12 Classic Albums 1954–1962

~ Release by Art Pepper (see all versions of this release, 1 available)

Tracklist

▶ CD 1: Tracks 1–8: Originally 'Modern Art' Intro Records ILP 606 1954 / Tracks 9–17: Originally 'Art Pepper Meets the Rhythm Section' Contemporary Records C3532 1957
▼ CD 2: Tracks 1‐9: Originally 'The Marty Paich Quartet featuring Art Pepper' Tampa Records TP-28 1957 / Tracks 10‐18: Originally 'Just Friends' Pacific Jazz Records M-401 1957)
#TitleRatingLength
1What’s Right for You
recorded in:
Los Angeles, California, United States (from 1956-08 until 1956-09)
engineer:
Val Valentin
alto saxophone:
Art Pepper (in 1956-08)
bass:
Buddy Clark (US jazz bassist) (in 1956-08)
drums (drum set):
Frank Capp (in 1956-08)
piano:
Marty Paich (in 1956-08)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (in 1956-08)
recording of:
What's Right For You (in 1956-08)
3:12
2You and the Night and the Music
recorded in:
Los Angeles, California, United States (from 1956-08 until 1956-09)
engineer:
Val Valentin
alto saxophone:
Art Pepper (in 1956-08)
bass:
Buddy Clark (US jazz bassist) (in 1956-08)
drums (drum set):
Frank Capp (in 1956-08)
piano:
Marty Paich (in 1956-08)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (in 1956-08)
recording of:
You and the Night and the Music (in 1956-08)
lyricist:
Howard Dietz (librettist)
composer:
Arthur Schwartz
publisher:
Arthur Schwartz Music Ltd., Bienstock Publishing Company (ASCAP affiliated), Carlin Music Corporation, Chappell Music Ltd., Harms, Inc. and Warner Bros. Music (publisher; do NOT use as release label)
part of:
The Band Wagon (1953 film)
3:23
3Sidewinder
recorded in:
Los Angeles, California, United States (from 1956-08 until 1956-09)
engineer:
Val Valentin
alto saxophone:
Art Pepper (in 1956-08)
double bass:
Buddy Clark (US jazz bassist) (in 1956-08)
drums (drum set):
Frank Capp (in 1956-08)
piano:
Marty Paich (in 1956-08)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (in 1956-08)
recording of:
Sidewinder (in 1956-08)
writer:
Pittman
composer:
Paich
2:25
4Abstract Art
recorded in:
Los Angeles, California, United States (from 1956-08 until 1956-09)
engineer:
Val Valentin
alto saxophone:
Art Pepper (in 1956-08)
bass:
Buddy Clark (US jazz bassist) (in 1956-08)
drums (drum set):
Frank Capp (in 1956-08)
piano:
Marty Paich (in 1956-08)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (in 1956-08)
recording of:
Abstract Art (in 1956-08)
composer:
Paich
2:56
5Over the Rainbow
recorded in:
Los Angeles, California, United States (from 1956-08 until 1956-09)
engineer:
Val Valentin
alto saxophone:
Art Pepper (in 1956-08)
bass:
Buddy Clark (US jazz bassist) (in 1956-08)
drums (drum set):
Frank Capp (in 1956-08)
piano:
Marty Paich (in 1956-08)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (in 1956-08)
instrumental recording of:
Over the Rainbow (The Wizard of Oz) (in 1956-08)
lyricist:
Yip Harburg (in 1938)
composer:
Harold Arlen (in 1938)
premiered by:
Judy Garland (in 1939)
publisher:
EMI Feist Catalog Inc., EMI Music (Electric & Musical Industries Music, do not use as release label! this is a music publisher), EMI Partnership Ltd., EMI United Partnership Ltd., J. Albert & Son Pty. Ltd., Leo Feist Music, Robbins Music Corp. Ltd., United Partnership Ltd. and Warner/Chappell (Warner/Chappell Music, Inc.)
