Early Music. La Musique Ancienne. De L`antiquite A La Renaissance

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

▶ CD 1: La Musique De L'Antiquité (Music Of The Ancient World)
▶ CD 2: Le Chant Des Premiers Chrétiens (Chant Of The Early Christians)
▶ CD 3: 1000 Ans De Chant Grégorien (Gregorian Chant)
▼ CD 4: Trouvères & Troubadours (Minnesänger & Other Courtly Arts)
#TitleArtistRatingLength
1A l'entrada del temps clar
orchestra:
Clemencic Consort (Austrian baroque / early music ensemble)
conductor:
René Clemencic (conductor) (in 1977-06)
performer:
Clemencic Consort (Austrian baroque / early music ensemble) (in 1977-06)
recording of:
A l'entrada del tens clar (in 1977-06)
lyricist and composer:
[anonymous] (special purpose artist)
[anonymous]2:48
2L'art des "troubadours": Vida
vocals:
Yves Rouquette (in 1977-06)
conductor:
René Clemencic (conductor) (in 1977-06)
performer:
Clemencic Consort (Austrian baroque / early music ensemble) (in 1977-06)
recording of:
Vida (in 1977-06)
writer:
Bernart de Ventadorn (French poet-composer troubadour, fl. 12th century)
Bernart de Ventadorn2:38
3L'art des "troubadours": Sitot me soi
soprano vocals:
Pilar Figueras (Soprano) (in 1977-06)
conductor:
René Clemencic (conductor) (in 1977-06)
performer:
Clemencic Consort (Austrian baroque / early music ensemble) (in 1977-06)
recording of:
Sitot me soi (in 1977-06)
writer:
Folquet de Marselha
Folquet de Marselha11:13
4Volez vous que je vous chant
orchestra:
The Harp Consort (Guernsey-based international early music ensemble)
conductor:
Andrew Lawrence‐King (Early music harpist and conductor)
[anonymous]4:37
5Efforcier m'estuet ma voiz
shawm:
Ian Harrison (Member of Les haulz et les bas who plays shawm, bagpipe, et al.)
orchestra:
The Harp Consort (Guernsey-based international early music ensemble)
conductor:
Andrew Lawrence‐King (Early music harpist and conductor)
instrumental recording of:
Efforcier m'estuet ma voiz
composer:
Gautier de Coincy
Gautier de Coincy1:49
6Conductus: Hyer matin a l'enjournee
tenor vocals [voix]:
Steven Harrold (tenor) and Julian Podger (English tenor vocalist & choral conductor)
recording of:
Hyer matin a l'enjournee
composer:
Gautier de Coincy
Gautier de Coincy0:54
7Motet: Hyer matin / Benedicamus Domino
tenor vocals [voix]:
Steven Harrold (tenor), Ian Honeyman (English tenor, specialized in Baroque and early music) and Julian Podger (English tenor vocalist & choral conductor)
recording of:
Hyer matin / Bendicamus Domino
composer:
Gautier de Coincy
Gautier de Coincy1:02
8Ja pour yver
tenor vocals [voix]:
Ian Honeyman (English tenor, specialized in Baroque and early music)
orchestra:
The Harp Consort (Guernsey-based international early music ensemble)
conductor:
Andrew Lawrence‐King (Early music harpist and conductor)
recording of:
Ja pour yver
composer:
Gautier de Coincy
Gautier de Coincy13:34
9Deus est ensi conme li pellicanz
psaltery [psaltérion medieval] and psaltery [psalterion]:
Andrew Lawrence‐King (Early music harpist and conductor)
baritone vocals [voix] and tenor vocals:
Paul Hillier (conductor, music director and baritone, specializes in early music and contemporary art music)
recording of:
Deus est ensi conme li pellicanz (in 1997-02)
writer:
Thibaud de Champagne (Theobald I of Navarre, French medieval ruler & trouvère, c. 1201-1253) (in 1250)
Thibaud de Navarre4:45
10Entre Adan et Hanikel-Chies bien seans
choir vocals:
Theatre of Voices (vocal ensemble founded by Paul Hillier)
chorus master:
Paul Hillier (conductor, music director and baritone, specializes in early music and contemporary art music)
recording of:
Entre Adan et Anikel / Chiès bien séans
writer:
Adam de la Halle (French poet-composer trouvère, fl. 13th century)
Adam de la Halle1:14
11Cantiga de Santa María 116: "Bailemos nós ja todas tres" (adaptation CSM 116)
orchestra:
The Dufay Collective (UK early music ensemble led by William Lyons)
recording of:
Bailemos nós ja todas tres (based on Cantiga 116)
lyricist:
Airas Núñez
composer:
Alfonso X el Sabio (Spanish/Castillian medieval monarch & composer)
is based on:
Cantiga de Santa María no. 116 "Dereit' é de lume dar"
Alfonso X el Sabio2:57
12Cantiga de Santa María 15: "Todo-los Santos que son no Ceo de servir muito an gran sabor"
orchestra:
The Dufay Collective (UK early music ensemble led by William Lyons)
instrumental recording of:
Cantiga de Santa María no. 15 "Todos los santos"
composer:
Alfonso X el Sabio (Spanish/Castillian medieval monarch & composer)
part of:
Cantigas de Santa Maria (number: 15)
part of:
Cantigas de Santa María
Alfonso X el Sabio3:06
13Cantigas de amigo, song cycle for voice and accompaniment: V. Quantas sabedes amar
orchestra:
The Dufay Collective (UK early music ensemble led by William Lyons)
recording of:
Cantigas (7) de Amigo, song cycle for voice and accompaniment, V. Quantas sabedes amar
lyricist:
Martín Codax
translator:
Elsa Beaulieu, Sharon A. Fechter and Maricruz Gil
Alfonso X el Sabio5:56
14Les Minnesänger: "Sinc an, guldîn huon!"
