Das Alte Werk - 50 CD Collection

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

▶ CD 1: C.P.E. Bach: Organ Sonatas
▶ CD 2: J.S. Bach: Die Kunst der Fuge
▶ CD 3: J.S. Bach: Goldberg Variations
▶ CD 4: J.S. Bach: Harpsichord Concertos BWV 1056–1060
▼ CD 5: J.S. Bach: Mass in B minor
#TitleArtistRatingLength
1Messe in H-moll, BWV 232: I. Missa. Kyrie. Kyrie eleison
choir vocals:
Chorus Viennensis (from 1968-04 until 1968-05) and Wiener Sängerknaben (The Vienna Boys Choir) (from 1968-04 until 1968-05)
orchestra:
Concentus Musicus Wien (from 1968-04 until 1968-05)
conductor:
Nikolaus Harnoncourt (conductor) (from 1968-04 until 1968-05)
chorus master:
Hans Gillesberger (from 1968-04 until 1968-05)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1968-04 until 1968-05)
recording of:
h-Moll-Messe, BWV 232: I. Missa: I. Kyrie eleison (Mass in B minor, BWV 232: Ia. Kyrie: Chorus "Kyrie eleison") (from 1968-04 until 1968-05)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach8:44
2Messe in H-moll, BWV 232: I. Missa. Kyrie. Christie eleison
soprano vocals:
Rotraud Hansmann (soprano) (from 1968-04 until 1968-05) and Emiko Iiyama (soprano) (from 1968-04 until 1968-05)
orchestra:
Concentus Musicus Wien (from 1968-04 until 1968-05)
conductor:
Nikolaus Harnoncourt (conductor) (from 1968-04 until 1968-05)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1968-04 until 1968-05)
recording of:
h-Moll-Messe, BWV 232: I. Missa: II. Christe eleison (Mass in B minor, BWV 232: Ib. Kyrie: Duet "Christe eleison") (from 1968-04 until 1968-05)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach6:00
3Messe in H-moll, BWV 232: I. Missa. Kyrie. Kyrie eleison
choir vocals:
Chorus Viennensis (from 1968-04 until 1968-05) and Wiener Sängerknaben (The Vienna Boys Choir) (from 1968-04 until 1968-05)
orchestra:
Concentus Musicus Wien (from 1968-04 until 1968-05)
conductor:
Nikolaus Harnoncourt (conductor) (from 1968-04 until 1968-05)
chorus master:
Hans Gillesberger (from 1968-04 until 1968-05)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1968-04 until 1968-05)
recording of:
h-Moll-Messe, BWV 232: I. Missa: III. Kyrie eleison (Mass in B minor, BWV 232: Ic. Kyrie: Chorus "Kyrie eleison") (from 1968-04 until 1968-05)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach3:06
4Messe in H-moll, BWV 232: I. Missa. Gloria. Gloria in excelsis Deo
choir vocals:
Chorus Viennensis (from 1968-04 until 1968-05) and Wiener Sängerknaben (The Vienna Boys Choir) (from 1968-04 until 1968-05)
orchestra:
Concentus Musicus Wien (from 1968-04 until 1968-05)
conductor:
Nikolaus Harnoncourt (conductor) (from 1968-04 until 1968-05)
chorus master:
Hans Gillesberger (from 1968-04 until 1968-05)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1968-04 until 1968-05)
recording of:
h-Moll-Messe, BWV 232: I. Missa: IV. Gloria in excelsis Deo (Mass in B minor, BWV 232: IIa. Gloria: Chorus "Gloria in excelsis Deo") (from 1968-04 until 1968-05)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach1:52
5Messe in H-moll, BWV 232: I. Missa. Gloria. Et in terra pax
choir vocals:
Chorus Viennensis (from 1968-04 until 1968-05) and Wiener Sängerknaben (The Vienna Boys Choir) (from 1968-04 until 1968-05)
orchestra:
Concentus Musicus Wien (from 1968-04 until 1968-05)
conductor:
Nikolaus Harnoncourt (conductor) (from 1968-04 until 1968-05)
chorus master:
Hans Gillesberger (from 1968-04 until 1968-05)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1968-04 until 1968-05)
recording of:
h-Moll-Messe, BWV 232: I. Missa: V. Et in terra pax (Mass in B minor, BWV 232: IIb. Gloria: Chorus "Et in terra pax") (from 1968-04 until 1968-05)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach4:43
6Messe in H-moll, BWV 232: I. Missa. Gloria. Laudamus te
soprano vocals:
Emiko Iiyama (soprano) (from 1968-04 until 1968-05)
orchestra:
Concentus Musicus Wien (from 1968-04 until 1968-05)
conductor:
Nikolaus Harnoncourt (conductor) (from 1968-04 until 1968-05)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1968-04 until 1968-05)
recording of:
h-Moll-Messe, BWV 232: I. Missa: VI. Laudamus te (Mass in B minor, BWV 232: IIc. Gloria: Aria "Laudamus te") (from 1968-04 until 1968-05)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach4:40
7Messe in H-moll, BWV 232: I. Missa. Gloria. Gratias agimus tibi
choir vocals:
Chorus Viennensis (from 1968-04 until 1968-05) and Wiener Sängerknaben (The Vienna Boys Choir) (from 1968-04 until 1968-05)
orchestra:
Concentus Musicus Wien (from 1968-04 until 1968-05)
conductor:
Nikolaus Harnoncourt (conductor) (from 1968-04 until 1968-05)
chorus master:
Hans Gillesberger (from 1968-04 until 1968-05)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1968-04 until 1968-05)
recording of:
h-Moll-Messe, BWV 232: I. Missa: VII. Gratias agimus tibi (Mass in B minor, BWV 232: IId. Gloria: Chorus "Gratias agimus tibi") (from 1968-04 until 1968-05)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 29 "Wir danken dir, Gott, wir danken dir": II. Coro "Wir danken dir, Gott, wir danken dir"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach2:55
8Messe in H-moll, BWV 232: I. Missa. Gloria. Domine Deus
soprano vocals:
Rotraud Hansmann (soprano) (from 1968-04 until 1968-05)
tenor vocals:
Kurt Equiluz (tenor) (from 1968-04 until 1968-05)
orchestra:
Concentus Musicus Wien (from 1968-04 until 1968-05)
conductor:
Nikolaus Harnoncourt (conductor) (from 1968-04 until 1968-05)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1968-04 until 1968-05)
recording of:
h-Moll-Messe, BWV 232: I. Missa: VIII. Domine Deus (Mass in B minor, BWV 232: IIe. Gloria: Duet "Domine Deus") (from 1968-04 until 1968-05)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach5:48
9Messe in H-moll, BWV 232: I. Missa. Gloria. Qui tollis
choir vocals:
Chorus Viennensis (from 1968-04 until 1968-05) and Wiener Sängerknaben (The Vienna Boys Choir) (from 1968-04 until 1968-05)
orchestra:
Concentus Musicus Wien (from 1968-04 until 1968-05)
conductor:
Nikolaus Harnoncourt (conductor) (from 1968-04 until 1968-05)
chorus master:
Hans Gillesberger (from 1968-04 until 1968-05)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1968-04 until 1968-05)
recording of:
h-Moll-Messe, BWV 232: I. Missa: IX. Qui tollis peccata mundi (Mass in B minor, BWV 232: IIf. Gloria: Chorus "Qui tollis peccata mundi") (from 1968-04 until 1968-05)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 46 "Schauet doch und sehet, ob irgendein Schmerz sei": I. Coro "Schauet doch und sehet, ob irgendein Schmerz sei"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach2:29
10Messe in H-moll, BWV 232: I. Missa. Gloria. Qui sedes
alto vocals:
Helen Watts (contralto) (from 1968-04 until 1968-05)
choir vocals:
Chorus Viennensis (from 1968-04 until 1968-05)
orchestra:
Concentus Musicus Wien (from 1968-04 until 1968-05)
conductor:
Nikolaus Harnoncourt (conductor) (from 1968-04 until 1968-05)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1968-04 until 1968-05)
recording of:
h-Moll-Messe, BWV 232: I. Missa: X. Qui sedes ad dextram Patris (Mass in B minor, BWV 232: IIg. Gloria: Aria "Qui sedes ad dextram Patris") (from 1968-04 until 1968-05)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach5:04
