "Der Herr ist gut" (Bass)
bass vocals:
Robert Holl (bass-baritone) (in 1988-05)
orchestra:
Concentus Musicus Wien (in 1988-05)
conductor:
Nikolaus Harnoncourt (conductor) (in 1988-05)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1988-05)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": V. Recitativo (Bass) "Der Herr ist gut" (in 1988-05)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach0:23
21Cantata No. 212 "Mer hahn en neue Oberkeet", BWV 212: VI. Aria "Ach, Herr Schösser, geht nicht gar zu schlimm" (Bass)
bass vocals:
Robert Holl (bass-baritone) (in 1988-05)
orchestra:
Concentus Musicus Wien (in 1988-05)
conductor:
Nikolaus Harnoncourt (conductor) (in 1988-05)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1988-05)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": VI. Aria (Bass) "Ach, Herr Schösser, geht nicht gar zu schlimm" (in 1988-05)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach1:12
22Cantata No. 212 "Mer hahn en neue Oberkeet", BWV 212: VII. Recitativo "Es bleibt dabei" (Soprano)
soprano vocals:
Angela Maria Blasi (soprano) (in 1988-05)
orchestra:
Concentus Musicus Wien (in 1988-05)
conductor:
Nikolaus Harnoncourt (conductor) (in 1988-05)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1988-05)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": VII. Recitativo (Sopran) "Es bleibt dabei" (in 1988-05)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach0:21
23Cantata No. 212 "Mer hahn en neue Oberkeet", BWV 212: VIII. Aria "Unser trefflicher lieber Kammerherr" (Soprano)
soprano vocals:
Angela Maria Blasi (soprano) (in 1988-05)
orchestra:
Concentus Musicus Wien (in 1988-05)
conductor:
Nikolaus Harnoncourt (conductor) (in 1988-05)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1988-05)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": VIII. Aria (Sopran) "Unser trefflicher, lieber Kammerherr" (in 1988-05)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
is based on:
Folia
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach1:32
24Cantata No. 212 "Mer hahn en neue Oberkeet", BWV 212: IX. Recitativo "Er hilft uns allen, alt und jung" (Soprano, Bass)
bass vocals:
Robert Holl (bass-baritone) (in 1988-05)
soprano vocals:
Angela Maria Blasi (soprano) (in 1988-05)
orchestra:
Concentus Musicus Wien (in 1988-05)
conductor:
Nikolaus Harnoncourt (conductor) (in 1988-05)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1988-05)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": IX. Recitativo (Sopran, Bass) "Er hilft uns allen, alt und jung" (in 1988-05)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach0:32
25Cantata No. 212 "Mer hahn en neue Oberkeet", BWV 212: X. Aria "Das ist galant" (Soprano)
soprano vocals:
Angela Maria Blasi (soprano) (in 1988-05)
orchestra:
Concentus Musicus Wien (in 1988-05)
conductor:
Nikolaus Harnoncourt (conductor) (in 1988-05)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1988-05)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": X. Aria (Sopran) "Das ist galant" (in 1988-05)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach1:15
26Cantata No. 212 "Mer hahn en neue Oberkeet", BWV 212: XI. Recitaitve "Und unsre gnäd'ge Frau"(Bass)
bass vocals:
Robert Holl (bass-baritone) (in 1988-05)
orchestra:
Concentus Musicus Wien (in 1988-05)
conductor:
Nikolaus Harnoncourt (conductor) (in 1988-05)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1988-05)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XI. Recitativo (Bass) "Und unsre gnädge Frau" (in 1988-05)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach0:46
27Cantata No. 212 "Mer hahn en neue Oberkeet", BWV 212: XII. Aria "Fünfzig Taler bares Geld" (Bass)
bass vocals:
Robert Holl (bass-baritone) (in 1988-05)
orchestra:
Concentus Musicus Wien (in 1988-05)
conductor:
Nikolaus Harnoncourt (conductor) (in 1988-05)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1988-05)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XII. Aria (Bass) "Fünfzig Taler bares Geld" (in 1988-05)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach0:50
