Historische Aufnahmen

~ Release by Kurt Weill (see all versions of this release, 1 available)

Tracklist

▼ CD 1
#TitleRatingLength
1Die Dreigroschenoper: Overtüre und Moritat (Ausrufer)
vocals:
Kurt Gerron (on 1930-12-07)
orchestra:
Lewis Ruth Band (on 1930-12-07)
conductor:
Theo Mackeben (on 1930-12-07)
recording of:
Die Dreigroschenoper: Vorspiel. Die Moritat von Mackie Messer (on 1930-12-07)
lyricist:
Bertolt Brecht
composer:
Kurt Weill (composer)
part of:
Die Dreigroschenoper: Vorspiel
recording of:
Die Dreigroschenoper: Vorspiel. Ouvertüre (on 1930-12-07)
composer:
Kurt Weill (composer)
part of:
Die Dreigroschenoper: Vorspiel
2:04
2Die Dreigroschenoper: Die Seeräuberjenny (Polly)
mezzo-soprano vocals:
Lotte Lenya (on 1930-12-07)
vocals:
Lotte Lenya
orchestra:
Lewis Ruth Band (on 1930-12-07)
conductor:
Theo Mackeben (on 1930-12-07)
recording of:
Die Dreigroschenoper: Akt I. Die Seeräuberjenny (on 1930-12-07)
lyricist:
Bertolt Brecht
composer:
Kurt Weill (composer)
publisher:
Arcadia and Universal (Universal Music Publishing Group Germany)
part of:
Die Dreigroschenoper: Akt I
3:13
3Die Dreigroschenoper: Kanonensong (Macheath, Brown)
vocals:
Kurt Gerron (on 1930-12-07) and Willy Trenk-Trebitsch (on 1930-12-07)
orchestra:
Lewis Ruth Band (on 1930-12-07)
conductor:
Theo Mackeben (on 1930-12-07)
recording of:
Die Dreigroschenoper: Akt I. Kanonensong (on 1930-12-07)
lyricist:
Bertolt Brecht
composer:
Kurt Weill (composer)
part of:
Die Dreigroschenoper: Akt I
1:36
4Die Dreigroschenoper: Liebeslied (Polly, Macheath)
vocals:
Erika Helmke (on 1930-12-07) and Willy Trenk-Trebitsch (on 1930-12-07)
orchestra:
Lewis Ruth Band (on 1930-12-07)
conductor:
Theo Mackeben (on 1930-12-07)
recording of:
Die Dreigroschenoper: Akt I. Liebeslied (on 1930-12-07)
lyricist:
Bertolt Brecht
composer:
Kurt Weill (composer)
part of:
Die Dreigroschenoper: Akt I
1:47
5Die Dreigroschenoper: Barbara-Song (Polly)
mezzo-soprano vocals:
Lotte Lenya (on 1930-12-07)
orchestra:
Lewis Ruth Band (on 1930-12-07)
conductor:
Theo Mackeben (on 1930-12-07)
recording of:
Die Dreigroschenoper: Akt I. Der Song vom Nein und Ja (Barbara-Song) (on 1930-12-07)
lyricist:
Bertolt Brecht
composer:
Kurt Weill (composer)
part of:
Die Dreigroschenoper: Akt I
2:05
6Die Dreigroschenoper: 1. Dreigroschenfinale (Polly, Peachum, Frau Peachum)
mezzo-soprano vocals:
Lotte Lenya (on 1930-12-07)
soprano vocals:
Erika Helmke (on 1930-12-07)
vocals:
Erich Ponto (on 1930-12-07)
orchestra:
Lewis Ruth Band (on 1930-12-07)
conductor:
Theo Mackeben (on 1930-12-07)
recording of:
Die Dreigroschenoper: Akt I. Erstes Dreigroschenfinale: Über die Unsicherheit menschlicher Verhältnisse (on 1930-12-07)
lyricist:
Bertolt Brecht
composer:
Kurt Weill (composer)
part of:
Die Dreigroschenoper: Akt I
3:05
7Die Dreigroschenoper: Abschied (Polly)
vocals:
Erika Helmke (on 1930-12-07) and Willy Trenk-Trebitsch (on 1930-12-07)
orchestra:
Lewis Ruth Band (on 1930-12-07)
conductor:
Theo Mackeben (on 1930-12-07)
recording of:
Die Dreigroschenoper: Akt II. Melodram (Abschied, Der Pferdestall) (on 1930-12-07)
lyricist:
Bertolt Brecht
composer:
Kurt Weill (composer)
part of:
Die Dreigroschenoper: Akt II
1:25
8Die Dreigroschenoper: Zuhälterballade (Jenny, Macheath)
mezzo-soprano vocals:
Lotte Lenya (on 1930-12-07)
vocals:
Lotte Lenya and Willy Trenk-Trebitsch (on 1930-12-07)
orchestra:
Lewis Ruth Band (on 1930-12-07)
conductor:
Theo Mackeben (on 1930-12-07)
recording of:
Die Dreigroschenoper: Akt II. Die Zuhälterballade (on 1930-12-07)
lyricist:
Bertolt Brecht
composer:
Kurt Weill (composer)
part of:
Die Dreigroschenoper: Akt II
1:40
9Die Dreigroschenoper: Ballade vom angenehmen Leben (Macheath)
vocals:
Willy Trenk-Trebitsch (on 1930-12-07)
orchestra:
Lewis Ruth Band (on 1930-12-07)
conductor:
Theo Mackeben (on 1930-12-07)
recording of:
Die Dreigroschenoper: Akt II. Die Ballade vom angenehmen Leben (on 1930-12-07)
lyricist:
Bertolt Brecht
composer:
Kurt Weill (composer)
part of:
Die Dreigroschenoper: Akt II
1:24
10Die Dreigroschenoper: Eifersuchtsduett (Lucy, Polly)
mezzo-soprano vocals:
Lotte Lenya (on 1930-12-07)
vocals:
Lotte Lenya and Erika Helmke (on 1930-12-07)
orchestra:
Lewis Ruth Band (on 1930-12-07)
conductor:
Theo Mackeben (on 1930-12-07)
recording of:
Die Dreigroschenoper: Akt II. Das Eifersuchtsduett (on 1930-12-07)
lyricist:
Bertolt Brecht
composer:
Kurt Weill (composer)
part of:
Die Dreigroschenoper: Akt II
1:24
11Die Dreigroschenoper: 2. Dreigroschenfinale (Tutti, Frau Peachum, Macheath)
vocals:
Willy Trenk-Trebitsch (on 1930-12-07)
orchestra:
Lewis Ruth Band (on 1930-12-07)
conductor:
Theo Mackeben (on 1930-12-07)
recording of:
Die Dreigroschenoper: Akt II. Zweites Dreigroschenfinale: Ballade über die Frage: "Wovon lebt der Mensch?" (on 1930-12-07)
lyricist:
Bertolt Brecht
composer:
Kurt Weill (composer)
part of:
Die Dreigroschenoper: Akt II
2:11
12Die Dreigroschenoper: Lied von der Unzulänglichkeit des menschlichen Strebens (Peachum)
vocals:
Erich Ponto (on 1930-12-07)
orchestra:
Lewis Ruth Band (on 1930-12-07)
conductor:
Theo Mackeben (on 1930-12-07)
recording of:
Die Dreigroschenoper: Akt III. Das Lied von der Unzulänglichkeit menschlichen Strebens (on 1930-12-07)
lyricist:
Bertolt Brecht
composer:
Kurt Weill (composer)
part of:
Die Dreigroschenoper: Akt III
1:35
13Die Dreigroschenoper: Moritat und Schlusschoral (Tutti, Frau Peachum)
mezzo-soprano vocals:
Lotte Lenya (on 1930-12-07)
orchestra:
Lewis Ruth Band (on 1930-12-07)
conductor:
Theo Mackeben (on 1930-12-07)
recording of:
Die Dreigroschenoper: Akt III. Drittes Dreigroschen-Finale (on 1930-12-07)
lyricist:
Bertolt Brecht
composer:
Kurt Weill (composer)
part of:
Die Dreigroschenoper: Akt III
recording of:
Die Dreigroschenoper: Epilog. Die Schluss-Strophen der Moritat (on 1930-12-07)
lyricist:
Bertolt Brecht
composer:
Kurt Weill (composer)
part of:
Die Dreigroschenoper
3:22
14Aufstieg und Fall der Stadt Mahagonny: Wie man sich bettet
soprano vocals:
Lotte Lenya (on 1930-02-24)
vocals:
The Four Admirals (German 1930s vocal group) (on 1930-02-24)
orchestra:
Jazzorchester Theo Mackeben (on 1930-02-24)
conductor:
Theo Mackeben (on 1930-02-24)
recording of:
Aufstieg und Fall der Stadt Mahagonny: Denn wie man sich bettet (on 1930-02-24)
lyricist:
Bertolt Brecht
composer:
Kurt Weill (composer)
2:56
15Aufstieg und Fall der Stadt Mahagonny: Alabama Song
orchestra:
Jazzorchester Theo Mackeben
instrumental recording of:
Alabama Song (from the songspiel “Mahagonny” & opera “Rise and Fall of the City of Mahagonny”)
lyricist:
Bertolt Brecht
composer:
Kurt Weill (composer)
translator:
Elisabeth Hauptmann
publisher:
Harms Co. and Universal Edition (publisher; do NOT use as release label)
translated version of:
Alabama Song (from “Aufstieg und Fall der Stadt Mahagonny”)
3:01
16Happy End: Mandelay Song
orchestra:
Lewis Ruth Band
instrumental recording of:
Happy End: Teil 3. No. 9: Der Song von Mandelay. "Mutters Goddams Puff in Mandelay" (in 1929)
lyricist:
Bertolt Brecht
composer:
Kurt Weill (composer)
librettist:
Elisabeth Hauptmann
part of:
Happy End: Teil 3: Lieder der rivalisierenden Armeen
3:04
17Happy End: Matrosensong
orchestra:
Lewis Ruth Band
instrumental recording of:
Happy End: Teil 1. No. 4: Der Matrosen-Tango "Hallo, jetzt fahren wir nach Birma hinüber" ("Was die Herren Matrosen sagen") (in 1929)
lyricist:
Bertolt Brecht
composer:
Kurt Weill (composer)
