The Juliet Letters (record club release)

~ Release by Elvis Costello and The Brodsky Quartet (see all versions of this release, 7 available)

Annotation

Mfd. for BMG Direct Marketing, Inc. under License

Annotation last modified on 2024-07-24 17:44 UTC.

Tracklist

▼ CD 1
#TitleRatingLength
1Deliver Us
recording engineer:
Kevin Killen (from 1992-09-14 until 1992-10-01)
assistant engineer:
Pascale Giovetto (engineer)
engineer and balance engineer:
Kevin Killen
producer:
Brodsky Quartet, Elvis Costello and Kevin Killen
cello [violoncello]:
Jacqueline Thomas (British cellist) (from 1992-09-14 until 1992-10-01)
viola:
Paul Cassidy (from 1992-09-14 until 1992-10-01)
violin:
Ian Belton (UK violinist, member of Brodsky Quartet) (from 1992-09-14 until 1992-10-01) and Michael Thomas (violinist, former member of Brodsky Quartet) (from 1992-09-14 until 1992-10-01)
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1993) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1993)
recorded at:
The Church Studios in London (Greater London), England, United Kingdom (from 1992-09-14 until 1992-10-01)
recording of:
Deliver Us (from 1992-09-14 until 1992-10-01)
composer:
Mac Manus
arranger:
Ian Belton (UK violinist, member of Brodsky Quartet), Paul Cassidy, Jacqueline Thomas (British cellist) and Michael Thomas (violinist, former member of Brodsky Quartet)
publisher:
Plangent Visions Music Ltd., Plangent Visions Music, Inc. and Universal Music Publishing MGB Ltd.
2.50:50
2For Other Eyes
recording engineer:
Kevin Killen (from 1992-09-14 until 1992-10-01)
assistant engineer:
Pascale Giovetto (engineer)
engineer and balance engineer:
Kevin Killen
producer:
Brodsky Quartet, Elvis Costello and Kevin Killen
cello [violoncello]:
Jacqueline Thomas (British cellist) (from 1992-09-14 until 1992-10-01)
viola:
Paul Cassidy (from 1992-09-14 until 1992-10-01)
violin:
Ian Belton (UK violinist, member of Brodsky Quartet) (from 1992-09-14 until 1992-10-01) and Michael Thomas (violinist, former member of Brodsky Quartet) (from 1992-09-14 until 1992-10-01)
vocals:
Elvis Costello (from 1992-09-14 until 1992-10-01)
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1993) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1993)
recorded at:
The Church Studios in London (Greater London), England, United Kingdom (from 1992-09-14 until 1992-10-01)
recording of:
For Other Eyes (from 1992-09-14 until 1992-10-01)
lyricist:
Paul Cassidy, M.P. Thomas and Mac Manus
composer:
Mac Manus
arranger:
Ian Belton (UK violinist, member of Brodsky Quartet), Paul Cassidy, Jacqueline Thomas (British cellist) and Michael Thomas (violinist, former member of Brodsky Quartet)
publisher:
Plangent Visions Music Ltd., Plangent Visions Music, Inc. and Universal Music Publishing MGB Ltd.
32:55
3Swine
recording engineer:
Kevin Killen (from 1992-09-14 until 1992-10-01)
assistant engineer:
Pascale Giovetto (engineer)
engineer and balance engineer:
Kevin Killen
producer:
Brodsky Quartet, Elvis Costello and Kevin Killen
cello [violoncello]:
Jacqueline Thomas (British cellist) (from 1992-09-14 until 1992-10-01)
viola:
Paul Cassidy (from 1992-09-14 until 1992-10-01)
violin:
Ian Belton (UK violinist, member of Brodsky Quartet) (from 1992-09-14 until 1992-10-01) and Michael Thomas (violinist, former member of Brodsky Quartet) (from 1992-09-14 until 1992-10-01)
vocals:
Elvis Costello (from 1992-09-14 until 1992-10-01)
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1993) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1993)
recorded at:
The Church Studios in London (Greater London), England, United Kingdom (from 1992-09-14 until 1992-10-01)
recording of:
Swine (from 1992-09-14 until 1992-10-01)
lyricist:
Paul Cassidy and Mac Manus
composer:
Mac Manus
arranger:
Ian Belton (UK violinist, member of Brodsky Quartet), Paul Cassidy, Jacqueline Thomas (British cellist) and Michael Thomas (violinist, former member of Brodsky Quartet)
publisher:
Plangent Visions Music Ltd., Plangent Visions Music, Inc. and Universal Music Publishing MGB Ltd.
