Dreaming Adagios

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

▼ CD 1
#TitleArtistRatingLength
1Concierto de Aranjuez for Guitar and Orchestra - Transcribed for harp & orchestra: II. Adagio
guitar and harp:
Marisa Robles (Spanish harpist) (in 1983-08)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1983-08)
conductor:
Charles Dutoit (conductor) (in 1983-08)
recorded at:
St. Barnabas Church (Woodside Park, Finchley, London N12) in Finchley, Barnet (London Borough of Barnet), London (Greater London), England, United Kingdom (in 1983-08)
partial recording of:
Concierto de Aranjuez: II. Adagio (for harp and orchestra, Rodrigo 1974) (in 1983-08)
composer:
Joaquín Rodrigo (Spanish composer and virtuoso pianist) (in 1939)
arranger:
Joaquín Rodrigo (Spanish composer and virtuoso pianist) (in 1974)
arrangement of:
Concierto de Aranjuez: II. Adagio
part of:
Concierto de Aranjuez (for harp and orchestra, Rodrigo 1974)
Joaquín Rodrigo5:46
2Kinderszenen, op. 15, no. 7: Träumerei
art direction:
Jeremy Tilston (art director and designer)
producer:
Michael Woolcock (producer)
editor:
Nigel Gayler
piano:
Radu Lupu (Romanian concert pianist) (in 1993-01)
balance engineer:
Neil Hutchinson (sound engineer) (in 1993-01)
phonographic copyright (℗) by:
The Decca Record Company Limited (for copyrights use only!) (in 1995)
recorded at:
Château de Châtonneyre in Corseaux, Vaud (Canton of Vaud), Switzerland (in 1993-01)
recording of:
Kinderszenen, op. 15: No. 7. Träumerei (original for piano) (in 1993-01)
composer:
Robert Schumann (German classical composer) (in 1838)
part of:
Kinderszenen, op. 15
Robert Schumann2:27
3Liebestraum no. 3 in A-flat, S. 541
producer:
Peter Wadland
piano:
Jorge Bolet (Cuban‐born American virtuoso pianist and teacher, 1914–1990) (in 1982-09)
balance engineer:
John Dunkerley (engineer) (in 1982-09)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1983)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1982-09)
recording of:
Liebesträume, S. 541: No. 3 Liebestraum As-Dur “Oh Lieb, so lang du lieben kannst” (Liebesträume, S. 541: No. 3 Liebestraum in A flat major “Dream of Love”, for piano) (in 1982-09)
composer:
Franz Liszt (Hungarian composer, pianist and conductor) (in 1850)
piano arranger:
Franz Liszt (Hungarian composer, pianist and conductor)
arrangement of:
O lieb, so lang du lieben kannst, S. 298/2 (second version)
part of:
Liebesträume, S. 541
Franz Liszt4:57
4Oboe Concerto in D minor: II. Andante sostenuto (Arr. Guitar and Orchestra)
producer:
Anna Barry (classical producer), Stef Collignon and Martha de Francisco (classical producer and engineer)
guitar:
Alexandre Lagoya (guitarist/composer) (in 1994-05)
orchestra:
Academy of St Martin in the Fields (in 1994-05)
conductor:
Kenneth Sillito (violinist) (in 1994-05)
recorded at:
[unknown] (only use for recorded at if explicitly stated to be at an unknown place.) (in 1994-05)
recording of:
Concerto per oboe, archi e continuo in re minore: II. Adagio (catch-all for arrangements)
composer:
Alessandro Marcello
arrangement of:
Concerto per oboe, archi e continuo in re minore: II. Adagio (Concerto for oboe, strings and continuo in D minor: II. Adagio)
Alessandro Marcello4:23
5Cavalleria rusticana: Intermezzo
recording engineer:
Colin Moorfoot (engineer)