28Cantata No. 212 "Mer hahn en neue Oberkeet", BWV 212: XIII. Recitativo "Im Ernst ein Wort!" (Soprano)
soprano vocals:
Angela Maria Blasi (soprano) (in 1988-05)
orchestra:
Concentus Musicus Wien (in 1988-05)
conductor:
Nikolaus Harnoncourt (conductor) (in 1988-05)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1988-05)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XIII. Recitativo (Sopran) "Im Ernst ein Wort" (in 1988-05)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach0:26
29Cantata No. 212 "Mer hahn en neue Oberkeet", BWV 212: XIV. Aria "Klein-Zschocher müsse" (Soprano)
recorded in:
Wien (Vienna), Austria (in 1988-05)
soprano vocals:
Angela Maria Blasi (soprano) (in 1988-05)
orchestra:
Concentus Musicus Wien (in 1988-05)
conductor:
Nikolaus Harnoncourt (conductor) (in 1988-05)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1988-05)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XIV. Aria (Sopran) "Klein-Zschocher müsse" (in 1988-05)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach7:25
30Cantata No. 212 "Mer hahn en neue Oberkeet", BWV 212: XV. Recitativo "Das ist zu klug vor dich" (Bass)
bass vocals:
Robert Holl (bass-baritone) (in 1988-05)
orchestra:
Concentus Musicus Wien (in 1988-05)
conductor:
Nikolaus Harnoncourt (conductor) (in 1988-05)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1988-05)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XV. Recitativo (Bass) "Das ist zu klug vor dich" (in 1988-05)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach0:22
31Cantata No. 212 "Mer hahn en neue Oberkeet", BWV 212: XVI. Aria "Es nehme zehntausend Dukaten" (Bass)
bass vocals:
Robert Holl (bass-baritone) (in 1988-05)
orchestra:
Concentus Musicus Wien (in 1988-05)
conductor:
Nikolaus Harnoncourt (conductor) (in 1988-05)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1988-05)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XVI. Aria (Bass) "Es nehme zehntausend Dukaten" (in 1988-05)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach0:43
32Cantata No. 212 "Mer hahn en neue Oberkeet", BWV 212: XVII. Recitativo "Das klingt zu liederlich" (Soprano)
soprano vocals:
Angela Maria Blasi (soprano) (in 1988-05)
orchestra:
Concentus Musicus Wien (in 1988-05)
conductor:
Nikolaus Harnoncourt (conductor) (in 1988-05)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1988-05)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XVII. Recitativo (Sopran) "Das klingt zu liederlich" (in 1988-05)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach0:21
33Cantata No. 212 "Mer hahn en neue Oberkeet", BWV 212: XVIII. Aria "Gib, Schöne, viel Söhne" (Soprano)
soprano vocals:
Angela Maria Blasi (soprano) (in 1988-05)
orchestra:
Concentus Musicus Wien (in 1988-05)
conductor:
Nikolaus Harnoncourt (conductor) (in 1988-05)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1988-05)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XVIII. Aria (Sopran) "Gib, Schöne, viel Söhne" (in 1988-05)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach0:39
34Cantata No. 212 "Mer hahn en neue Oberkeet", BWV 212: XIX Recitaitve "Du hast wohl recht" (Bass)
bass vocals:
Robert Holl (bass-baritone) (in 1988-05)
orchestra:
Concentus Musicus Wien (in 1988-05)
conductor:
Nikolaus Harnoncourt (conductor) (in 1988-05)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1988-05)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XIX. Recitativo (Bass) "Du hast wohl recht" (in 1988-05)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach0:20
35Cantata No. 212 "Mer hahn en neue Oberkeet", BWV 212: XX. Aria "Dein Wachstum sei feste" (Bass)
bass vocals:
Robert Holl (bass-baritone) (in 1988-05)
orchestra:
Concentus Musicus Wien (in 1988-05)
conductor:
Nikolaus Harnoncourt (conductor) (in 1988-05)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1988-05)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XX. Aria (Bass) "Dein Wachstum sei feste und lache vor Lust" (in 1988-05)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach5:51