3.52:09
4Expert Rites
recording engineer:
Kevin Killen (from 1992-09-14 until 1992-10-01)
assistant engineer:
Pascale Giovetto (engineer)
engineer and balance engineer:
Kevin Killen
producer:
Brodsky Quartet, Elvis Costello and Kevin Killen
cello [violoncello]:
Jacqueline Thomas (British cellist) (from 1992-09-14 until 1992-10-01)
viola:
Paul Cassidy (from 1992-09-14 until 1992-10-01)
violin:
Ian Belton (UK violinist, member of Brodsky Quartet) (from 1992-09-14 until 1992-10-01) and Michael Thomas (violinist, former member of Brodsky Quartet) (from 1992-09-14 until 1992-10-01)
vocals:
Elvis Costello (from 1992-09-14 until 1992-10-01)
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1993) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1993)
recorded at:
The Church Studios in London (Greater London), England, United Kingdom (from 1992-09-14 until 1992-10-01)
recording of:
Expert Rites (from 1992-09-14 until 1992-10-01)
lyricist and composer:
Mac Manus
arranger:
Ian Belton (UK violinist, member of Brodsky Quartet), Paul Cassidy, Jacqueline Thomas (British cellist) and Michael Thomas (violinist, former member of Brodsky Quartet)
publisher:
Plangent Visions Music Ltd., Plangent Visions Music, Inc. and Universal Music Publishing MGB Ltd.
3.52:23
5Dead Letter
recording engineer:
Kevin Killen (from 1992-09-14 until 1992-10-01)
assistant engineer:
Pascale Giovetto (engineer)
engineer and balance engineer:
Kevin Killen
producer:
Brodsky Quartet, Elvis Costello and Kevin Killen
cello [violoncello]:
Jacqueline Thomas (British cellist) (from 1992-09-14 until 1992-10-01)
viola:
Paul Cassidy (from 1992-09-14 until 1992-10-01)
violin:
Ian Belton (UK violinist, member of Brodsky Quartet) (from 1992-09-14 until 1992-10-01) and Michael Thomas (violinist, former member of Brodsky Quartet) (from 1992-09-14 until 1992-10-01)
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1993) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1993)
recorded at:
The Church Studios in London (Greater London), England, United Kingdom (from 1992-09-14 until 1992-10-01)
recording of:
Dead Letter (from 1992-09-14 until 1992-10-01)
composer:
Paul Cassidy
arranger:
Ian Belton (UK violinist, member of Brodsky Quartet), Jacqueline Thomas (British cellist) and Michael Thomas (violinist, former member of Brodsky Quartet)
publisher:
Plangent Visions Music Ltd., Plangent Visions Music, Inc. and Universal Music Publishing MGB Ltd.
32:19
6I Almost Had a Weakness
recording engineer:
Kevin Killen (from 1992-09-14 until 1992-10-01)
assistant engineer:
Pascale Giovetto (engineer)
engineer and balance engineer:
Kevin Killen
producer:
Brodsky Quartet, Elvis Costello and Kevin Killen
cello [violoncello]:
Jacqueline Thomas (British cellist) (from 1992-09-14 until 1992-10-01)
viola:
Paul Cassidy (from 1992-09-14 until 1992-10-01)
violin:
Ian Belton (UK violinist, member of Brodsky Quartet) (from 1992-09-14 until 1992-10-01) and Michael Thomas (violinist, former member of Brodsky Quartet) (from 1992-09-14 until 1992-10-01)
vocals:
Elvis Costello (from 1992-09-14 until 1992-10-01)
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1993) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1993)
recorded at:
The Church Studios in London (Greater London), England, United Kingdom (from 1992-09-14 until 1992-10-01)
recording of:
I Almost Had a Weakness (from 1992-09-14 until 1992-10-01)
lyricist:
Mac Manus
composer:
Mac Manus and Michael Thomas (violinist, former member of Brodsky Quartet)
publisher:
Plangent Visions Music Ltd. and Plangent Visions Music, Inc.