producer:
Michael Woolcock (producer)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (from 1976-06-10 until 1976-06-16)
conductor:
Gianandrea Gavazzeni (conductor) (from 1976-06-10 until 1976-06-16)
balance engineer:
Kenneth Wilkinson (engineer) (in 1976-06)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1978)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1976-06-10 until 1976-06-16)
recording of:
Cavalleria rusticana: Intermezzo (from 1976-06-10 until 1976-06-16)
composer:
Pietro Mascagni (composer & conductor) (in 1888)
publisher:
Ascherberg Hopwood & Crew
part of:
Cavalleria rusticana (german lyrics)
part of:
Cavalleria rusticana
Pietro Mascagni3:16
6Piano Concerto in G, M. 83: II. Adagio assai
producer:
Chris Hazell
piano:
Jean‐Yves Thibaudet (pianist) (in 1995-10)
orchestra:
Orchestre symphonique de Montréal (Montreal Symphony Orchestra) (in 1995-10)
conductor:
Charles Dutoit (conductor) (in 1995-10)
balance engineer:
John Dunkerley (engineer) (in 1995-10)
recorded at:
Église de Saint-Eustache in Saint-Eustache, Québec, Canada (in 1995-10)
recording of:
Piano Concerto in G major: II. Adagio assai (in 1995-10)
composer:
Maurice Ravel (classical composer) (from 1929 until 1931)
part of:
Piano Concerto in G major
Maurice Ravel9:55
7Suite bergamasque, L. 75: III. Clair de lune
producer:
Richard Beswick
piano:
Pascal Rogé (pianist) (in 1977-05)
balance engineer:
Colin Moorfoot (engineer) (in 1977-05)
phonographic copyright (℗) by:
The Decca Record Company Limited (for copyrights use only!) (in 1978)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1977-05)
recording of:
Suite bergamasque, L. 75, CD 82a : III. Clair de lune (for piano) (in 1977-05)
composer:
Claude Debussy (composer) (from 1890 until 1905)
part of:
Suite bergamasque, L. 75, CD 82a (for piano)
Claude Debussy5:33
8The Swan of Tuonela, op. 22, no. 2
producer:
Tom Mowrey
orchestra:
Orchestre de la Suisse Romande (OSR) (in 1980-01)
conductor:
Horst Stein (conductor) (in 1980-01)
balance engineer:
Colin Moorfoot (engineer) (in 1980-01)
recorded at:
Victoria Hall (Geneva) in Genève (Geneva), Genève (Canton of Geneva), Switzerland (in 1980-01)
recording of:
Lemminkäis-sarja (Neljä legendaa), op. 22: II. Tuonelan joutsen (Lemminkäinen Suite, op. 22: II. The Swan of Tuonela) (in 1980-01)
composer:
Jean Sibelius (Finnish composer) (in 1895)
part of:
Lemminkäis-sarja (Neljä legendaa), op. 22 (Lemminkäinen Suite, op. 22)
Jean Sibelius7:24
9Le Carnaval des Animaux: Aquarium
engineer and balance engineer:
John Dunkerley (engineer)
producer:
Andrew Cornall (engineer / producer)
piano:
Cristina Ortiz (pianist) (in 1980-03) and Pascal Rogé (pianist) (in 1980-03)
orchestra:
London Sinfonietta (in 1980-03)
conductor:
Charles Dutoit (conductor) (in 1980-03)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1980-03)
recording of:
Le Carnaval des animaux : VII. Aquarium (The Carnival of the Animals: VII. Aquarium) (in 1980-03)
composer:
Camille Saint‐Saëns (composer) (in 1886-02)
part of:
Le Carnaval des animaux (The Carnival of the Animals, Grande fantaisie zoologique, R 125)
Camille Saint‐Saëns2:33
10Symphony no. 5 in C sharp minor: IV. Adagietto (Sehr langsam)
recording engineer:
Jürgen Bulgrin (sound engineer) (in 1997-10) and Wolf-Dieter Karwatky (in 1997-10)
