100 Nr. 1 Hits, Volume 1

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

▶ CD 1
▶ CD 2
▶ CD 3
▼ CD 4
#TitleArtistRatingLength
1Black Betty
phonographic copyright (℗) by:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1977), Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 1977), Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP) (in 1977) and CBS Schallplatten GmbH (in 1990)
cover recording of:
Black Betty
lyricist and composer:
[traditional] (special purpose artist) and Huddie William Ledbetter
publisher:
Kensington Music Ltd., Robert Mellin Music Publishing Corp., Sony/ATV Music Publishing Australia Pty Ltd., TRO-Folkways Music Publishers, Inc., Folkways Music Publ. Co. (publisher) (from 1977 to present) and TRO (publisher) (from 1977 to present)
Ram Jam3.73:56
2I Want You to Want Me
recording engineer:
鈴木智雄 (from 1978-04-28 until 1978-04-30)
assistant engineer:
Mike Beriger
engineer:
Gary Ladinsky (engineer)
producer:
Cheap Trick and Jack Douglas
mixer:
Cheap Trick, Gary Ladinsky (engineer) and Jay Messina (in 1978)
phonographic copyright (℗) by:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1978), CBS, Inc. (US broadcasting company; file no releases here!) (in 1978), EPC (in 1978), Epic/Sony Inc. (JP record company, Aug 1978 – Mar 1988) (in 1978, in 1979), Sony BMG Music Entertainment (Sony BMG Music Entertainment, Inc., Aug 5, 2004 – Oct 1, 2008) (in 1978) and Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP) (in 1978)
recorded at:
Nippon Budokan in Kitanomaru Kōen, Chiyoda (Chiyoda-ku), Tokyo, Japan (from 1978-04-28 until 1978-04-30)
mixed at:
The Record Plant (New York) in Midtown Manhattan, New York, New York, United States (in 1978)
live recording of:
I Want You to Want Me (from 1978-04-28 until 1978-04-30)
lyricist and composer:
Rick Nielsen
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing (do not use as a release label!), Gil Music Corporation, Adult Music (in 1977) and Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) (in 1977)
part of:
10 Things I Hate About You
Cheap Trick43:39
3The Final Countdown
recording engineer and mixer:
Wally Buck and Kevin Elson
producer:
Kevin Elson
bass guitar [bass]:
John Levén
drums (drum set) [drums]:
Ian Haugland
guitar:
John Norum
keyboard:
Mic Michaeli
lead vocals:
Joey Tempest (Swedish singer)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1986), Sony BMG Music Entertainment (Sony BMG Music Entertainment, Inc., Aug 5, 2004 – Oct 1, 2008) (in 1986) and Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP) (in 1986)
produced for:
Elson Music Vision, Inc.
recorded at and mixed at:
Fantasy Studios (Berkeley) in Berkeley, California, United States, Powerplay Studios in Maur, Zürich (Canton of Zürich), Switzerland and Soundtrade Studios in Solna City, Stockholms län (Stockholm county), Sweden
recording of:
The Final Countdown
lyricist and composer:
Joey Tempest (Swedish singer)
publisher:
EMI (EMI Records, EMI Records, since 1972), EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated) and Seven Doors Music
parody version of:
The Final Sound
Europe4.15:08
4Star Wars Title Theme
Meco3:29
5Axel F
producer:
Harold Faltermeyer
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) and Geffen Records (in 1984)
mixed at:
The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, United States
part of:
VH1's 100 Greatest One-Hit Wonders of the '80s (number: 70)
recording of:
Axel F (Beverly Hills Cop)
composer:
Harold Faltermeyer
Harold Faltermeyer4.13:00
6Crockett’s Theme
recording of:
Crockett’s Theme (Miami Vice)
composer:
Jan Hammer
publisher:
Involved Publishing Ltd and Universal/MCA Music Ltd. (not for release label use!)
Jan Hammer3.43:31
7I’ll Find My Way Home
producer:
Vangelis (Greek composer of electronic, new age and classical)
vocals:
Jon Anderson (Yes/Jon & Vangelis)
performer:
Vangelis (Greek composer of electronic, new age and classical)
arranger:
Vangelis (Greek composer of electronic, new age and classical)
phonographic copyright (℗) by:
Polydor Ltd. (UK) (not for release label use; fka Polydor Records Ltd.) (in 1981)
recording of:
I’ll Find My Way Home
lyricist:
Jon Anderson (Yes/Jon & Vangelis)
composer:
Jon Anderson (Yes/Jon & Vangelis) and Vangelis (Greek composer of electronic, new age and classical)
publisher:
EMI Music (Electric & Musical Industries Music, do not use as release label! this is a music publisher), Spheric B.V., Toughknot Ltd., Warner Bros. Music Co., Ltd., Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23) and Warner Chappell North America
Jon and Vangelis4.654:29
8I Love You
vocals:
Dieter Meier (member of Yello)
recording of:
I Love You
lyricist:
Dieter Meier (member of Yello)
composer:
Boris Blank
Yello3:12
9This Strange Effect
recording of:
This Strange Effect
lyricist and composer:
Ray Davies (UK singer/songwriter, member of The Kinks)
publisher:
Edward Kassner Music Co. Ltd.