33:53
7Why?
recording engineer:
Kevin Killen (from 1992-09-14 until 1992-10-01)
assistant engineer:
Pascale Giovetto (engineer)
engineer and balance engineer:
Kevin Killen
producer:
Brodsky Quartet, Elvis Costello and Kevin Killen
cello [violoncello]:
Jacqueline Thomas (British cellist) (from 1992-09-14 until 1992-10-01)
viola:
Paul Cassidy (from 1992-09-14 until 1992-10-01)
violin:
Ian Belton (UK violinist, member of Brodsky Quartet) (from 1992-09-14 until 1992-10-01) and Michael Thomas (violinist, former member of Brodsky Quartet) (from 1992-09-14 until 1992-10-01)
vocals:
Elvis Costello (from 1992-09-14 until 1992-10-01)
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1993) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1993)
recorded at:
The Church Studios in London (Greater London), England, United Kingdom (from 1992-09-14 until 1992-10-01)
recording of:
Why? (from 1992-09-14 until 1992-10-01)
lyricist:
Ian Belton (UK violinist, member of Brodsky Quartet) and Mac Manus
composer:
Mac Manus
publisher:
Plangent Visions Music Ltd. and Plangent Visions Music, Inc.
2.51:26
8Who Do You Think You Are?
recording engineer:
Kevin Killen (from 1992-09-14 until 1992-10-01)
assistant engineer:
Pascale Giovetto (engineer)
engineer and balance engineer:
Kevin Killen
producer:
Brodsky Quartet, Elvis Costello and Kevin Killen
cello [violoncello]:
Jacqueline Thomas (British cellist) (from 1992-09-14 until 1992-10-01)
viola:
Paul Cassidy (from 1992-09-14 until 1992-10-01)
violin:
Ian Belton (UK violinist, member of Brodsky Quartet) (from 1992-09-14 until 1992-10-01) and Michael Thomas (violinist, former member of Brodsky Quartet) (from 1992-09-14 until 1992-10-01)
vocals:
Elvis Costello (from 1992-09-14 until 1992-10-01)
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1993) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1993)
recorded at:
The Church Studios in London (Greater London), England, United Kingdom (from 1992-09-14 until 1992-10-01)
recording of:
Who Do You Think You Are? (from 1992-09-14 until 1992-10-01)
lyricist:
M.P. Thomas and Mac Manus
composer:
Michael Thomas (violinist, former member of Brodsky Quartet)
publisher:
Plangent Visions Music Ltd. and Plangent Visions Music, Inc.
33:29
9Taking My Life in Your Hands
recording engineer:
Kevin Killen (from 1992-09-14 until 1992-10-01)
assistant engineer:
Pascale Giovetto (engineer)
engineer and balance engineer:
Kevin Killen
producer:
Brodsky Quartet, Elvis Costello and Kevin Killen
cello [violoncello]:
Jacqueline Thomas (British cellist) (from 1992-09-14 until 1992-10-01)
viola:
Paul Cassidy (from 1992-09-14 until 1992-10-01)
violin:
Ian Belton (UK violinist, member of Brodsky Quartet) (from 1992-09-14 until 1992-10-01) and Michael Thomas (violinist, former member of Brodsky Quartet) (from 1992-09-14 until 1992-10-01)
vocals:
Elvis Costello (from 1992-09-14 until 1992-10-01)
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1993) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1993)
recorded at:
The Church Studios in London (Greater London), England, United Kingdom (from 1992-09-14 until 1992-10-01)
recording of:
Taking My Life in Your Hands (from 1992-09-14 until 1992-10-01)
lyricist:
Paul Cassidy, M.P. Thomas, Mac Manus and Jacqueline Thomas (British cellist)
composer:
Mac Manus and Jacqueline Thomas (British cellist)
publisher:
Plangent Visions Music Ltd. and Plangent Visions Music, Inc.