sub-publisher:
EMI Music Publishing (S.E. Asia) Ltd., Taiwan (EMI Music Publishing (S.E. Asia) Ltd., Taiwan Branch), フジパシフィック音楽出版 SBK事業部 (Fujipacific Music Inc. SBK Division) (until 2014-12-31), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (until 2017-03-31), フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) (from 2015-01-01 to present) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (from 2017-04-01 to present)
part of:
The 12th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 12)
part of:
The Wizard of Oz (1942 Arlen/Harburg musical)
part of:
The Wizard of Oz (1939 film soundtrack)
2:22
6All the Things You Are
recorded in:
Los Angeles, California, United States (from 1956-08 until 1956-09)
engineer:
Val Valentin
alto saxophone:
Art Pepper (in 1956-08)
bass:
Buddy Clark (US jazz bassist) (in 1956-08)
drums (drum set):
Frank Capp (in 1956-08)
piano:
Marty Paich (in 1956-08)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (in 1956-08)
instrumental recording of:
All the Things You Are (from “Very Warm for May”) (in 1956-08)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1939)
composer:
Jerome Kern (in 1939)
publisher:
Polygram Int. Publishing (renamed Universal PolyGram International Publishing, Inc. circa 1998) (ended), T.B. Harms Inc. (ended) and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
part of:
Broadway Rhythm (film)
3:24
7Pitfall
recorded in:
Los Angeles, California, United States (from 1956-08 until 1956-09)
engineer:
Val Valentin
alto saxophone:
Art Pepper (in 1956-08)
bass:
Buddy Clark (US jazz bassist) (in 1956-08)
drums (drum set):
Frank Capp (in 1956-08)
piano:
Marty Paich (in 1956-08)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (in 1956-08)
recording of:
Pitfall (in 1956-08)
composer:
Paich
3:32
8Melancholy Madeline
recorded in:
Los Angeles, California, United States (from 1956-08 until 1956-09)
engineer:
Val Valentin
alto saxophone:
Art Pepper (in 1956-08)
bass:
Buddy Clark (US jazz bassist) (in 1956-08)
drums (drum set):
Frank Capp (in 1956-08)
piano:
Marty Paich (in 1956-08)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (in 1956-08)
recording of:
Melancholy Madeline (in 1956-08)
composer:
Scherman
2:47
9Marty’s Blues
recorded in:
Los Angeles, California, United States (from 1956-08 until 1956-09)
engineer:
Val Valentin
alto saxophone:
Art Pepper (in 1956-08)
bass:
Buddy Clark (US jazz bassist) (in 1956-08)
drums (drum set):
Frank Capp (in 1956-08)
piano:
Marty Paich (in 1956-08)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (in 1956-08)
recording of:
Marty's Blues (in 1956-08)
composer:
Paich
2:23
10Just Friends
recorded in:
Los Angeles, California, United States (on 1956-10-29)
recording engineer:
Val Valentin (on 1956-10-29)
producer:
Richard Bock (record producer) and Woody Woodward
bass clarinet, clarinet, flute and woodwind:
Bill Perkins (jazz saxophonist) (on 1956-10-29)
double bass [bass]:
Red Mitchell (jazz double-bassist, composer and lyricist) (on 1956-10-29)
drums (drum set):
Mel Lewis (American jazz drummer) (on 1956-10-29)
piano:
Hampton Hawes (on 1956-10-29)
tenor saxophone:
Richie Kamuca (on 1956-10-29) and Bill Perkins (jazz saxophonist) (on 1956-10-29)
recorded at:
[unknown] (only use for recorded at if explicitly stated to be at an unknown place.) (on 1956-10-29)
recording of:
Just Friends (on 1956-10-29)
lyricist:
Sam M. Lewis (1930s lyricist)
composer:
John Klenner
publisher:
EMI Robbins Catalog Inc. (ASCAP)
instrumental recording of:
Just Friends (on 1956-10-29)
lyricist:
Sam M. Lewis (1930s lyricist)
composer:
John Klenner
publisher:
EMI Robbins Catalog Inc. (ASCAP)
5:09
11A Foggy Day
alto saxophone:
Art Pepper (on 1956-12-11)
double bass [bass]:
Ben Tucker (on 1956-12-11)
drums (drum set):
Mel Lewis (American jazz drummer) (on 1956-12-11)
piano:
Jimmy Rowles (on 1956-12-11)
tenor saxophone:
Bill Perkins (jazz saxophonist) (on 1956-12-11)
recorded at:
[unknown] (only use for recorded at if explicitly stated to be at an unknown place.) (on 1956-12-11)
recording of:
A Foggy Day (in London Town) (on 1956-12-11)
lyricist:
Ira Gershwin (in 1937)
composer:
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Gershwin Publishing Corp, Warner Chappell North America Ltd. and WB Music Corp. (1929–2019) (until 2019-05-28)
part of:
A Damsel in Distress (1937 film score)
3:55
12All of Me
recorded in:
Los Angeles, California, United States (on 1956-10-29)
recording engineer:
Val Valentin (on 1956-10-29)
producer:
Richard Bock (record producer) and Woody Woodward
bass clarinet, clarinet, flute and woodwind:
Bill Perkins (jazz saxophonist) (on 1956-10-29)
double bass [bass]:
Red Mitchell (jazz double-bassist, composer and lyricist) (on 1956-10-29)
drums (drum set):
Mel Lewis (American jazz drummer) (on 1956-10-29)
piano:
Hampton Hawes (on 1956-10-29)
tenor saxophone:
Richie Kamuca (on 1956-10-29) and Bill Perkins (jazz saxophonist) (on 1956-10-29)
recorded at:
[unknown] (only use for recorded at if explicitly stated to be at an unknown place.) (on 1956-10-29)
instrumental recording of:
All of Me (on 1956-10-29)
writer:
Gerald Marks (in 1932) and Seymour Simons (in 1932)
publisher:
Bourne Co. (not for release label use, this is a music publisher), Bourne, Inc., Francis, Day & Hunter Ltd., Marlong Music Corp., Round Hill Songs and Sony/ATV Tunes LLC (ASCAP)
sub-publisher:
Peermusic and 日音 Synch事業部 (NICHION, INC. Synch Division)
4:32
13Diane‐A‐Flow
alto saxophone:
Art Pepper (on 1956-12-11)
double bass [bass]:
Ben Tucker (on 1956-12-11)
drums (drum set):
Mel Lewis (American jazz drummer) (on 1956-12-11)
piano:
Jimmy Rowles (on 1956-12-11)
tenor saxophone:
Bill Perkins (jazz saxophonist) (on 1956-12-11)
recorded at:
[unknown] (only use for recorded at if explicitly stated to be at an unknown place.) (on 1956-12-11)
recording of:
Diane-A-Flow (on 1956-12-11)
composer:
Art Pepper
4:04
14Limehouse Blues
recorded in:
Los Angeles, California, United States (on 1956-10-29)
recording engineer:
Val Valentin (on 1956-10-29)
producer:
Richard Bock (record producer) and Woody Woodward
bass clarinet, clarinet, flute and woodwind:
Bill Perkins (jazz saxophonist) (on 1956-10-29)
double bass [bass]:
Red Mitchell (jazz double-bassist, composer and lyricist) (on 1956-10-29)
drums (drum set):
Mel Lewis (American jazz drummer) (on 1956-10-29)
piano:
Hampton Hawes (on 1956-10-29)
tenor saxophone:
Richie Kamuca (on 1956-10-29) and Bill Perkins (jazz saxophonist) (on 1956-10-29)
recorded at:
[unknown] (only use for recorded at if explicitly stated to be at an unknown place.) (on 1956-10-29)
instrumental recording of:
Limehouse Blues (on 1956-10-29)
lyricist:
Douglas Furber
composer:
Philip Braham
publisher:
Harms, Inc. and Warner Bros. Mus. (ASCAP) (publisher; do NOT use as release label)
recording of:
Limehouse Blues (on 1956-10-29)
lyricist:
Douglas Furber
composer:
Philip Braham
publisher:
Harms, Inc. and Warner Bros. Mus. (ASCAP) (publisher; do NOT use as release label)
3:18
15What Is This Thing Called Love
alto saxophone:
Art Pepper (on 1956-11-12)
double bass [bass]:
Ben Tucker (on 1956-11-12)
drums (drum set):
Mel Lewis (American jazz drummer) (on 1956-11-12)
piano:
Jimmy Rowles (on 1956-11-12)
tenor saxophone:
Bill Perkins (jazz saxophonist) (on 1956-11-12)
recorded at:
[unknown] (only use for recorded at if explicitly stated to be at an unknown place.) (on 1956-11-12)
recording of:
What Is This Thing Called Love? (Wake Up and Dream musical revue) (on 1956-11-12)
lyricist and composer:
Cole Porter (composer) (in 1929)
publisher:
Harms, Inc., Warner Bros., Inc. (not for release label use!) and Warner/Chappell (Warner/Chappell Music, Inc.)
