20 Years of Solid Gold Groups 1960–1979

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

Elenco tracce

CD 1
#TitoloArtistaValutazioneDurata
1Blue Moon
produttore:
Danny e Stu (US TV/film composer, conductor & producer)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (EMI Records Limited, not for release label use! UK parent of EMI-owned labels until Sept 2012) (nel 1961)
registrazione cover di:
Blue Moon
paroliere:
Lorenz Hart (nel 1934)
compositore:
Richard Rodgers (composer) (nel 1934)
editore:
EMI Catalogue Partnership, EMI Music Publishing (do not use as a release label!), EMI Robbins Catalog Inc. (ASCAP), EMI United Partnership Ltd., Robbins Music Corporation, SBK United Partnership Ltd., フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) e ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
sub-editore:
EMI Music Publishing Belgium NV e Francis Day Editions (SABAM)
parte di:
New York, New York (1977 musical film soundtrack)
The Marcels32:20
2Alley-Oop
registrazione di:
Alley Oop
paroliere e compositore:
Dallas Frazier (American songwriter and musician)
The Hollywood Argyles2:45
3One Fine Day
registrazione di:
One Fine Day
paroliere:
Gerry Goffin
compositore:
Carole King
editore:
Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
The Chiffons2:10
4When I Fall in Love
The Lettermen2:29
5Barbara Ann
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1961 (numero: 35)
registrazione di:
Barbara‐Ann
paroliere e compositore:
Fred Fassert
editore:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint), Cousins Music, EMI Longitude Music, EMI Music Publishing Australia Pty Ltd (not for release label use!), Longitude Music Co., Planetary Nom (London) Ltd., Shoe-String Music Corp. e Windswept Pacific Music Ltd.
The Regents2:17
6(Love Is Like a) Heat Wave
produttore:
Lamont Dozier e Brian Holland (Motown producer & songwriter)
diritti fonografici (℗) detenuti da:
UMG Recordings, Inc. (Universal Music Group, Inc., operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (nel 1963)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 154) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 257)
registrazione di:
(Love Is Like a) Heat Wave
paroliere:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
compositore:
Lamont Dozier e Brian Holland (Motown producer & songwriter)
editore:
EMI Songs Musikverlag GmbH, Jobete Music (UK) Ltd., Jobete Music Co., Inc., Jobete Music Ltd, Stone Agate Music e Stone Agate Music Division
Martha and the Vandellas42:47
7Let It Be Me
diritti fonografici (℗) detenuti da:
Cadence (NYC-based label founded by Archie Bleyer) (nel 1960)
registrazione cover di:
Let It Be Me (il 1959-12-15)
paroliere:
Pierre Delanoë
compositore:
Gilbert Bécaud
traduttore:
Mann Curtis
editore:
BMG Music Publishing France, EMA-Suisse, Leeds Music Corp., MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), Songs of Universal, Inc. (BMI) e Universal Music Corp. (USA, affiliated with ASCAP)
sub-editore:
ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
versione tradotta di:
Je t’appartiens
The Everly Brothers2:44
8Reverend Mr. Black
The Kingston Trio3:02
9The Little Old Lady
Jan & Dean2:26
10Remember
The Shangri‐Las2:20
11Come a Little Bit Closer
registrazione di:
Come a Little Bit Closer
autore:
Tommy Boyce (US songwriter of Boyce and Hart), Wes Farrell e Bobby Hart
editore:
Morris Music Inc
Jay & the Americans3.752:48
12Amen
registrazione di:
Amen
autore:
Jerry Goldsmith (American score composer)
registrazione di:
Amen
autore:
Johnny W. Pate, Sr. e Curtis Mayfield
editore:
Warner–Tamerlane Publishing Corp. (Warner–Tamerlane Publishing Corporation, publisher; do NOT use as release label)
The Impressions3:31
13Baby Love
produttore:
Lamont Dozier e Brian Holland (Motown producer & songwriter)
calpestio di piedi [footstomps] :
Michael Valvano (il 1964-08-13)
strumenti:
The Funk Brothers (il 1964-08-13)
voce di accompagnamento:
Florence Ballard (il 1964-08-13) e Mary Wilson (il 1964-08-13)
voce principale:
Diana Ross (il 1964-08-13)
diritti fonografici (℗) detenuti da:
Motown Record Corporation (company credits only; do NOT use as release label) (nel 1964) e UMG Recordings (Universal Music Group, Inc., operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (nel 1964)
registrata presso:
Hitsville (Motown Records) in Detroit, Michigan, Stati Uniti (il 1964-08-13)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (numero: 4), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 324) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 499)
registrazione di:
Baby Love (il 1964-08-13)
paroliere:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
compositore:
Lamont Dozier e Brian Holland (Motown producer & songwriter)
editore:
Jobete Music (UK) Ltd. e Stone Agate Music Division
The Supremes4.652:37
14You’ve Lost That Lovin’ Feelin’
tecnico:
Larry Levine
produttore:
Jerry Bruckheimer, Don Simpson (American film producer, screenwriter, and actor) e Phil Spector