33:20
10This Offer Is Unrepeatable
recording engineer:
Kevin Killen (from 1992-09-14 until 1992-10-01)
assistant engineer:
Pascale Giovetto (engineer)
engineer and balance engineer:
Kevin Killen
producer:
Brodsky Quartet, Elvis Costello and Kevin Killen
cello [violoncello]:
Jacqueline Thomas (British cellist) (from 1992-09-14 until 1992-10-01)
viola:
Paul Cassidy (from 1992-09-14 until 1992-10-01)
violin:
Ian Belton (UK violinist, member of Brodsky Quartet) (from 1992-09-14 until 1992-10-01) and Michael Thomas (violinist, former member of Brodsky Quartet) (from 1992-09-14 until 1992-10-01)
vocals:
Elvis Costello (from 1992-09-14 until 1992-10-01)
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1993) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1993)
recorded at:
The Church Studios in London (Greater London), England, United Kingdom (from 1992-09-14 until 1992-10-01)
recording of:
This Offer Is Unrepeatable (from 1992-09-14 until 1992-10-01)
lyricist:
Paul Cassidy and Mac Manus
composer:
Ian Belton (UK violinist, member of Brodsky Quartet), Paul Cassidy, Mac Manus, Jacqueline Thomas (British cellist) and Michael Thomas (violinist, former member of Brodsky Quartet)
publisher:
Plangent Visions Music Ltd. and Plangent Visions Music, Inc.
43:13
11Dear Sweet Filthy World
recording engineer:
Kevin Killen (from 1992-09-14 until 1992-10-01)
assistant engineer:
Pascale Giovetto (engineer)
engineer and balance engineer:
Kevin Killen
producer:
Brodsky Quartet, Elvis Costello and Kevin Killen
cello [violoncello]:
Jacqueline Thomas (British cellist) (from 1992-09-14 until 1992-10-01)
viola:
Paul Cassidy (from 1992-09-14 until 1992-10-01)
violin:
Ian Belton (UK violinist, member of Brodsky Quartet) (from 1992-09-14 until 1992-10-01) and Michael Thomas (violinist, former member of Brodsky Quartet) (from 1992-09-14 until 1992-10-01)
vocals:
Elvis Costello (from 1992-09-14 until 1992-10-01)
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1993) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1993)
recorded at:
The Church Studios in London (Greater London), England, United Kingdom (from 1992-09-14 until 1992-10-01)
recording of:
Dear Sweet Filthy World (from 1992-09-14 until 1992-10-01)
lyricist:
Ian Belton (UK violinist, member of Brodsky Quartet), M.P. Thomas and Mac Manus
composer:
Mac Manus
publisher:
Plangent Visions Music Ltd. and Plangent Visions Music, Inc.
3.54:17
12The Letter Home
recording engineer:
Kevin Killen (from 1992-09-14 until 1992-10-01)
assistant engineer:
Pascale Giovetto (engineer)
engineer and balance engineer:
Kevin Killen
producer:
Brodsky Quartet, Elvis Costello and Kevin Killen
cello [violoncello]:
Jacqueline Thomas (British cellist) (from 1992-09-14 until 1992-10-01)
viola:
Paul Cassidy (from 1992-09-14 until 1992-10-01)
violin:
Ian Belton (UK violinist, member of Brodsky Quartet) (from 1992-09-14 until 1992-10-01) and Michael Thomas (violinist, former member of Brodsky Quartet) (from 1992-09-14 until 1992-10-01)
vocals:
Elvis Costello (from 1992-09-14 until 1992-10-01)
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1993) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1993)
recorded at:
The Church Studios in London (Greater London), England, United Kingdom (from 1992-09-14 until 1992-10-01)
recording of:
The Letter Home (from 1992-09-14 until 1992-10-01)
lyricist:
Paul Cassidy and Mac Manus
composer:
Ian Belton (UK violinist, member of Brodsky Quartet) and Mac Manus
publisher:
Plangent Visions Music Ltd. and Plangent Visions Music, Inc.
33:11
13Jacksons, Monk and Rowe
recording engineer:
Kevin Killen (from 1992-09-14 until 1992-10-01)
assistant engineer:
Pascale Giovetto (engineer)
engineer and balance engineer:
Kevin Killen
producer:
Brodsky Quartet, Elvis Costello and Kevin Killen
cello [violoncello]:
Jacqueline Thomas (British cellist) (from 1992-09-14 until 1992-10-01)
viola:
Paul Cassidy (from 1992-09-14 until 1992-10-01)
violin:
Ian Belton (UK violinist, member of Brodsky Quartet) (from 1992-09-14 until 1992-10-01) and Michael Thomas (violinist, former member of Brodsky Quartet) (from 1992-09-14 until 1992-10-01)
vocals:
Elvis Costello (from 1992-09-14 until 1992-10-01)
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1993) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1993)
recorded at:
The Church Studios in London (Greater London), England, United Kingdom (from 1992-09-14 until 1992-10-01)
recording of:
Jacksons, Monk and Rowe (from 1992-09-14 until 1992-10-01)
lyricist:
Mac Manus, Jacqueline Thomas (British cellist) and Michael Thomas (violinist, former member of Brodsky Quartet)
composer:
Michael Thomas (violinist, former member of Brodsky Quartet)
publisher:
Plangent Visions Music Ltd. and Plangent Visions Music, Inc.
