William Christie: The Complete Erato Recordings

~ Release by Les Arts Florissants, William Christie (see all versions of this release, 1 available)

Tracklist

▶ CD 1: CAMPRA Grand Motets
▶ CD 2: Salve Regina - CAMPRA, COUPERIN
▶ CD 3: CHARPENTIER Médée
▶ CD 4: CHARPENTIER Médée
▶ CD 5: CHARPENTIER Médée
▶ CD 6: CHARPENTIER La descente d'Orphée aux Enfers
▶ CD 7: CHARPENTIER Les plaisirs de Versailles
▶ CD 8: CHARPENTIER Divertissements, airs et concerts
▶ CD 9: CHARPENTIER In Nativitatem domini canticum - Messe de minuit
▶ CD 10: CHARPENTIER Te Deum - Grand Office des morts
▶ CD 11: CHARPENTIER Judicium Salomonis
▶ CD 12: COUPERIN Leçons de Ténèbres pour le Mercredi Saint
▶ CD 13: DESMAREST Grands motets lorrains
▶ CD 14: HANDEL Orlando
▶ CD 15: HANDEL Orlando
▶ CD 16: HANDEL Orlando
▶ CD 17: HANDEL Acis and Galatea
▶ CD 18: HANDEL Acis and Galatea
▶ CD 19: HANDEL Alcina
▶ CD 20: HANDEL Alcina
▶ CD 21: HANDEL Alcina
▶ CD 22: HANDEL Theodora
▶ CD 23: HANDEL Theodora
▶ CD 24: HANDEL Theodora
▼ CD 25: HANDEL Serse
#TitleArtistRatingLength
1Serse: Overture
assistant engineer:
Djaison Taouss (from 2003-11-17 until 2003-11-25) and Agnès Mathon (from 2003-11-17 until 2003-11-25)
producer:
Daniel Zalay
orchestra:
Les Arts Florissants (French baroque ensemble) (from 2003-11-17 until 2003-11-25)
conductor:
William Christie (harpsichordist and conductor) (from 2003-11-17 until 2003-11-25)
balance engineer:
Gilles Pézerat (engineer) (from 2003-11-17 until 2003-11-25)
phonographic copyright (℗) by:
Virgin Classics Ltd. (not for release label use! for copyrights use) (in 2004)
recorded at:
Théâtre des Champs-Élysées in Paris, Île-de-France, France (from 2003-11-17 until 2003-11-25)
live recording of:
Serse, HWV 40: Overtura (from 2003-11-17 until 2003-11-25)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Serse, HWV 40
George Frideric Handel4:44
2Serse: Act 1, Scene I: No 1a Accompagnato - Frondi tenere (Serse)
assistant engineer:
Djaison Taouss (from 2003-11-17 until 2003-11-25) and Agnès Mathon (from 2003-11-17 until 2003-11-25)
producer:
Daniel Zalay
mezzo-soprano vocals [Serse]:
Anne Sofie von Otter (mezzo-soprano) (from 2003-11-17 until 2003-11-25)
orchestra:
Les Arts Florissants (French baroque ensemble) (from 2003-11-17 until 2003-11-25)
conductor:
William Christie (harpsichordist and conductor) (from 2003-11-17 until 2003-11-25)
balance engineer:
Gilles Pézerat (engineer) (from 2003-11-17 until 2003-11-25)
phonographic copyright (℗) by:
Virgin Classics Ltd. (not for release label use! for copyrights use) (in 2004)
recorded at:
Théâtre des Champs-Élysées in Paris, Île-de-France, France (from 2003-11-17 until 2003-11-25)
live recording of:
Serse, HWV 40: Atto I, no. 1. Recitativo “Frondi tenere” (Serse) (from 2003-11-17 until 2003-11-25)
composer:
George Frideric Handel (German‐British baroque composer) (in 1738)
part of:
Serse, HWV 40: Atto I
George Frideric Handel0:42
3Serse: Act 1, Scene I: No 1b Arioso - Ombra mai fu (Serse)
assistant engineer:
Djaison Taouss (from 2003-11-17 until 2003-11-25) and Agnès Mathon (from 2003-11-17 until 2003-11-25)
producer:
Daniel Zalay
mezzo-soprano vocals [Serse]:
Anne Sofie von Otter (mezzo-soprano) (from 2003-11-17 until 2003-11-25)
orchestra:
Les Arts Florissants (French baroque ensemble) (from 2003-11-17 until 2003-11-25)
conductor:
William Christie (harpsichordist and conductor) (from 2003-11-17 until 2003-11-25)
balance engineer:
Gilles Pézerat (engineer) (from 2003-11-17 until 2003-11-25)
phonographic copyright (℗) by:
Virgin Classics Ltd. (not for release label use! for copyrights use) (in 2004)
recorded at:
Théâtre des Champs-Élysées in Paris, Île-de-France, France (from 2003-11-17 until 2003-11-25)
live recording of:
Serse, HWV 40: Atto I, no. 2. Arioso “Ombra mai fù” (Serse) (from 2003-11-17 until 2003-11-25)
composer:
George Frideric Handel (German‐British baroque composer) (from 1737-12-26 until 1738-01-09)
librettist:
[anonymous] (special purpose artist)
part of:
Serse, HWV 40: Atto I
George Frideric Handel3:20
4Serse: Act 1, Scene II/III: Recitativo - Siam giunti, Elviro (Arsamene/Elviro)
assistant engineer:
Djaison Taouss (from 2003-11-17 until 2003-11-25) and Agnès Mathon (from 2003-11-17 until 2003-11-25)
producer:
Daniel Zalay
bass vocals [Elviro]:
Antonio Abete (operatic bass) (from 2003-11-17 until 2003-11-25)
countertenor vocals [Arsamene]:
Lawrence Zazzo (countertenor) (from 2003-11-17 until 2003-11-25)
orchestra:
Les Arts Florissants (French baroque ensemble) (from 2003-11-17 until 2003-11-25)
conductor:
William Christie (harpsichordist and conductor) (from 2003-11-17 until 2003-11-25)
balance engineer:
Gilles Pézerat (engineer) (from 2003-11-17 until 2003-11-25)
phonographic copyright (℗) by:
Virgin Classics Ltd. (not for release label use! for copyrights use) (in 2004)
recorded at:
Théâtre des Champs-Élysées in Paris, Île-de-France, France (from 2003-11-17 until 2003-11-25)
live recording of:
Serse, HWV 40: Atto I. Recitativo “Siam giunti, Elviro” (Arsamene, Elviro) (from 2003-11-17 until 2003-11-25)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Serse, HWV 40: Atto I
George Frideric Handel0:25