11Messe in H-moll, BWV 232: I. Missa. Gloria. Quoniam tu solus
bass vocals:
Max van Egmond (bass-baritone) (from 1968-04 until 1968-05)
choir vocals:
Chorus Viennensis (from 1968-04 until 1968-05)
orchestra:
Concentus Musicus Wien (from 1968-04 until 1968-05)
conductor:
Nikolaus Harnoncourt (conductor) (from 1968-04 until 1968-05)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1968-04 until 1968-05)
recording of:
h-Moll-Messe, BWV 232: I. Missa: XI. Quoniam tu solus Sanctus (Mass in B minor, BWV 232: IIh. Gloria: Aria "Quoniam tu solus Sanctus") (from 1968-04 until 1968-05)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach4:32
12Messe in H-moll, BWV 232: I. Missa. Gloria. Cum Sancto Spiritu
choir vocals:
Chorus Viennensis (from 1968-04 until 1968-05) and Wiener Sängerknaben (The Vienna Boys Choir) (from 1968-04 until 1968-05)
orchestra:
Concentus Musicus Wien (from 1968-04 until 1968-05)
conductor:
Nikolaus Harnoncourt (conductor) (from 1968-04 until 1968-05)
chorus master:
Hans Gillesberger (from 1968-04 until 1968-05)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1968-04 until 1968-05)
recording of:
h-Moll-Messe, BWV 232: I. Missa: XII. Cum Sancto Spiritu (Mass in B minor, BWV 232: IIi. Gloria: Chorus "Cum Sancto Spiritu") (from 1968-04 until 1968-05)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach4:20
▶ CD 6: J.S. Bach: Mass in B minor
▶ CD 7: J.S. Bach: Brandenburg Concertos 1–3
▶ CD 8: J.S. Bach: Brandenburg Concertos 4–6
▶ CD 9: J.S. Bach: Cantatas BWV 67, 108 & 127
▶ CD 10: Double Concertos by J.S. Bach and his Sons
▶ CD 11: J.S. Bach: Orchestral Suites 1 & 2
▶ CD 12: J.S. Bach: “Jagdkantate” & “Bauernkantate”
▶ CD 13: J.S. Bach: Matthäus-Passion (Highlights)
▶ CD 14: Biber: Sonatae, Ballettae, Battalia, Sonata “die Pauern Kirchfahrt”
▶ CD 15: Clementi: Keyboard Sonatas
▶ CD 16: Corelli · Manfredini · Torelli · Vivaldi: Christmas Concertos
▶ CD 17: Dall'Abaco: Concerti
▶ CD 18: Handel: Concerti grossi, op.3
▶ CD 19: Handel: Ode for St Cecilia’s Day
▶ CD 20: Handel: Organ Concertos, op.7
▶ CD 21: Handel: Water Music · Organ Concertos HWV 295 & HWV 304
▶ CD 22: Haydn: Harmoniemesse · Te Deum Cantata “Qual dubbio ormai”
▶ CD 23: Jerusalem: Matins for the Virgin of Guadaloupe (1764)
▶ CD 24: Mendelssohn: String Symphonies 8–10
▶ CD 25: Monteverdi: Madrigali concertati
▶ CD 26: Monteverdi: L'Orfeo (Highlights)
▶ CD 27: Monteverdi: Vespro della Beata Vergine (1610)
▶ CD 28: Monteverdi: Vespro della Beata Vergine (1610)
▶ CD 29: Mozart: “Credo” Mass, K257 · Litaniae de venerabili altaris sacramento, K243
▶ CD 30: Purcell: Dido and Aeneas
▶ CD 31: Salieri · Steffan: Fortepiano Concertos
▶ CD 32: Schütz: Die Sieben Worte unsers lieben Erlösers · Lukas-Passion
▶ CD 33: Telemann: Musique de table (Tafelmusik) (Production III)
▶ CD 34: Telemann: Overtures & Concertos
▶ CD 35: Vanhal: Symphonies
▶ CD 36: Victoria: Sacred Music
▶ CD 37: Vivaldi: Concerti op.10
▶ CD 38: Vivaldi: 4 Seasons · Concertos RV 454 & 332
▶ CD 39: Zelenka: Hipocondrie à 7 · Ouverture à 7 · Trio Sonata for 2 oboes and bassoon
▶ CD 40: Ars Britannica - Old Hall Manuscript · Madrigals
▶ CD 41: Italian Recorder Sonatas
▶ CD 42: Baroque Music for Cello
▶ CD 43: English Consort & Keyboard Music
▶ CD 44: English Music of the 17th Century
▶ CD 45: English Part Songs & Lute Songs
▶ CD 46: Komödiantische Musik des Barock
▶ CD 47: Music at the Court of Mannheim
▶ CD 48: J. Bull: Music for Harpsichord
▶ CD 49: Musica da camera a Napoli
▶ CD 50: Songs of the Baroque Era
▶ CD 51: Vanitas vanitatum — Rome 1650