36Cantata No. 212 "Mer hahn en neue Oberkeet", BWV 212: XXI. Recitaitve "Und damit sei es auch genug" (Soprano, Bass)
bass vocals:
Robert Holl (bass-baritone) (in 1988-05)
soprano vocals:
Angela Maria Blasi (soprano) (in 1988-05)
orchestra:
Concentus Musicus Wien (in 1988-05)
conductor:
Nikolaus Harnoncourt (conductor) (in 1988-05)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1988-05)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XXI. Recitativo (Sopran, Bass) "Und damit sei es auch genug" (in 1988-05)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach0:15
37Cantata No. 212 "Mer hahn en neue Oberkeet", BWV 212: XXII. Aria "Und da
soprano vocals:
Angela Maria Blasi (soprano) (in 1988-05)
orchestra:
Concentus Musicus Wien (in 1988-05)
conductor:
Nikolaus Harnoncourt (conductor) (in 1988-05)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1988-05)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XXII. Aria (Sopran) "Und daß ihrs alle wißt" (in 1988-05)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach0:43
38Cantata No. 212 "Mer hahn en neue Oberkeet", BWV 212: XXIII. Recitaitve "Mein Schatz! erraten" (Soprano, Bass)
bass vocals:
Robert Holl (bass-baritone) (in 1988-05)
soprano vocals:
Angela Maria Blasi (soprano) (in 1988-05)
orchestra:
Concentus Musicus Wien (in 1988-05)
conductor:
Nikolaus Harnoncourt (conductor) (in 1988-05)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1988-05)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XXIII. Recitativo (Sopran, Bass) "Mein Schatz! erraten" (in 1988-05)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach0:33
39Cantata No. 212 "Mer hahn en neue Oberkeet", BWV 212: XXIV. Coro "Wir gehn nun, wo der Tudelsack" (Soprano, Bass)
bass vocals:
Robert Holl (bass-baritone) (in 1988-05)
soprano vocals:
Angela Maria Blasi (soprano) (in 1988-05)
orchestra:
Concentus Musicus Wien (in 1988-05)
conductor:
Nikolaus Harnoncourt (conductor) (in 1988-05)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1988-05)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XXIV. Chor (Sopran, Bass) "Wir gehn nun, wo der Tudelsack" (in 1988-05)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach1:07
▶ CD 13: J.S. Bach: Matthäus-Passion (Highlights)
▶ CD 14: Biber: Sonatae, Ballettae, Battalia, Sonata “die Pauern Kirchfahrt”
▶ CD 15: Clementi: Keyboard Sonatas
▶ CD 16: Corelli · Manfredini · Torelli · Vivaldi: Christmas Concertos
▶ CD 17: Dall'Abaco: Concerti
▶ CD 18: Handel: Concerti grossi, op.3
▶ CD 19: Handel: Ode for St Cecilia’s Day
▶ CD 20: Handel: Organ Concertos, op.7
▶ CD 21: Handel: Water Music · Organ Concertos HWV 295 & HWV 304
▶ CD 22: Haydn: Harmoniemesse · Te Deum Cantata “Qual dubbio ormai”
▶ CD 23: Jerusalem: Matins for the Virgin of Guadaloupe (1764)
▶ CD 24: Mendelssohn: String Symphonies 8–10
▶ CD 25: Monteverdi: Madrigali concertati
▶ CD 26: Monteverdi: L'Orfeo (Highlights)
▶ CD 27: Monteverdi: Vespro della Beata Vergine (1610)
▶ CD 28: Monteverdi: Vespro della Beata Vergine (1610)
▶ CD 29: Mozart: “Credo” Mass, K257 · Litaniae de venerabili altaris sacramento, K243
▶ CD 30: Purcell: Dido and Aeneas
▶ CD 31: Salieri · Steffan: Fortepiano Concertos
▶ CD 32: Schütz: Die Sieben Worte unsers lieben Erlösers · Lukas-Passion
▶ CD 33: Telemann: Musique de table (Tafelmusik) (Production III)
▶ CD 34: Telemann: Overtures & Concertos
▶ CD 35: Vanhal: Symphonies
▶ CD 36: Victoria: Sacred Music
▶ CD 37: Vivaldi: Concerti op.10
▶ CD 38: Vivaldi: 4 Seasons · Concertos RV 454 & 332
▶ CD 39: Zelenka: Hipocondrie à 7 · Ouverture à 7 · Trio Sonata for 2 oboes and bassoon
▶ CD 40: Ars Britannica - Old Hall Manuscript · Madrigals
▶ CD 41: Italian Recorder Sonatas
▶ CD 42: Baroque Music for Cello
▶ CD 43: English Consort & Keyboard Music
▶ CD 44: English Music of the 17th Century
▶ CD 45: English Part Songs & Lute Songs
▶ CD 46: Komödiantische Musik des Barock
▶ CD 47: Music at the Court of Mannheim
▶ CD 48: J. Bull: Music for Harpsichord
▶ CD 49: Musica da camera a Napoli
▶ CD 50: Songs of the Baroque Era
▶ CD 51: Vanitas vanitatum — Rome 1650