5Serse: Act 1, Scene II/III: No 2 Sinfonia e Recitativo - Sento un soave concento (Arsamene/Elviro)
assistant engineer:
Djaison Taouss (from 2003-11-17 until 2003-11-25) and Agnès Mathon (from 2003-11-17 until 2003-11-25)
producer:
Daniel Zalay
bass vocals [Elviro]:
Antonio Abete (operatic bass) (from 2003-11-17 until 2003-11-25)
countertenor vocals [Arsamene]:
Lawrence Zazzo (countertenor) (from 2003-11-17 until 2003-11-25)
orchestra:
Les Arts Florissants (French baroque ensemble) (from 2003-11-17 until 2003-11-25)
conductor:
William Christie (harpsichordist and conductor) (from 2003-11-17 until 2003-11-25)
balance engineer:
Gilles Pézerat (engineer) (from 2003-11-17 until 2003-11-25)
phonographic copyright (℗) by:
Virgin Classics Ltd. (not for release label use! for copyrights use) (in 2004)
recorded at:
Théâtre des Champs-Élysées in Paris, Île-de-France, France (from 2003-11-17 until 2003-11-25)
live recording of:
Serse, HWV 40: Atto I, no. 3. Sinfonia e Recitativo “Sento un soave concento” (Arsamene, Elviro, Romilda) (from 2003-11-17 until 2003-11-25)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Serse, HWV 40: Atto I
George Frideric Handel1:58
6Serse: Act 1, Scene II/III: No 3 Arioso e Recitativo - O voi che penate (Romilda/Arsamene/Elviro/Serse)
assistant engineer:
Djaison Taouss (from 2003-11-17 until 2003-11-25) and Agnès Mathon (from 2003-11-17 until 2003-11-25)
producer:
Daniel Zalay
bass vocals [Elviro]:
Antonio Abete (operatic bass) (from 2003-11-17 until 2003-11-25)
countertenor vocals [Arsamene]:
Lawrence Zazzo (countertenor) (from 2003-11-17 until 2003-11-25)
mezzo-soprano vocals [Serse]:
Anne Sofie von Otter (mezzo-soprano) (from 2003-11-17 until 2003-11-25)
soprano vocals [Romilda]:
Elizabeth Norberg-Schulz (soprano) (from 2003-11-17 until 2003-11-25)
orchestra:
Les Arts Florissants (French baroque ensemble) (from 2003-11-17 until 2003-11-25)
conductor:
William Christie (harpsichordist and conductor) (from 2003-11-17 until 2003-11-25)
balance engineer:
Gilles Pézerat (engineer) (from 2003-11-17 until 2003-11-25)
phonographic copyright (℗) by:
Virgin Classics Ltd. (not for release label use! for copyrights use) (in 2004)
recorded at:
Théâtre des Champs-Élysées in Paris, Île-de-France, France (from 2003-11-17 until 2003-11-25)
live recording of:
Serse, HWV 40: Atto I, no. 4. Arioso e Recitativo “O voi, che penate!” (Romilda, Elviro, Arsamene, Serse) (from 2003-11-17 until 2003-11-25)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Serse, HWV 40: Atto I
George Frideric Handel2:08
7Serse: Act 1, Scene II/III: Recitativo - Arsamene (Serse/Arsamene)
assistant engineer:
Djaison Taouss (from 2003-11-17 until 2003-11-25) and Agnès Mathon (from 2003-11-17 until 2003-11-25)
producer:
Daniel Zalay
countertenor vocals [Arsamene]:
Lawrence Zazzo (countertenor) (from 2003-11-17 until 2003-11-25)
mezzo-soprano vocals [Serse]:
Anne Sofie von Otter (mezzo-soprano) (from 2003-11-17 until 2003-11-25)
orchestra:
Les Arts Florissants (French baroque ensemble) (from 2003-11-17 until 2003-11-25)
conductor:
William Christie (harpsichordist and conductor) (from 2003-11-17 until 2003-11-25)
balance engineer:
Gilles Pézerat (engineer) (from 2003-11-17 until 2003-11-25)
phonographic copyright (℗) by:
Virgin Classics Ltd. (not for release label use! for copyrights use) (in 2004)
recorded at:
Théâtre des Champs-Élysées in Paris, Île-de-France, France (from 2003-11-17 until 2003-11-25)
live recording of:
Serse, HWV 40: Atto I. Recitativo “Arsamene!” - “Mio Sire!” (Serse, Arsamene) (from 2003-11-17 until 2003-11-25)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Serse, HWV 40: Atto I
George Frideric Handel0:18
8Serse: Act 1, Scene II/III: No 4 Aria - Và godendo vezzoso e bello (Romilda)
assistant engineer:
Djaison Taouss (from 2003-11-17 until 2003-11-25) and Agnès Mathon (from 2003-11-17 until 2003-11-25)
producer:
Daniel Zalay
soprano vocals [Romilda]:
Elizabeth Norberg-Schulz (soprano) (from 2003-11-17 until 2003-11-25)
orchestra:
Les Arts Florissants (French baroque ensemble) (from 2003-11-17 until 2003-11-25)
conductor:
William Christie (harpsichordist and conductor) (from 2003-11-17 until 2003-11-25)
balance engineer:
Gilles Pézerat (engineer) (from 2003-11-17 until 2003-11-25)
phonographic copyright (℗) by:
Virgin Classics Ltd. (not for release label use! for copyrights use) (in 2004)
recorded at:
Théâtre des Champs-Élysées in Paris, Île-de-France, France (from 2003-11-17 until 2003-11-25)
live recording of:
Serse, HWV 40: Atto I, no. 5. Aria “Va godendo vezzoso e bello” (Romilda) (from 2003-11-17 until 2003-11-25)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Serse, HWV 40: Atto I
George Frideric Handel1:51
9Serse: Act 1, Scene II/III: Recitativo - Quel canto a un bel amor (Serse/Arsamene)
assistant engineer:
Djaison Taouss (from 2003-11-17 until 2003-11-25) and Agnès Mathon (from 2003-11-17 until 2003-11-25)
producer:
Daniel Zalay
countertenor vocals [Arsamene]:
Lawrence Zazzo (countertenor) (from 2003-11-17 until 2003-11-25)
mezzo-soprano vocals [Serse]:
Anne Sofie von Otter (mezzo-soprano) (from 2003-11-17 until 2003-11-25)
orchestra:
Les Arts Florissants (French baroque ensemble) (from 2003-11-17 until 2003-11-25)
conductor:
William Christie (harpsichordist and conductor) (from 2003-11-17 until 2003-11-25)
balance engineer:
Gilles Pézerat (engineer) (from 2003-11-17 until 2003-11-25)
phonographic copyright (℗) by:
Virgin Classics Ltd. (not for release label use! for copyrights use) (in 2004)
recorded at:
Théâtre des Champs-Élysées in Paris, Île-de-France, France (from 2003-11-17 until 2003-11-25)
live recording of:
Serse, HWV 40: Atto I. Recitativo “Quel canto a un bel amor” (Serse, Arsemene) (from 2003-11-17 until 2003-11-25)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Serse, HWV 40: Atto I
George Frideric Handel1:17
10Serse: Act 1, Scene II/III: No 5 Aria - Io diro che l'amo (Serse) Tu le dirai che l'ami (Arsamene)
assistant engineer:
Djaison Taouss (from 2003-11-17 until 2003-11-25) and Agnès Mathon (from 2003-11-17 until 2003-11-25)
producer:
Daniel Zalay
countertenor vocals [Arsamene]:
Lawrence Zazzo (countertenor) (from 2003-11-17 until 2003-11-25)
mezzo-soprano vocals [Serse]:
Anne Sofie von Otter (mezzo-soprano) (from 2003-11-17 until 2003-11-25)
orchestra:
Les Arts Florissants (French baroque ensemble) (from 2003-11-17 until 2003-11-25)
conductor:
William Christie (harpsichordist and conductor) (from 2003-11-17 until 2003-11-25)
balance engineer:
Gilles Pézerat (engineer) (from 2003-11-17 until 2003-11-25)
phonographic copyright (℗) by:
Virgin Classics Ltd. (not for release label use! for copyrights use) (in 2004)
recorded at:
Théâtre des Champs-Élysées in Paris, Île-de-France, France (from 2003-11-17 until 2003-11-25)
live recording of:
Serse, HWV 40: Atto I, no. 6. Aria “lo le diro che l'amo” (Serse) (from 2003-11-17 until 2003-11-25)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Serse, HWV 40: Atto I
live recording of:
Serse, HWV 40: Atto I. Aria “Tu le dirai che l'ami” (Arsamene) (from 2003-11-17 until 2003-11-25)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Serse, HWV 40: Atto I
George Frideric Handel3:20
11Serse: Act 1, Scene IV: Recitativo - Arsamene (Romilda/Arsamene/Atalanta)
assistant engineer:
Djaison Taouss (from 2003-11-17 until 2003-11-25) and Agnès Mathon (from 2003-11-17 until 2003-11-25)
producer:
Daniel Zalay
countertenor vocals [Arsamene]:
Lawrence Zazzo (countertenor) (from 2003-11-17 until 2003-11-25)
soprano vocals [Atalanta]:
Sandrine Piau (soprano) (from 2003-11-17 until 2003-11-25)
soprano vocals [Romilda]:
Elizabeth Norberg-Schulz (soprano) (from 2003-11-17 until 2003-11-25)
orchestra:
Les Arts Florissants (French baroque ensemble) (from 2003-11-17 until 2003-11-25)
conductor:
William Christie (harpsichordist and conductor) (from 2003-11-17 until 2003-11-25)
balance engineer:
Gilles Pézerat (engineer) (from 2003-11-17 until 2003-11-25)
phonographic copyright (℗) by:
Virgin Classics Ltd. (not for release label use! for copyrights use) (in 2004)
recorded at:
Théâtre des Champs-Élysées in Paris, Île-de-France, France (from 2003-11-17 until 2003-11-25)
live recording of:
Serse, HWV 40: Atto I. Recitativo “Arsamene!” - “Romilda” (Romilda, Arsamene, Atalanta) (from 2003-11-17 until 2003-11-25)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Serse, HWV 40: Atto I
George Frideric Handel1:06
12Serse: Act 1, Scene IV: No 6 Aria - Si, si...mio ben (Atalanta)
assistant engineer:
Djaison Taouss (from 2003-11-17 until 2003-11-25) and Agnès Mathon (from 2003-11-17 until 2003-11-25)
producer:
Daniel Zalay
soprano vocals [Atalanta]:
Sandrine Piau (soprano) (from 2003-11-17 until 2003-11-25)
orchestra:
Les Arts Florissants (French baroque ensemble) (from 2003-11-17 until 2003-11-25)
conductor:
William Christie (harpsichordist and conductor) (from 2003-11-17 until 2003-11-25)
balance engineer:
Gilles Pézerat (engineer) (from 2003-11-17 until 2003-11-25)
phonographic copyright (℗) by:
Virgin Classics Ltd. (not for release label use! for copyrights use) (in 2004)
recorded at:
Théâtre des Champs-Élysées in Paris, Île-de-France, France (from 2003-11-17 until 2003-11-25)
live recording of:
Serse, HWV 40: Atto I, no. 7. Aria “Si, si, mio ben, si, si” (Atalanta) (from 2003-11-17 until 2003-11-25)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Serse, HWV 40: Atto I
George Frideric Handel2:22
13Serse: Act 1, Scene IV: Recitativo - Presto, Signor (Elviro/Arsamene)
assistant engineer:
Djaison Taouss (from 2003-11-17 until 2003-11-25) and Agnès Mathon (from 2003-11-17 until 2003-11-25)
producer:
Daniel Zalay
bass vocals [Elviro]:
Antonio Abete (operatic bass) (from 2003-11-17 until 2003-11-25)
countertenor vocals [Arsamene]:
Lawrence Zazzo (countertenor) (from 2003-11-17 until 2003-11-25)
orchestra:
Les Arts Florissants (French baroque ensemble) (from 2003-11-17 until 2003-11-25)
conductor:
William Christie (harpsichordist and conductor) (from 2003-11-17 until 2003-11-25)
balance engineer:
Gilles Pézerat (engineer) (from 2003-11-17 until 2003-11-25)
phonographic copyright (℗) by:
Virgin Classics Ltd. (not for release label use! for copyrights use) (in 2004)
recorded at:
Théâtre des Champs-Élysées in Paris, Île-de-France, France (from 2003-11-17 until 2003-11-25)
live partial recording of:
Serse, HWV 40: Atto I. Recitativo “Presto, signor” (Elviro, Arsamene, Serse, Romilda) (from 2003-11-17 until 2003-11-25)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Serse, HWV 40: Atto I
George Frideric Handel0:05
14Serse: Act 1, Scene V: Recitativo - Come, qui Principessa (Serse/Romilda/Arsamene/Elviro)
assistant engineer:
Djaison Taouss (from 2003-11-17 until 2003-11-25) and Agnès Mathon (from 2003-11-17 until 2003-11-25)
producer:
Daniel Zalay
bass vocals [Elviro]:
Antonio Abete (operatic bass) (from 2003-11-17 until 2003-11-25)
countertenor vocals [Arsamene]:
Lawrence Zazzo (countertenor) (from 2003-11-17 until 2003-11-25)
mezzo-soprano vocals [Serse]:
Anne Sofie von Otter (mezzo-soprano) (from 2003-11-17 until 2003-11-25)
soprano vocals [Romilda]:
Elizabeth Norberg-Schulz (soprano) (from 2003-11-17 until 2003-11-25)
orchestra:
Les Arts Florissants (French baroque ensemble) (from 2003-11-17 until 2003-11-25)
conductor:
William Christie (harpsichordist and conductor) (from 2003-11-17 until 2003-11-25)
balance engineer:
Gilles Pézerat (engineer) (from 2003-11-17 until 2003-11-25)
phonographic copyright (℗) by:
Virgin Classics Ltd. (not for release label use! for copyrights use) (in 2004)
recorded at:
Théâtre des Champs-Élysées in Paris, Île-de-France, France (from 2003-11-17 until 2003-11-25)
live partial recording of:
Serse, HWV 40: Atto I. Recitativo “Presto, signor” (Elviro, Arsamene, Serse, Romilda) (from 2003-11-17 until 2003-11-25)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Serse, HWV 40: Atto I
George Frideric Handel1:08
15Serse: Act 1, Scene V: No 7 Aria - Meglio in voi col mio partire (Arsamene)
assistant engineer:
Djaison Taouss (from 2003-11-17 until 2003-11-25) and Agnès Mathon (from 2003-11-17 until 2003-11-25)
producer:
Daniel Zalay
countertenor vocals [Arsamene]:
Lawrence Zazzo (countertenor) (from 2003-11-17 until 2003-11-25)
orchestra:
Les Arts Florissants (French baroque ensemble) (from 2003-11-17 until 2003-11-25)
conductor:
William Christie (harpsichordist and conductor) (from 2003-11-17 until 2003-11-25)
balance engineer:
Gilles Pézerat (engineer) (from 2003-11-17 until 2003-11-25)
phonographic copyright (℗) by:
Virgin Classics Ltd. (not for release label use! for copyrights use) (in 2004)
recorded at:
Théâtre des Champs-Élysées in Paris, Île-de-France, France (from 2003-11-17 until 2003-11-25)
live recording of:
Serse, HWV 40: Atto I, no. 8. Aria “Meglio in voi col mio partire” (Arsamene) (from 2003-11-17 until 2003-11-25)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Serse, HWV 40: Atto I
George Frideric Handel2:21
16Serse: Act 1, Scene VI: Recitativo - Bellissima Romilda (Serse)
assistant engineer:
Djaison Taouss (from 2003-11-17 until 2003-11-25) and Agnès Mathon (from 2003-11-17 until 2003-11-25)
producer:
Daniel Zalay
mezzo-soprano vocals [Serse]:
Anne Sofie von Otter (mezzo-soprano) (from 2003-11-17 until 2003-11-25)
orchestra:
Les Arts Florissants (French baroque ensemble) (from 2003-11-17 until 2003-11-25)
conductor:
William Christie (harpsichordist and conductor) (from 2003-11-17 until 2003-11-25)
balance engineer:
Gilles Pézerat (engineer) (from 2003-11-17 until 2003-11-25)
phonographic copyright (℗) by:
Virgin Classics Ltd. (not for release label use! for copyrights use) (in 2004)
recorded at:
Théâtre des Champs-Élysées in Paris, Île-de-France, France (from 2003-11-17 until 2003-11-25)
live recording of:
Serse, HWV 40: Atto I. Recitativo “Bellissima Romilda” (Serse) (from 2003-11-17 until 2003-11-25)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Serse, HWV 40: Atto I
George Frideric Handel0:28
17Serse: Act 1, Scene VI: No 8 Aria - Di tacere e di schernirmi (Serse)
assistant engineer:
Djaison Taouss (from 2003-11-17 until 2003-11-25) and Agnès Mathon (from 2003-11-17 until 2003-11-25)
producer:
Daniel Zalay
mezzo-soprano vocals [Serse]:
Anne Sofie von Otter (mezzo-soprano) (from 2003-11-17 until 2003-11-25)
orchestra:
Les Arts Florissants (French baroque ensemble) (from 2003-11-17 until 2003-11-25)
conductor:
William Christie (harpsichordist and conductor) (from 2003-11-17 until 2003-11-25)
balance engineer:
Gilles Pézerat (engineer) (from 2003-11-17 until 2003-11-25)
phonographic copyright (℗) by:
Virgin Classics Ltd. (not for release label use! for copyrights use) (in 2004)
recorded at:
Théâtre des Champs-Élysées in Paris, Île-de-France, France (from 2003-11-17 until 2003-11-25)
live recording of:
Serse, HWV 40: Atto I, no. 9. Aria “Di tacere e di schernirmi” (Serse) (from 2003-11-17 until 2003-11-25)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Serse, HWV 40: Atto I
George Frideric Handel1:56
18Serse: Act 1, Scene VII: Recitativo - Apside sono (Romilda)
assistant engineer:
Djaison Taouss (from 2003-11-17 until 2003-11-25) and Agnès Mathon (from 2003-11-17 until 2003-11-25)
producer:
Daniel Zalay
soprano vocals [Romilda]:
Elizabeth Norberg-Schulz (soprano) (from 2003-11-17 until 2003-11-25)
orchestra:
Les Arts Florissants (French baroque ensemble) (from 2003-11-17 until 2003-11-25)
conductor:
William Christie (harpsichordist and conductor) (from 2003-11-17 until 2003-11-25)
balance engineer:
Gilles Pézerat (engineer) (from 2003-11-17 until 2003-11-25)
