Complete Mozart Edition

~ Release by Wolfgang Amadeus Mozart (see all versions of this release, 18 available)

Tracklist

▶ CD 1: Volume 1: Symphonies
▶ CD 2: Volume 1: Symphonies
▶ CD 3: Volume 1: Symphonies
▶ CD 4: Volume 1: Symphonies
▶ CD 5: Volume 1: Symphonies
▶ CD 6: Volume 1: Symphonies
▶ CD 7: Volume 1: Symphonies
▶ CD 8: Volume 1: Symphonies
▶ CD 9: Volume 1: Symphonies
▶ CD 10: Volume 1: Symphonies
▶ CD 11: Volume 1: Symphonies
▶ CD 12: Volume 1: Symphonies
▶ CD 13: Volume 2: Serenades / Dances / Marches
▶ CD 14: Volume 2: Serenades / Dances / Marches
▶ CD 15: Volume 2: Serenades / Dances / Marches
▶ CD 16: Volume 2: Serenades / Dances / Marches
▶ CD 17: Volume 2: Serenades / Dances / Marches
▶ CD 18: Volume 2: Serenades / Dances / Marches
▶ CD 19: Volume 2: Serenades / Dances / Marches
▶ CD 20: Volume 2: Serenades / Dances / Marches
▶ CD 21: Volume 2: Serenades / Dances / Marches
▶ CD 22: Volume 2: Serenades / Dances / Marches
▶ CD 23: Volume 2: Serenades / Dances / Marches
▶ CD 24: Volume 2: Serenades / Dances / Marches
▶ CD 25: Volume 2: Serenades / Dances / Marches
▶ CD 26: Volume 3: Divertimenti / Serenades
▶ CD 27: Volume 3: Divertimenti / Serenades
▶ CD 28: Volume 3: Divertimenti / Serenades
▶ CD 29: Volume 3: Divertimenti / Serenades
▶ CD 30: Volume 3: Divertimenti / Serenades
▶ CD 31: Volume 3: Divertimenti / Serenades
▶ CD 32: Volume 3: Divertimenti / Serenades
▶ CD 33: Volume 3: Divertimenti / Serenades
▶ CD 34: Volume 3: Divertimenti / Serenades
▶ CD 35: Volume 3: Divertimenti / Serenades
▶ CD 36: Volume 3: Divertimenti / Serenades
▶ CD 37: Volume 4: Piano Concertos
▶ CD 38: Volume 4: Piano Concertos
▶ CD 39: Volume 4: Piano Concertos
▶ CD 40: Volume 4: Piano Concertos
▶ CD 41: Volume 4: Piano Concertos
▶ CD 42: Volume 4: Piano Concertos
▶ CD 43: Volume 4: Piano Concertos
▶ CD 44: Volume 4: Piano Concertos
▶ CD 45: Volume 4: Piano Concertos
▶ CD 46: Volume 4: Piano Concertos
▶ CD 47: Volume 4: Piano Concertos
▶ CD 48: Volume 4: Piano Concertos
▶ CD 49: Volume 5: Violin Concertos / Wind Concertos
▶ CD 50: Volume 5: Violin Concertos / Wind Concertos
▶ CD 51: Volume 5: Violin Concertos / Wind Concertos
▶ CD 52: Volume 5: Violin Concertos / Wind Concertos
▶ CD 53: Volume 5: Violin Concertos / Wind Concertos
▶ CD 54: Volume 5: Violin Concertos / Wind Concertos
▶ CD 55: Volume 5: Violin Concertos / Wind Concertos
▶ CD 56: Volume 5: Violin Concertos / Wind Concertos
▶ CD 57: Volume 5: Violin Concertos / Wind Concertos
▶ CD 58: Volume 6: Quintets, Quartets, Trios, etc.
▶ CD 59: Volume 6: Quintets, Quartets, Trios, etc.
▶ CD 60: Volume 6: Quintets, Quartets, Trios, etc.
▶ CD 61: Volume 6: Quintets, Quartets, Trios, etc.
▶ CD 62: Volume 6: Quintets, Quartets, Trios, etc.
▶ CD 63: Volume 6: Quintets, Quartets, Trios, etc.
▶ CD 64: Volume 6: Quintets, Quartets, Trios, etc.
▶ CD 65: Volume 6: Quintets, Quartets, Trios, etc.