33:43
14This Sad Burlesque
recording engineer:
Kevin Killen (from 1992-09-14 until 1992-10-01)
assistant engineer:
Pascale Giovetto (engineer)
engineer and balance engineer:
Kevin Killen
producer:
Brodsky Quartet, Elvis Costello and Kevin Killen
cello [violoncello]:
Jacqueline Thomas (British cellist) (from 1992-09-14 until 1992-10-01)
viola:
Paul Cassidy (from 1992-09-14 until 1992-10-01)
violin:
Ian Belton (UK violinist, member of Brodsky Quartet) (from 1992-09-14 until 1992-10-01) and Michael Thomas (violinist, former member of Brodsky Quartet) (from 1992-09-14 until 1992-10-01)
vocals:
Elvis Costello (from 1992-09-14 until 1992-10-01)
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1993) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1993)
recorded at:
The Church Studios in London (Greater London), England, United Kingdom (from 1992-09-14 until 1992-10-01)
recording of:
This Sad Burlesque (from 1992-09-14 until 1992-10-01)
lyricist:
Mac Manus
composer:
Paul Cassidy
publisher:
Plangent Visions Music Ltd. and Plangent Visions Music, Inc.
32:47
15Romeo’s Seance
recording engineer:
Kevin Killen (from 1992-09-14 until 1992-10-01)
assistant engineer:
Pascale Giovetto (engineer)
engineer and balance engineer:
Kevin Killen
producer:
Brodsky Quartet, Elvis Costello and Kevin Killen
cello [violoncello]:
Jacqueline Thomas (British cellist) (from 1992-09-14 until 1992-10-01)
viola:
Paul Cassidy (from 1992-09-14 until 1992-10-01)
violin:
Ian Belton (UK violinist, member of Brodsky Quartet) (from 1992-09-14 until 1992-10-01) and Michael Thomas (violinist, former member of Brodsky Quartet) (from 1992-09-14 until 1992-10-01)
vocals:
Elvis Costello (from 1992-09-14 until 1992-10-01)
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1993) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1993)
recorded at:
The Church Studios in London (Greater London), England, United Kingdom (from 1992-09-14 until 1992-10-01)
recording of:
Romeo’s Seance (from 1992-09-14 until 1992-10-01)
lyricist:
M.P. Thomas and Mac Manus
composer:
Mac Manus and Michael Thomas (violinist, former member of Brodsky Quartet)
publisher:
Plangent Visions Music Ltd. and Plangent Visions Music, Inc.
3.53:33
16I Thought I’d Write to Juliet
recording engineer:
Kevin Killen (from 1992-09-14 until 1992-10-01)
assistant engineer:
Pascale Giovetto (engineer)
engineer and balance engineer:
Kevin Killen
producer:
Brodsky Quartet, Elvis Costello and Kevin Killen
cello [violoncello]:
Jacqueline Thomas (British cellist) (from 1992-09-14 until 1992-10-01)
viola:
Paul Cassidy (from 1992-09-14 until 1992-10-01)
violin:
Ian Belton (UK violinist, member of Brodsky Quartet) (from 1992-09-14 until 1992-10-01) and Michael Thomas (violinist, former member of Brodsky Quartet) (from 1992-09-14 until 1992-10-01)
vocals:
Elvis Costello (from 1992-09-14 until 1992-10-01)
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1993) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1993)
recorded at:
The Church Studios in London (Greater London), England, United Kingdom (from 1992-09-14 until 1992-10-01)
recording of:
I Thought I’d Write to Juliet (from 1992-09-14 until 1992-10-01)
lyricist and composer:
Mac Manus
publisher:
Plangent Visions Music Ltd. and Plangent Visions Music, Inc.