phonographic copyright (℗) by:
Virgin Classics Ltd. (not for release label use! for copyrights use) (in 2004)
recorded at:
Théâtre des Champs-Élysées in Paris, Île-de-France, France (from 2003-11-17 until 2003-11-25)
live recording of:
Serse, HWV 40: Atto I. Recitativo “Aspide sono, a' detti tuoi d'amore” (Romilda) (from 2003-11-17 until 2003-11-25)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Serse, HWV 40: Atto I
George Frideric Handel0:13
19Serse: Act 1, Scene VII: No 9 Aria - Nè men con l'ombre (Romilda)
assistant engineer:
Djaison Taouss (from 2003-11-17 until 2003-11-25) and Agnès Mathon (from 2003-11-17 until 2003-11-25)
producer:
Daniel Zalay
soprano vocals [Romilda]:
Elizabeth Norberg-Schulz (soprano) (from 2003-11-17 until 2003-11-25)
orchestra:
Les Arts Florissants (French baroque ensemble) (from 2003-11-17 until 2003-11-25)
conductor:
William Christie (harpsichordist and conductor) (from 2003-11-17 until 2003-11-25)
balance engineer:
Gilles Pézerat (engineer) (from 2003-11-17 until 2003-11-25)
phonographic copyright (℗) by:
Virgin Classics Ltd. (not for release label use! for copyrights use) (in 2004)
recorded at:
Théâtre des Champs-Élysées in Paris, Île-de-France, France (from 2003-11-17 until 2003-11-25)
live recording of:
Serse, HWV 40: Atto I, no. 10. Aria “Né men con l'ombre d'infidelta” (Romilda) (from 2003-11-17 until 2003-11-25)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Serse, HWV 40: Atto I
George Frideric Handel3:01
20Serse: Act 1, Scene VIII: No 10 Aria - Se Cangio Spoglia, Non Cangio Core (Amastre)
assistant engineer:
Djaison Taouss (from 2003-11-17 until 2003-11-25) and Agnès Mathon (from 2003-11-17 until 2003-11-25)
producer:
Daniel Zalay
mezzo-soprano vocals [Amastre]:
Silvia Tro Santafé (mezzo-soprano) (from 2003-11-17 until 2003-11-25)
orchestra:
Les Arts Florissants (French baroque ensemble) (from 2003-11-17 until 2003-11-25)
conductor:
William Christie (harpsichordist and conductor) (from 2003-11-17 until 2003-11-25)
balance engineer:
Gilles Pézerat (engineer) (from 2003-11-17 until 2003-11-25)
phonographic copyright (℗) by:
Virgin Classics Ltd. (not for release label use! for copyrights use) (in 2004)
recorded at:
Théâtre des Champs-Élysées in Paris, Île-de-France, France (from 2003-11-17 until 2003-11-25)
live recording of:
Serse, HWV 40: Atto I, no. 11. Aria “Se cangio spolgia, non cangio core” (Amastre) (from 2003-11-17 until 2003-11-25)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Serse, HWV 40: Atto I
George Frideric Handel1:50
21Serse: Act 1, Scene IX: Recitativo - Pugnammo, amici (Ariodate/Amastre)
assistant engineer:
Djaison Taouss (from 2003-11-17 until 2003-11-25) and Agnès Mathon (from 2003-11-17 until 2003-11-25)
producer:
Daniel Zalay
mezzo-soprano vocals [Amastre]:
Silvia Tro Santafé (mezzo-soprano) (from 2003-11-17 until 2003-11-25)
orchestra:
Les Arts Florissants (French baroque ensemble) (from 2003-11-17 until 2003-11-25)
conductor:
William Christie (harpsichordist and conductor) (from 2003-11-17 until 2003-11-25)
balance engineer:
Gilles Pézerat (engineer) (from 2003-11-17 until 2003-11-25)
phonographic copyright (℗) by:
Virgin Classics Ltd. (not for release label use! for copyrights use) (in 2004)
recorded at:
Théâtre des Champs-Élysées in Paris, Île-de-France, France (from 2003-11-17 until 2003-11-25)
live recording of:
Serse, HWV 40: Atto I. Recitativo “Pugnammo, amici” (Ariodate, Amastre) (from 2003-11-17 until 2003-11-25)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Serse, HWV 40: Atto I
George Frideric Handel0:18
22Serse: Act 1, Scene IX: No 11a - Già la tromba, che chiamo (Coro dei soldati)
assistant engineer:
Djaison Taouss (from 2003-11-17 until 2003-11-25) and Agnès Mathon (from 2003-11-17 until 2003-11-25)
producer:
Daniel Zalay
orchestra:
Les Arts Florissants (French baroque ensemble) (from 2003-11-17 until 2003-11-25)
conductor:
William Christie (harpsichordist and conductor) (from 2003-11-17 until 2003-11-25)
balance engineer:
Gilles Pézerat (engineer) (from 2003-11-17 until 2003-11-25)
phonographic copyright (℗) by:
Virgin Classics Ltd. (not for release label use! for copyrights use) (in 2004)
recorded at:
Théâtre des Champs-Élysées in Paris, Île-de-France, France (from 2003-11-17 until 2003-11-25)
live recording of:
Serse, HWV 40: Atto I, no. 12. Coro “Gia la tromba che chiamo” (also reprise after no. 13) (from 2003-11-17 until 2003-11-25)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Serse, HWV 40: Atto I
George Frideric Handel0:38
23Serse: Act 1, Scene X: Recitativo - Ecco Serse, o che volto (Amastre/Serse/Ariodate)
assistant engineer:
Djaison Taouss (from 2003-11-17 until 2003-11-25) and Agnès Mathon (from 2003-11-17 until 2003-11-25)
producer:
Daniel Zalay
mezzo-soprano vocals [Amastre]:
Silvia Tro Santafé (mezzo-soprano) (from 2003-11-17 until 2003-11-25)
mezzo-soprano vocals [Serse]:
Anne Sofie von Otter (mezzo-soprano) (from 2003-11-17 until 2003-11-25)
orchestra:
Les Arts Florissants (French baroque ensemble) (from 2003-11-17 until 2003-11-25)
conductor:
William Christie (harpsichordist and conductor) (from 2003-11-17 until 2003-11-25)