▶ CD 66: Volume 7: String Quartets / String Quintets
▶ CD 67: Volume 7: String Quartets / String Quintets
▶ CD 68: Volume 7: String Quartets / String Quintets
▶ CD 69: Volume 7: String Quartets / String Quintets
▶ CD 70: Volume 7: String Quartets / String Quintets
▶ CD 71: Volume 7: String Quartets / String Quintets
▶ CD 72: Volume 7: String Quartets / String Quintets
▶ CD 73: Volume 7: String Quartets / String Quintets
▶ CD 74: Volume 7: String Quartets / String Quintets
▶ CD 75: Volume 7: String Quartets / String Quintets
▶ CD 76: Volume 7: String Quartets / String Quintets
▶ CD 77: Volume 8: Violin Sonatas / String Duos & Trios
▶ CD 78: Volume 8: Violin Sonatas / String Duos & Trios
▶ CD 79: Volume 8: Violin Sonatas / String Duos & Trios
▶ CD 80: Volume 8: Violin Sonatas / String Duos & Trios
▶ CD 81: Volume 8: Violin Sonatas / String Duos & Trios
▶ CD 82: Volume 8: Violin Sonatas / String Duos & Trios
▶ CD 83: Volume 8: Violin Sonatas / String Duos & Trios
▶ CD 84: Volume 8: Violin Sonatas / String Duos & Trios
▶ CD 85: Volume 8: Violin Sonatas / String Duos & Trios
▶ CD 86: Volume 9: Piano Music
▶ CD 87: Volume 9: Piano Music
▶ CD 88: Volume 9: Piano Music
▶ CD 89: Volume 9: Piano Music
▶ CD 90: Volume 9: Piano Music
▶ CD 91: Volume 9: Piano Music
▶ CD 92: Volume 9: Piano Music
▶ CD 93: Volume 9: Piano Music
▶ CD 94: Volume 9: Piano Music
▶ CD 95: Volume 9: Piano Music
▶ CD 96: Volume 9: Piano Music
▶ CD 97: Volume 9: Piano Music
▶ CD 98: Volume 10: Missae / Requiem / Organ Sonatas & Solos
▶ CD 99: Volume 10: Missae / Requiem / Organ Sonatas & Solos
▶ CD 100: Volume 10: Missae / Requiem / Organ Sonatas & Solos
▶ CD 101: Volume 10: Missae / Requiem / Organ Sonatas & Solos
▶ CD 102: Volume 10: Missae / Requiem / Organ Sonatas & Solos
▶ CD 103: Volume 10: Missae / Requiem / Organ Sonatas & Solos
▶ CD 104: Volume 10: Missae / Requiem / Organ Sonatas & Solos
▶ CD 105: Volume 10: Missae / Requiem / Organ Sonatas & Solos
▶ CD 106: Volume 10: Missae / Requiem / Organ Sonatas & Solos
▶ CD 107: Volume 10: Missae / Requiem / Organ Sonatas & Solos
▶ CD 108: Volume 10: Missae / Requiem / Organ Sonatas & Solos
▶ CD 109: Volume 11: Litanies, Vespers / Oratorios / Cantatas / Masonic Music
▶ CD 110: Volume 11: Litanies, Vespers / Oratorios / Cantatas / Masonic Music
▶ CD 111: Volume 11: Litanies, Vespers / Oratorios / Cantatas / Masonic Music
▶ CD 112: Volume 11: Litanies, Vespers / Oratorios / Cantatas / Masonic Music
▶ CD 113: Volume 11: Litanies, Vespers / Oratorios / Cantatas / Masonic Music
▶ CD 114: Volume 11: Litanies, Vespers / Oratorios / Cantatas / Masonic Music
▶ CD 115: Volume 11: Litanies, Vespers / Oratorios / Cantatas / Masonic Music
▶ CD 116: Volume 11: Litanies, Vespers / Oratorios / Cantatas / Masonic Music
▶ CD 117: Volume 11: Litanies, Vespers / Oratorios / Cantatas / Masonic Music
▶ CD 118: Volume 11: Litanies, Vespers / Oratorios / Cantatas / Masonic Music
▶ CD 119: Volume 11: Litanies, Vespers / Oratorios / Cantatas / Masonic Music
▶ CD 120: Volume 11: Litanies, Vespers / Oratorios / Cantatas / Masonic Music
▶ CD 121: Volume 11: Litanies, Vespers / Oratorios / Cantatas / Masonic Music
▶ CD 122: Volume 12: Arias / Vocal Ensembles / Canons / Lieder / Notturni
▶ CD 123: Volume 12: Arias / Vocal Ensembles / Canons / Lieder / Notturni
▶ CD 124: Volume 12: Arias / Vocal Ensembles / Canons / Lieder / Notturni
▶ CD 125: Volume 12: Arias / Vocal Ensembles / Canons / Lieder / Notturni
▶ CD 126: Volume 12: Arias / Vocal Ensembles / Canons / Lieder / Notturni
▶ CD 127: Volume 12: Arias / Vocal Ensembles / Canons / Lieder / Notturni
▶ CD 128: Volume 12: Arias / Vocal Ensembles / Canons / Lieder / Notturni
▶ CD 129: Volume 12: Arias / Vocal Ensembles / Canons / Lieder / Notturni
▶ CD 130: Volume 12: Arias / Vocal Ensembles / Canons / Lieder / Notturni
▶ CD 131: Volume 12: Arias / Vocal Ensembles / Canons / Lieder / Notturni
