La Divina: Maria Callas in All Her Roles

~ Release by Maria Callas (see all versions of this release, 1 available)

Annotation

The complete collection of Warner Classics (EMI) recordings by Maria Callas. Includes all her studio and live recordings on 131 CDs, 3 Blu-Rays of concert videos, a DVD-ROM (libretti, texts, recording sheets, interviews), a 148-page hardcover book, and an NFT with digital content.

The CDs also include studio alternate takes and working sessions from the 1960s (previously unreleased), and Julliard Master classes.

Annotation last modified on 2025-01-14 10:48 UTC.

Tracklist

▶ CD 1: Vincenzo Bellini: Norma (Act 1, Scene 1) (Studio, Recorded 1954)
▶ CD 2: Vincenzo Bellini: Norma (Act 1, Scene 2) (Studio, Recorded 1954)
▶ CD 3: Vincenzo Bellini: Norma (Act 2) (Studio, Recorded 1954)
▶ CD 4: Vincenzo Bellini: Norma (Act 1 beginning) (Studio, Recorded 1960)
▶ CD 5: Vincenzo Bellini: Norma (Act 1 conclusion) (Studio, Recorded 1960)
▶ CD 6: Vincenzo Bellini: Norma (Act 2) (Studio, Recorded 1960)
▶ CD 7: Vincenzo Bellini: I puritani (Act 1) (Studio, Recorded 1953)
▶ CD 8: Vincenzo Bellini: I puritani (Acts 2 & 3) (Studio, Recorded 1953)
▶ CD 9: Vincenzo Bellini: La sonnambula (Act 1) (Studio, Recorded 1957)
▶ CD 10: Vincenzo Bellini: La sonnambula (Act 2) (Studio, Recorded 1957)
▶ CD 11: Georges Bizet: Carmen (Act 1, Act 2 beginning) (Studio, Recorded 1964)
▶ CD 12: Georges Bizet: Carmen (Act 2 conclusion, Acts 3 & 4) (Studio, Recorded 1964)
▶ CD 13: Luigi Cherubini: Medea (Act 1) (Studio, Recorded 1957)
▶ CD 14: Luigi Cherubini: Medea (Acts 2 & 3) (Studio, Recorded 1957)
▶ CD 15: Gaetano Donizetti: Lucia di Lammermoor (Act 1) (Studio, Recorded 1953)
▶ CD 16: Gaetano Donizetti: Lucia di Lammermoor (Act 2 & 3) (Studio, Recorded 1953)
▶ CD 17: Gaetano Donizetti: Lucia di Lammermoor (Act 1) (Studio, Recorded 1959)
▶ CD 18: Gaetano Donizetti: Lucia di Lammermoor (Act 2 & 3) (Studio, Recorded 1959)
▶ CD 19: Ruggero Leoncavallo: I pagliacci (Studio, Recorded 1954)
▶ CD 20: Pietro Mascagni: Cavalleria rusticana (Studio, Recorded 1953)
▶ CD 21: Amilcare Ponchielli: La Gioconda (Act 1) (Studio, Recorded 1952)
▶ CD 22: Amilcare Ponchielli: La Gioconda (Act 2) (Studio, Recorded 1952)
▶ CD 23: Amilcare Ponchielli: La Gioconda (Acts 3 & 4) (Studio, Recorded 1952)
▶ CD 24: Amilcare Ponchielli: La Gioconda (Act 1) (Studio, Recorded 1959)
▶ CD 25: Amilcare Ponchielli: La Gioconda (Act 2) (Studio, Recorded 1959)
▶ CD 26: Amilcare Ponchielli: La Gioconda (Acts 3 & 4) (Studio, Recorded 1959)
▶ CD 27: Giacomo Puccini: La bohème (Acts 1 & 2) (Studio, Recorded 1956)
▶ CD 28: Giacomo Puccini: La bohème (Acts 3 & 4) (Studio, Recorded 1956)
▶ CD 29: Giacomo Puccini: Madama Butterfly (Act 1, Act 2 beginning) (Studio, Recorded 1955)
▶ CD 30: Giacomo Puccini: Madama Butterfly (Act 2 conclusion) (Studio, Recorded 1955)
▶ CD 31: Giacomo Puccini: Manon Lescaut (Acts 1 & 2) (Studio, Recorded 1957)
▶ CD 32: Giacomo Puccini: Manon Lescaut (Acts 3 & 4) (Studio, Recorded 1957)
▶ CD 33: Giacomo Puccini: Tosca (Act 1) (Studio, Recorded 1953)
▶ CD 34: Giacomo Puccini: Tosca (Act 2 & 3) (Studio, Recorded 1953)
▶ CD 35: Giacomo Puccini: Tosca (Act 1) (Studio, Recorded 1964 & 1965)
▶ CD 36: Giacomo Puccini: Tosca (Act 2 & 3) (Studio, Recorded 1964 & 1965)
▶ CD 37: Giacomo Puccini: Turandot (Acts 1 & 2) (Studio, Recorded 1957)
▶ CD 38: Giacomo Puccini: Turandot (Acts 3) (Studio, Recorded 1957)
▶ CD 39: Gioachino Rossini: Il barbiere di Siviglia (Act 1 beginning) (Studio, Recorded 1957)
▶ CD 40: Gioachino Rossini: Il barbiere di Siviglia (Act 1 conclusion, Act 2) (Studio, Recorded 1957)
▶ CD 41: Gioachino Rossini: Il turco in Italia (Act 1) (Studio, Recorded 1954)
▶ CD 42: Gioachino Rossini: Il turco in Italia (Act 2) (Studio, Recorded 1954)
▶ CD 43: Giuseppe Verdi: Aida (Acts 1 & 2) (Studio, Recorded 1955)
▶ CD 44: Giuseppe Verdi: Aida (Acts 3 & 4) (Studio, Recorded 1955)
▶ CD 45: Giuseppe Verdi: Un ballo in maschera (Act 1, Act 2 beginning) (Studio, Recorded 1956)
▶ CD 46: Giuseppe Verdi: Un ballo in maschera (Act 2 conclusion, Act 3) (Studio, Recorded 1956)
▶ CD 47: Giuseppe Verdi: La forza del destino (Acts 1 & 2) (Studio, Recorded 1954)
▶ CD 48: Giuseppe Verdi: La forza del destino (Act 3) (Studio, Recorded 1954)
▶ CD 49: Giuseppe Verdi: La forza del destino (Act 4) (Studio, Recorded 1954)
