Letter from Home (Remaster, Reissure, FLAC 44100 Hz 24 Bit)

~ Release by Pat Metheny Group (see all versions of this release, 10 available)

Annotation

℗ «1989 Geffen Records»
© «Nonesuch Records, Inc.»

Annotation last modified on 2023-03-10 20:00 UTC.

Tracklist

▼ Digital Media 1
#TitleRatingLength
1Have You Heard
acoustic bass guitar and bass:
Steve Rodby
acoustic guitar:
Pat Metheny and Pedro Aznar
drums (drum set):
Paul Wertico
keyboard, organ, piano and trumpet:
Lyle Mays
lute, tenor saxophone and vibraphone:
Pedro Aznar
percussion:
Armando Marçal and Pedro Aznar
synthesizer:
Lyle Mays and Pat Metheny
recording of:
Have You Heard
composed in:
Waltham, Massachusetts, United States (in 1988)
composer:
Pat Metheny (in 1988)
6:26
2Every Summer Night
acoustic bass guitar and bass:
Steve Rodby
acoustic guitar:
Pat Metheny and Pedro Aznar
drums (drum set):
Paul Wertico
keyboard, organ, piano and trumpet:
Lyle Mays
lute, tenor saxophone and vibraphone:
Pedro Aznar
percussion:
Armando Marçal and Pedro Aznar
synthesizer:
Lyle Mays and Pat Metheny
recording of:
Every Summer Night
composed in:
Montréal (city), Québec, Canada (in 1988)
dedicated to:
Montréal (city), Québec, Canada
composer:
Pat Metheny (in 1988)
arrangement of:
Every Summer Night
7:13
3Better Days Ahead
acoustic bass guitar and bass:
Steve Rodby
acoustic guitar:
Pat Metheny and Pedro Aznar
drums (drum set):
Paul Wertico
keyboard, organ, piano and trumpet:
Lyle Mays
lute, tenor saxophone and vibraphone:
Pedro Aznar
percussion:
Armando Marçal and Pedro Aznar
synthesizer:
Lyle Mays and Pat Metheny
recording of:
Better Days Ahead (in 1989)
composed in:
Fulton, Missouri, United States (in 1979)
composer:
Pat Metheny (in 1979)
3:03
4Spring Ain’t Here
acoustic bass guitar and bass:
Steve Rodby
acoustic guitar:
Pat Metheny and Pedro Aznar
drums (drum set):
Paul Wertico
keyboard, organ, piano and trumpet:
Lyle Mays
lute, tenor saxophone and vibraphone:
Pedro Aznar
percussion:
Armando Marçal and Pedro Aznar
synthesizer:
Lyle Mays and Pat Metheny
recording of:
Spring Ain’t Here
composed in:
Waltham, Massachusetts, United States (in 1988)
composer:
Pat Metheny (in 1988)
6:55
545/8
acoustic bass guitar and bass:
Steve Rodby
acoustic guitar:
Pat Metheny and Pedro Aznar
drums (drum set):
Paul Wertico
keyboard, organ, piano and trumpet:
Lyle Mays
lute, tenor saxophone and vibraphone:
Pedro Aznar
percussion:
Armando Marçal and Pedro Aznar
synthesizer:
Lyle Mays and Pat Metheny
recording of:
45/8
composed in:
Waltham, Massachusetts, United States (in 1988)
composer:
Lyle Mays (in 1988) and Pat Metheny (in 1988)
0:57
65-5-7
acoustic bass guitar and bass:
Steve Rodby
acoustic guitar:
Pat Metheny and Pedro Aznar
drums (drum set):
Paul Wertico
keyboard, organ, piano and trumpet:
Lyle Mays
lute, tenor saxophone and vibraphone:
Pedro Aznar
percussion:
Armando Marçal and Pedro Aznar
synthesizer:
Lyle Mays and Pat Metheny
recording of:
5-5-7
composed in:
Waltham, Massachusetts, United States (in 1988)
miscellaneous support:
Steve Rodby (in 1988)
composer:
Lyle Mays (in 1988) and Pat Metheny (in 1988)
7:55
7Beat 70
acoustic bass guitar and bass:
Steve Rodby
acoustic guitar:
Pat Metheny and Pedro Aznar
drums (drum set):
Paul Wertico
keyboard, organ, piano and trumpet:
Lyle Mays
lute, tenor saxophone and vibraphone:
Pedro Aznar
percussion:
Armando Marçal and Pedro Aznar
synthesizer:
Lyle Mays and Pat Metheny
recording of:
Beat 70
composed in:
Rio de Janeiro, Rio de Janeiro, Brazil (in 1989)
composer:
Lyle Mays (in 1989) and Pat Metheny (in 1989)
4:55
8Dream of the Return
acoustic bass guitar and bass:
Steve Rodby
acoustic guitar:
Pat Metheny and Pedro Aznar
drums (drum set):
Paul Wertico
keyboard, organ, piano and trumpet:
Lyle Mays
lute, tenor saxophone and vibraphone:
Pedro Aznar
percussion:
Armando Marçal and Pedro Aznar
synthesizer:
Lyle Mays and Pat Metheny
recording of:
Dream of the Return
written in:
Rio de Janeiro, Rio de Janeiro, Brazil (in 1986)
lyricist:
Pedro Aznar (in 1986)
composer:
Pat Metheny (in 1986)
5:27
9Are We There Yet
acoustic bass guitar and bass:
Steve Rodby
acoustic guitar:
Pat Metheny and Pedro Aznar
drums (drum set):
Paul Wertico
keyboard, organ, piano and trumpet:
Lyle Mays
lute, tenor saxophone and vibraphone:
Pedro Aznar
percussion:
Armando Marçal and Pedro Aznar
synthesizer:
Lyle Mays and Pat Metheny
recording of:
Are We There Yet?
composer:
Pat Metheny
7:55
10Vidala
acoustic bass guitar and bass:
Steve Rodby
acoustic guitar:
Pat Metheny and Pedro Aznar
drums (drum set):
Paul Wertico
keyboard, organ, piano and trumpet:
Lyle Mays
lute, tenor saxophone and vibraphone:
Pedro Aznar
percussion:
Armando Marçal and Pedro Aznar
synthesizer:
Lyle Mays and Pat Metheny
recording of:
Vidala
composer:
Pat Metheny
3:04
11Slip Away
acoustic bass guitar and bass:
Steve Rodby
acoustic guitar:
Pat Metheny and Pedro Aznar
drums (drum set):
Paul Wertico
keyboard, organ, piano and trumpet:
Lyle Mays
lute, tenor saxophone and vibraphone:
Pedro Aznar
percussion:
Armando Marçal and Pedro Aznar
synthesizer:
Lyle Mays and Pat Metheny
recording of:
Slip Away
composed in:
Willow, New York, United States (in 1987)
composer:
Pat Metheny (in 1987)
55:26
12Letter from Home
acoustic bass guitar and bass:
Steve Rodby
acoustic guitar:
Pat Metheny and Pedro Aznar
drums (drum set):
Paul Wertico
keyboard, organ, piano and trumpet:
Lyle Mays
lute, tenor saxophone and vibraphone:
Pedro Aznar
percussion:
Armando Marçal and Pedro Aznar
synthesizer:
Lyle Mays and Pat Metheny
recording of:
Letter From Home
composed in:
Cambridge, Massachusetts, United States (in 1985)
composer:
Pat Metheny (in 1985)
dedicated to:
Jo Härting (manager, photographer)
publisher:
Pat Meth Music Corp (Pat Meth Music Corporation)
2:34