Dave Berry2:27
10Smoke on the Water
recorded in:
Montreux, Vaud (Canton of Vaud), Switzerland (in 1971-12)
drums (drum set):
Ian Paice (in 1971-12)
electric bass guitar:
Roger Glover (in 1971-12)
electric guitar:
Ritchie Blackmore (in 1971-12)
Hammond organ:
Jon Lord (in 1971-12)
lead vocals:
Ian Gillan (in 1971-12)
phonographic copyright (℗) by:
EMI Records (EMI Records, since 1972) (from 1972 to present)
recorded at:
Rolling Stones Mobile Studio in United Kingdom (in 1971-12)
recording of:
Smoke on the Water (in 1971-12)
writer:
Ritchie Blackmore, Ian Gillan, Roger Glover, Jon Lord and Ian Paice
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946), EMI Music Publishing (do not use as a release label!), EMI Music Publishing France, EMI Music Publishing Scandinavia AB, HEC Music, Henrees Music co., EMI Music Publishing Japan C.F. division (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (from 2021-07-01 to present)
Deep Purple5:19
11Nights in White Satin
executive producer:
Hugh Mendl
producer:
Tony Clark (engineer, Abbey Road)
phonographic copyright (℗) by:
The Decca Record Co. Ltd. (The Decca Record Company Limited, for copyrights use only!) (in 1967)
recording of:
Nights in White Satin (in 1967)
lyricist and composer:
Justin Hayward (of the Moody Blues)
publisher:
Essex Music of Australia Pty. Ltd., TRO-Essex Music, Inc. and Tyler Music Ltd.
The Moody Blues4.454:24
12Two Princes
engineer:
Frank Aversa and Spin Doctors
producer:
Frank Aversa, Peter Denenberg, Frankie LaRocka and Spin Doctors
mixer:
Peter Denenberg, Frankie LaRocka and Spin Doctors
bass guitar:
Mark White (Spin Doctors)
guitar:
Eric Schenkman
Hammond organ, drums (drum set) and percussion:
Aaron Comess
guest background vocals:
John Popper
vocals:
Chris Barron
phonographic copyright (℗) by:
Sony BMG Music Entertainment (Sony BMG Music Entertainment, Inc., Aug 5, 2004 – Oct 1, 2008) (in 1991) and Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP) (in 1991)
recording of:
Two Princes
writer:
Chris Barron, Aaron Comess, Eric Schenkman and Mark White (Spin Doctors)
publisher:
Sony/ATV Music Publishing Ltd. and Sony/ATV Music Publishing Ltd.
Spin Doctors4.254:13
13I Can Help
engineer:
Chip Young (American session guitarist, bassist, producer in the genre of country)
producer:
Billy Swan and Chip Young (American session guitarist, bassist, producer in the genre of country)
acoustic guitar:
Johnny Christopher (Guitarist, lyricist, composer, singer, session musician)
bass:
Mike Leech
drums (drum set):
Hayward Bishop
electric guitar:
Chip Young (American session guitarist, bassist, producer in the genre of country) and Reggie Young (guitarist and songwriter)
instruments:
Paul Richmond (engineer)
phonographic copyright (℗) by:
Sony Music Entertainment (Sony Music Entertainment, Inc., NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1974)
recorded at:
Youngun Sound Studio in Murfreesboro, Tennessee, United States
recording of:
I Can Help (in 1974)
lyricist and composer:
Billy Swan
publisher:
CBS Songs, Combine Music Corp., EMI Songs Australia Pty. Ltd. and EMI Songs Ltd.
Billy Swan43:59
14Do You Remember
recording of:
Do You Remember
writer:
Tony Britnell and Arnie Treffers
Long Tall Ernie & The Shakers4:33
15This Ole House
cover recording of:
This Ole House
lyricist and composer:
Stuart Hamblen
publisher:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) and Universal/MCA Music Publishing Pty Ltd
Shakin’ Stevens3:03
16Ramona
cover recording of:
Ramona (English version)
lyricist:
L. Wolfe Gilbert
composer:
Mabel Wayne (in 1928)
recording of:
Ramona (English version)
lyricist:
L. Wolfe Gilbert
composer:
Mabel Wayne (in 1928)
The Blue Diamonds2:33
17We Were All Wounded at Wounded Knee
recording of:
We Were All Wounded at Wounded Knee
writer:
Sandy Baron (American comedian and actor) and Pat Vegas
publisher:
EMI Blackwood Music Inc., EMI Songs Ltd., Lolly Vegas Publishing and Novalene Music
Redbone43:29
18San Francisco
producer:
Lou Adler and John Phillips (The Mamas & The Papas)
vocals:
Scott McKenzie (in 1967-05)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1967) and Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP) (in 1967)
recording of:
San Francisco (Be Sure to Wear Flowers in Your Hair) (in 1967-05)
publisher:
John Phillips (The Mamas & The Papas)
lyricist and composer:
John Phillips (The Mamas & The Papas)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Honest John Music, MCA Music Ltd., Universal Music Corp. (USA, affiliated with ASCAP), Universal‐MCA Music Publishing (US) and Wingate Music Corp.
Scott McKenzie3.752:56
19Fox on the Run
engineer:
Peter Coleman (British engineer & producer)
producer:
Sweet (UK glam rock band)
arranger:
Sweet (UK glam rock band)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1973, in 1974, in 1975) and Chinebridge Ltd. (The Sweet) (in 1974)
recorded at:
Kingsway Studios in Camden (London Borough of Camden), London (Greater London), England, United Kingdom
engineered at:
Audio International Studios in London (Greater London), England, United Kingdom
recording of:
Fox on the Run
writer:
Brian Connolly (Scottish, member of Sweet), Steve Priest, Andy Scott (Member of Sweet) and Mick Tucker (drummer for The Sweet)
publisher:
Maxwood Music Ltd., Sweet Publishing Ltd. and Warner Chappell Music (publisher as Warner/Chappell Music)
The Sweet4.83:21
20Show Me the Way
recording of:
Show Me the Way
lyricist and composer:
Peter Frampton
publisher:
Almo Music Corp. (USA, affiliated with ASCAP) and United Artists Music Co., Inc.
Peter Frampton3.53:34
▶ CD 5