The Voice of Romance: The Columbia Original Album Collection

~ Release by Johnny Mathis (see all versions of this release, 1 available)

Tracklist

▶ CD 1: Johnny Mathis
▶ CD 2: Wonderful Wonderful
▶ CD 3: Warm
▶ CD 4: Good Night, Dear Lord
▶ CD 5: Swing Softly
▶ CD 6: Merry Christmas
▶ CD 7: Open Fire, Two Guitars
▶ CD 8: Heavenly
▶ CD 9: Faithfully
▶ CD 10: The Ballads of Broadway
▶ CD 11: The Rhythms of Broadway
▶ CD 12: Johnny's Mood
▶ CD 13: I'll Buy You a Star
▶ CD 14: Live It Up!
▶ CD 15: Rapture
▶ CD 16: Johnny
▶ CD 17: Romantically
▶ CD 18: Up, Up and Away
▶ CD 19: Love Is Blue
▶ CD 20: Those Were the Days
▶ CD 21: Johnny Mathis Sings the Music of Bert Kaempfert
▶ CD 22: Love Theme from "Romeo And Juliet" (A Time for Us)
▶ CD 23: Give Me Your Love for Christmas
▶ CD 24: Raindrops Keep Fallin' on My Head
▶ CD 25: Close to You
▶ CD 26: Love Story
▶ CD 27: You've Got a Friend
▶ CD 28: Johnny Mathis in Person: Recorded Live at Las Vegas
▶ CD 29: The First Time Ever (I Saw Your Face)
▶ CD 30: Song Sung Blue
▶ CD 31: Me and Mrs. Jones
▶ CD 32: Killing Me Softly with Her Song
▶ CD 33: I'm Coming Home
▶ CD 34: The Heart of a Woman
▶ CD 35: When Will I See You Again
▶ CD 36: Feelings
▶ CD 37: I Only Have Eyes for You
▶ CD 38: Mathis Is...
▶ CD 39: Hold Me, Thrill Me, Kiss Me
▶ CD 40: You Light Up My Life
▶ CD 41: That's What Friends Are For
▶ CD 42: The Best Days of My Life
▶ CD 43: Mathis Magic
▶ CD 44: Different Kinda Different
▶ CD 45: Friends in Love
▶ CD 46: I Love My Lady
▶ CD 47: A Special Part of Me
▶ CD 48: Unforgettable – A Musical Tribute to Nat King Cole
▶ CD 49: Live
▶ CD 50: Right from the Heart
▶ CD 51: The Hollywood Musicals
▶ CD 52: Christmas Eve with Johnny Mathis
▶ CD 53: Once in a While
▶ CD 54: In the Still of the Night
▶ CD 55: The Island
▼ CD 56: In a Sentimental Mood: Mathis Sings Ellington
#TitleRatingLength
1Overture - A Musical Tribute To Duke Ellington
recorded in:
London (Greater London), England, United Kingdom (from 1990-02-06 until 1990-02-10)
assistant engineer:
Jerry O'Reardon
engineer:
Keith Grant (classical recording engineer)
piano:
Fred Hersch (pianist) (from 1990-02-06 until 1990-02-10)
vocals:
Johnny Mathis (US pop/soul singer) (from 1990-02-06 until 1990-02-10)
conductor:
Harry Rabinowitz (from 1990-02-06 until 1990-02-10)
remixer:
Tim Geelan
arranger:
Byron Olson
phonographic copyright (℗) by:
Jon Mat Records, Inc.
?:??
2Lush Life
recorded in:
London (Greater London), England, United Kingdom (from 1990-02-06 until 1990-02-10)
assistant engineer:
Jerry O'Reardon
engineer:
Keith Grant (classical recording engineer)
piano:
Fred Hersch (pianist) (from 1990-02-06 until 1990-02-10)
vocals:
Johnny Mathis (US pop/soul singer) (from 1990-02-06 until 1990-02-10)
conductor:
Harry Rabinowitz (from 1990-02-06 until 1990-02-10)
remixer:
Tim Geelan
arranger:
Byron Olson
phonographic copyright (℗) by:
Jon Mat Records, Inc.
recording of:
Lush Life (from 1990-02-06 until 1990-02-10)
lyricist and composer:
Billy Strayhorn (from 1933 until 1938)
publisher:
Billy Strayhorn Songs, Inc., Campbell Connelly & Co. Ltd., Chrysalis One Music, Reservoir Media Music, ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment) and Tempo Music, Inc. (Duke Ellington’s music publishing company) (from 1949 to present)
part of:
The Real Book (compilation of jazz standards, Volume I)
?:??