34:08
17Last Post
recording engineer:
Kevin Killen (from 1992-09-14 until 1992-10-01)
assistant engineer:
Pascale Giovetto (engineer)
engineer and balance engineer:
Kevin Killen
producer:
Brodsky Quartet, Elvis Costello and Kevin Killen
cello [violoncello]:
Jacqueline Thomas (British cellist) (from 1992-09-14 until 1992-10-01)
viola:
Paul Cassidy (from 1992-09-14 until 1992-10-01)
violin:
Ian Belton (UK violinist, member of Brodsky Quartet) (from 1992-09-14 until 1992-10-01) and Michael Thomas (violinist, former member of Brodsky Quartet) (from 1992-09-14 until 1992-10-01)
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1993) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1993)
recorded at:
The Church Studios in London (Greater London), England, United Kingdom (from 1992-09-14 until 1992-10-01)
recording of:
Last Post (from 1992-09-14 until 1992-10-01)
composer:
Michael Thomas (violinist, former member of Brodsky Quartet)
publisher:
Plangent Visions Music Ltd. and Plangent Visions Music, Inc.
32:25
18The First to Leave
recording engineer:
Kevin Killen (from 1992-09-14 until 1992-10-01)
assistant engineer:
Pascale Giovetto (engineer)
engineer and balance engineer:
Kevin Killen
producer:
Brodsky Quartet, Elvis Costello and Kevin Killen
cello [violoncello]:
Jacqueline Thomas (British cellist) (from 1992-09-14 until 1992-10-01)
viola:
Paul Cassidy (from 1992-09-14 until 1992-10-01)
violin:
Ian Belton (UK violinist, member of Brodsky Quartet) (from 1992-09-14 until 1992-10-01) and Michael Thomas (violinist, former member of Brodsky Quartet) (from 1992-09-14 until 1992-10-01)
vocals:
Elvis Costello (from 1992-09-14 until 1992-10-01)
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1993) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1993)
recorded at:
The Church Studios in London (Greater London), England, United Kingdom (from 1992-09-14 until 1992-10-01)
recording of:
The First to Leave (from 1992-09-14 until 1992-10-01)
lyricist and composer:
Mac Manus
publisher:
Plangent Visions Music Ltd. and Plangent Visions Music, Inc.
35:00
19Damnation’s Cellar
recording engineer:
Kevin Killen (from 1992-09-14 until 1992-10-01)
assistant engineer:
Pascale Giovetto (engineer)
engineer and balance engineer:
Kevin Killen
producer:
Brodsky Quartet, Elvis Costello and Kevin Killen
cello [violoncello]:
Jacqueline Thomas (British cellist) (from 1992-09-14 until 1992-10-01)
viola:
Paul Cassidy (from 1992-09-14 until 1992-10-01)
violin:
Ian Belton (UK violinist, member of Brodsky Quartet) (from 1992-09-14 until 1992-10-01) and Michael Thomas (violinist, former member of Brodsky Quartet) (from 1992-09-14 until 1992-10-01)
vocals:
Elvis Costello (from 1992-09-14 until 1992-10-01)
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1993) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1993)
recorded at:
The Church Studios in London (Greater London), England, United Kingdom (from 1992-09-14 until 1992-10-01)
recording of:
Damnation’s Cellar (from 1992-09-14 until 1992-10-01)
lyricist and composer:
Mac Manus
publisher:
Plangent Visions Music Ltd. and Plangent Visions Music, Inc.
3.53:26
20The Birds Will Still Be Singing
recording engineer:
Kevin Killen (from 1992-09-14 until 1992-10-01)
assistant engineer:
Pascale Giovetto (engineer)
engineer and balance engineer:
Kevin Killen
producer:
Brodsky Quartet, Elvis Costello and Kevin Killen
cello [violoncello]:
Jacqueline Thomas (British cellist) (from 1992-09-14 until 1992-10-01)
viola:
Paul Cassidy (from 1992-09-14 until 1992-10-01)
violin:
Ian Belton (UK violinist, member of Brodsky Quartet) (from 1992-09-14 until 1992-10-01) and Michael Thomas (violinist, former member of Brodsky Quartet) (from 1992-09-14 until 1992-10-01)
vocals:
Elvis Costello (from 1992-09-14 until 1992-10-01)
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1993) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1993)
recorded at:
The Church Studios in London (Greater London), England, United Kingdom (from 1992-09-14 until 1992-10-01)
recording of:
The Birds Will Still Be Singing (from 1992-09-14 until 1992-10-01)
lyricist and composer:
Mac Manus
publisher:
Plangent Visions Music Ltd. and Plangent Visions Music, Inc.
34:28