▶ CD 50: Giuseppe Verdi: Rigoletto (Act 1) (Studio, Recorded 1955)
▶ CD 51: Giuseppe Verdi: Rigoletto (Acts 2 & 3) (Studio, Recorded 1955)
▶ CD 52: Giuseppe Verdi: La traviata (Act 1 • Act 2, Scene 1) (Studio, Recorded 1953)
▶ CD 53: Giuseppe Verdi: La traviata (Act 2, Scene 2 • Act 3) (Studio, Recorded 1953)
▶ CD 54: Giuseppe Verdi: Il trovatore (Acts 1 & 2) (Studio, Recorded 1956)
▶ CD 55: Giuseppe Verdi: Il trovatore (Acts 3 & 4) (Studio, Recorded 1956)
▶ CD 56: The First Recordings (1949) (Studio, Recorded 1949)
▶ CD 57: The Callas Rarities (1953-1969) (Studio, Recorded 1953, 1958, 1960 & 1961)
▶ CD 58: The Callas Rarities (1953-1969) (Studio, Recorded 1962, 1964, 1965 & 1969)
▶ CD 59: Operatic Arias by Puccini (Studio, Recorded 1954)
▶ CD 60: Lyric and Coloratura Arias (Studio, Recorded 1954)
▶ CD 61: Callas at La Scala (Studio, Recorded 1955)
▶ CD 62: Callas Portrays Verdi Heroines (Verdi Arias I) (Studio, Recorded 1958)
▶ CD 63: Mad Scenes (Studio, Recorded 1958)
▶ CD 64: Great Arias from French Opera (Callas à Paris I) (Studio, Recorded 1961)
▶ CD 65: More Arias from French Opera (Callas à Paris II) (Studio, Recorded 1963)
▶ CD 66: Rossini & Donizetti Arias (Studio, Recorded 1963 & 1964)
▶ CD 67: Mozart, Beethoven, Weber Recital (Studio, Recorded 1963 & 1964)
▶ CD 68: Verdi Arias II (Studio, Recorded 1963 & 1964)
▶ CD 69: Verdi Arias III (Studio, Recorded 1965 & 1969)
▶ CD 70: Vincenzo Bellini: Norma (Act 1, Scene 1 • Act 1, Scene 2 beginning) (Live, Recorded 1952)
▶ CD 71: Vincenzo Bellini: Norma (Act 1, Scene 2 conclusion • Act 2) (Live, Recorded 1952)
▶ CD 72: Vincenzo Bellini: Il pirata (Act 1) (Live, Recorded 1959)
▶ CD 73: Vincenzo Bellini: Il pirata (Act 2) (Live, Recorded 1959)
▶ CD 74: Vincenzo Bellini: La sonnambula (Act 1 beginning) (Live, Recorded 1955)
▶ CD 75: Vincenzo Bellini: La sonnambula (Act 1 conclusion • Act 2) (Live, Recorded 1955)
▶ CD 76: Vincenzo Bellini: La sonnambula (Act 1) (Live, Recorded 1957)
▶ CD 77: Vincenzo Bellini: La sonnambula (Act 2) (Live, Recorded 1957)
▶ CD 78: Luigi Cherubini: Medea (Act 1) (Live, Recorded 1953)
▶ CD 79: Luigi Cherubini: Medea (Acts 2 & 3) (Live, Recorded 1953)
▼ CD 80: Gaetano Donizetti: Anna Bolena (Act 1) (Live, Recorded 1957)
#TitleArtistRatingLength
1Anna Bolena: Act I, Scene 1. “Né venne il Re?” (Coro)
choir vocals:
Coro del Teatro alla Scala di Milano (on 1957-04-14)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (on 1957-04-14)
conductor:
Gianandrea Gavazzeni (conductor) (on 1957-04-14)
chorus master:
Norberto Mola (chorus master) (on 1957-04-14)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (on 1957-04-14)
live recording of:
Anna Bolena: Atto I, Scena 1. Introduzione “Nè venne il Re?” (Coro) (on 1957-04-14)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Anna Bolena: Atto I
Gaetano Donizetti3:11
2Anna Bolena: Act I, Scene 1. “Ella di me, sollecita” (Giovanna, Smeton)
mezzo-soprano vocals [Giovanna Seymour]:
Giulietta Simionato (mezzo soprano) (on 1957-04-14)
mezzo-soprano vocals [Smeton]:
Gabriella Carturan (mezzo-soprano) (on 1957-04-14)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (on 1957-04-14)
conductor:
Gianandrea Gavazzeni (conductor) (on 1957-04-14)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (on 1957-04-14)
live recording of:
Anna Bolena: Atto I, Scena 1. “Ella di me, sollecita” (Giovanna) (on 1957-04-14)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Anna Bolena: Atto I
Gaetano Donizetti1:33
3Anna Bolena: Act I, Scene 1. “Sì taciturna e mesta mai non vidi assemblea” (Anna, Giovanna, Smeton)
mezzo-soprano vocals [Giovanna Seymour]:
Giulietta Simionato (mezzo soprano) (on 1957-04-14)
mezzo-soprano vocals [Smeton]:
Gabriella Carturan (mezzo-soprano) (on 1957-04-14)
soprano vocals [Anna Bolena]:
Maria Callas (soprano) (on 1957-04-14)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (on 1957-04-14)
conductor:
Gianandrea Gavazzeni (conductor) (on 1957-04-14)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (on 1957-04-14)
live recording of:
Anna Bolena: Atto I, Scena 1. “Si taciturna e mesta” (Anna, Giovanna, Smeton) (on 1957-04-14)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Anna Bolena: Atto I
Gaetano Donizetti2:09
4Anna Bolena: Act I, Scene 1. “Deh! non voler costringere” (Smeton, Anna, Giovanna, Coro)