3Don't You Know I Care (Or Don't You Care to Know) / I Didn't Know About You
recorded in:
London (Greater London), England, United Kingdom (from 1990-02-06 until 1990-02-10)
assistant engineer:
Jerry O'Reardon
engineer:
Keith Grant (classical recording engineer)
piano:
Fred Hersch (pianist) (from 1990-02-06 until 1990-02-10)
vocals:
Johnny Mathis (US pop/soul singer) (from 1990-02-06 until 1990-02-10)
conductor:
Harry Rabinowitz (from 1990-02-06 until 1990-02-10)
remixer:
Tim Geelan
arranger:
Brad Dechter
phonographic copyright (℗) by:
Jon Mat Records, Inc.
medley including a recording of:
Don’t You Know I Care? (from 1990-02-06 until 1990-02-10)
lyricist:
Mack David (American lyricist and songwriter) (in 1944)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1944)
medley including a recording of:
I Didn’t Know About You (from 1990-02-06 until 1990-02-10)
lyricist:
Bob Russell (US songwriter/lyricist Sidney Keith “Bob” Russell) (in 1944)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1944)
is based on:
Sentimental Lady
?:??
4Things Ain't What They Used To Be (Instrumental)
recorded in:
London (Greater London), England, United Kingdom (from 1990-02-06 until 1990-02-10)
assistant engineer:
Jerry O'Reardon
engineer:
Keith Grant (classical recording engineer)
piano:
Fred Hersch (pianist) (from 1990-02-06 until 1990-02-10)
conductor:
Harry Rabinowitz (from 1990-02-06 until 1990-02-10)
remixer:
Tim Geelan
arranger:
Brad Dechter
phonographic copyright (℗) by:
Jon Mat Records, Inc.
instrumental recording of:
Things Ain’t What They Used to Be (from 1990-02-06 until 1990-02-10)
lyricist:
Ted Persons
composer:
Mercer Ellington (in 1942)
publisher:
Tempo Music, Inc. (Duke Ellington’s music publishing company)
?:??
5In A Sentimental Mood
recorded in:
London (Greater London), England, United Kingdom (from 1990-02-06 until 1990-02-10)
assistant engineer:
Jerry O'Reardon
engineer:
Keith Grant (classical recording engineer)
piano:
Fred Hersch (pianist) (from 1990-02-06 until 1990-02-10)
vocals:
Johnny Mathis (US pop/soul singer) (from 1990-02-06 until 1990-02-10)
conductor:
Harry Rabinowitz (from 1990-02-06 until 1990-02-10)
remixer:
Tim Geelan
arranger:
Byron Olson
phonographic copyright (℗) by:
Jon Mat Records, Inc.
recording of:
In a Sentimental Mood (from 1990-02-06 until 1990-02-10)
lyricist:
Manny Kurtz and Irving Mills
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1935)
publisher:
American Academy of Music, Inc., Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), J. R. Lafleur & Son Ltd., Lafleur Music Ltd., Mills Music and Sony/ATV Harmony
?:??
6What Am I Here For
recorded in:
London (Greater London), England, United Kingdom (from 1990-02-06 until 1990-02-10)
assistant engineer:
Jerry O'Reardon
engineer:
Keith Grant (classical recording engineer)
piano:
Fred Hersch (pianist) (from 1990-02-06 until 1990-02-10)
vocals:
Johnny Mathis (US pop/soul singer) (from 1990-02-06 until 1990-02-10)
conductor:
Harry Rabinowitz (from 1990-02-06 until 1990-02-10)
remixer:
Tim Geelan
arranger:
Brad Dechter
phonographic copyright (℗) by:
Jon Mat Records, Inc.
recording of:
What Am I Here For (from 1990-02-06 until 1990-02-10)
composer:
Duke Ellington (US composer, pianist & jazz bandleader)
?:??