engineer:
Graham Meek
producer:
Andrew Cornall (engineer / producer)
editor:
Dagmar Birwe, Ingmar Haas (engineer) and Ian Watson (editor/engineer/producer)
orchestra:
Royal Concertgebouw Orchestra (in 1997-10)
conductor:
Riccardo Chailly (conductor) (in 1997-10)
balance engineer:
Jonathan Stokes (engineer)
recorded at:
Concertgebouw: Grote Zaal in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1997-10)
recording of:
Symphony no. 5 in C-sharp minor: IV. Adagietto. Sehr langsam (in 1997-10)
composer:
Gustav Mahler (composer) (from 1901 until 1902)
part of:
Symphony no. 5
Gustav Mahler10:21
11Etudes, op. 10, no. 3 in E "Tristesse"
producer:
Christopher Raeburn (producer)
piano:
Vladimir Ashkenazy (Russian-Icelandic conductor and pianist) (in 1972-07)
balance engineer:
James Lock (James Locke, engineer) (in 1972-07)
phonographic copyright (℗) by:
The Decca Record Company Limited (for copyrights use only!) (in 1975)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1972-07)
recording of:
Étude in E major, op. 10 no. 3: Lento ma non troppo (in 1972-07)
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (in 1832)
part of:
Études, op. 10
Fryderyk Chopin54:22
12Chants d'Auvergne: II. Bailero
producer:
Paul Myers (classical record producer)
soprano vocals:
Kiri Te Kanawa (soprano) (in 1982-08)
orchestra:
English Chamber Orchestra (in 1982-08)
conductor:
Jeffrey Tate (conductor) (in 1982-08)
balance engineer:
John Dunkerley (engineer) (in 1982-08)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1982-08)
recording of:
Chants d'Auvergne: Première Série: No. 2. Baïlèro (in 1982-08)
lyricist and composer:
[traditional] (special purpose artist)
arranger:
Joseph Canteloube
part of:
Chants d'Auvergne: Première Série
Joseph Canteloube6:43
13Rêverie, L. 68
producer:
Christopher Pope (producer)
piano:
Jean‐Yves Thibaudet (pianist) (from 1994-10-15 until 1994-10-18)
recorded at:
Saint George’s, Bristol (Brandon Hill) in Bristol, England, United Kingdom (from 1994-10-15 until 1994-10-18)
recording of:
Rêverie, L. 68, CD 76 (for piano) (from 1994-10-15 until 1994-10-18)
composer:
Claude Debussy (composer) (in 1890)
premiered at:
[concert] (1899-02-27)
publisher:
Choudens (in 1891) and Eugène Fromont (in 1905)
part of:
Catalogue François Lesure des œuvres de Claude Debussy (Version de 1977 “L.”) (number: L. 68) and Catalogue François Lesure des œuvres de Claude Debussy (Version révisée en 2001 “CD”) (number: CD 76)
Claude Debussy4:21
14Requiem, op. 48: VII. In paradisum
producer:
Paul Myers (classical record producer)
choir vocals:
Chœur de l’Orchestre symphonique de Montréal (Orchestre Symphonique de Montréal Chorus) (in 1987-10)
orchestra:
Orchestre symphonique de Montréal (Montreal Symphony Orchestra) (in 1987-10)
conductor:
Charles Dutoit (conductor) (in 1987-10)
chorus master:
Iwan Edwards (in 1987-10)
balance engineer:
John Dunkerley (engineer) (in 1987-10)
recorded at:
Église de Saint-Eustache in Saint-Eustache, Québec, Canada (in 1987-10)
recording of:
Requiem, op. 48: VII. In Paradisum (1890, second version) (in 1987-10)
composer:
Gabriel Fauré (French composer) (from 1886 until 1900)
publisher:
Éditions Durand (1947–present)
part of:
28 Days Later
part of:
Requiem, op. 48 (1890, second version)
Gabriel Fauré3:16
▶ CD 2