choir vocals:
Coro del Teatro alla Scala di Milano (on 1957-04-14)
mezzo-soprano vocals [Giovanna Seymour]:
Giulietta Simionato (mezzo soprano) (on 1957-04-14)
mezzo-soprano vocals [Smeton]:
Gabriella Carturan (mezzo-soprano) (on 1957-04-14)
soprano vocals [Anna Bolena]:
Maria Callas (soprano) (on 1957-04-14)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (on 1957-04-14)
conductor:
Gianandrea Gavazzeni (conductor) (on 1957-04-14)
chorus master:
Norberto Mola (chorus master) (on 1957-04-14)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (on 1957-04-14)
live recording of:
Anna Bolena: Atto I, Scena 1. “Deh! non voler costringere” (Anna, Smeton, Giovanna) (on 1957-04-14)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Anna Bolena: Atto I
Gaetano Donizetti1:48
5Anna Bolena: Act I, Scene 1. “Come, innocente giovane” (Anna)
mezzo-soprano vocals [Giovanna]:
Giulietta Simionato (mezzo soprano) (in 1957)
soprano vocals [Anna Bolena]:
Maria Callas (soprano) (on 1957-04-14)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (on 1957-04-14)
conductor:
Gianandrea Gavazzeni (conductor) (on 1957-04-14)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (on 1957-04-14)
live recording of:
Anna Bolena: Atto I, Scena 1. “Come, innocente giovane” (Anna, Giovanna) (on 1957-04-14)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Anna Bolena: Atto I
Gaetano Donizetti1:47
6Anna Bolena: Act I, Scene 1. “Ma poche omai rimangono” (Anna, Giovanna)
mezzo-soprano vocals [Giovanna Seymour]:
Giulietta Simionato (mezzo soprano) (on 1957-04-14)
soprano vocals [Anna Bolena]:
Maria Callas (soprano) (on 1957-04-14)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (on 1957-04-14)
conductor:
Gianandrea Gavazzeni (conductor) (on 1957-04-14)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (on 1957-04-14)
live recording of:
Anna Bolena: Atto I, Scena 1. “Come, innocente giovane” (Anna, Giovanna) (on 1957-04-14)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Anna Bolena: Atto I
Gaetano Donizetti0:40
7Anna Bolena: Act I, Scene 1. “Non v'ha sguardo a cui sia dato” (Anna, Giovanna, Smeton, Coro)
choir vocals:
Coro del Teatro alla Scala di Milano (on 1957-04-14)
mezzo-soprano vocals [Giovanna Seymour]:
Giulietta Simionato (mezzo soprano) (on 1957-04-14)
mezzo-soprano vocals [Smeton]:
Gabriella Carturan (mezzo-soprano) (on 1957-04-14)
soprano vocals [Anna Bolena]:
Maria Callas (soprano) (on 1957-04-14)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (on 1957-04-14)
conductor:
Gianandrea Gavazzeni (conductor) (on 1957-04-14)
chorus master:
Norberto Mola (chorus master) (on 1957-04-14)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (on 1957-04-14)
live recording of:
Anna Bolena: Atto I, Scena 1. “Legger potessi in me!” … “Non v'ha sguardo” (Anna, Smeton, Giovanna) (on 1957-04-14)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Anna Bolena: Atto I
Gaetano Donizetti2:09
8Anna Bolena: Act I, Scene 1. “Oh! qual parlar fu il suo!” (Giovanna)
bass vocals [Enrico]:
Nicola Rossi‐Lemeni (operatic bass) (in 1957)
mezzo-soprano vocals [Giovanna Seymour]:
Giulietta Simionato (mezzo soprano) (on 1957-04-14)
vocals:
Giulietta Simionato (mezzo soprano) (on 1957-04-14)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (on 1957-04-14)
conductor:
Gianandrea Gavazzeni (conductor) (on 1957-04-14)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (on 1957-04-14)
live recording of:
Anna Bolena: Atto I, Scena 1. “O! qual parlar fu il suo!” (Giovanna, Enrico) (on 1957-04-14)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Anna Bolena: Atto I
Gaetano Donizetti2:27
9Anna Bolena: Act I, Scene 1. “Tremate voi! Sì, tremo” (Enrico, Giovanna)
bass vocals [Enrico VIII]:
Nicola Rossi‐Lemeni (operatic bass) (on 1957-04-14)
mezzo-soprano vocals [Giovanna Seymour]:
Giulietta Simionato (mezzo soprano) (on 1957-04-14)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (on 1957-04-14)
conductor:
Gianandrea Gavazzeni (conductor) (on 1957-04-14)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (on 1957-04-14)
live recording of:
Anna Bolena: Atto I, Scena 1. “Tremate voi? Sì... tremo” (on 1957-04-14)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Anna Bolena: Atto I
Gaetano Donizetti2:11
10Anna Bolena: Act I, Scene 1. “La mia fama è a' piè dell'ara” (Enrico, Giovanna)