7I Got It Bad And That Ain't Good (Instrumental)
recorded in:
London (Greater London), England, United Kingdom (from 1990-02-06 until 1990-02-10)
assistant engineer:
Jerry O'Reardon
engineer:
Keith Grant (classical recording engineer)
piano:
Fred Hersch (pianist) (from 1990-02-06 until 1990-02-10)
conductor:
Harry Rabinowitz (from 1990-02-06 until 1990-02-10)
remixer:
Tim Geelan
phonographic copyright (℗) by:
Jon Mat Records, Inc.
instrumental recording of:
I Got It Bad (and That Ain’t Good) (from 1990-02-06 until 1990-02-10)
lyricist:
Paul Francis Webster (in 1941)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1941)
publisher:
EMI Robbins Catalog Inc. (ASCAP), Robbins Music Corp., Sony/ATV Harmony and Webster Music Co.
part of:
The Real Book (compilation of jazz standards, Volume I)
?:??
8Something To Live For
recorded in:
London (Greater London), England, United Kingdom (from 1990-02-06 until 1990-02-10)
assistant engineer:
Jerry O'Reardon
engineer:
Keith Grant (classical recording engineer)
piano:
Fred Hersch (pianist) (from 1990-02-06 until 1990-02-10)
vocals:
Johnny Mathis (US pop/soul singer) (from 1990-02-06 until 1990-02-10)
conductor:
Harry Rabinowitz (from 1990-02-06 until 1990-02-10)
remixer:
Tim Geelan
arranger:
Byron Olson
phonographic copyright (℗) by:
Jon Mat Records, Inc.
recording of:
Something to Live For (1938 Billy Strayhorn jazz composition) (from 1990-02-06 until 1990-02-10)
lyricist and composer:
Billy Strayhorn
?:??
9Solitude
recorded in:
London (Greater London), England, United Kingdom (from 1990-02-06 until 1990-02-10)
assistant engineer:
Jerry O'Reardon
engineer:
Keith Grant (classical recording engineer)
piano:
Fred Hersch (pianist) (from 1990-02-06 until 1990-02-10)
vocals:
Johnny Mathis (US pop/soul singer) (from 1990-02-06 until 1990-02-10)
conductor:
Harry Rabinowitz (from 1990-02-06 until 1990-02-10)
remixer:
Tim Geelan
arranger:
Byron Olson
phonographic copyright (℗) by:
Jon Mat Records, Inc.
recording of:
Solitude (for strings, Gould) (from 1990-02-06 until 1990-02-10)
orchestrator:
Morton Gould (composer and conductor)
composer:
Duke Ellington (US composer, pianist & jazz bandleader)
arrangement of:
(In My) Solitude
?:??
10Perdido (Instrumental)
recorded in:
London (Greater London), England, United Kingdom (from 1990-02-06 until 1990-02-10)
engineer:
Keith Grant (classical recording engineer)
piano:
Fred Hersch (pianist) (from 1990-02-06 until 1990-02-10)
conductor:
Harry Rabinowitz (from 1990-02-06 until 1990-02-10)
remixer:
Tim Geelan
phonographic copyright (℗) by:
Jon Mat Records, Inc.
recording of:
Perdido (original instrumental version) (from 1990-02-06 until 1990-02-10)
composer:
Juan Tizol
?:??
11Prelude to a Kiss
recorded in:
London (Greater London), England, United Kingdom (from 1990-02-06 until 1990-02-10)
assistant engineer:
Jerry O'Reardon
engineer:
Keith Grant (classical recording engineer)
producer:
Mike Berniker
piano:
Fred Hersch (pianist) (from 1990-02-06 until 1990-02-10)
vocals:
Johnny Mathis (US pop/soul singer) (from 1990-02-06 until 1990-02-10)
conductor:
Harry Rabinowitz (from 1990-02-06 until 1990-02-10)
remixer:
Tim Geelan
arranger:
Brad Dechter
phonographic copyright (℗) by:
Jon Mat Records, Inc. (in 1990)
recording of:
Prelude to a Kiss (from 1990-02-06 until 1990-02-10)
lyricist:
Irving Gordon (US songwriter) (in 1938) and Irving Mills (in 1938)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1938)
publisher:
J. R. Lafleur & Son Ltd. and Lafleur Music Ltd.
?:??
