Messiah

~ Release by Georg Friedrich Händel; Bach Collegium Japan, Masaaki Suzuki (see all versions of this release, 2 available)

Tracklist

▶ CD 1
▼ CD 2
#TitleArtistRatingLength
1Messiah, HWV 56: Part II, XXI. Chorus "Surely, He hath borne our griefs"
sound engineer:
Marion Schwebel
executive producer:
Robert von Bahr
producer:
Hans Kipfer
choir vocals:
Bach Collegium Japan
orchestra:
Bach Collegium Japan
conductor:
Masaaki Suzuki (keyboardist, conductor)
recorded at:
The Shoin Women's University Chapel (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan
recording of:
Messiah, HWV 56: Part II, no. 24. Chorus “Surely he hath borne our griefs”
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
Georg Friedrich Händel1:51
2Messiah, HWV 56: Part II, XXII. Chorus "And with His stripes"
sound engineer:
Marion Schwebel
executive producer:
Robert von Bahr
producer:
Hans Kipfer
choir vocals:
Bach Collegium Japan
orchestra:
Bach Collegium Japan
conductor:
Masaaki Suzuki (keyboardist, conductor)
recorded at:
The Shoin Women's University Chapel (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan
recording of:
Messiah, HWV 56: Part II, no. 25. Chorus “And with his stripes”
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
Georg Friedrich Händel1:34
3Messiah, HWV 56: Part II, XXIII. Chorus "All we like sheep have gone astray"
sound engineer:
Marion Schwebel
executive producer:
Robert von Bahr
producer:
Hans Kipfer
choir vocals:
Bach Collegium Japan
orchestra:
Bach Collegium Japan
conductor:
Masaaki Suzuki (keyboardist, conductor)
recorded at:
The Shoin Women's University Chapel (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan
recording of:
Messiah, HWV 56: Part II, no. 26. Chorus “All we like sheep”
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
Georg Friedrich Händel4:00
4Messiah, HWV 56: Part II, XXIV. Accompagnato (Tenor) "All they that see Him laugh Him to scorn"
tenor vocals:
John Elwes (tenor)
orchestra:
Bach Collegium Japan
conductor:
Masaaki Suzuki (keyboardist, conductor)
recorded at:
The Shoin Women's University Chapel (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan
recording of:
Messiah, HWV 56: Part II, no. 27. Recitative “All they that see him” (Tenor)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
Georg Friedrich Händel0:46
5Messiah, HWV 56: Part II, XXV. Chorus "He trusted in God that He would deliver Him"
choir vocals:
Bach Collegium Japan
orchestra:
Bach Collegium Japan
conductor:
Masaaki Suzuki (keyboardist, conductor)
recorded at:
The Shoin Women's University Chapel (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan
recording of:
Messiah, HWV 56: Part II, no. 28. Chorus “He trusted in God”
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
Georg Friedrich Händel2:18
6Messiah, HWV 56: Part II, XXVI. Accompagnato (Tenor) "Thy rebuke hath broken His heart"
tenor vocals:
John Elwes (tenor)
orchestra:
Bach Collegium Japan
conductor:
Masaaki Suzuki (keyboardist, conductor)
recorded at:
The Shoin Women's University Chapel (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan
recording of:
Messiah, HWV 56: Part II, no. 29. Recitative “Thy rebuke hath broken his heart” (Tenor)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
Georg Friedrich Händel1:47
7Messiah, HWV 56: Part II, XXVII. Arioso (Tenor) "Behold and see, if there be any sorrow"
tenor vocals:
John Elwes (tenor)
orchestra:
Bach Collegium Japan
conductor:
Masaaki Suzuki (keyboardist, conductor)
recorded at:
The Shoin Women's University Chapel (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan
recording of:
Messiah, HWV 56: Part II, no. 30. Arioso “Behold and see” (Tenor)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Messiah, HWV 56: Part II
Georg Friedrich Händel1:47
8Messiah, HWV 56: Part II, XXVIII. Accompagnato (Soprano): "He was cut off out of the land of the living"
soprano vocals:
Midori Suzuki (vocalist)
orchestra:
Bach Collegium Japan
conductor:
Masaaki Suzuki (keyboardist, conductor)
recorded at:
The Shoin Women's University Chapel (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan
recording of:
Messiah, HWV 56: Part II, no. 31. Recitative “He was cut off out of the land of the living…” (soprano)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
Georg Friedrich Händel0:17
9Messiah, HWV 56: Part II, XXIX. Air (Soprano) "But Thou didst not leave His soul in hell"
soprano vocals:
Midori Suzuki (vocalist)
orchestra:
Bach Collegium Japan
conductor:
Masaaki Suzuki (keyboardist, conductor)
recorded at:
The Shoin Women's University Chapel (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan
recording of:
Messiah, HWV 56: Part II, no. 32. “But thou didst not leave His soul in hell…” (soprano)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Messiah, HWV 56: Part II
Georg Friedrich Händel2:11
10Messiah, HWV 56: Part II, XXXa. Chorus "Lift up your heads, O ye gates"
choir vocals:
Bach Collegium Japan
orchestra:
Bach Collegium Japan
conductor:
Masaaki Suzuki (keyboardist, conductor)
recorded at:
The Shoin Women's University Chapel (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan
recording of:
Messiah, HWV 56: Part II, no. 33. Chorus “Lift up your heads”
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
Georg Friedrich Händel3:01
11Messiah, HWV 56: Part II, XXXb. Recitative (Tenor) "Unto which of the angels said He at any time"
tenor vocals:
John Elwes (tenor)
orchestra:
Bach Collegium Japan
conductor:
Masaaki Suzuki (keyboardist, conductor)
recorded at:
The Shoin Women's University Chapel (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan
recording of:
Messiah, HWV 56: Part II, no. 34. Recitative “Unto Which of the Angels…” (Tenor)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
Georg Friedrich Händel0:22
12Messiah, HWV 56: Part II, XXXI. Chorus "Let all the angels of God worship Him"
choir vocals:
Bach Collegium Japan
orchestra:
Bach Collegium Japan
conductor:
Masaaki Suzuki (keyboardist, conductor)
recorded at:
The Shoin Women's University Chapel (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan
recording of:
Messiah, HWV 56: Part II, no. 35. Chorus “Let all the angels of God worship Him”
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
Georg Friedrich Händel1:26
13Messiah, HWV 56: Part II, XXXII. Air (Soprano) "Thou art gone up on high"
soprano vocals:
Midori Suzuki (vocalist)
orchestra:
Bach Collegium Japan
conductor:
Masaaki Suzuki (keyboardist, conductor)
recorded at:
The Shoin Women's University Chapel (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan
recording of:
Messiah, HWV 56: Part II, no. 36. Air “Thou art gone up on high” (Bass)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
version of:
Messiah, HWV 56: Alternative Arias: Air. “Thou art gone up on high” (1741)
part of:
Messiah, HWV 56: Part II
Georg Friedrich Händel2:53
14Messiah, HWV 56: Part II, XXXIII. Chorus "The Lord gave the world"
choir vocals:
Bach Collegium Japan
orchestra:
Bach Collegium Japan
conductor:
Masaaki Suzuki (keyboardist, conductor)
recorded at:
The Shoin Women's University Chapel (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan
recording of:
Messiah, HWV 56: Part II, no. 37. Chorus “The Lord gave the Word”
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
Georg Friedrich Händel1:13
15Messiah, HWV 56: Part II, XXXIVa. Air (Soprano) "How beautiful are the feet of them"
soprano vocals:
Midori Suzuki (vocalist)
orchestra:
Bach Collegium Japan
conductor:
Masaaki Suzuki (keyboardist, conductor)
recorded at:
The Shoin Women's University Chapel (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan
recording of:
Messiah, HWV 56: Part II, no. 38. Aria “How beautiful are the feet…” (Soprano) (soprano aria version without chorus)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Messiah, HWV 56: Part II
Georg Friedrich Händel2:19
16Messiah, HWV 56: Part II, XXXVa. Chorus "Their sound is gone out into all lands"
choir vocals:
Bach Collegium Japan
orchestra:
Bach Collegium Japan
conductor:
Masaaki Suzuki (keyboardist, conductor)
recorded at:
The Shoin Women's University Chapel (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan
recording of:
Messiah, HWV 56: Part II, no. 39. Chorus “Their sound is gone out” (version for chorus, not tenor solo)
composer:
George Frideric Handel (German‐British baroque composer) (in 1745)
is based on:
Messiah, HWV 56: Part II, no. 39. Arioso “Their sound is gone out” (Tenor)
part of:
Messiah, HWV 56: Part II
Georg Friedrich Händel1:44
17Messiah, HWV 56: Part II, XXXVI. Air (Bass) "Why do the nations so furiously rage together"
bass vocals:
David Thomas (British operatic bass)
orchestra:
Bach Collegium Japan
conductor:
Masaaki Suzuki (keyboardist, conductor)
recorded at:
The Shoin Women's University Chapel (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan
recording of:
Messiah, HWV 56: Part II, no. 40. Air “Why do the nations” (Bass)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
Georg Friedrich Händel1:23
18Messiah, HWV 56: Part II, XXXVIIa. Chorus "Let us break their bonds asunder"
choir vocals:
Bach Collegium Japan
orchestra:
Bach Collegium Japan
conductor:
Masaaki Suzuki (keyboardist, conductor)
recorded at:
The Shoin Women's University Chapel (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan
recording of:
Messiah, HWV 56: Part II, no. 41. Chorus “Let us Break Their Bonds Asunder”
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
Georg Friedrich Händel1:45
19Messiah, HWV 56: Part II, XXXVIIb. Recitative (Tenor) "He that dwelleth in heaven shall laugh them to scorn"
tenor vocals:
John Elwes (tenor)
orchestra:
Bach Collegium Japan
conductor:
Masaaki Suzuki (keyboardist, conductor)
recorded at:
The Shoin Women's University Chapel (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan
recording of:
Messiah, HWV 56: Part II, no. 42. Recitative “He that dwelleth in heaven…” (tenor)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
Georg Friedrich Händel0:13
20Messiah, HWV 56: Part II, XXXVIII. Air (Tenor) "Thou shalt break them with a rod of iron"
tenor vocals:
John Elwes (tenor)
orchestra:
Bach Collegium Japan
conductor:
Masaaki Suzuki (keyboardist, conductor)
recorded at:
The Shoin Women's University Chapel (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan
recording of:
Messiah, HWV 56: Part II, no. 43. Air “Thou shalt break them” (Tenor)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Messiah, HWV 56: Part II
Georg Friedrich Händel2:07
21Messiah, HWV 56: Part II, XXXIX. Chorus "Hallelujah!"
sound engineer:
Marion Schwebel
executive producer:
Robert von Bahr
producer:
Hans Kipfer
choir vocals:
Bach Collegium Japan
orchestra:
Bach Collegium Japan
conductor:
Masaaki Suzuki (keyboardist, conductor)
recorded at:
The Shoin Women's University Chapel (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan
recording of:
Messiah, HWV 56: Part II, no. 44. Chorus: “Hallelujah”
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
librettist:
Charles Jennens
part of:
Messiah, HWV 56: Part II
Georg Friedrich Händel3:47
22Messiah, HWV 56: Part III, XL. Air (Soprano) "I know that my Redeemer liveth"
sound engineer:
Marion Schwebel
executive producer:
Robert von Bahr
producer:
Hans Kipfer
soprano vocals:
Midori Suzuki (vocalist)
orchestra:
Bach Collegium Japan
conductor:
Masaaki Suzuki (keyboardist, conductor)
recorded at:
The Shoin Women's University Chapel (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan
recording of:
Messiah, HWV 56: Part III, no. 45. Air “I know that my Redeemer liveth” (Soprano)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part III
Georg Friedrich Händel5:33
23Messiah, HWV 56: Part III, XLI. Chorus "Since by man came death"
sound engineer:
Marion Schwebel
executive producer:
Robert von Bahr
producer:
Hans Kipfer
choir vocals:
Bach Collegium Japan
orchestra:
Bach Collegium Japan
conductor:
Masaaki Suzuki (keyboardist, conductor)
recorded at:
The Shoin Women's University Chapel (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan
recording of:
Messiah, HWV 56: Part III, no. 46. Chorus “Since by man came death”