part of:
Wake Up and Dream (1929 revue)
5:20
16Solid Desylva
recorded in:
Los Angeles, California, United States (on 1956-10-29)
recording engineer:
Val Valentin (on 1956-10-29)
producer:
Richard Bock (record producer) and Woody Woodward
bass clarinet, clarinet, flute and woodwind:
Bill Perkins (jazz saxophonist) (on 1956-10-29)
double bass [bass]:
Red Mitchell (jazz double-bassist, composer and lyricist) (on 1956-10-29)
drums (drum set):
Mel Lewis (American jazz drummer) (on 1956-10-29)
piano:
Hampton Hawes (on 1956-10-29)
tenor saxophone:
Richie Kamuca (on 1956-10-29) and Bill Perkins (jazz saxophonist) (on 1956-10-29)
recorded at:
[unknown] (only use for recorded at if explicitly stated to be at an unknown place.) (on 1956-10-29)
recording of:
Solid Desylva (on 1956-10-29)
composer:
Bill Perkins (jazz saxophonist)
4:32
17Sweet and Lovely
recorded in:
Los Angeles, California, United States (on 1956-10-29)
recording engineer:
Val Valentin (on 1956-10-29)
producer:
Richard Bock (record producer) and Woody Woodward
bass clarinet, clarinet, flute and woodwind:
Bill Perkins (jazz saxophonist) (on 1956-10-29)
double bass [bass]:
Red Mitchell (jazz double-bassist, composer and lyricist) (on 1956-10-29)
drums (drum set):
Mel Lewis (American jazz drummer) (on 1956-10-29)
piano:
Hampton Hawes (on 1956-10-29)
tenor saxophone:
Richie Kamuca (on 1956-10-29) and Bill Perkins (jazz saxophonist) (on 1956-10-29)
recorded at:
[unknown] (only use for recorded at if explicitly stated to be at an unknown place.) (on 1956-10-29)
instrumental recording of:
Sweet and Lovely (on 1956-10-29)
lyricist:
Harry Tobias
composer:
Gus Arnheim and Charles N. Daniels
publisher:
Harry Tobias Music, Keith Prowse Music, Redwood Music, Sony/ATV Tunes LLC (ASCAP), Anne-Rachel Music Corp. (in 1931), Chappell & Co. (in 1931), Quartet Music Inc. (in 1931) and Range Road Music Inc. (in 1931)
5:06
18Zenobia
alto saxophone:
Art Pepper (on 1956-12-11)
double bass [bass]:
Ben Tucker (on 1956-12-11)
drums (drum set):
Mel Lewis (American jazz drummer) (on 1956-12-11)
piano:
Jimmy Rowles (on 1956-12-11)
tenor saxophone:
Bill Perkins (jazz saxophonist) (on 1956-12-11)
recorded at:
[unknown] (only use for recorded at if explicitly stated to be at an unknown place.) (on 1956-12-11)
recording of:
Zenobia (on 1956-12-11)
composer:
Art Pepper
5:17
▶ CD 3: Tracks 1‐10: Originally 'Mucho Calor' Andex A 3002 1958 / Tracks 11‐16: Originally 'Art Pepper & Sonny Redd' Regent RMG-6069 1959
▶ CD 4: Tracks 1‐12: Originally 'Art Pepper + Eleven' Contemporary Records M 3568 1959 / Tracks 13‐19: Originally 'Playboys' Vogue Records LAE 12183 1959
▶ CD 5: Tracks 1‐12: Originally 'Surf Ride' Savoy Records MG 12089 1959 / Tracks 13‐19: Originally 'Gettin’ Together!' Contemporary Records S7573 1960
▶ CD 6: Tracks 1‐6: Originally 'Smack Up' Contemporary Records LAC 12316 1960 / Tracks 7‐11: Originally 'The Artistry of Pepper' Pacific Jazz Records PJ-60 1962

Credits