12In a Mellow Tone
recorded in:
London (Greater London), England, United Kingdom (from 1990-02-06 until 1990-02-10)
assistant engineer:
Jerry O'Reardon
engineer:
Keith Grant (classical recording engineer)
piano:
Fred Hersch (pianist) (from 1990-02-06 until 1990-02-10)
vocals:
Johnny Mathis (US pop/soul singer) (from 1990-02-06 until 1990-02-10)
conductor:
Harry Rabinowitz (from 1990-02-06 until 1990-02-10)
remixer:
Tim Geelan
arranger:
Brad Dechter
phonographic copyright (℗) by:
Jon Mat Records, Inc.
recording of:
In a Mellow Tone (from 1990-02-06 until 1990-02-10)
lyricist:
Milt Gabler (in 1939)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1939)
publisher:
EMI Robbins and Robbins Music (publishing company owned by EMI Music Publishing Ltd.)
?:??
13Don't Get Around Much Anymore
recorded in:
London (Greater London), England, United Kingdom (from 1990-02-06 until 1990-02-10)
assistant engineer:
Jerry O'Reardon
engineer:
Keith Grant (classical recording engineer)
piano:
Fred Hersch (pianist) (from 1990-02-06 until 1990-02-10)
vocals:
Johnny Mathis (US pop/soul singer) (from 1990-02-06 until 1990-02-10)
conductor:
Harry Rabinowitz (from 1990-02-06 until 1990-02-10)
remixer:
Tim Geelan
arranger:
Brad Dechter
phonographic copyright (℗) by:
Jon Mat Records, Inc.
cover recording of:
Don’t Get Around Much Anymore (from 1990-02-06 until 1990-02-10)
lyricist:
Bob Russell (US songwriter/lyricist Sidney Keith “Bob” Russell) (in 1942)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1940)
publisher:
EMI Music (Electric & Musical Industries Music, do not use as release label! this is a music publisher), EMI Robbins Catalog Inc. (ASCAP), Harrison Music Corp. and Sony/ATV Harmony
sub-publisher:
フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
version of:
Never No Lament
?:??
14Satin Doll (Instrumental)
recorded in:
London (Greater London), England, United Kingdom (from 1990-02-06 until 1990-02-10)
assistant engineer:
Jerry O'Reardon
engineer:
Keith Grant (classical recording engineer)
piano:
Fred Hersch (pianist) (from 1990-02-06 until 1990-02-10)
conductor:
Harry Rabinowitz (from 1990-02-06 until 1990-02-10)
remixer:
Tim Geelan
phonographic copyright (℗) by:
Jon Mat Records, Inc.
instrumental recording of:
Satin Doll (from 1990-02-06 until 1990-02-10)
lyricist:
Johnny Mercer (in 1953)
additional composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1953)
composer:
Billy Strayhorn (in 1953)
publisher:
Campbell Connelly & Co. Ltd., Duke Ellington Music, Tempo Music, Inc. (Duke Ellington’s music publishing company) and WB Music Corp. (1929–2019)
?:??
15Come Sunday
recorded in:
London (Greater London), England, United Kingdom (from 1990-02-06 until 1990-02-10)
assistant engineer:
Jerry O'Reardon
engineer:
Keith Grant (classical recording engineer)
piano:
Fred Hersch (pianist) (from 1990-02-06 until 1990-02-10)
vocals:
Johnny Mathis (US pop/soul singer) (from 1990-02-06 until 1990-02-10)
conductor:
Harry Rabinowitz (from 1990-02-06 until 1990-02-10)
remixer:
Tim Geelan
arranger:
Brad Dechter
phonographic copyright (℗) by:
Jon Mat Records, Inc.
recording of:
Come Sunday (1958 revision with lyrics) (from 1990-02-06 until 1990-02-10)
lyricist and composer:
Duke Ellington (US composer, pianist & jazz bandleader)
version of:
Black, Brown, and Beige: I. Black: Come Sunday (part of the 1943 original "Black, Brown, and Beige" suite)
part of:
Black, Brown, and Beige (1958 revised version of the "Black, Brown, and Beige" suite)
?:??
