| Nr. | Titel | Künstler | Bewertung | Länge |
|---|
| 1 | Want Ads | Honey Cone | | 2:46 |
| 2 | Whatcha See Is Whatcha Get | The Dramatics | 5 | 3:34 |
| 3 | Tired of Being Alone | Al Green | 4.45 | 2:52 |
| 4 | What’s Going On- Produzent(in):
- Marvin Gaye
- Mix:
- Lawrence Miles (am 1971-05-06)
- Instrumente:
- Detroit Symphony Orchestra (am 1971-05-06) und The Funk Brothers (am 1971-05-06)
- Klavier, Perkussion [box drum] und Sologesang:
- Marvin Gaye (am 1971-05-06)
- Hintergrundgesang:
- Lem Barney (am 1971-05-06), Mel Farr (am 1971-05-06) und Marvin Gaye (am 1971-05-06)
- conductor:
- David Van dePitte (am 1971-05-06)
- phonographisches Urheberrecht (℗) von:
- Motown Records (in 1971)
- aufgenommen bei:
- Hitsville in Detroit, Michigan, Vereinigte Staaten (am 1971-05-06)
- Teil von:
- Helsingin Sanomat: 100 maailman parasta laulua (Nummer: 4), Rolling Stone: 500 Greatest Songs of All Time (Nummer: 4), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 6), Billboard: The 500 Best Pop Songs (Nummer: 102) und Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
- recording of:
- What’s Going On (am 1971-05-06)
- Texter und Komponist(in):
- Renaldo Benson, Al Cleveland und Marvin Gaye
- publisher:
- EMI Songs Australia, FCG Music, Jobete Music Co., Inc., MG III Music, NMG Music, Sony/ATV Music Publishing Ltd., Stone Agate Music Corp., イーエムアイ音楽出版 フジパシフィック事業部 (bis 2021-06-30) und ソニー・ミュージックパブリッシング フジパシフィック事業部 (vom 2021-07-01 bis heute)
| Marvin Gaye | 4.35 | 3:53 |
| 5 | Spanish Harlem- recording engineer:
- Ron Albert (am 1971-02-16) und Chuck Kirkpatrick (am 1971-02-16)
- Techniker(in):
- Ron Albert und Chuck Kirkpatrick
- Produzent(in):
- Tom Dowd, Arif Mardin und Jerry Wexler
- Mix:
- Arif Mardin
- Bass:
- Chuck Rainey (am 1971-02-16)
- Gitarre:
- Cornell Dupree (am 1971-02-16)
- Hybrid-Piano und Orgel:
- Donny Hathaway (am 1971-02-16)
- Klavier:
- Aretha Franklin (am 1971-02-16)
- Schlagzeug:
- Bernard Purdie (am 1971-02-16)
- Hintergrundgesang:
- Carolyn Franklin (am 1971-02-16), Erma Franklin (am 1971-02-16) und The Sweethearts of Soul (am 1971-02-16)
- vocals:
- Aretha Franklin (am 1971-02-16)
- flute arranger, Horn arranger, Saiteninstrumente arranger und Hintergrundgesang arranger:
- Arif Mardin
- phonographisches Urheberrecht (℗) von:
- Atlantic Recording Corporation (in 1971) und WEA International Inc. (in 1971)
- aufgenommen bei:
- Criteria Studios in Miami, Florida, Vereinigte Staaten (am 1971-02-16)
- cover recording of:
- Spanish Harlem (am 1971-02-16)
- Texter:
- Jerry Leiber
- Komponist(in):
- Phil Spector
- publisher:
- ABKCO Music, Inc. , Carlin Music Corporation, Mother Bertha Music Inc., Sony/ATV Songs LLC, Trio Music Co., Inc. und Unichappell Music
| Aretha Franklin | 2 | 3:29 |
| 6 | Mr. Big Stuff | Jean Knight | | 2:30 |
| 7 | Groove Me | King Floyd | 5 | 3:01 |
| 8 | She’s Not Just Another Woman | The 8th Day | | 3:04 |
| 9 | Theme From Shaft | Isaac Hayes | 4.5 | 3:17 |
| 10 | Treat Her Like a Lady | Cornelius Brothers & Sister Rose | 5 | 2:44 |
| 11 | Have You Seen Her | The Chi‐Lites | 4.5 | 5:10 |
| 12 | Proud Mary | Ike & Tina Turner | | 3:22 |
| 13 | Respect Yourself | The Staple Singers | 5 | 3:31 |
| 14 | Smiling Faces Sometimes | The Undisputed Truth | 4.5 | 3:14 |
| 15 | Just My Imagination (Running Away with Me) | The Temptations | 5 | 3:48 |
| 16 | Mercy Mercy Me (The Ecology) | Marvin Gaye | 4.7 | 3:15 |
| 17 | If I Were Your Woman | Gladys Knight & the Pips | 3.5 | 3:12 |
| 18 | (Do the) Push and Pull, Part 1 | Rufus Thomas | | 3:19 |
| 19 | Women’s Love Rights | Laura Lee | | 3:13 |
| 20 | Thin Line Between Love and Hate | The Persuaders | | 3:24 |
| 21 | Never Can Say Goodbye | The Jackson 5 | 4.5 | 2:57 |
| 22 | Hey! Love | The Delfonics | | 3:16 |