librettist:
Elisabeth Hauptmann
part of:
Happy End: Teil 1: Lieder vom Höllenfeuer und Reue
3:09
18Happy End: Surabaya-Jonny
conductor:
Victor Young (American composer, arranger, violinist & conductor)
recording of:
Happy End: Teil 3. No. 10: Das Lied vom Surabaya‐Johnny. “Ich war jung, Gott, erst sechzehn Jahre” (original German version)
lyricist:
Bertolt Brecht
composer:
Kurt Weill (composer)
librettist:
Elisabeth Hauptmann
part of:
Happy End: Teil 3: Lieder der rivalisierenden Armeen
3:15
19Kleine Dreigroschenmusik für Blasorchester: Die Moritat von Mackie Messer
orchestra:
Staatskapelle Berlin (in 1931-04)
conductor:
Otto Klemperer (German-born conductor and composer) (in 1931-04)
recorded at:
Beethovensaal Berlin in Berlin, Germany (in 1931-04)
recording of:
Kleine Dreigroschenmusik: II. Die Moritat von Mackie Messer: Moderato assai (in 1931-04)
composer:
Kurt Weill (composer)
part of:
Kleine Dreigroschenmusik (Suite für Blasorchester)
2:29
20Kleine Dreigroschenmusik für Blasorchester: Die Ballade vom angenehmen Leben
orchestra:
Staatskapelle Berlin (in 1931-04)
conductor:
Otto Klemperer (German-born conductor and composer) (in 1931-04)
recorded at:
Beethovensaal Berlin in Berlin, Germany (in 1931-04)
recording of:
Kleine Dreigroschenmusik: IV. Die Ballade vom angenehmen Leben: Foxtrott (in 1931-04)
composer:
Kurt Weill (composer)
part of:
Kleine Dreigroschenmusik (Suite für Blasorchester)
2:16
21Kleine Dreigroschenmusik für Blasorchester: Tango-Ballade
orchestra:
Staatskapelle Berlin (in 1931-04)
conductor:
Otto Klemperer (German-born conductor and composer) (in 1931-04)
recorded at:
Beethovensaal Berlin in Berlin, Germany (in 1931-04)
recording of:
Kleine Dreigroschenmusik: VI. Tango-Ballade (in 1931-04)
composer:
Kurt Weill (composer)
part of:
Kleine Dreigroschenmusik (Suite für Blasorchester)
2:43
22Kleine Dreigroschenmusik für Blasorchester: Kanonensong
orchestra:
Staatskapelle Berlin (in 1931-04)
conductor:
Otto Klemperer (German-born conductor and composer) (in 1931-04)
recorded at:
Beethovensaal Berlin in Berlin, Germany (in 1931-04)
recording of:
Kleine Dreigroschenmusik: VII. Kanonen-Song: Charleston-Tempo (in 1931-04)
composer:
Kurt Weill (composer)
part of:
Kleine Dreigroschenmusik (Suite für Blasorchester)
2:05
23Kleine Dreigroschenmusik für Blasorchester: Moritat und Schlusschoral
orchestra:
Blas-Orchester ([unknown], Special Purpose Artist – Do not add releases here, if possible.)
conductor:
Theo Mackeben
partial recording of:
Kleine Dreigroschenmusik (Suite für Blasorchester) (in 1930)
composer:
Kurt Weill (composer) (in 1928)
3:13
24Kleine Dreigroschenmusik für Blasorchester: Tango-Ballade und Kanonensong
orchestra:
Blas-Orchester ([unknown], Special Purpose Artist – Do not add releases here, if possible.)
conductor:
Theo Mackeben
recording of:
Kleine Dreigroschenmusik: VI. Tango-Ballade
composer:
Kurt Weill (composer)
part of:
Kleine Dreigroschenmusik (Suite für Blasorchester)
recording of:
Kleine Dreigroschenmusik: VII. Kanonen-Song: Charleston-Tempo
composer:
Kurt Weill (composer)
part of:
Kleine Dreigroschenmusik (Suite für Blasorchester)
3:18
25"Tanztee": Moritat
orchestra:
Haller-Revue-Jazz-Orchester
conductor:
Hans Schindler
instrumental recording of:
Die Dreigroschenoper: Vorspiel. Die Moritat von Mackie Messer (in 1929)
lyricist:
Bertolt Brecht
composer:
Kurt Weill (composer)
part of:
Die Dreigroschenoper: Vorspiel
2:34
26Tanzpotpourri "Die Dreigroschenoper"
orchestra:
Marek Weber und sein Orchester
conductor:
Marek Weber
recording of:
Tanzpotpourri "Die Dreigroschenoper" (in 1929)
is based on:
Die Dreigroschenoper
5:05
▶ CD 2

Credits

Release

ASIN:DE: B000092R73 [info]