balance engineer:
Gilles Pézerat (engineer) (from 2003-11-17 until 2003-11-25)
phonographic copyright (℗) by:
Virgin Classics Ltd. (not for release label use! for copyrights use) (in 2004)
recorded at:
Théâtre des Champs-Élysées in Paris, Île-de-France, France (from 2003-11-17 until 2003-11-25)
live recording of:
Serse, HWV 40: Atto I. Recitativo “Ecco Serse, o che volto, o che splendore!” (Amastre, Serse, Ariodate) (from 2003-11-17 until 2003-11-25)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Serse, HWV 40: Atto I
George Frideric Handel0:54
24Serse: Act 1, Scene X: No 12 Aria - Soggetto al mio volere (Ariodate)
assistant engineer:
Djaison Taouss (from 2003-11-17 until 2003-11-25) and Agnès Mathon (from 2003-11-17 until 2003-11-25)
producer:
Daniel Zalay
orchestra:
Les Arts Florissants (French baroque ensemble) (from 2003-11-17 until 2003-11-25)
conductor:
William Christie (harpsichordist and conductor) (from 2003-11-17 until 2003-11-25)
balance engineer:
Gilles Pézerat (engineer) (from 2003-11-17 until 2003-11-25)
phonographic copyright (℗) by:
Virgin Classics Ltd. (not for release label use! for copyrights use) (in 2004)
recorded at:
Théâtre des Champs-Élysées in Paris, Île-de-France, France (from 2003-11-17 until 2003-11-25)
live recording of:
Serse, HWV 40: Atto I, no. 13. Aria “Soggetto al mio volere“ (Ariodate) (from 2003-11-17 until 2003-11-25)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Serse, HWV 40: Atto I
George Frideric Handel1:50
25Serse: Act 1, Scene X: No 11b - Già la tromba, che chiamo (Coro dei soldati)
assistant engineer:
Djaison Taouss (from 2003-11-17 until 2003-11-25) and Agnès Mathon (from 2003-11-17 until 2003-11-25)
producer:
Daniel Zalay
orchestra:
Les Arts Florissants (French baroque ensemble) (from 2003-11-17 until 2003-11-25)
conductor:
William Christie (harpsichordist and conductor) (from 2003-11-17 until 2003-11-25)
balance engineer:
Gilles Pézerat (engineer) (from 2003-11-17 until 2003-11-25)
phonographic copyright (℗) by:
Virgin Classics Ltd. (not for release label use! for copyrights use) (in 2004)
recorded at:
Théâtre des Champs-Élysées in Paris, Île-de-France, France (from 2003-11-17 until 2003-11-25)
live recording of:
Serse, HWV 40: Atto I, no. 12. Coro “Gia la tromba che chiamo” (also reprise after no. 13) (from 2003-11-17 until 2003-11-25)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Serse, HWV 40: Atto I
George Frideric Handel0:39
26Serse: Act 1, Scene XI: Recitativo - Queste vittorie, io credo (Serse/Amastre)
assistant engineer:
Djaison Taouss (from 2003-11-17 until 2003-11-25) and Agnès Mathon (from 2003-11-17 until 2003-11-25)
producer:
Daniel Zalay
mezzo-soprano vocals [Amastre]:
Silvia Tro Santafé (mezzo-soprano) (from 2003-11-17 until 2003-11-25)
mezzo-soprano vocals [Serse]:
Anne Sofie von Otter (mezzo-soprano) (from 2003-11-17 until 2003-11-25)
orchestra:
Les Arts Florissants (French baroque ensemble) (from 2003-11-17 until 2003-11-25)
conductor:
William Christie (harpsichordist and conductor) (from 2003-11-17 until 2003-11-25)
balance engineer:
Gilles Pézerat (engineer) (from 2003-11-17 until 2003-11-25)
phonographic copyright (℗) by:
Virgin Classics Ltd. (not for release label use! for copyrights use) (in 2004)
recorded at:
Théâtre des Champs-Élysées in Paris, Île-de-France, France (from 2003-11-17 until 2003-11-25)
live recording of:
Serse, HWV 40: Atto I. Recitativo “Queste vittorie, io credo” (Serse, Amastre) (from 2003-11-17 until 2003-11-25)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Serse, HWV 40: Atto I
George Frideric Handel1:32
27Serse: Act 1, Scene XI: No 13 Aria - Più che penso alle fiamme (Serse)
assistant engineer:
Djaison Taouss (from 2003-11-17 until 2003-11-25) and Agnès Mathon (from 2003-11-17 until 2003-11-25)
producer:
Daniel Zalay
mezzo-soprano vocals [Serse]:
Anne Sofie von Otter (mezzo-soprano) (from 2003-11-17 until 2003-11-25)
orchestra:
Les Arts Florissants (French baroque ensemble) (from 2003-11-17 until 2003-11-25)
conductor:
William Christie (harpsichordist and conductor) (from 2003-11-17 until 2003-11-25)
balance engineer:
Gilles Pézerat (engineer) (from 2003-11-17 until 2003-11-25)
phonographic copyright (℗) by:
Virgin Classics Ltd. (not for release label use! for copyrights use) (in 2004)
recorded at:
Théâtre des Champs-Élysées in Paris, Île-de-France, France (from 2003-11-17 until 2003-11-25)
live recording of:
Serse, HWV 40: Atto I, no. 14. Aria “Piu che penso alle fiamme del core” (Serse) (from 2003-11-17 until 2003-11-25)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Serse, HWV 40: Atto I
George Frideric Handel6:28
28Serse: Act 1, Scene XII: Recitativo - Eccoti il foglio, Elviro (Arsamene/Elviro)
assistant engineer:
Djaison Taouss (from 2003-11-17 until 2003-11-25) and Agnès Mathon (from 2003-11-17 until 2003-11-25)
producer:
Daniel Zalay
bass vocals [Elviro]:
Antonio Abete (operatic bass) (from 2003-11-17 until 2003-11-25)
countertenor vocals [Arsamene]:
Lawrence Zazzo (countertenor) (from 2003-11-17 until 2003-11-25)
orchestra:
Les Arts Florissants (French baroque ensemble) (from 2003-11-17 until 2003-11-25)
conductor:
William Christie (harpsichordist and conductor) (from 2003-11-17 until 2003-11-25)
balance engineer:
Gilles Pézerat (engineer) (from 2003-11-17 until 2003-11-25)
phonographic copyright (℗) by:
Virgin Classics Ltd. (not for release label use! for copyrights use) (in 2004)
recorded at:
Théâtre des Champs-Élysées in Paris, Île-de-France, France (from 2003-11-17 until 2003-11-25)
live recording of:
Serse, HWV 40: Atto I. Recitativo “Eccoti Il foglio, Elviro” (Arsamene, Elviro) (from 2003-11-17 until 2003-11-25)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Serse, HWV 40: Atto I
George Frideric Handel0:38
29Serse: Act 1, Scene XII: No 14 Arietta - Signor, signor, lasciate far a me (Elviro)
assistant engineer:
Djaison Taouss (from 2003-11-17 until 2003-11-25) and Agnès Mathon (from 2003-11-17 until 2003-11-25)
producer:
Daniel Zalay
bass vocals [Elviro]:
Antonio Abete (operatic bass) (from 2003-11-17 until 2003-11-25)
orchestra:
Les Arts Florissants (French baroque ensemble) (from 2003-11-17 until 2003-11-25)
conductor:
William Christie (harpsichordist and conductor) (from 2003-11-17 until 2003-11-25)
balance engineer:
Gilles Pézerat (engineer) (from 2003-11-17 until 2003-11-25)
phonographic copyright (℗) by:
Virgin Classics Ltd. (not for release label use! for copyrights use) (in 2004)
recorded at:
Théâtre des Champs-Élysées in Paris, Île-de-France, France (from 2003-11-17 until 2003-11-25)
live recording of:
Serse, HWV 40: Atto I, no. 15. Arietta “Signor, signor, lasciate far a me” (Elviro) (from 2003-11-17 until 2003-11-25)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Serse, HWV 40: Atto I
George Frideric Handel0:32
30Serse: Act 1, Scene XII: No 15 Aria - Non so se sia la speme (Arsamene)
assistant engineer:
Djaison Taouss (from 2003-11-17 until 2003-11-25) and Agnès Mathon (from 2003-11-17 until 2003-11-25)
producer:
Daniel Zalay
countertenor vocals [Arsamene]:
Lawrence Zazzo (countertenor) (from 2003-11-17 until 2003-11-25)
orchestra:
Les Arts Florissants (French baroque ensemble) (from 2003-11-17 until 2003-11-25)
conductor:
William Christie (harpsichordist and conductor) (from 2003-11-17 until 2003-11-25)
balance engineer:
Gilles Pézerat (engineer) (from 2003-11-17 until 2003-11-25)
phonographic copyright (℗) by:
Virgin Classics Ltd. (not for release label use! for copyrights use) (in 2004)
recorded at:
Théâtre des Champs-Élysées in Paris, Île-de-France, France (from 2003-11-17 until 2003-11-25)
live recording of:
Serse, HWV 40: Atto I, no. 16. Aria “Non so, se sia la speme” (Arsamene) (from 2003-11-17 until 2003-11-25)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Serse, HWV 40: Atto I
George Frideric Handel4:03
31Serse: Act 1, Scene XIII: Recitativo - Tradir Di Reggia Sposa
assistant engineer:
Djaison Taouss (from 2003-11-17 until 2003-11-25) and Agnès Mathon (from 2003-11-17 until 2003-11-25)
producer:
Daniel Zalay
mezzo-soprano vocals [Amastre]:
Silvia Tro Santafé (mezzo-soprano) (from 2003-11-17 until 2003-11-25)
orchestra:
Les Arts Florissants (French baroque ensemble) (from 2003-11-17 until 2003-11-25)
conductor:
William Christie (harpsichordist and conductor) (from 2003-11-17 until 2003-11-25)
balance engineer:
Gilles Pézerat (engineer) (from 2003-11-17 until 2003-11-25)
phonographic copyright (℗) by:
Virgin Classics Ltd. (not for release label use! for copyrights use) (in 2004)
recorded at:
Théâtre des Champs-Élysées in Paris, Île-de-France, France (from 2003-11-17 until 2003-11-25)
live recording of:
Serse, HWV 40: Atto I. Recitativo “Tradir si reggia sposa la fe promessa?” (Amastre) (from 2003-11-17 until 2003-11-25)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Serse, HWV 40: Atto I
George Frideric Handel0:17
32Serse: Act 1, Scene XIII: No 16 Aria - Saprà Delle Mie Offese (Amastre)
assistant engineer:
Djaison Taouss (from 2003-11-17 until 2003-11-25) and Agnès Mathon (from 2003-11-17 until 2003-11-25)
producer:
Daniel Zalay
mezzo-soprano vocals [Amastre]:
Silvia Tro Santafé (mezzo-soprano) (from 2003-11-17 until 2003-11-25)
orchestra:
Les Arts Florissants (French baroque ensemble) (from 2003-11-17 until 2003-11-25)
conductor:
William Christie (harpsichordist and conductor) (from 2003-11-17 until 2003-11-25)
balance engineer:
Gilles Pézerat (engineer) (from 2003-11-17 until 2003-11-25)
phonographic copyright (℗) by:
Virgin Classics Ltd. (not for release label use! for copyrights use) (in 2004)
recorded at:
Théâtre des Champs-Élysées in Paris, Île-de-France, France (from 2003-11-17 until 2003-11-25)
live recording of:
Serse, HWV 40: Atto I, no. 17. Aria “Sapra delle mie offese ben vendicarsi il cor” (Amastre) (from 2003-11-17 until 2003-11-25)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Serse, HWV 40: Atto I
George Frideric Handel4:23
33Serse: Act 1, Scene XIV: Recitativo - Al fin sarete sposa (atalanta/Romilda)
assistant engineer:
Djaison Taouss (from 2003-11-17 until 2003-11-25) and Agnès Mathon (from 2003-11-17 until 2003-11-25)
producer:
Daniel Zalay
soprano vocals [Atalanta]:
Sandrine Piau (soprano) (from 2003-11-17 until 2003-11-25)
soprano vocals [Romilda]:
Elizabeth Norberg-Schulz (soprano) (from 2003-11-17 until 2003-11-25)
orchestra:
Les Arts Florissants (French baroque ensemble) (from 2003-11-17 until 2003-11-25)
conductor:
William Christie (harpsichordist and conductor) (from 2003-11-17 until 2003-11-25)
balance engineer:
Gilles Pézerat (engineer) (from 2003-11-17 until 2003-11-25)
phonographic copyright (℗) by:
Virgin Classics Ltd. (not for release label use! for copyrights use) (in 2004)
recorded at:
Théâtre des Champs-Élysées in Paris, Île-de-France, France (from 2003-11-17 until 2003-11-25)
live recording of:
Serse, HWV 40: Atto I. Recitativo “Al fin sarete sposa al vostro Serse” (Atalanta, Romilda) (from 2003-11-17 until 2003-11-25)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Serse, HWV 40: Atto I
George Frideric Handel1:05
34Serse: Act 1, Scene XIV: No 17 Aria - Se l'idol mio (Romilda)
assistant engineer:
Djaison Taouss (from 2003-11-17 until 2003-11-25) and Agnès Mathon (from 2003-11-17 until 2003-11-25)
producer:
Daniel Zalay
soprano vocals [Romilda]:
Elizabeth Norberg-Schulz (soprano) (from 2003-11-17 until 2003-11-25)
orchestra:
Les Arts Florissants (French baroque ensemble) (from 2003-11-17 until 2003-11-25)
conductor:
William Christie (harpsichordist and conductor) (from 2003-11-17 until 2003-11-25)
balance engineer:
Gilles Pézerat (engineer) (from 2003-11-17 until 2003-11-25)
phonographic copyright (℗) by:
Virgin Classics Ltd. (not for release label use! for copyrights use) (in 2004)
recorded at:
Théâtre des Champs-Élysées in Paris, Île-de-France, France (from 2003-11-17 until 2003-11-25)
live recording of:
Serse, HWV 40: Atto I, no. 18. Aria “Se l'idol mio rapir mi vuoi, cangia desio” (Romilda) (from 2003-11-17 until 2003-11-25)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Serse, HWV 40: Atto I
George Frideric Handel4:04
35Serse: Act 1, Scene XV: Recitativo - Per rapir quel tesoro (Atalanta)
assistant engineer:
Djaison Taouss (from 2003-11-17 until 2003-11-25) and Agnès Mathon (from 2003-11-17 until 2003-11-25)
producer:
Daniel Zalay
soprano vocals [Atalanta]:
Sandrine Piau (soprano) (from 2003-11-17 until 2003-11-25)
orchestra:
Les Arts Florissants (French baroque ensemble) (from 2003-11-17 until 2003-11-25)
conductor:
William Christie (harpsichordist and conductor) (from 2003-11-17 until 2003-11-25)
balance engineer:
Gilles Pézerat (engineer) (from 2003-11-17 until 2003-11-25)
phonographic copyright (℗) by:
Virgin Classics Ltd. (not for release label use! for copyrights use) (in 2004)
recorded at:
Théâtre des Champs-Élysées in Paris, Île-de-France, France (from 2003-11-17 until 2003-11-25)
live recording of:
Serse, HWV 40: Atto I. Recitativo “Per rapir quel tesoro” (Atalanta) (from 2003-11-17 until 2003-11-25)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Serse, HWV 40: Atto I
George Frideric Handel0:16
36Serse: Act 1, Scene XV: No 18 Aria - Un cenno leggiadretto (Atalanta)
assistant engineer:
Djaison Taouss (from 2003-11-17 until 2003-11-25) and Agnès Mathon (from 2003-11-17 until 2003-11-25)
producer:
Daniel Zalay
soprano vocals [Atalanta]:
Sandrine Piau (soprano) (from 2003-11-17 until 2003-11-25)
orchestra:
Les Arts Florissants (French baroque ensemble) (from 2003-11-17 until 2003-11-25)
conductor:
William Christie (harpsichordist and conductor) (from 2003-11-17 until 2003-11-25)
balance engineer:
Gilles Pézerat (engineer) (from 2003-11-17 until 2003-11-25)
phonographic copyright (℗) by:
Virgin Classics Ltd. (not for release label use! for copyrights use) (in 2004)
recorded at:
Théâtre des Champs-Élysées in Paris, Île-de-France, France (from 2003-11-17 until 2003-11-25)
live recording of:
Serse, HWV 40: Atto I, no. 19. Aria “Un cenno leggiadretto” (Atalanta) (from 2003-11-17 until 2003-11-25)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Serse, HWV 40: Atto I
recording of:
Serse, HWV 40: Atto I, no. 19. Aria “Un cenno leggiadretto” (Atalanta)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Serse, HWV 40: Atto I
George Frideric Handel4:00
▶ CD 26: HANDEL Serse
▶ CD 27: HANDEL Serse
▶ CD 28: HANDEL 7 Violin Sonatas
▶ CD 29: HAYDN Die Schöpfung (The Creation)
▶ CD 30: HAYDN Die Schöpfung (The Creation)
▶ CD 31: D’INDIA Madrigali
▶ CD 32: LANDI Il Sant'Alessio
▶ CD 33: LANDI Il Sant'Alessio
▶ CD 34: LULLY Les Divertissements de Versailles, Great Operatic Scenes
▶ CD 35: MÉHUL Stratonice
▶ CD 36: MONDONVILLE Grands Motets
▶ CD 37: MONTEVERDI Vespro della Beata Vergine
▶ CD 38: MONTEVERDI Vespro della Beata Vergine
▶ CD 39: MOZART Requiem - Ave vorum corpus
▶ CD 40: MOZART Great Mass in C minor
▶ CD 41: MOZART Die Zauberflöte
▶ CD 42: MOZART Die Zauberflöte
▶ CD 43: MOZART Die Entführung aus dem Serail
▶ CD 44: MOZART Die Entführung aus dem Serail
▶ CD 45: PURCELL Dido and Aeneas
▶ CD 46: PURCELL King Arthur
▶ CD 47: PURCELL King Arthur
▶ CD 48: PURCELL Divine Hymns
▶ CD 49: RAMEAU Les Grands Motets
▶ CD 50: RAMEAU Hippolyte et Aricie
▶ CD 51: RAMEAU Hippolyte et Aricie
▶ CD 52: RAMEAU Hippolyte et Aricie
▶ CD 53: RAMEAU Les fêtes d’Hébé
▶ CD 54: RAMEAU Les fêtes d’Hébé
▶ CD 55: RAMEAU La Guirlande
▶ CD 56: RAMEAU Zéphyre
▶ CD 57: RAMEAU Zoroastre
▶ CD 58: RAMEAU Zoroastre
▶ CD 59: RAMEAU Zoroastre
▶ CD 60: Le Jardin des Voix
▶ CD 61: BONONCINI, MANCINI, PORPORA, MARCELLO Duetti