Gene Norman Presents Mel Torme at the Crescendo (February 22, 1957)

~ Release by Mel Tormé (see all versions of this release, 1 available)

Tracklist

▼ 12" Vinyl 1
#TitleRatingLength
A1It's Only a Paper Moon
bass:
Max Bennett (US jazz bassist and session musician) (on 1957-02-22)
drums (drum set):
Mel Lewis (American jazz drummer) (on 1957-02-22)
percussion [vibes, congas, bongos]:
Larry Bunker (on 1957-02-22)
piano:
Marty Paich (on 1957-02-22)
trumpet:
Don Fagerquist (on 1957-02-22)
vocals:
Mel Tormé (“The Velvet Fog”) (on 1957-02-22)
recorded at:
The Crescendo (1950s Hollywood, CA Nightclub) in Hollywood, Los Angeles, California, United States (on 1957-02-22)
?:??
A2What Is This Thing Called Love
bass:
Max Bennett (US jazz bassist and session musician) (on 1957-02-22)
drums (drum set):
Mel Lewis (American jazz drummer) (on 1957-02-22)
percussion [vibes, congas, bongos]:
Larry Bunker (on 1957-02-22)
piano:
Marty Paich (on 1957-02-22)
trumpet:
Don Fagerquist (on 1957-02-22)
vocals:
Mel Tormé (“The Velvet Fog”) (on 1957-02-22)
recorded at:
The Crescendo (1950s Hollywood, CA Nightclub) in Hollywood, Los Angeles, California, United States (on 1957-02-22)
?:??
A3One for My Baby
bass:
Max Bennett (US jazz bassist and session musician) (on 1957-02-22)
drums (drum set):
Mel Lewis (American jazz drummer) (on 1957-02-22)
percussion [vibes, congas, bongos]:
Larry Bunker (on 1957-02-22)
piano:
Marty Paich (on 1957-02-22)
trumpet:
Don Fagerquist (on 1957-02-22)
vocals:
Mel Tormé (“The Velvet Fog”) (on 1957-02-22)
recorded at:
The Crescendo (1950s Hollywood, CA Nightclub) in Hollywood, Los Angeles, California, United States (on 1957-02-22)
?:??
A4Love Is Just a Bug
bass:
Max Bennett (US jazz bassist and session musician) (on 1957-02-22)
drums (drum set):
Mel Lewis (American jazz drummer) (on 1957-02-22)
percussion [vibes, congas, bongos]:
Larry Bunker (on 1957-02-22)
piano:
Marty Paich (on 1957-02-22)
trumpet:
Don Fagerquist (on 1957-02-22)
vocals:
Mel Tormé (“The Velvet Fog”) (on 1957-02-22)
recorded at:
The Crescendo (1950s Hollywood, CA Nightclub) in Hollywood, Los Angeles, California, United States (on 1957-02-22)
?:??
A5A Nightingale Sang in Berkeley Square
bass:
Max Bennett (US jazz bassist and session musician) (on 1957-02-22)
drums (drum set):
Mel Lewis (American jazz drummer) (on 1957-02-22)
percussion [vibes, congas, bongos]:
Larry Bunker (on 1957-02-22)
piano:
Marty Paich (on 1957-02-22)
trumpet:
Don Fagerquist (on 1957-02-22)
vocals:
Mel Tormé (“The Velvet Fog”) (on 1957-02-22)
recorded at:
The Crescendo (1950s Hollywood, CA Nightclub) in Hollywood, Los Angeles, California, United States (on 1957-02-22)
?:??
B1Autumn Leaves
bass:
Max Bennett (US jazz bassist and session musician) (on 1957-02-22)
drums (drum set):
Mel Lewis (American jazz drummer) (on 1957-02-22)
percussion [vibes, congas, bongos]:
Larry Bunker (on 1957-02-22)
trumpet:
Don Fagerquist (on 1957-02-22)
vocals:
Mel Tormé (“The Velvet Fog”) (on 1957-02-22)
recorded at:
The Crescendo (1950s Hollywood, CA Nightclub) in Hollywood, Los Angeles, California, United States (on 1957-02-22)
?:??
B2Just One of Those Things
bass:
Max Bennett (US jazz bassist and session musician) (on 1957-02-22)
drums (drum set):
Mel Lewis (American jazz drummer) (on 1957-02-22)
percussion [vibes, congas, bongos]:
Larry Bunker (on 1957-02-22)
piano:
Marty Paich (on 1957-02-22)
trumpet:
Don Fagerquist (on 1957-02-22)
vocals:
Mel Tormé (“The Velvet Fog”) (on 1957-02-22)
recorded at:
The Crescendo (1950s Hollywood, CA Nightclub) in Hollywood, Los Angeles, California, United States (on 1957-02-22)
?:??
B3The Boy Next Door
bass:
Max Bennett (US jazz bassist and session musician) (on 1957-02-22)
drums (drum set):
Mel Lewis (American jazz drummer) (on 1957-02-22)
percussion [vibes, congas, bongos]:
Larry Bunker (on 1957-02-22)
trumpet:
Don Fagerquist (on 1957-02-22)
vocals:
Mel Tormé (“The Velvet Fog”) (on 1957-02-22)
recorded at:
The Crescendo (1950s Hollywood, CA Nightclub) in Hollywood, Los Angeles, California, United States (on 1957-02-22)
?:??
B4Lover Come Back to Me
bass:
Max Bennett (US jazz bassist and session musician) (on 1957-02-22)
drums (drum set):
Mel Lewis (American jazz drummer) (on 1957-02-22)
percussion [vibes, congas, bongos]:
Larry Bunker (on 1957-02-22)
piano:
Marty Paich (on 1957-02-22)
trumpet:
Don Fagerquist (on 1957-02-22)
vocals:
Mel Tormé (“The Velvet Fog”) (on 1957-02-22)
recorded at:
The Crescendo (1950s Hollywood, CA Nightclub) in Hollywood, Los Angeles, California, United States (on 1957-02-22)
?:??
B5Looking at You
bass:
Max Bennett (US jazz bassist and session musician) (on 1957-02-22)
drums (drum set):
Mel Lewis (American jazz drummer) (on 1957-02-22)
percussion [vibes, congas, bongos]:
Larry Bunker (on 1957-02-22)
piano:
Marty Paich (on 1957-02-22)
trumpet:
Don Fagerquist (on 1957-02-22)
vocals:
Mel Tormé (“The Velvet Fog”) (on 1957-02-22)
recorded at:
The Crescendo (1950s Hollywood, CA Nightclub) in Hollywood, Los Angeles, California, United States (on 1957-02-22)
?:??
B6The Tender Trap
bass:
Max Bennett (US jazz bassist and session musician) (on 1957-02-22)
drums (drum set):
Mel Lewis (American jazz drummer) (on 1957-02-22)
percussion [vibes, congas, bongos]:
Larry Bunker (on 1957-02-22)
piano:
Marty Paich (on 1957-02-22)
trumpet:
Don Fagerquist (on 1957-02-22)
vocals:
Mel Tormé (“The Velvet Fog”) (on 1957-02-22)
recorded at:
The Crescendo (1950s Hollywood, CA Nightclub) in Hollywood, Los Angeles, California, United States (on 1957-02-22)
?:??
B7I'm Beginning to See the Light
bass:
Max Bennett (US jazz bassist and session musician) (on 1957-02-22)
drums (drum set):
Mel Lewis (American jazz drummer) (on 1957-02-22)
percussion [vibes, congas, bongos]:
Larry Bunker (on 1957-02-22)
piano:
Marty Paich (on 1957-02-22)
trumpet:
Don Fagerquist (on 1957-02-22)
vocals:
Mel Tormé (“The Velvet Fog”) (on 1957-02-22)
recorded at:
The Crescendo (1950s Hollywood, CA Nightclub) in Hollywood, Los Angeles, California, United States (on 1957-02-22)
?:??