Feel So Good

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

CD 1
#TitleArtistRatingLength
1Imitation of Life
recording engineer and mixer:
Jamie Candiloro and Pat McCarthy
recording of:
Imitation of Life
writer:
Peter Buck (R.E.M. guitarist), Mike Mills (R.E.M. bass player) and Michael Stipe
publisher:
Temporary Music
R.E.M.4.23:57
2Summer Son
recording engineer:
Eddie Campbell (Scottish keyboardist for Texas/The Incredible Blondes), Richard Hynd, Johnny Mac, Kenny McDonald (engineer) and Sharleen Spiteri
programming:
Eddie Campbell (Scottish keyboardist for Texas/The Incredible Blondes), Richard Hynd, Jan "Stan" Kybert (Producer / Mixer / Engineer), Johnny McElhone and Sharleen Spiteri
producer:
Johnny Mac
mixer:
Mark “Spike” Stent (producer, engineer)
additional percussion [beats]:
Ben Chapman
drums (drum set):
Richard Hynd
guitar:
Tony McGovern and Paul Smith (Silver Sun)
keyboard:
Eddie Campbell (Scottish keyboardist for Texas/The Incredible Blondes) and Johnny McElhone
background vocals:
Eddie Campbell (Scottish keyboardist for Texas/The Incredible Blondes), Robert Hodgens and Sharleen Spiteri
contains samples by:
Ally McErlaine (Scottish guitarist) (guitar)
phonographic copyright (℗) by:
Grand Central Records Ltd. and Mercury Records Ltd. (London) (for copyrights use only)
recorded at:
Park Lane Studios in Glasgow, Scotland, United Kingdom and Shar's House in Scotland, United Kingdom
mixed at:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, United Kingdom and The Mix Suite in London (Greater London), England, United Kingdom
recording of:
Summer Son
lyricist and composer:
Eddie Campbell (Scottish keyboardist for Texas/The Incredible Blondes), Robert Hodgens, Johnny McElhone and Sharleen Spiteri
publisher:
23rd Precinct Music Ltd. and BMG 10 Music Ltd.
Texas3.64:03
3Don’t Lose My Number
assistant engineer:
Steve Chase
engineer:
Hugh Padgham
producer:
Phil Collins (of Genesis) and Hugh Padgham
additional keyboard [keyboards]:
David Frank (American keyboardist, producer, writer; The System)
bass guitar [bass]:
Lee Sklar (bassist, session musician)
drum machine [Linn], drums (drum set), keyboard [keyboards] and lead vocals [vocals]:
Phil Collins (of Genesis)
guitar [guitars]:
Daryl Stuermer
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1985), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1985) and Philip Collins Ltd. (in 2016)
recorded at:
Old Croft in Surrey, England, United Kingdom and The Townhouse in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, United Kingdom
mixed at:
The Townhouse in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, United Kingdom
recording of:
Don’t Lose My Number
lyricist and composer:
Phil Collins (of Genesis)
publisher:
Concord Music GmbH, Concord Sounds, Imagem Music NL, Hit & Run Music (Publishing) Ltd (in 1984) and Philip Collins Ltd. (in 1984)
Phil Collins4?:??
4Stars
recording of:
Stars
lyricist and composer:
Mick Hucknall (lead singer of Simply Red)
Simply Red4:47
5Sharp Dressed Man
engineer:
Terry Manning (US recording engineer)
producer:
Bill Ham (manager of ZZ Top)
drums (drum set) and percussion:
Frank Beard (ZZ Top drummer)
electric bass guitar:
Dusty Hill
electric guitar and lead vocals:
Billy Gibbons
vocals:
Dusty Hill
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint)
recorded at:
Ardent Studios in Memphis, Tennessee, United States
recording of:
Sharp Dressed Man
lyricist and composer:
Frank Beard (ZZ Top drummer), Joe Hill and William Gibbons
publisher:
Hamstein Music Company (publisher), Music of Stage Three and Songs of Mosaic
ZZ Top4.554:08
6Message to My Girl
producer:
Hugh Padgham and Eddie Rayner (New Zealand keyboardist, singer, songwriter & producer)
phonographic copyright (℗) by:
A&M Records, Inc. (in 1983)
recording of:
Message to My Girl
lyricist and composer:
Neil Finn
publisher:
Enz Music
part of:
APRA Top 100 New Zealand Songs of All Time (number: 36)
Split Enz43:59
7Mmm Mmm Mmm Mmm
additional recording engineer:
David Vartanian
recording engineer:
Tommy Lipnick
engineer:
Dan Harjung
producer:
Crash Test Dummies and Jerry Harrison (Talking Heads)
mixer:
Tom Lord‐Alge
editor:
Patrick Murphy (engineer)
accordion, keyboard [keyboards], piano and background vocals [back-up vocals]:
Ellen Reid
acoustic guitar [acoustic guitars], electric guitar [electric guitars] and lead vocals:
Brad Roberts (of Crash Test Dummies)
phonographic copyright (℗) by:
BMG Music Canada Inc. (in 1993)
recorded at:
DV Productions in Milwaukee, Wisconsin, United States, Mindscape in Chicago, Illinois, United States and Music Head Recording in Lake Geneva, Wisconsin, United States
mixed at:
Music Head Recording in Lake Geneva, Wisconsin, United States
produced at:
God Of Thunder Studios
music videos:
Mmm Mmm Mmm Mmm by Crash Test Dummies
recording of:
Mmm Mmm Mmm Mmm
lyricist and composer:
Brad Roberts (of Crash Test Dummies)
publisher:
Universal Music Publishing Pty Ltd. (AU subsidiary of Universal Music Publishing Group), Universal PolyGram International Publishing, Inc. (existed only since ca. 1998), Universal/Island Music Ltd. (for music publishing use only, formerly Island Music Ltd.), Door Number Two Music (in 1993), Dummies Productions Inc. (in 1993) and PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998) (in 1993)
Crash Test Dummies3.953:52
8Don’t Shed a TearPaul Carrack3:43
9Take Me Home Tonight
engineer:
Michael Frondelli, Phil Kaffel and Dave Leonard
producer:
Eddie Money and Richie Zito
mixer:
Scott Litt (producer and engineer), Eddie Money and Richie Zito
additional guest vocals:
Ronnie Spector
lead vocals:
Eddie Money
performer:
Ronnie Spector
arranger:
Eddie Money and Richie Zito
recorded at:
Fantasy Studios (Berkeley) in Berkeley, California, United States (from 1985-11 until 1986-05), Oasis Studios in North Hollywood, Los Angeles, California, United States (from 1985-11 until 1986-05) and R.O. Studios in Concord, California, United States (from 1985-11 until 1986-05)
medley including a recording of:
Be My Baby (from 1985-11 until 1986-05)
writer:
Jeff Barry, Ellie Greenwich and Phil Spector
publisher:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Carlin Music Corporation, Mother Bertha Music, Inc., Universal–Songs of PolyGram International, Inc. and Trio Music Co., Inc. (in 1963)
sub-publisher:
ABKCO Japan Publishing, Shinko Music Entertainment Co., Ltd., Universal Music Publishing Group Japan (UNIVERSAL MUSIC PUBLISHING LLC, work publisher – do NOT use as a release label), Fujipacific Music inc. (until 2014-12-31), EMI Music Publishing Japan C.F. division (until 2021-06-30), Warner Tamerlane Publishing Corp. (Warner–Tamerlane Publishing Corporation, publisher; do NOT use as release label) (in 1963), Fujipacific Music, Inc. (from 2015-01-01 to present) and ソニー・ミュージックパブリッシング EMI外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (from 2021-07-01 to present)
medley including a recording of:
Take Me Home Tonight (from 1985-11 until 1986-05)
writer:
Jeff Barry, Ellie Greenwich and Phil Spector
Eddie Money53:31
10Two Princes
engineer:
Frank Aversa and Spin Doctors
producer:
Frank Aversa, Peter Denenberg, Frankie LaRocka and Spin Doctors
mixer:
Peter Denenberg, Frankie LaRocka and Spin Doctors
bass guitar:
Mark White (Spin Doctors)
guitar:
Eric Schenkman
Hammond organ, drums (drum set) and percussion:
Aaron Comess
guest background vocals:
John Popper
vocals:
Chris Barron
phonographic copyright (℗) by:
Sony BMG Music Entertainment (Sony BMG Music Entertainment, Inc., Aug 5, 2004 – Oct 1, 2008) (in 1991) and Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP) (in 1991)
recording of:
Two Princes
writer:
Chris Barron, Aaron Comess, Eric Schenkman and Mark White (Spin Doctors)
publisher:
Sony/ATV Music Publishing Ltd. and Sony/ATV Music Publishing Ltd.