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part III
Georg Friedrich Händel2:05
24Messiah, HWV 56: Part III, XLII. Accompagnato (Bass) "Behold, I tell you a mystery"
sound engineer:
Marion Schwebel
executive producer:
Robert von Bahr
producer:
Hans Kipfer
bass vocals:
David Thomas (British operatic bass)
orchestra:
Bach Collegium Japan
conductor:
Masaaki Suzuki (keyboardist, conductor)
recorded at:
The Shoin Women's University Chapel (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan
recording of:
Messiah, HWV 56: Part III, no. 47. Recitativo “Behold, I tell you a mystery” (Bass)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part III
Georg Friedrich Händel0:40
25Messiah, HWV 56: Part III, XLIIIa. Air (Bass) "The trumpet shall sound"
sound engineer:
Marion Schwebel
executive producer:
Robert von Bahr
producer:
Hans Kipfer
bass vocals:
David Thomas (British operatic bass)
orchestra:
Bach Collegium Japan
conductor:
Masaaki Suzuki (keyboardist, conductor)
recorded at:
The Shoin Women's University Chapel (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan
recording of:
Messiah, HWV 56: Part III, no. 48. Air “The trumpet shall sound” (Bass)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part III
Georg Friedrich Händel8:50
26Messiah, HWV 56: Part III, XLIIIb. Recitative (Alto) "Then shall be brought to pass the saying that is written"
alto vocals:
Yoshikazu Mera (Japanese countertenor)
orchestra:
Bach Collegium Japan
conductor:
Masaaki Suzuki (keyboardist, conductor)
recorded at:
The Shoin Women's University Chapel (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan
recording of:
Messiah, HWV 56: Part III, no. 49. Recitativo “Then shall be brought to pass” (Alto)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Messiah, HWV 56: Part III
Georg Friedrich Händel0:17
27Messiah, HWV 56: Part III, XLIV. Duet (Alto, Tenor) "O Death, where is thy sting?"
alto vocals:
Yoshikazu Mera (Japanese countertenor)
tenor vocals:
John Elwes (tenor)
orchestra:
Bach Collegium Japan
conductor:
Masaaki Suzuki (keyboardist, conductor)
recorded at:
The Shoin Women's University Chapel (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan
recording of:
Messiah, HWV 56: Part III, no. 50. Duet “O death, where is thy sting” (Alt & Tenor)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part III
Georg Friedrich Händel1:46
28Messiah, HWV 56: Part III, XLV. Chorus "But thanks be to God who giveth us the victory"
choir vocals:
Bach Collegium Japan
orchestra:
Bach Collegium Japan
conductor:
Masaaki Suzuki (keyboardist, conductor)
recorded at:
The Shoin Women's University Chapel (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan
recording of:
Messiah, HWV 56: Part III, no. 51. Chorus “But thanks be to God…”
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part III
Georg Friedrich Händel2:09
29Messiah, HWV 56: Part III, XLVI. Air (Soprano) "If God be for us, who can be against us?"
soprano vocals:
Midori Suzuki (vocalist)
orchestra:
Bach Collegium Japan
conductor:
Masaaki Suzuki (keyboardist, conductor)
recorded at:
The Shoin Women's University Chapel (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan
recording of:
Messiah, HWV 56: Part III, no. 52. Air “If God be for us” (Soprano) (original version for soprano)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part III
Georg Friedrich Händel4:27
30Messiah, HWV 56: Part III, XLVII. Chorus "Worthy is the Lamb that was slain", Chorus "Amen"
sound engineer:
Marion Schwebel
executive producer:
Robert von Bahr
producer:
Hans Kipfer
choir vocals:
Bach Collegium Japan
orchestra:
Bach Collegium Japan
conductor:
Masaaki Suzuki (keyboardist, conductor)
recorded at:
The Shoin Women's University Chapel (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan
recording of:
Messiah, HWV 56: Part III, no. 53. Chorus “Worthy is the Lamb… Amen”
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part III
Georg Friedrich Händel7:30

Credits

Release

orchestra:Bach Collegium Japan
conductor:鈴木雅明 (Masaaki Suzuki, keyboardist, conductor)