bass vocals [Enrico VIII]:
Nicola Rossi‐Lemeni (operatic bass) (on 1957-04-14)
mezzo-soprano vocals [Giovanna Seymour]:
Giulietta Simionato (mezzo soprano) (on 1957-04-14)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (on 1957-04-14)
conductor:
Gianandrea Gavazzeni (conductor) (on 1957-04-14)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (on 1957-04-14)
live recording of:
Anna Bolena: Atto I, Scena 1. “La mia fama e a'pie dell'ara” (Giovanna, Enrico) (on 1957-04-14)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Anna Bolena: Atto I
Gaetano Donizetti2:20
11Anna Bolena: Act I, Scene 1. “Anna pure amor m'offria” (Enrico, Giovanna)
bass vocals [Enrico VIII]:
Nicola Rossi‐Lemeni (operatic bass) (on 1957-04-14)
mezzo-soprano vocals [Giovanna Seymour]:
Giulietta Simionato (mezzo soprano) (on 1957-04-14)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (on 1957-04-14)
conductor:
Gianandrea Gavazzeni (conductor) (on 1957-04-14)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (on 1957-04-14)
live partial recording of:
Anna Bolena: Atto I, Scena 1. “Ella pure amor m'offria” … “Tu mi lasci?” (Enrico, Giovanna) (on 1957-04-14)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Anna Bolena: Atto I
Gaetano Donizetti2:09
12Anna Bolena: Act I, Scene 1. “Tu mi lasci?” (Enrico, Giovanna)
bass vocals [Enrico VIII]:
Nicola Rossi‐Lemeni (operatic bass) (on 1957-04-14)
mezzo-soprano vocals [Giovanna Seymour]:
Giulietta Simionato (mezzo soprano) (on 1957-04-14)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (on 1957-04-14)
conductor:
Gianandrea Gavazzeni (conductor) (on 1957-04-14)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (on 1957-04-14)
live partial recording of:
Anna Bolena: Atto I, Scena 1. “Ella pure amor m'offria” … “Tu mi lasci?” (Enrico, Giovanna) (on 1957-04-14)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Anna Bolena: Atto I
Gaetano Donizetti0:48
13Anna Bolena: Act I, Scene 1. “Ah! qual sia cercar non oso” (Enrico, Giovanna)
bass vocals [Enrico VIII]:
Nicola Rossi‐Lemeni (operatic bass) (on 1957-04-14)
mezzo-soprano vocals [Giovanna Seymour]:
Giulietta Simionato (mezzo soprano) (on 1957-04-14)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (on 1957-04-14)
conductor:
Gianandrea Gavazzeni (conductor) (on 1957-04-14)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (on 1957-04-14)
live recording of:
Anna Bolena: Atto I, Scena 1. “Ah! qual sia cercar non oso” (Giovanna, Enrico) (on 1957-04-14)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Anna Bolena: Atto I
Gaetano Donizetti2:19
14Anna Bolena: Act I, Scene 2. “Chi veggo? In Inghilterra” (Rochefort, Percy)
bass vocals [Lord Rochefort]:
Plinio Clabassi (operatic bass) (on 1957-04-14)
tenor vocals [Percy]:
Gianni Raimondi (italian operatic tenor) (on 1957-04-14)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (on 1957-04-14)
conductor:
Gianandrea Gavazzeni (conductor) (on 1957-04-14)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (on 1957-04-14)
live recording of:
Anna Bolena: Atto I, Scena 2. “Chi veggo?” (Rochefort, Percy) (on 1957-04-14)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Anna Bolena: Atto I
Gaetano Donizetti2:59
15Anna Bolena: Act I, Scene 2. “Da quel di che, lei perduta” (Percy)
bass vocals [Rochefort]:
Plinio Clabassi (operatic bass) (in 1957)
tenor vocals [Percy]:
Gianni Raimondi (italian operatic tenor) (on 1957-04-14)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (on 1957-04-14)
conductor:
Gianandrea Gavazzeni (conductor) (on 1957-04-14)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (on 1957-04-14)
live partial recording of:
Anna Bolena: Atto I, Scena 2. “Da quel di che, lei perduta” (Percy, Rochefort) (on 1957-04-14)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Anna Bolena: Atto I
Gaetano Donizetti1:13
16Anna Bolena: Act I, Scene 2. “Già la caccia si raduna” (Rochefort, Coro, Percy)
bass vocals [Lord Rochefort]:
Plinio Clabassi (operatic bass) (on 1957-04-14)
choir vocals:
Coro del Teatro alla Scala di Milano (on 1957-04-14)
tenor vocals [Percy]:
Gianni Raimondi (italian operatic tenor) (on 1957-04-14)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (on 1957-04-14)
conductor:
Gianandrea Gavazzeni (conductor) (on 1957-04-14)
chorus master:
Norberto Mola (chorus master) (on 1957-04-14)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (on 1957-04-14)
live partial recording of:
Anna Bolena: Atto I, Scena 2. “Da quel di che, lei perduta” (Percy, Rochefort) (on 1957-04-14)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Anna Bolena: Atto I
Gaetano Donizetti0:48
17Anna Bolena: Act I, Scene 2. “Ah! così nei di ridenti” (Percy)
tenor vocals [Percy]:
Gianni Raimondi (italian operatic tenor) (on 1957-04-14)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (on 1957-04-14)
conductor:
Gianandrea Gavazzeni (conductor) (on 1957-04-14)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (on 1957-04-14)
live recording of:
Anna Bolena: Atto I, Scena 2. “Ah! cosi nel di ridenti” (Percy) (on 1957-04-14)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Anna Bolena: Atto I
Gaetano Donizetti1:37
18Anna Bolena: Act I, Scene 2. “Desta sì tosto” (Enrico, Anna, Percy)
bass vocals [Enrico VIII]:
Nicola Rossi‐Lemeni (operatic bass) (on 1957-04-14)
bass vocals [Rochefort]:
Plinio Clabassi (operatic bass) (in 1957)
soprano vocals [Anna Bolena]:
Maria Callas (soprano) (on 1957-04-14)
tenor vocals [Hervey]:
Luigi Rumbo (tenor) (in 1957)
tenor vocals [Percy]:
Gianni Raimondi (italian operatic tenor) (on 1957-04-14)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (on 1957-04-14)
conductor:
Gianandrea Gavazzeni (conductor) (on 1957-04-14)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (on 1957-04-14)
live partial recording of:
Anna Bolena: Atto I, Scena 2. “Desta si tosto” (Enrico, Anna, Percy, Rochefort, Hervey) (on 1957-04-14)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Anna Bolena: Atto I
Gaetano Donizetti2:21
19Anna Bolena: Act I, Scene 2. “Voi, Regina! E fia pur vero” (Percy, Anna, Enrico, Rochefort, Hervey)
bass vocals [Enrico VIII]:
Nicola Rossi‐Lemeni (operatic bass) (on 1957-04-14)
bass vocals [Lord Rochefort]:
Plinio Clabassi (operatic bass) (on 1957-04-14)
soprano vocals [Anna Bolena]:
Maria Callas (soprano) (on 1957-04-14)
tenor vocals [Percy]:
Gianni Raimondi (italian operatic tenor) (on 1957-04-14)
tenor vocals [Sir Hervey]:
Luigi Rumbo (tenor) (on 1957-04-14)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (on 1957-04-14)
conductor:
Gianandrea Gavazzeni (conductor) (on 1957-04-14)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (on 1957-04-14)
live partial recording of:
Anna Bolena: Atto I, Scena 2. “Desta si tosto” (Enrico, Anna, Percy, Rochefort, Hervey) (on 1957-04-14)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Anna Bolena: Atto I
Gaetano Donizetti1:18
20Anna Bolena: Act I, Scene 2. “Io sentii sulla mia mano” (Anna, Enrico, Hervey, Percy, Rochefort, Coro)
bass vocals [Enrico VIII]:
Nicola Rossi‐Lemeni (operatic bass) (on 1957-04-14)
bass vocals [Lord Rochefort]:
Plinio Clabassi (operatic bass) (on 1957-04-14)
choir vocals:
Coro del Teatro alla Scala di Milano (on 1957-04-14)
soprano vocals [Anna Bolena]:
Maria Callas (soprano) (on 1957-04-14)
tenor vocals [Percy]:
Gianni Raimondi (italian operatic tenor) (on 1957-04-14)
tenor vocals [Sir Hervey]:
Luigi Rumbo (tenor) (on 1957-04-14)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (on 1957-04-14)
conductor:
Gianandrea Gavazzeni (conductor) (on 1957-04-14)
chorus master:
Norberto Mola (chorus master) (on 1957-04-14)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (on 1957-04-14)
live recording of:
Anna Bolena: Atto I, Scena 2. “Io sentii sulla mia mano” (Anna, Enrico, Hervey, Percy, Rochefort) (on 1957-04-14)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Anna Bolena: Atto I
Gaetano Donizetti2:47
21Anna Bolena: Act I, Scene 2. “Or che reso ai patrii lidi” (Enrico, Percy, Anna, Rochefort)
bass vocals [Enrico VIII]:
Nicola Rossi‐Lemeni (operatic bass) (on 1957-04-14)
bass vocals [Lord Rochefort]:
Plinio Clabassi (operatic bass) (on 1957-04-14)
soprano vocals [Anna Bolena]:
Maria Callas (soprano) (on 1957-04-14)
tenor vocals [Percy]:
Gianni Raimondi (italian operatic tenor) (on 1957-04-14)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (on 1957-04-14)
conductor:
Gianandrea Gavazzeni (conductor) (on 1957-04-14)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (on 1957-04-14)
live recording of:
Anna Bolena: Atto I, Scena 2. “Or che reso ai patrii lidi” (Enrico, Percy, Anna, Rochefort) (on 1957-04-14)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Anna Bolena: Atto I