▶ CD 132: Volume 13: Early Italian Operas
▶ CD 133: Volume 13: Early Italian Operas
▶ CD 134: Volume 13: Early Italian Operas
▶ CD 135: Volume 13: Early Italian Operas
▶ CD 136: Volume 13: Early Italian Operas
▶ CD 137: Volume 13: Early Italian Operas
▶ CD 138: Volume 13: Early Italian Operas
▶ CD 139: Volume 13: Early Italian Operas
▶ CD 140: Volume 13: Early Italian Operas
▶ CD 141: Volume 13: Early Italian Operas
▶ CD 142: Volume 13: Early Italian Operas
▶ CD 143: Volume 13: Early Italian Operas
▶ CD 144: Volume 13: Early Italian Operas
▶ CD 145: Volume 14: Middle Italian Operas
▶ CD 146: Volume 14: Middle Italian Operas
▶ CD 147: Volume 14: Middle Italian Operas
▶ CD 148: Volume 14: Middle Italian Operas
▶ CD 149: Volume 14: Middle Italian Operas
▶ CD 150: Volume 14: Middle Italian Operas
▶ CD 151: Volume 14: Middle Italian Operas
▶ CD 152: Volume 14: Middle Italian Operas
▶ CD 153: Volume 14: Middle Italian Operas
▶ CD 154: Volume 15: Late Italian Operas
▶ CD 155: Volume 15: Late Italian Operas
▶ CD 156: Volume 15: Late Italian Operas
▶ CD 157: Volume 15: Late Italian Operas
▶ CD 158: Volume 15: Late Italian Operas
▶ CD 159: Volume 15: Late Italian Operas
▶ CD 160: Volume 15: Late Italian Operas
▶ CD 161: Volume 15: Late Italian Operas
▶ CD 162: Volume 15: Late Italian Operas
▶ CD 163: Volume 15: Late Italian Operas
▶ CD 164: Volume 15: Late Italian Operas
▶ CD 165: Volume 16: German Operas
▶ CD 166: Volume 16: German Operas
▶ CD 167: Volume 16: German Operas
▶ CD 168: Volume 16: German Operas
▶ CD 169: Volume 16: German Operas
▶ CD 170: Volume 16: German Operas
▶ CD 171: Volume 16: German Operas
▶ CD 172: Volume 16: German Operas
▶ CD 173: Volume 16: German Operas
▼ CD 174: Volume 16: German Operas
#TitleRatingLength
1Die Zauberflöte, K. 620: Act I, Scene XV. No. 8 Finale "Zum Ziele führt dich diese Bahn" (Drei Knaben, Tamino)
choir vocals:
Dresdner Kreuzchor (in 1984-01)
tenor vocals:
Peter Schreier (German tenor and conductor) (in 1984-01)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1984-01)
conductor:
Sir Colin Davis (English conductor) (in 1984-01)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1984-01)
recording of:
Die Zauberflöte: Akt I. No. 8 Finale „Zum Ziele führt dich diese Bahn” (Knaben, Tamino, Stimmen, Sprecher) (in 1984-01)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
1:50
2Die Zauberflöte, K. 620: Act I, Scene XV. Recitativo "Die Weisheitslehre dieser Knaben" (Tamino, Coro)
choir vocals:
MDR Rundfunkchor Leipzig (in 1984-01)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1984-01)
conductor:
Sir Colin Davis (English conductor) (in 1984-01)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1984-01)
recording of:
Die Zauberflöte: Akt I. Rezitativ „Die Weisheitslehre dieser Knaben” (Tamino, Coro) (in 1984-01)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
1:50
3Die Zauberflöte, K. 620: Act I, Scene XV. "Wo willst du kühner Fremdling hin?" (Sprecher, Tamino, Coro)
bass vocals:
Theo Adam (German classical bass-baritone) (in 1984-01)
choir vocals:
MDR Rundfunkchor Leipzig (in 1984-01)
tenor vocals:
Peter Schreier (German tenor and conductor) (in 1984-01)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1984-01)
conductor:
Sir Colin Davis (English conductor) (in 1984-01)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1984-01)
recording of:
Die Zauberflöte: Akt I. „Zurück!” … „Zurück?” … „Wo willst du kühner Fremdling hin?” … „O ewige Nacht” (Priester, Tamino) (in 1984-01)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
6:11
4Die Zauberflöte, K. 620: Act I, Scene XV. Andante "Wie stark ist nicht dein Zauberton" (Tamino)
recorded in:
Dresden, Sachsen (Saxony), Germany (in 1984-01)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1984-01)
conductor:
Sir Colin Davis (English conductor) (in 1984-01)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1984-01)
recording of:
Die Zauberflöte: Akt I. Andante „Wie stark ist nicht dein Zauberton” (Tamino) (in 1984-01)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
3:13
5Die Zauberflöte, K. 620: Act I, Scene XVI. "Schnelle Füße, rascher Mut" (Pamina, Papageno, Monostatos, Coro)
bass vocals:
Mikael Melbye (bass-baritone) (in 1984-01)
choir vocals:
MDR Rundfunkchor Leipzig (in 1984-01)
soprano vocals:
Margaret Price (soprano) (in 1984-01)
tenor vocals:
Robert Tear (tenor) (in 1984-01)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1984-01)
conductor:
Sir Colin Davis (English conductor) (in 1984-01)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1984-01)
recording of:
Die Zauberflöte: Akt I. "Schnelle Füsse, rascher Mut … Nur geschwinde, nur geschwinde … Wer viel wagt, gewinnt oft viel! … Das klinget so herrlich … Könnte jeder brave Mann" (Pamina, Papageno, Monostatos, Sklaven) (in 1984-01)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
3:16
6Die Zauberflöte, K. 620: Act I, Scene XVII. Allegro maestoso "Es lebe Sarastro!" (Coro, Pamina, Papageno)
bass vocals:
Mikael Melbye (bass-baritone) (in 1984-01)
choir vocals:
MDR Rundfunkchor Leipzig (in 1984-01)
soprano vocals:
Margaret Price (soprano) (in 1984-01)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1984-01)
conductor:
Sir Colin Davis (English conductor) (in 1984-01)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1984-01)
recording of:
Die Zauberflöte: Akt I. Allegro maestoso „Es lebe Sarastro!” (Gefolge, Pamina, Papageno) (in 1984-01)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
1:56
7Die Zauberflöte, K. 620: Act I, Scene XVII. "Herr, ich bin zwar Verbrecherin" (Pamina, Sarastro, Monostatos, Tamino, Coro)
bass vocals:
Kurt Moll (operatic bass) (in 1984-01)
choir vocals:
MDR Rundfunkchor Leipzig (in 1984-01)
soprano vocals:
Margaret Price (soprano) (in 1984-01)
tenor vocals:
Peter Schreier (German tenor and conductor) (in 1984-01) and Robert Tear (tenor) (in 1984-01)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1984-01)
conductor:
Sir Colin Davis (English conductor) (in 1984-01)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1984-01)
recording of:
Die Zauberflöte: Akt I. „Herr, ich bin zwar Verbrecherin” (Pamina, Sarastro) (in 1984-01)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
5:34
8Die Zauberflöte, K. 620: Act I, Scene XVII. "Wenn Tugend und Gerechtigkeit" (Coro)
choir vocals:
MDR Rundfunkchor Leipzig (in 1984-01)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1984-01)
conductor:
Sir Colin Davis (English conductor) (in 1984-01)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1984-01)
recording of:
Die Zauberflöte: Akt I. Schlußchor „Wenn Tugend und Gerechtigkeit” (Chor) (in 1984-01)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
1:08
9Die Zauberflöte, K. 620: Act II, Scene I. No. 9 Marsch der Priester
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1984-01)
conductor:
Sir Colin Davis (English conductor) (in 1984-01)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1984-01)
recording of:
Die Zauberflöte: Akt II. No. 9 Marsch der Priester (in 1984-01)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Die Zauberflöte, K. 620: Akt II
2:53
10Die Zauberflöte, K. 620: Act II, Scene I. Dialogue "Ihr, in dem Weisheitstempel eingeweihten Diener" (Sarastro, Drei Priester)/ "Sarastro dankt euch" (Sarastro, Sprecher)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1984-01)
conductor:
Sir Colin Davis (English conductor) (in 1984-01)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1984-01)
recording of:
Die Zauberflöte: Akt II. Dialog „Ihr, in dem Weisheitstempel eingeweihten Diener” (Sarastro, Sprecher, Priester) (in 1984-01)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
3:26