voce:
Bobby Hatfield e Bill Medley
arrangiatore:
Jack Nitzsche (American musician and score composer) e Gene Page
diritti fonografici (℗) detenuti da:
Spectrum Music (Universal Music Group budget label)
registrata presso:
Gold Star Studios in Hollywood, Los Angeles, California, Stati Uniti (dal 1964-08 al 1964-11)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 34)
registrazione di:
You’ve Lost That Lovin’ Feelin’ (dal 1964-08 al 1964-11)
autore:
Barry Mann, Phil Spector e Cynthia Weil
editore:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Columbia Music (Publisher. Do not use as a release label.), EMI Music Publishing (do not use as a release label!), Mother Bertha Music Inc., Screen Gems–Columbia Music, Inc. e Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
sub-editore:
EMI Music Publishing Germany (GmbH & Co. KG), Screen Gems-Columbia Music Ltd., Screen Gems–EMI Music Ltd., 日本アブコ音楽出版 (ABKCO Japan Publishing), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (fino al 2021-06-30), イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (fino al 2021-06-30), ソニー・ミュージックパブリッシング EMI外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (dal 2021-07-01 a oggi) e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (dal 2021-07-01 a oggi)
The Righteous Brothers33:43
15Everybody Loves a ClownGary Lewis & the Playboys2:19
16A Lover’s Concerto
registrazione di:
A Lover’s Concerto (nel 1965)
autore:
Sandy Linzer e Denny Randell
si basa su:
Minuet in G major, BWV Anh. 114 (for keyboard)
The Toys2:38
17Hurt So Bad
Little Anthony & the Imperials2:20
18I Hear a Symphony
produttore:
Lamont Dozier e Brian Holland (Motown producer & songwriter)
registrazione di:
I Hear a Symphony
paroliere:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
compositore:
Lamont Dozier e Brian Holland (Motown producer & songwriter)
editore:
Stone Agate Music Division e Jobete (now‐defunct US music publisher, affiliated with BMI) (nel 1965)
The Supremes2:43
19California Girls
produttore:
Brian Wilson (Beach Boys co‐founder)
voce principale:
Mike Love (Beach Boys) (dal 1967-09-11 al 1967-09-29)
registrata presso:
Wally Heider Recording Studio (@ 1604 North Cahuenga, Hollywood) in Hollywood, Los Angeles, California, Stati Uniti (il 1967-09-11, il 1967-09-29)
registrazione di:
California Girls (dal 1967-09-11 al 1967-09-29)
paroliere e compositore:
Mike Love (Beach Boys) e Brian Wilson (Beach Boys co‐founder)
editore:
Irving Music, Inc. e Rondor Music (London) Ltd.
The Beach Boys2:37
20Standing in the Shadows of Love
produttore:
Lamont Dozier e Brian Holland (Motown producer & songwriter)
diritti fonografici (℗) detenuti da:
Motown Record Corporation (company credits only; do NOT use as release label) (nel 1966)
registrazione di:
Standing in the Shadows of Love
paroliere:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
compositore:
Lamont Dozier e Brian Holland (Motown producer & songwriter)
editore:
Jobete Music Ltd
Four Tops52:38
21California Dreamin’
tecnico:
Bones Howe
produttore:
Lou Adler
chitarra :
P.F. Sloan
flauto contralto solista :
Bud Shank
diritti fonografici (℗) detenuti da:
Geffen Records e Dunhill Records (nel 1966)
registrata presso:
Western Recorders (@ 6000 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, Stati Uniti (nel 1965)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 52), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 89) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 420)
registrazione di:
California Dreamin’ (nel 1965)
autore:
John Phillips (The Mamas & The Papas) e Michelle Phillips
editore:
MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Richt & Slezak OHG, Trousdale Music, Trousdale Music Publishers, Inc. e Universal Music Corp. (USA, affiliated with ASCAP)
sub-editore:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
The Mamas & the Papas4.452:42
22Five O’Clock World
registrazione di:
Five O’Clock World
paroliere e compositore:
Allen Reynolds
The Vogues2:21
23God Only Knows
registrazione di:
God Only Knows
paroliere:
Tony Asher (US lyricist, worked on Pet Sounds)
compositore:
Brian Wilson (Beach Boys co‐founder)
editore:
Irving Music (BMI), Irving Music, Inc., Rondor Music (London) Ltd., Sea of Tunes Publishing Co. (work publisher, NOT the bootleg label), Universal Music Publishing Ltd. (Universal Music Publishing Limited, UK subsidiary of Universal Music Publishing Group), Universal Music Publishing, Synch Division e Yamaha Music EH(CM)
The Beach Boys2:52
24Last Train to Clarksville
registrazione di:
Last Train to Clarksville
autore:
Tommy Boyce (US songwriter of Boyce and Hart) e Bobby Hart
editore:
Screen Gems–Columbia Music, Inc. e Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
The Monkees2:47
25Do You Believe in Magic?
The Lovin’ Spoonful2:01
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CD 4

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