citole:
Kevin Mason (theorbo and lute player)
rebec:
David Douglass (conductor, violinist, producer)
vielle:
David Douglass (conductor, violinist, producer) and Mary Springfels (viola da gamba player and conductor)
countertenor vocals [contre-ténor]:
Drew Minter (countertenor)
orchestra:
The Newberry Consort
conductor:
Mary Springfels (viola da gamba player and conductor)
recording of:
Sic an, guldîn huon!
writer and composer:
Neidhart von Reuenthal (German singer & composer, fl. c. 1210-1240)
Neidhart von Reuenthal6:14
15Les Minnesänger: Ich lobe ein wip
citole:
Kevin Mason (theorbo and lute player)
rebec:
David Douglass (conductor, violinist, producer)
vielle:
David Douglass (conductor, violinist, producer) and Mary Springfels (viola da gamba player and conductor)
orchestra:
The Newberry Consort
conductor:
Mary Springfels (viola da gamba player and conductor)
instrumental recording of:
Ich lobe ein wib
writer:
Tannhäuser (Minnesänger, ca. 1205 - ca. 1270)
Tannhäuser3:32
16Les Minnesänger: "Owê dirre nôt"
citole:
Kevin Mason (theorbo and lute player)
rebec:
David Douglass (conductor, violinist, producer)
vielle:
David Douglass (conductor, violinist, producer) and Mary Springfels (viola da gamba player and conductor)
countertenor vocals [contre-ténor]:
Drew Minter (countertenor)
orchestra:
The Newberry Consort
conductor:
Mary Springfels (viola da gamba player and conductor)
recording of:
Owe dirre not
writer:
Neidhart von Reuenthal (German singer & composer, fl. c. 1210-1240)
Neidhart von Reuenthal4:00
17Carmina gulatorum et potatorum: Bacche, bene venies (CB 200)
recording engineer:
Alberto Paulin and Pierre Studer
bombarde [bombarde alto]:
Richard Erig
cornett [cornet à bouquin alto]:
Frantisek Pok
fiddle [dessus de vièle]:
Spiros Rantos (violinist and conductor)
psaltery [psaltérion]:
András Kecskès
tambourine [tambourin]:
Walter Schiefer
treble recorder / alto recorder [flûte à bec alto]:
René Clemencic (conductor)
other vocals [trois voix masculines]:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
orchestra:
Clemencic Consort (Austrian baroque / early music ensemble)
conductor:
René Clemencic (conductor)
phonographic copyright (℗) by:
harmonia mundi s.a. (not for release label use!) (from 1975 until 1976, in 1978, in 1990)
recording of:
Bacche, bene venies
part of:
Carmina Gulatorum et Potatorum and Carmina Burana (number: 200)
part of:
Carmina Burana (original manuscript of poetry, ca. 1230)
[anonymous]3:03
18Carmina Burana: "Deduc Syon, uberrimas", CB 34
recording engineer:
Alberto Paulin and Pierre Studer
tabor:
Walter Schiefer
baritone vocals:
R. Clemencic (conductor)
countertenor vocals:
Zeger Vandersteene (Belgian tenor, opera singer) (in 1974)
countertenor vocals [contre-ténor II]:
Hans Breitschopf
vocals:
Schola
orchestra:
Clemencic Consort (Austrian baroque / early music ensemble)
conductor:
René Clemencic (conductor) (in 1974)
performer:
Clemencic Consort (Austrian baroque / early music ensemble) (in 1974)
phonographic copyright (℗) by:
harmonia mundi s.a. (not for release label use!) (from 1975 until 1976, in 1978, in 1990)
recording of:
Deduc Syon uberrimas (CB 34) (in 1974)
part of:
Carmina Moralia and Carmina Burana (number: 34)
part of:
Carmina Burana (original manuscript of poetry, ca. 1230)
[anonymous]2:55
▶ CD 5: La Naissance De La Polyphonie (The Birth Of Polyphony)
▶ CD 6: Le Siècle De L'Ars Nova (A Revolution In The Late Middle Ages)
▶ CD 7: Ars Subtilior (Dawn Of The Renaissance)
▶ CD 8: Musique Sacrée De La Renaissance (Renaissance Sacred Music)
▶ CD 9: Chansons De La Renaissance (Songs Of The Renaissance)
▶ CD 10: L'Emergence De La Musique Instrumentale (The Rise Of Instrumental Music)