11Die Zauberflöte, K. 620: Act II, Scene I. Aria with Choir "O Isis und Osiris" (Sarastro, Coro)
bass vocals:
Kurt Moll (operatic bass) (in 1984-01)
choir vocals:
MDR Rundfunkchor Leipzig (in 1984-01)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1984-01)
conductor:
Sir Colin Davis (English conductor) (in 1984-01)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1984-01)
recording of:
Die Zauberflöte: Akt II. No. 10 Arie and Chor „O Isis und Osiris” (Sarastro, Priester) (in 1984-01)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
recording of:
Die Zauberflöte: Akt II. No. 18 Chor der Priester „O Isis und Osiris, welche Wonne!” (Priester) (in 1984-01)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
2:54
12Die Zauberflöte, K. 620: Act II, Scene I. Dialogue "Papageno! Wo denkst du, daß wir uns befinden?" (Tamino, Papageno, Sprecher, Zweiter Sprecher)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1984-01)
conductor:
Sir Colin Davis (English conductor) (in 1984-01)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1984-01)
recording of:
Die Zauberflöte: Akt II. Dialog „Eine schreckliche Nacht!” … „Papageno! Wo denkst du, daß wir uns befinden?” (Tamino, Papageno, Sprecher, Zweiter Sprecher) (in 1984-01)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Die Zauberflöte, K. 620: Akt II
2:52
13Die Zauberflöte, K. 620: Act II, Scene IV. No. 11 Duet "Bewahret euch vor Weibertücken" (Sprecher, Zweiter Sprecher) / Act II, Scene IV. Dialogue "He, Lichter Her!" (Papageno, Tamino)
bass vocals:
Theo Adam (German classical bass-baritone) (in 1984-01)
tenor vocals:
Armin Ude (tenor) (in 1984-01)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1984-01)
conductor:
Sir Colin Davis (English conductor) (in 1984-01)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1984-01)
recording of:
Die Zauberflöte: Akt II. Dialog „He, Lichter her!” (Papageno, Tamino) (in 1984-01)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Die Zauberflöte, K. 620: Akt II
recording of:
Die Zauberflöte: Akt II. No. 11 Duett „Bewahret euch vor Weibertücken” (zwei Priester) (in 1984-01)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
1:30
14Die Zauberflöte, K. 620: Act II, Scene V. No. 12 Quintet "Wie? Wie? Wie? Ihr an diesem Schreckensort?" (Drei Damen, Papageno, Tamino, Coro)
bass vocals:
Mikael Melbye (bass-baritone) (in 1984-01)
choir vocals:
MDR Rundfunkchor Leipzig (in 1984-01)
mezzo-soprano vocals:
Ann Murray (Irish mezzo-soprano) (in 1984-01) and Hanna Schwarz (mezzo soprano) (in 1984-01)
soprano vocals:
Marie McLaughlin (soprano) (in 1984-01)
tenor vocals:
Peter Schreier (German tenor and conductor) (in 1984-01)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1984-01)
conductor:
Sir Colin Davis (English conductor) (in 1984-01)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1984-01)
recording of:
Die Zauberflöte: Akt II. No. 12 Quintett „Wie? Wie? Wie? Ihr an diesem Schreckensort?” (Drei Damen, Papageno, Tamino, Priester) (in 1984-01)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
3:11
15Die Zauberflöte, K. 620: Act II, Scene VI. Dialogue "Heil dir, Jüngling" (Sprecher, Zweiter Sprecher, Papageno, Pamina, Monostatos)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1984-01)
conductor:
Sir Colin Davis (English conductor) (in 1984-01)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1984-01)
recording of:
Die Zauberflöte: Akt II. Dialog „Heil dir, Jüngling! Dein standhaft männliches Betragen” (Sprecher, 2. Priester, Papageno, Tamino) (in 1984-01)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
part of:
Die Zauberflöte, K. 620: Akt II
1:07
16Die Zauberflöte, K. 620: Act II, Scene VII. No. 13 Aria "Alles fühlt der Liebe Freuden" (Monostatos)
tenor vocals:
Robert Tear (tenor) (in 1984-01)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1984-01)
conductor:
Sir Colin Davis (English conductor) (in 1984-01)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1984-01)
recording of:
Die Zauberflöte: Akt II. No. 13 Arie „Alles fühlt der Liebe Freuden” (Monostatos) (in 1984-01)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
1:18
17Die Zauberflöte, K. 620: Act II, Scene VIII. Dialogue "Zurück! O weh!" (Die Königin der Nacht, Pamina, Monostatos)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1984-01)
conductor:
Sir Colin Davis (English conductor) (in 1984-01)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1984-01)
recording of:
Die Zauberflöte: Akt II. Dialog „Zurück! O weh!” (Die Königin der Nacht, Pamina, Monostatos) (in 1984-01)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
2:21
18Die Zauberflöte, K. 620: Act II, Scene VIII. No. 14 Aria "Der Hölle Rache kocht in meinem Herzen" (Die Königin der Nacht)
choir vocals:
Chor der Staatsoper Dresden (Dresden State Opera Chorus) (in 1984-01)
soprano vocals:
Luciana Serra (soprano) (in 1984-01)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1984-01)
conductor:
Sir Colin Davis (English conductor) (in 1984-01)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1984-01)
recording of:
Die Zauberflöte: Akt II. No. 14 Arie „Der Hölle Rache kocht in meinem Herzen” (Die Königin der Nacht) (in 1984-01)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
2:53
19Die Zauberflöte, K. 620: Act II, Scene IX - XII. Monologue "Morden soll ich?" (Pamina, Monostaatos, Sarastro)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1984-01)
conductor:
Sir Colin Davis (English conductor) (in 1984-01)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1984-01)
recording of:
Die Zauberflöte: Akt II. Dialog „Morden soll ich?” (Pamina, Monostatos, Sarastro) (in 1984-01)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
1:16
20Die Zauberflöte, K. 620: Act II, Scene XII. No. 15 Aria "In diesen heil'gen Hallen kennt" (Sarastro)
bass vocals:
Kurt Moll (operatic bass) (in 1984-01)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1984-01)
conductor:
Sir Colin Davis (English conductor) (in 1984-01)
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (in 1984)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1984-01)
recording of:
Die Zauberflöte: Akt II. No. 15 Arie „In diesen heil'gen Hallen” (Sarastro) (in 1984-01)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
4:09
21Die Zauberflöte, K. 620: Act II, Scene XIII - XV. Dialogue "Hier seid ihr euch beide allein überlassen" (Sprecer, Zweiter Sprecher, Papageno, Tamino, Altes Weib)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1984-01)
conductor:
Sir Colin Davis (English conductor) (in 1984-01)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1984-01)
recording of:
Die Zauberflöte: Akt II. Dialog „Hier seid ihr euch beide allein überlassen” (Sprecher, 2. Priester, Papageno, Tamino, Altes Weib) (in 1984-01)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
2:41
22Die Zauberflöte, K. 620: Act II, Scene XVI. No. 16 Trio "Seid uns zum zweiten Mal willkommen" (Drei Knaben)
choir vocals:
Dresdner Kreuzchor (in 1984-01)
tenor vocals:
Armin Ude (tenor) (in 1984-01)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1984-01)
conductor:
Sir Colin Davis (English conductor) (in 1984-01)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1984-01)
recording of:
Die Zauberflöte: Akt II. No. 16 Trio „Seid uns zum zweiten Mal willkommen” (Drei Knaben) (in 1984-01)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
1:39
▶ CD 175: Volume 16: German Operas
▶ CD 176: Volume 17: Theatre and Ballet Music / Rarities / Surprises
▶ CD 177: Volume 17: Theatre and Ballet Music / Rarities / Surprises
▶ CD 178: Volume 17: Theatre and Ballet Music / Rarities / Surprises
▶ CD 179: Volume 17: Theatre and Ballet Music / Rarities / Surprises
▶ CD 180: Volume 17: Theatre and Ballet Music / Rarities / Surprises