Gaetano Donizetti1:27
22Anna Bolena: Act I, Scene 2. “Questo di per noi puntato” (Anna, Percy, Hervey, Rochefort, Enrico, Coro)
bass vocals [Enrico VIII]:
Nicola Rossi‐Lemeni (operatic bass) (on 1957-04-14)
bass vocals [Lord Rochefort]:
Plinio Clabassi (operatic bass) (on 1957-04-14)
choir vocals:
Coro del Teatro alla Scala di Milano (on 1957-04-14)
soprano vocals [Anna Bolena]:
Maria Callas (soprano) (on 1957-04-14)
tenor vocals [Percy]:
Gianni Raimondi (italian operatic tenor) (on 1957-04-14)
tenor vocals [Sir Hervey]:
Luigi Rumbo (tenor) (on 1957-04-14)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (on 1957-04-14)
conductor:
Gianandrea Gavazzeni (conductor) (on 1957-04-14)
chorus master:
Norberto Mola (chorus master) (on 1957-04-14)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (on 1957-04-14)
live recording of:
Anna Bolena: Atto I, Scena 2. “Questo di per noi spuntato” (Tutti, Percy, Rochefort, Enrico) (on 1957-04-14)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Anna Bolena: Atto I
Gaetano Donizetti2:10
23Anna Bolena: Act I, Scene 3. “Tutto è deserto” (Smeton)
mezzo-soprano vocals [Smeton]:
Gabriella Carturan (mezzo-soprano) (on 1957-04-14)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (on 1957-04-14)
conductor:
Gianandrea Gavazzeni (conductor) (on 1957-04-14)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (on 1957-04-14)
live recording of:
Anna Bolena: Atto I, Scena 3. “È sgombro il loco” (Smeton) (on 1957-04-14)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Anna Bolena: Atto I
Gaetano Donizetti3:34
24Anna Bolena: Act I, Scene 3. “Bada, bada, tropp'oltre vai” (Anna, Rochefort)
bass vocals [Lord Rochefort]:
Plinio Clabassi (operatic bass) (on 1957-04-14)
soprano vocals [Anna Bolena]:
Maria Callas (soprano) (on 1957-04-14)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (on 1957-04-14)
conductor:
Gianandrea Gavazzeni (conductor) (on 1957-04-14)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (on 1957-04-14)
live partial recording of:
Anna Bolena: Atto I, Scena 3. “Basta … basta … tropp'oltre vai” (Anna, Rochefort) (on 1957-04-14)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Anna Bolena: Atto I
Gaetano Donizetti1:40
25Anna Bolena: Act I, Scene 3. “Né uscir poss'io!” (Smeton, Anna, Percy)
bass vocals [Rochefort]:
Plinio Clabassi (operatic bass) (in 1957)
mezzo-soprano vocals [Smeton]:
Gabriella Carturan (mezzo-soprano) (on 1957-04-14)
soprano vocals [Anna Bolena]:
Maria Callas (soprano) (on 1957-04-14)
tenor vocals [Percy]:
Gianni Raimondi (italian operatic tenor) (on 1957-04-14)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (on 1957-04-14)
conductor:
Gianandrea Gavazzeni (conductor) (on 1957-04-14)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (on 1957-04-14)
live partial recording of:
Anna Bolena: Atto I, Scena 3. “Basta … basta … tropp'oltre vai” (Anna, Rochefort) (on 1957-04-14)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Anna Bolena: Atto I
Gaetano Donizetti3:23
26Anna Bolena: Act I, Scene 3. “S'ei t'aborre, io t'amo ancora” (Percy, Anna)
soprano vocals [Anna Bolena]:
Maria Callas (soprano) (on 1957-04-14)
tenor vocals [Percy]:
Gianni Raimondi (italian operatic tenor) (on 1957-04-14)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (on 1957-04-14)
conductor:
Gianandrea Gavazzeni (conductor) (on 1957-04-14)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (on 1957-04-14)
live recording of:
Anna Bolena: Atto I, Scena 3. “S'ei t'abborre, io t'amo ancora” (Percy, Anna) (on 1957-04-14)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Anna Bolena: Atto I
Gaetano Donizetti4:11
27Anna Bolena: Act I, Scene 3. “Alcun potria ascoltarti in queste mura” (Anna, Percy, Smeton, Rochefort, Enrico, Coro)
bass vocals [Enrico VIII]:
Nicola Rossi‐Lemeni (operatic bass) (on 1957-04-14)
bass vocals [Lord Rochefort]:
Plinio Clabassi (operatic bass) (on 1957-04-14)
choir vocals:
Coro del Teatro alla Scala di Milano (on 1957-04-14)
mezzo-soprano vocals [Smeton]:
Gabriella Carturan (mezzo-soprano) (on 1957-04-14)
soprano vocals [Anna Bolena]:
Maria Callas (soprano) (on 1957-04-14)
tenor vocals [Percy]:
Gianni Raimondi (italian operatic tenor) (on 1957-04-14)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (on 1957-04-14)