16Do Nothin' Till You Hear From Me
recorded in:
London (Greater London), England, United Kingdom (from 1990-02-06 until 1990-02-10)
assistant engineer:
Jerry O'Reardon
engineer:
Keith Grant (classical recording engineer)
piano:
Fred Hersch (pianist) (from 1990-02-06 until 1990-02-10)
vocals:
Johnny Mathis (US pop/soul singer) (from 1990-02-06 until 1990-02-10)
conductor:
Harry Rabinowitz (from 1990-02-06 until 1990-02-10)
remixer:
Tim Geelan
arranger:
Brad Dechter
phonographic copyright (℗) by:
Jon Mat Records, Inc.
recording of:
Do Nothin’ Till You Hear From Me (from 1990-02-06 until 1990-02-10)
lyricist:
Bob Russell (US songwriter/lyricist Sidney Keith “Bob” Russell) (in 1943)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1943)
publisher:
Music Sales Corporation (American copyright holder in both popular and classical music) and Sony/ATV Harmony
version of:
Concerto for Cootie
?:??
17Caravan (Instrumental)
recorded in:
London (Greater London), England, United Kingdom (from 1990-02-06 until 1990-02-10)
assistant engineer:
Jerry O'Reardon
engineer:
Keith Grant (classical recording engineer)
piano:
Fred Hersch (pianist) (from 1990-02-06 until 1990-02-10)
conductor:
Harry Rabinowitz (from 1990-02-06 until 1990-02-10)
remixer:
Tim Geelan
phonographic copyright (℗) by:
Jon Mat Records, Inc.
instrumental recording of:
Caravan (from 1990-02-06 until 1990-02-10)
lyricist:
Irving Mills (in 1937)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1937) and Juan Tizol (in 1937)
publisher:
American Academy of Music, Inc., Duke Ellington Music, EMI Mills Music Inc. (ASCAP-affiliated), Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Mills Music, Inc., Sony/ATV Harmony and Lafleur Music Ltd. (from 1995-12-12 to present)
?:??
18Day Dream
recorded in:
London (Greater London), England, United Kingdom (from 1990-02-06 until 1990-02-10)
assistant engineer:
Jerry O'Reardon
engineer:
Keith Grant (classical recording engineer)
piano:
Fred Hersch (pianist) (from 1990-02-06 until 1990-02-10)
vocals:
Johnny Mathis (US pop/soul singer) (from 1990-02-06 until 1990-02-10)
conductor:
Harry Rabinowitz (from 1990-02-06 until 1990-02-10)
remixer:
Tim Geelan
arranger:
Byron Olson
phonographic copyright (℗) by:
Jon Mat Records, Inc.
recording of:
Day Dream (from 1990-02-06 until 1990-02-10)
lyricist:
John Latouche (in 1941)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1941) and Billy Strayhorn (in 1941)
?:??
▶ CD 57: Better Together: The Duet Album
▶ CD 58: How Do You Keep the Music Playing?
▶ CD 59: All About Love
▶ CD 60: Because You Loved Me: The Songs of Diane Warren
▶ CD 61: Mathis on Broadway
▶ CD 62: The Christmas Album
▶ CD 63: Isn't It Romantic: The Standards Album
▶ CD 64: A Night to Remember
▶ CD 65: Let It Be Me: Mathis in Nashville
▶ CD 66: Sending You a Little Christmas
▶ CD 67: Odds and Ends: That’s What Makes the Music Play
▶ CD 68: Johnny Mathis Sings the Great New American Songbook

Credits

Release

ASIN:US: B071JQXPC7 [info]