Tracklist

Digital Media 1
#TitleArtistRatingLength
1Stabat Mater: Stabat mater dolorosa
recording engineer:
Antony Howell (engineer) (from 1987-12-02 until 1987-12-04)
executive producer:
Edward Perry (producer and founder of Hyperion, aka Ted Perry)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
countertenor vocals:
Michael Chance (British countertenor) (from 1987-12-02 until 1987-12-04)
soprano vocals:
Gillian Fisher (soprano) (from 1987-12-02 until 1987-12-04)
orchestra:
The King’s Consort (from 1987-12-02 until 1987-12-04)
conductor:
Robert King (conductor and harpsichordist) (from 1987-12-02 until 1987-12-04)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1988)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1987-12-02 until 1987-12-04)
recording of:
Stabat mater for soprano, alto, strings and basso continuo: I. Duo: Stabat mater dolorosa (from 1987-12-02 until 1987-12-04)
composer:
Giovanni Battista Pergolesi (composer)
part of:
Stabat Mater for soprano, alto, strings and basso continuo
Giovanni Battista Pergolesi4:02
2Stabat Mater: Cuius animam gementem
recording engineer:
Antony Howell (engineer) (from 1987-12-02 until 1987-12-04)
executive producer:
Edward Perry (producer and founder of Hyperion, aka Ted Perry)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
soprano vocals:
Gillian Fisher (soprano) (from 1987-12-02 until 1987-12-04)
orchestra:
The King’s Consort (from 1987-12-02 until 1987-12-04)
conductor:
Robert King (conductor and harpsichordist) (from 1987-12-02 until 1987-12-04)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1988)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1987-12-02 until 1987-12-04)
recording of:
Stabat mater for soprano, alto, strings and basso continuo: II. Aria (soprano): Cujus animam gementem (from 1987-12-02 until 1987-12-04)
composer:
Giovanni Battista Pergolesi (composer)
part of:
Stabat Mater for soprano, alto, strings and basso continuo
Giovanni Battista Pergolesi2:17
3Stabat Mater: O quam tristis et afflicta
recording engineer:
Antony Howell (engineer) (from 1987-12-02 until 1987-12-04)
executive producer:
Edward Perry (producer and founder of Hyperion, aka Ted Perry)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
countertenor vocals:
Michael Chance (British countertenor) (from 1987-12-02 until 1987-12-04)
soprano vocals:
Gillian Fisher (soprano) (from 1987-12-02 until 1987-12-04)
orchestra:
The King’s Consort (from 1987-12-02 until 1987-12-04)
conductor:
Robert King (conductor and harpsichordist) (from 1987-12-02 until 1987-12-04)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1988)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1987-12-02 until 1987-12-04)
recording of:
Stabat mater for soprano, alto, strings and basso continuo: III. Duo: O quam tristis et afflicta (from 1987-12-02 until 1987-12-04)
composer:
Giovanni Battista Pergolesi (composer)
part of:
Stabat Mater for soprano, alto, strings and basso continuo
Giovanni Battista Pergolesi2:35
4Stabat Mater: Quae morebat et dolebat
recording engineer:
Antony Howell (engineer) (from 1987-12-02 until 1987-12-04)
executive producer:
Edward Perry (producer and founder of Hyperion, aka Ted Perry)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
countertenor vocals:
Michael Chance (British countertenor) (from 1987-12-02 until 1987-12-04)
orchestra:
The King’s Consort (from 1987-12-02 until 1987-12-04)
conductor:
Robert King (conductor and harpsichordist) (from 1987-12-02 until 1987-12-04)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1988)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1987-12-02 until 1987-12-04)
recording of:
Stabat mater for soprano, alto, strings and basso continuo: IV. Aria (alto): Quae moerebat et dolebat (from 1987-12-02 until 1987-12-04)
composer:
Giovanni Battista Pergolesi (composer)
part of:
Stabat Mater for soprano, alto, strings and basso continuo
Giovanni Battista Pergolesi2:22
5Stabat Mater: Quis est homo, qui non fleret
recording engineer:
Antony Howell (engineer) (from 1987-12-02 until 1987-12-04)
executive producer:
Edward Perry (producer and founder of Hyperion, aka Ted Perry)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
countertenor vocals:
Michael Chance (British countertenor) (from 1987-12-02 until 1987-12-04)
soprano vocals:
Gillian Fisher (soprano) (from 1987-12-02 until 1987-12-04)
orchestra:
The King’s Consort (from 1987-12-02 until 1987-12-04)
conductor:
Robert King (conductor and harpsichordist) (from 1987-12-02 until 1987-12-04)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1988)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1987-12-02 until 1987-12-04)
recording of:
Stabat mater for soprano, alto, strings and basso continuo: V. Duo: Quis est homo, qui non fleret (from 1987-12-02 until 1987-12-04)
composer:
Giovanni Battista Pergolesi (composer)
part of:
Stabat Mater for soprano, alto, strings and basso continuo
Giovanni Battista Pergolesi3:21
6Stabat Mater: Vidit suum dulcem natum
recording engineer:
Antony Howell (engineer) (from 1987-12-02 until 1987-12-04)
executive producer:
Edward Perry (producer and founder of Hyperion, aka Ted Perry)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
soprano vocals:
Gillian Fisher (soprano) (from 1987-12-02 until 1987-12-04)
orchestra:
The King’s Consort (from 1987-12-02 until 1987-12-04)
conductor:
Robert King (conductor and harpsichordist) (from 1987-12-02 until 1987-12-04)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1988)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1987-12-02 until 1987-12-04)
recording of:
Stabat mater for soprano, alto, strings and basso continuo: VI. Aria (soprano): Vidit suum dulcem natum (from 1987-12-02 until 1987-12-04)
composer:
Giovanni Battista Pergolesi (composer)
part of:
Stabat Mater for soprano, alto, strings and basso continuo
Giovanni Battista Pergolesi3:52
7Stabat Mater: Eia Mater, fons amoris
recording engineer:
Antony Howell (engineer) (from 1987-12-02 until 1987-12-04)
executive producer:
Edward Perry (producer and founder of Hyperion, aka Ted Perry)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
countertenor vocals:
Michael Chance (British countertenor) (from 1987-12-02 until 1987-12-04)
orchestra:
The King’s Consort (from 1987-12-02 until 1987-12-04)
conductor:
Robert King (conductor and harpsichordist) (from 1987-12-02 until 1987-12-04)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1988)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1987-12-02 until 1987-12-04)
recording of:
Stabat mater for soprano, alto, strings and basso continuo: VII. Aria (alto): Eja, mater, fons amoris (from 1987-12-02 until 1987-12-04)
composer:
Giovanni Battista Pergolesi (composer)
part of:
Stabat Mater for soprano, alto, strings and basso continuo
Giovanni Battista Pergolesi2:41
8Stabat Mater: Fac, ut ardeat cor meum
recording engineer:
Antony Howell (engineer) (from 1987-12-02 until 1987-12-04)
executive producer:
Edward Perry (producer and founder of Hyperion, aka Ted Perry)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
countertenor vocals:
Michael Chance (British countertenor) (from 1987-12-02 until 1987-12-04)
soprano vocals:
Gillian Fisher (soprano) (from 1987-12-02 until 1987-12-04)
orchestra:
The King’s Consort (from 1987-12-02 until 1987-12-04)
conductor:
Robert King (conductor and harpsichordist) (from 1987-12-02 until 1987-12-04)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1988)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1987-12-02 until 1987-12-04)
recording of:
Stabat mater for soprano, alto, strings and basso continuo: VIII. Duo: Fac, ut ardeat cor meum (from 1987-12-02 until 1987-12-04)
composer:
Giovanni Battista Pergolesi (composer)
part of:
Stabat Mater for soprano, alto, strings and basso continuo
Giovanni Battista Pergolesi2:20
9Stabat Mater: Sancta mater, istud agas
recording engineer:
Antony Howell (engineer) (from 1987-12-02 until 1987-12-04)
executive producer:
Edward Perry (producer and founder of Hyperion, aka Ted Perry)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