conductor:
Gianandrea Gavazzeni (conductor) (on 1957-04-14)
chorus master:
Norberto Mola (chorus master) (on 1957-04-14)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (on 1957-04-14)
live recording of:
Anna Bolena: Atto I, Scena 3. “Alcun potria ascoltarti” (Anna, Percy, Smeton, Rochefort, Enrico, Coro) (on 1957-04-14)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Anna Bolena: Atto I
Gaetano Donizetti1:41
28Anna Bolena: Act I, Scene 3. “Tace ognuno, è ognun tremante!” (Enrico, Smeton, Percy, Anna)
bass vocals [Enrico VIII]:
Nicola Rossi‐Lemeni (operatic bass) (on 1957-04-14)
mezzo-soprano vocals [Smeton]:
Gabriella Carturan (mezzo-soprano) (on 1957-04-14)
soprano vocals [Anna Bolena]:
Maria Callas (soprano) (on 1957-04-14)
tenor vocals [Percy]:
Gianni Raimondi (italian operatic tenor) (on 1957-04-14)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (on 1957-04-14)
conductor:
Gianandrea Gavazzeni (conductor) (on 1957-04-14)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (on 1957-04-14)
live recording of:
Anna Bolena: Atto I, Scena 3. “Tace ognuno” (Enrico, Smeton, Percy, Anna) (on 1957-04-14)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Anna Bolena: Atto I
Gaetano Donizetti2:12
29Anna Bolena: Act I, Scene 3. “In quegli sguardi impresso” (Anna, Enrico, Rochefort, Giovanna, Smeton, Percy)
bass vocals [Enrico VIII]:
Nicola Rossi‐Lemeni (operatic bass) (on 1957-04-14)
bass vocals [Lord Rochefort]:
Plinio Clabassi (operatic bass) (on 1957-04-14)
choir vocals:
Coro del Teatro alla Scala di Milano (on 1957-04-14)
mezzo-soprano vocals [Giovanna Seymour]:
Giulietta Simionato (mezzo soprano) (on 1957-04-14)
mezzo-soprano vocals [Smeton]:
Gabriella Carturan (mezzo-soprano) (on 1957-04-14)
soprano vocals [Anna Bolena]:
Maria Callas (soprano) (on 1957-04-14)
tenor vocals [Percy]:
Gianni Raimondi (italian operatic tenor) (on 1957-04-14)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (on 1957-04-14)
conductor:
Gianandrea Gavazzeni (conductor) (on 1957-04-14)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (on 1957-04-14)
live recording of:
Anna Bolena: Atto I, Scena 3. “In quegli sguardi impresso“ (Anna, Enrico, Percy, Giovanna, Smeton, Rochefort, Coro) (on 1957-04-14)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Anna Bolena: Atto I
Gaetano Donizetti4:06
30Anna Bolena: Act I, Scene 3. “In separato carcere tutti costor sian tratti” (Anna, Enrico, Rochefort, Giovanna, Smeton, Percy)
bass vocals [Enrico VIII]:
Nicola Rossi‐Lemeni (operatic bass) (on 1957-04-14)
bass vocals [Lord Rochefort]:
Plinio Clabassi (operatic bass) (on 1957-04-14)
choir vocals:
Coro del Teatro alla Scala di Milano (in 1957)
mezzo-soprano vocals [Giovanna Seymour]:
Giulietta Simionato (mezzo soprano) (on 1957-04-14)
mezzo-soprano vocals [Smeton]:
Gabriella Carturan (mezzo-soprano) (on 1957-04-14)
soprano vocals [Anna Bolena]:
Maria Callas (soprano) (on 1957-04-14)
tenor vocals [Percy]:
Gianni Raimondi (italian operatic tenor) (on 1957-04-14)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (on 1957-04-14)
conductor:
Gianandrea Gavazzeni (conductor) (on 1957-04-14)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (on 1957-04-14)
live partial recording of:
Anna Bolena: Atto I, Scena 3. Finale “In separato carcere” / “Ah! segnata è la mia sorte“ (Enrico, Anna, Giovanna, Smeton, Percy, Rochefort, Coro) (on 1957-04-14)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Anna Bolena: Atto I
Gaetano Donizetti1:05
31Anna Bolena: Act I, Scene 3. “Ah! segnata è la mia sorte” (Anna, Giovanna, Smeton, Percy, Rochefort, Enrico, Coro)
bass vocals [Enrico VIII]:
Nicola Rossi‐Lemeni (operatic bass) (on 1957-04-14)
bass vocals [Lord Rochefort]:
Plinio Clabassi (operatic bass) (on 1957-04-14)
choir vocals:
Coro del Teatro alla Scala di Milano (on 1957-04-14)
mezzo-soprano vocals [Giovanna Seymour]:
Giulietta Simionato (mezzo soprano) (on 1957-04-14)
mezzo-soprano vocals [Smeton]:
Gabriella Carturan (mezzo-soprano) (on 1957-04-14)
soprano vocals [Anna Bolena]:
Maria Callas (soprano) (on 1957-04-14)
tenor vocals [Percy]:
Gianni Raimondi (italian operatic tenor) (on 1957-04-14)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (on 1957-04-14)
conductor:
Gianandrea Gavazzeni (conductor) (on 1957-04-14)
chorus master:
Norberto Mola (chorus master) (on 1957-04-14)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (on 1957-04-14)
live partial recording of:
Anna Bolena: Atto I, Scena 3. Finale “In separato carcere” / “Ah! segnata è la mia sorte“ (Enrico, Anna, Giovanna, Smeton, Percy, Rochefort, Coro) (on 1957-04-14)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Anna Bolena: Atto I
Gaetano Donizetti2:48
▶ CD 81: Gaetano Donizetti: Anna Bolena (Act 2) (Live, Recorded 1957)
▶ CD 82: Gaetano Donizetti: Lucia di Lammermoor (Act 1) (Live, Recorded 1955)
▶ CD 83: Gaetano Donizetti: Lucia di Lammermoor (Acts 2 & 3) (Live, Recorded 1955)
▶ CD 84: Gaetano Donizetti: Poliuto (Act 1) (Live, Recorded 1960)
▶ CD 85: Gaetano Donizetti: Poliuto (Acts 2 & 3) (Live, Recorded 1960)
▶ CD 86: Umberto Giordano: Andrea Chénier (Acts 1 & 2) (Live, Recorded 1955)
▶ CD 87: Umberto Giordano: Andrea Chénier (Acts 3 & 4) (Live, Recorded 1955)
▶ CD 88: Christoph Willibald Gluck: Alceste (Act 1) (Live, Recorded 1954)
▶ CD 89: Christoph Willibald Gluck: Alceste (Act 2) (Live, Recorded 1954)
▶ CD 90: Christoph Willibald Gluck: Ifigenia in Tauride (Acts 1 & 2) (Live, Recorded 1957)
▶ CD 91: Christoph Willibald Gluck: Ifigenia in Tauride (Acts 3 & 4) (Live, Recorded 1957)
▶ CD 92: Giacomo Puccini: Tosca (Act 1) (Live, Recorded 1964)
▶ CD 93: Giacomo Puccini: Tosca (Acts 2 & 3) (Live, Recorded 1964)
▶ CD 94: Gioachino Rossini: Armida (Act 1) (Live, Recorded 1952)
▶ CD 95: Gioachino Rossini: Armida (Acts 2 & 3) (Live, Recorded 1952)
▶ CD 96: Gaspare Spontini: La vestale (Act 1) (Live, Recorded 1954)
▶ CD 97: Gaspare Spontini: La vestale (Acts 2 & 3) (Live, Recorded 1954)
▶ CD 98: Giuseppe Verdi: Aida (Acts 1 & 2) (Live, Recorded 1951)
▶ CD 99: Giuseppe Verdi: Aida (Acts 3 & 4) (Live, Recorded 1951)
▶ CD 100: Giuseppe Verdi: Un ballo in maschera (Act 1, Act 2 beginning) (Live, Recorded 1957)
▶ CD 101: Giuseppe Verdi: Un ballo in maschera (Act 2 conclusion, Act 3) (Live, Recorded 1957)
▶ CD 102: Giuseppe Verdi: Macbeth (Acts 1 & 2) (Live, Recorded 1952)
▶ CD 103: Giuseppe Verdi: Macbeth (Acts 3 & 4) (Live, Recorded 1952)
▶ CD 104: Giuseppe Verdi: Nabucco (Parts 1 & 2) (Live, Recorded 1949)
▶ CD 105: Giuseppe Verdi: Nabucco (Parts 3 & 4) (Live, Recorded 1949)
▶ CD 106: Giuseppe Verdi: Rigoletto (Act 1) (Live, Recorded 1952)
▶ CD 107: Giuseppe Verdi: Rigoletto (Acts 2 & 3) (Live, Recorded 1952)
▶ CD 108: Giuseppe Verdi: La traviata (Act 1 • Act 2, Scene 1) (Live, Recorded 1955)
▶ CD 109: Giuseppe Verdi: La traviata (Act 2, Scene 2 • Act 3) (Live, Recorded 1955)
▶ CD 110: Giuseppe Verdi: La traviata (Act 1 • Act 2, Scene 1) (Live, Recorded 1958)
▶ CD 111: Giuseppe Verdi: La traviata (Act 2, Scene 2 • Act 3) (Live, Recorded 1958)
▶ CD 112: Giuseppe Verdi: I vespri siciliani (Acts 1 & 2) (Live, Recorded 1951)
▶ CD 113: Giuseppe Verdi: I vespri siciliani (Act 3) (Live, Recorded 1951)
▶ CD 114: Giuseppe Verdi: I vespri siciliani (Acts 4 & 5) (Live, Recorded 1951)
▶ CD 115: Richard Wagner: Parsifal (Act 1 beginning) (Live, Recorded 1950)
▶ CD 116: Richard Wagner: Parsifal (Act 1 conclusion • Act 2) (Live, Recorded 1950)
▶ CD 117: Richard Wagner: Parsifal (Act 3) (Live, Recorded 1950)
▶ CD 118: Live in Turin 1951 / Live in Rome 1952 / Live in San Remo 1954 (Live, Recorded 1951, 1952 & 1954)
▶ CD 119: Live in Milan 1956 / Live in Athens 1957 (Live, Recorded 1956 & 1957)
▶ CD 120: In Rehearsal Dallas 1957 (Live, Recorded 1957)
▶ CD 121: Live in London 1958 & 1959 (Live, Recorded 1958 & 1959)
▶ CD 122: Live in Paris 1958 (Live, Recorded 1958)
▶ CD 123: Live in Hamburg 1959 (Live, Recorded 1959)
▶ CD 124: Live in Stuttgart 1959 (Live, Recorded 1959)
▶ CD 125: Live in Amsterdam 1959 (Live, Recorded 1959)
▶ CD 126: Live in London 1961 & 1962 (Live, Recorded 1961 & 1962)
▶ CD 127: Live in Paris 1963 & 1976 (Live, Recorded 1963 & 1976)
▶ Blu-ray 128: Paris 1958 (Live, Recorded 1958)
▶ Blu-ray 129: Hamburg 1959 & 1962 (Live, Recorded 1959 & 1962)
▶ Blu-ray 130: Covent Garden 1962 & 1964 (Live, Recorded 1962 & 1964)
▶ CD 131: Bonus: Studio alternate takes and working sessions 1960-1964
▶ CD 132: Maria Callas at Julliard: the Master Classes - 1
▶ CD 133: Maria Callas at Julliard: the Master Classes - 2
▶ CD 134: Maria Callas at Julliard: the Master Classes - 3
▶ Data DVD-R 135: Libretti, Texts, Interviews, Recording sheets