In the Night (96.0kHz/24bit)

~ Release by The George Shearing Quintet with Dakota Staton (see all versions of this release, 3 available)

Tracklist

▼ Digital Media 1
#TitleRatingLength
1From Rags to Richards
bass:
Al McKibbon (from 1957-07-27 until 1957-07-31)
drums (drum set):
Percy Brice (from 1957-07-27 until 1957-07-31)
percussion:
Armando Peraza (from 1957-07-27 until 1957-07-31)
piano:
George Shearing (British jazz pianist) (from 1957-07-27 until 1957-07-31)
vibraphone:
Emil Richards (from 1957-07-27 until 1957-07-31)
remixer:
Ron McMaster (US mastering & cutting engineer)
recorded at:
Capitol Studios (New York City) in New York, New York, United States (from 1957-07-27 until 1957-07-31)
recording of:
From Rags to Richards (from 1957-07-27 until 1957-07-31)
composer:
George Shearing (British jazz pianist)
3:15
2(I’m Left with the) Blues in My Heart
bass:
Al McKibbon (from 1957-07-27 until 1957-07-31)
drums (drum set):
Percy Brice (from 1957-07-27 until 1957-07-31)
percussion:
Armando Peraza (from 1957-07-27 until 1957-07-31)
piano:
George Shearing (British jazz pianist) (from 1957-07-27 until 1957-07-31)
vibraphone:
Emil Richards (from 1957-07-27 until 1957-07-31)
vocals:
Dakota Staton (from 1957-07-27 until 1957-07-31)
remixer:
Ron McMaster (US mastering & cutting engineer)
recorded at:
Capitol Studios (New York City) in New York, New York, United States (from 1957-07-27 until 1957-07-31)
cover recording of:
Blues in My Heart (from 1957-07-27 until 1957-07-31)
writer:
Irving Mills
composer:
Benny Carter
2:58
3Pawn Ticket
bass:
Al McKibbon (from 1957-07-27 until 1957-07-31)
drums (drum set):
Percy Brice (from 1957-07-27 until 1957-07-31)
percussion:
Armando Peraza (from 1957-07-27 until 1957-07-31)
piano:
George Shearing (British jazz pianist) (from 1957-07-27 until 1957-07-31)
vibraphone:
Emil Richards (from 1957-07-27 until 1957-07-31)
remixer:
Ron McMaster (US mastering & cutting engineer)
recorded at:
Capitol Studios (New York City) in New York, New York, United States (from 1957-07-27 until 1957-07-31)
recording of:
Pawn Ticket (from 1957-07-27 until 1957-07-31)
composer:
Ray Bryant (US jazz pianist, composer, and arranger)
2:22
4In the Night
bass:
Al McKibbon (from 1957-07-27 until 1957-07-31)
drums (drum set):
Percy Brice (from 1957-07-27 until 1957-07-31)
percussion:
Armando Peraza (from 1957-07-27 until 1957-07-31)
piano:
George Shearing (British jazz pianist) (from 1957-07-27 until 1957-07-31)
vibraphone:
Emil Richards (from 1957-07-27 until 1957-07-31)
vocals:
Dakota Staton (from 1957-07-27 until 1957-07-31)
remixer:
Ron McMaster (US mastering & cutting engineer)
recorded at:
Capitol Studios (New York City) in New York, New York, United States (from 1957-07-27 until 1957-07-31)
recording of:
In the Night (from 1957-07-27 until 1957-07-31)
writer:
Norman Mapp
2:03
5Easy
bass:
Al McKibbon (from 1957-07-27 until 1957-07-31)
drums (drum set):
Percy Brice (from 1957-07-27 until 1957-07-31)
percussion:
Armando Peraza (from 1957-07-27 until 1957-07-31)
piano:
George Shearing (British jazz pianist) (from 1957-07-27 until 1957-07-31)
vibraphone:
Emil Richards (from 1957-07-27 until 1957-07-31)
remixer:
Ron McMaster (US mastering & cutting engineer)
recorded at:
Capitol Studios (New York City) in New York, New York, United States (from 1957-07-27 until 1957-07-31)
recording of:
Easy (from 1957-07-27 until 1957-07-31)
composer:
George Shearing (British jazz pianist)
2:43
6I Hear Music
bass:
Al McKibbon (from 1957-07-27 until 1957-07-31)
drums (drum set):
Percy Brice (from 1957-07-27 until 1957-07-31)
percussion:
Armando Peraza (from 1957-07-27 until 1957-07-31)
piano:
George Shearing (British jazz pianist) (from 1957-07-27 until 1957-07-31)
vibraphone:
Emil Richards (from 1957-07-27 until 1957-07-31)
vocals:
Dakota Staton (from 1957-07-27 until 1957-07-31)
remixer:
Ron McMaster (US mastering & cutting engineer)
recorded at:
Capitol Studios (New York City) in New York, New York, United States (from 1957-07-27 until 1957-07-31)
cover recording of:
I Hear Music (Dancing on a Dime) (from 1957-07-27 until 1957-07-31)
lyricist:
Frank Loesser
composer:
Burton Lane
2:32
7Señor Blues
bass:
Al McKibbon (from 1957-07-27 until 1957-07-31)
drums (drum set):
Percy Brice (from 1957-07-27 until 1957-07-31)
percussion:
Armando Peraza (from 1957-07-27 until 1957-07-31)
piano:
George Shearing (British jazz pianist) (from 1957-07-27 until 1957-07-31)
vibraphone:
Emil Richards (from 1957-07-27 until 1957-07-31)
remixer:
Ron McMaster (US mastering & cutting engineer)
recorded at:
Capitol Studios (New York City) in New York, New York, United States (from 1957-07-27 until 1957-07-31)
cover recording of:
Señor Blues (from 1957-07-27 until 1957-07-31)
writer:
Horace Silver
3:49
8Confessin’ the Blues
bass:
Al McKibbon (from 1957-07-27 until 1957-07-31)
drums (drum set):
Percy Brice (from 1957-07-27 until 1957-07-31)
percussion:
Armando Peraza (from 1957-07-27 until 1957-07-31)
piano:
George Shearing (British jazz pianist) (from 1957-07-27 until 1957-07-31)
vibraphone:
Emil Richards (from 1957-07-27 until 1957-07-31)
vocals:
Dakota Staton (from 1957-07-27 until 1957-07-31)
remixer:
Ron McMaster (US mastering & cutting engineer)
recorded at:
Capitol Studios (New York City) in New York, New York, United States (from 1957-07-27 until 1957-07-31)
cover recording of:
Confessin’ the Blues (from 1957-07-27 until 1957-07-31)
writer:
Walter Brown (US jazz/blues singer) and Jay McShann
publisher:
Leeds Music, MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) and MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group)
2:46
9Later
bass:
Al McKibbon (from 1957-07-27 until 1957-07-31)
double bass [bass]:
Al McKibbon (on 1957-07-30)
drums (drum set):
Percy Brice (from 1957-07-27 until 1957-07-31)
drums (drum set) [drums]:
Percy Brice (on 1957-07-30)
guitar:
Toots Thielemans (on 1957-07-30)
percussion:
Armando Peraza (from 1957-07-27 until 1957-07-31)
piano:
George Shearing (British jazz pianist) (from 1957-07-27 until 1957-07-31) and Shearing (British jazz pianist) (on 1957-07-30)
vibraphone:
Emil Richards (from 1957-07-27 until 1957-07-31)
vibraphone [vibes]:
Emil Richards (on 1957-07-30)
remixer:
Ron McMaster (US mastering & cutting engineer)
recorded at:
Capitol Studios (New York City) in New York, New York, United States (from 1957-07-27 until 1957-07-31)
recording of:
Later (from 1857-07-27 until 1957-07-31)
composer:
Ray Bryant (US jazz pianist, composer, and arranger)
2:20
10The Thrill Is Gone
bass:
Al McKibbon (from 1957-07-27 until 1957-07-31)
drums (drum set):
Percy Brice (from 1957-07-27 until 1957-07-31)
percussion:
Armando Peraza (from 1957-07-27 until 1957-07-31)
piano:
George Shearing (British jazz pianist) (from 1957-07-27 until 1957-07-31)
vibraphone:
Emil Richards (from 1957-07-27 until 1957-07-31)
vocals:
Dakota Staton (from 1957-07-27 until 1957-07-31)
remixer:
Ron McMaster (US mastering & cutting engineer)
recorded at:
Capitol Studios (New York City) in New York, New York, United States (from 1957-07-27 until 1957-07-31)
cover recording of:
The Thrill Is Gone (Henderson/Brown song, first performed in 1931) (from 1957-07-27 until 1957-07-31)
lyricist:
Lew Brown
composer:
Ray Henderson
publisher:
DeSylva, Brown and Henderson, Inc. and Redwood Music Ltd. (Carlin)
3:10
11The Late, Late Show
bass:
Al McKibbon (from 1957-07-27 until 1957-07-31)
drums (drum set):
Percy Brice (from 1957-07-27 until 1957-07-31)
percussion:
Armando Peraza (from 1957-07-27 until 1957-07-31)
piano:
George Shearing (British jazz pianist) (from 1957-07-27 until 1957-07-31)
vibraphone:
Emil Richards (from 1957-07-27 until 1957-07-31)
remixer:
Ron McMaster (US mastering & cutting engineer)
recorded at:
Capitol Studios (New York City) in New York, New York, United States (from 1957-07-27 until 1957-07-31)
cover recording of:
The Late Late Show (from 1957-07-27 until 1957-07-31)
lyricist:
Murray Berlin
composer:
Roy Alfred (Tin Pan Alley lyricist and composer)
2:34
12I’d Love to Make Love to You
bass:
Al McKibbon (from 1957-07-27 until 1957-07-31)
drums (drum set):
Percy Brice (from 1957-07-27 until 1957-07-31)
percussion:
Armando Peraza (from 1957-07-27 until 1957-07-31)
piano:
George Shearing (British jazz pianist) (from 1957-07-27 until 1957-07-31)
vibraphone:
Emil Richards (from 1957-07-27 until 1957-07-31)
vocals:
Dakota Staton (from 1957-07-27 until 1957-07-31)
remixer:
Ron McMaster (US mastering & cutting engineer)
recorded at:
Capitol Studios (New York City) in New York, New York, United States (from 1957-07-27 until 1957-07-31)
cover recording of:
I’d Love to Make Love to You (from 1957-07-27 until 1957-07-31)
writer:
Robert Emmerich (writer "Our Love") and Ruth Poll
2:44