Spin Doctors4.254:16
11She Drives Me Crazy
engineer:
David Z. (producer/engineer David Rivkin)
co-producer:
Fine Young Cannibals and David Z. (producer/engineer David Rivkin)
bass, drum machine and keyboard:
David Steele (UK musician, member of The Beat and Fine Young Cannibals)
drum machine, guitar and tambourine:
Andy Cox (of The Beat)
vocals:
Roland Gift
phonographic copyright (℗) by:
London Music Stream Ltd. (reissues, 2017–present; a.k.a. London Records or Recordings) (in 1988) and London Records Ltd. (not release label) (in 1989)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 77)
recording of:
She Drives Me Crazy (Fine Young Cannibals song)
writer:
Roland Gift and David Steele (UK musician, member of The Beat and Fine Young Cannibals)
publisher:
Virgin Music (Publishers) Ltd.
Fine Young Cannibals43:35
12Lessons in Love
engineer and mixer:
Julian Mendelsohn (Australian record producer and engineer)
assistant producer:
Julian Mendelsohn (Australian record producer and engineer)
producer:
Wally Badarou and Level 42
guest saxophone:
Gary Barnacle
phonographic copyright (℗) by:
Polydor Ltd. (UK) (not for release label use; fka Polydor Records Ltd.) (in 1986)
recording of:
Lessons in Love
lyricist:
Boon Gould
writer:
Wally Badarou and Mark King
publisher:
BMG Music Publishing Ltd., Chappell Music Ltd., Findhaven Ltd., Island Visual Arts Ltd., Level 42 Music Ltd. and Ruby Ruby Ltd.
Level 423.63:59
13Ride Like the WindChristopher Cross44:23
14I Love L.A.
assistant engineer:
Bob Fernandez (engineer)
engineer and mixer:
Mark Linett
producer:
Russ Titelman and Lenny Waronker
guitar:
Waddy Wachtel (in 1983)
background vocals:
Lindsey Buckingham (in 1983) and Christine McVie (in 1983)
conductor:
Randy Newman (American singer‐songwriter and score composer) (in 1983)
arranger:
Randy Newman (American singer‐songwriter and score composer)
phonographic copyright (℗) by:
Warner Bros. Records (1958–2019; “WB” logo, with or without “records” beneath or on banner across) (in 1983), Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1983) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1983)
recorded at:
Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California, United States (in 1983)
mixed at:
Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California, United States
recording of:
I Love L.A. (in 1983)
lyricist and composer:
Randy Newman (American singer‐songwriter and score composer)
publisher:
Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23) and Six Pictures Music (in 1983)
Randy Newman53:30
15Lovely Day
producer:
Clarence McDonald and Bill Withers
bass guitar:
Jerry Knight (in 1977)
drums (drum set) and shakers:
Russell Kunkel (in 1977)
guitar:
Ray Parker (in 1977)
keyboard:
Clarence McDonald (in 1977)
percussion:
Ralph MacDonald (in 1977)
lead vocals:
Bill Withers (in 1977)
arranger:
Clarence McDonald
concertmaster:
Charles Veal (violinist, conductor and arranger) (in 1977)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1977) and Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1977)
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 402)
recording of:
Lovely Day (in 1977)
writer:
Skip Scarborough and Bill Withers
publisher:
Chappell Music Ltd., Chelsea Music Publishing Co., Ltd., Golden Withers Music, Plaid Flowers Music, Sweet Cookie Music, Unichappell Music, Inc., Warner–Tamerlane Publishing Corp. (Warner–Tamerlane Publishing Corporation, publisher; do NOT use as release label), フジパシフィックミュージック (Fujipacific Music, Inc.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Bill Withers4.754:11
16The Sun Always Shines on TV
bass programming:
Magne Furuholmen
producer:
Alan Tarney
mixer:
a‐ha (Norwegian synth‐pop band) and John Ratcliff
drum machine and guitar:
Paul Waaktaar-Savoy
keyboard:
Magne Furuholmen
background vocals:
Magne Furuholmen and Paul Waaktaar-Savoy
lead vocals:
Morten Harket
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1985)
part of:
TV Cream: Real 100 Best Singles Ever (number: 11) and The Downloader’s Music Source Book (number: 283)
recording of:
The Sun Always Shines on T.V.
lyricist and composer:
Paul Waaktaar-Savoy
publisher:
ATV Music Ltd. and Sony ATV Publishing (Sony/ATV Publishing)
a‐ha4.155:04
17Fraction Too Much Friction
phonographic copyright (℗) by:
Boomerang Productions Australia (in 1983) and Mushroom Records (in 1983)
recording of:
Fraction Too Much Friction
writer:
Tim Finn
publisher:
Enz Music, Mushroom Music (Mushroom label's publishing company) and Mushroom Music Publishing
Tim Finn44:12
18Save Tonight
Eagle‐Eye Cherry3:54
19Veronica
recording of:
Veronica
writer:
Declan Patrick MacManus and Paul McCartney (The Beatles)
Elvis Costello3:09
CD 2