countertenor vocals:
Michael Chance (British countertenor) (from 1987-12-02 until 1987-12-04)
soprano vocals:
Gillian Fisher (soprano) (from 1987-12-02 until 1987-12-04)
orchestra:
The King’s Consort (from 1987-12-02 until 1987-12-04)
conductor:
Robert King (conductor and harpsichordist) (from 1987-12-02 until 1987-12-04)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1988)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1987-12-02 until 1987-12-04)
recording of:
Stabat mater for soprano, alto, strings and basso continuo: IX. Duo: Sancta mater, istud agas (from 1987-12-02 until 1987-12-04)
composer:
Giovanni Battista Pergolesi (composer)
part of:
Stabat Mater for soprano, alto, strings and basso continuo
Giovanni Battista Pergolesi6:09
10Stabat Mater: Fac, ut portem Christi mortem
recording engineer:
Antony Howell (engineer) (from 1987-12-02 until 1987-12-04)
executive producer:
Edward Perry (producer and founder of Hyperion, aka Ted Perry)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
countertenor vocals:
Michael Chance (British countertenor) (from 1987-12-02 until 1987-12-04)
orchestra:
The King’s Consort (from 1987-12-02 until 1987-12-04)
conductor:
Robert King (conductor and harpsichordist) (from 1987-12-02 until 1987-12-04)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1988)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1987-12-02 until 1987-12-04)
recording of:
Stabat mater for soprano, alto, strings and basso continuo: X. Aria (alto): Fac, ut portem Christi mortem (from 1987-12-02 until 1987-12-04)
composer:
Giovanni Battista Pergolesi (composer)
part of:
Stabat Mater for soprano, alto, strings and basso continuo
Giovanni Battista Pergolesi4:06
11Stabat Mater: Inflammatus et accensus
recording engineer:
Antony Howell (engineer) (from 1987-12-02 until 1987-12-04)
executive producer:
Edward Perry (producer and founder of Hyperion, aka Ted Perry)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
countertenor vocals:
Michael Chance (British countertenor) (from 1987-12-02 until 1987-12-04)
soprano vocals:
Gillian Fisher (soprano) (from 1987-12-02 until 1987-12-04)
orchestra:
The King’s Consort (from 1987-12-02 until 1987-12-04)
conductor:
Robert King (conductor and harpsichordist) (from 1987-12-02 until 1987-12-04)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1988)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1987-12-02 until 1987-12-04)
recording of:
Stabat mater for soprano, alto, strings and basso continuo: XI. Duo: Inflammatus et accensus (from 1987-12-02 until 1987-12-04)
composer:
Giovanni Battista Pergolesi (composer)
part of:
Stabat Mater for soprano, alto, strings and basso continuo
Giovanni Battista Pergolesi2:25
12Stabat Mater: Quando corpus morietur
recording engineer:
Antony Howell (engineer) (from 1987-12-02 until 1987-12-04)
executive producer:
Edward Perry (producer and founder of Hyperion, aka Ted Perry)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
countertenor vocals:
Michael Chance (British countertenor) (from 1987-12-02 until 1987-12-04)
soprano vocals:
Gillian Fisher (soprano) (from 1987-12-02 until 1987-12-04)
orchestra:
The King’s Consort (from 1987-12-02 until 1987-12-04)
conductor:
Robert King (conductor and harpsichordist) (from 1987-12-02 until 1987-12-04)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1988)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1987-12-02 until 1987-12-04)
recording of:
Stabat mater for soprano, alto, strings and basso continuo: XII. Duo: Quando corpus morietur - Amen (from 1987-12-02 until 1987-12-04)
composer:
Giovanni Battista Pergolesi (composer)
part of:
Stabat Mater for soprano, alto, strings and basso continuo
Giovanni Battista Pergolesi4:09
13Salve Regina in A minor: Salve Regina
recording engineer:
Antony Howell (engineer) (from 1987-12-02 until 1987-12-04)
executive producer:
Edward Perry (producer and founder of Hyperion, aka Ted Perry)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
soprano vocals:
Gillian Fisher (soprano) (from 1987-12-02 until 1987-12-04)
orchestra:
The King’s Consort (from 1987-12-02 until 1987-12-04)
conductor:
Robert King (conductor and harpsichordist) (from 1987-12-02 until 1987-12-04)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1988)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1987-12-02 until 1987-12-04)
recording of:
Salve Regina in A minor: I. Salve Regina (from 1987-12-02 until 1987-12-04)
composer:
Giovanni Battista Pergolesi (composer)
part of:
Salve Regina in A minor
Giovanni Battista Pergolesi3:40
14Salve Regina in A minor: Ad te clamamus
recording engineer:
Antony Howell (engineer) (from 1987-12-02 until 1987-12-04)
executive producer:
Edward Perry (producer and founder of Hyperion, aka Ted Perry)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
soprano vocals:
Gillian Fisher (soprano) (from 1987-12-02 until 1987-12-04)
orchestra:
The King’s Consort (from 1987-12-02 until 1987-12-04)
conductor:
Robert King (conductor and harpsichordist) (from 1987-12-02 until 1987-12-04)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1988)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1987-12-02 until 1987-12-04)
recording of:
Salve Regina in A minor: II. Ad te clamamus (from 1987-12-02 until 1987-12-04)
composer:
Giovanni Battista Pergolesi (composer)
part of:
Salve Regina in A minor
recording of:
Salve Regina in A minor: III. Ad te suspiramus (from 1987-12-02 until 1987-12-04)
composer:
Giovanni Battista Pergolesi (composer)
part of:
Salve Regina in A minor
Giovanni Battista Pergolesi2:20
15Salve Regina in A minor: Eia ergo advocata
recording engineer:
Antony Howell (engineer) (from 1987-12-02 until 1987-12-04)
executive producer:
Edward Perry (producer and founder of Hyperion, aka Ted Perry)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
soprano vocals:
Gillian Fisher (soprano) (from 1987-12-02 until 1987-12-04)
orchestra:
The King’s Consort (from 1987-12-02 until 1987-12-04)
conductor:
Robert King (conductor and harpsichordist) (from 1987-12-02 until 1987-12-04)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1988)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1987-12-02 until 1987-12-04)
recording of:
Salve Regina in A minor: IV. Eia ergo, advocata nostra (from 1987-12-02 until 1987-12-04)
composer:
Giovanni Battista Pergolesi (composer)
part of:
Salve Regina in A minor
Giovanni Battista Pergolesi2:03
16Salve Regina in A minor: O clemens, o pia
recording engineer:
Antony Howell (engineer) (from 1987-12-02 until 1987-12-04)
executive producer:
Edward Perry (producer and founder of Hyperion, aka Ted Perry)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
soprano vocals:
Gillian Fisher (soprano) (from 1987-12-02 until 1987-12-04)
orchestra:
The King’s Consort (from 1987-12-02 until 1987-12-04)
conductor:
Robert King (conductor and harpsichordist) (from 1987-12-02 until 1987-12-04)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1988)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1987-12-02 until 1987-12-04)
recording of:
Salve Regina in A minor: V. O clemens (from 1987-12-02 until 1987-12-04)
composer:
Giovanni Battista Pergolesi (composer)
part of:
Salve Regina in A minor
Giovanni Battista Pergolesi3:09
17In coelestibus regnis
recording engineer:
Antony Howell (engineer) (from 1987-12-02 until 1987-12-04)
executive producer:
Edward Perry (producer and founder of Hyperion, aka Ted Perry)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
countertenor vocals:
Michael Chance (British countertenor) (from 1987-12-02 until 1987-12-04)
orchestra:
The King’s Consort (from 1987-12-02 until 1987-12-04)
conductor:
Robert King (conductor and harpsichordist) (from 1987-12-02 until 1987-12-04)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1988)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1987-12-02 until 1987-12-04)
recording of:
In caelestibus regnis (from 1987-12-02 until 1987-12-04)
composer:
Giovanni Battista Pergolesi (composer)
Giovanni Battista Pergolesi2:32