Die Grossen Meister der klassischen Musik, Vol. 2: J.S. Bach

~ Release by Johann Sebastian Bach (see all versions of this release, 4 available)

Tracklist

▼ CD 1
#TitleRatingLength
1Overture No. 4: Réjouissance
bassoon:
Gerd Schulze (bassoonist) (from 1982 until 1984)
cello:
Burkhard Schmidt (cellist) (from 1982 until 1984)
double bass:
Rainer Hucke (double bass player) (from 1982 until 1984)
harpsichord:
Walter Heinz Bernstein (harpsichordist and organist) (from 1982 until 1984)
oboe:
Günter Heidrich (oboist) (from 1982 until 1984), Uwe Kleinsorge (oboist) (from 1982 until 1984) and Hans Ludwig Mörchen (oboist) (from 1982 until 1984)
timpani:
Werner Legutke (percussionist) (from 1982 until 1984)
trumpet:
Ludwig Güttler (trumpet player) (from 1982 until 1984), Roland Rudolph (trumpet player) (from 1982 until 1984) and Heinz Stiefel (from 1982 until 1984)
violin:
Eberhard Palm (violinist) (from 1982 until 1984)
orchestra:
New Bach Collegium Musicum (from 1982 until 1984)
conductor:
Max Pommer (conductor) (from 1982 until 1984)
phonographic copyright (℗) by:
Delta Music GmbH (not for release label use! 1970–2007, succeeded in 2008 by Delta Music & Entertainment GmbH & Co. KG) (in 1985)
recorded at:
Paul-Gerhardt-Kirche in Leipzig, Sachsen (Saxony), Germany (from 1982 until 1984)
recording of:
Orchestersuite Nr. 4 D-Dur, BWV 1069: V. Réjouissance (from 1982 until 1984)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Orchestersuite Nr. 4 D-Dur, BWV 1069 (Orchestral suite no. 4 in D major, BWV 1069)
2:24
2Overture No. 3: Air
bassoon:
Gerd Schulze (bassoonist) (from 1982 until 1984)
cello:
Burkhard Schmidt (cellist) (from 1982 until 1984)
double bass:
Rainer Hucke (double bass player) (from 1982 until 1984)
harpsichord:
Walter Heinz Bernstein (harpsichordist and organist) (from 1982 until 1984)
oboe:
Günter Heidrich (oboist) (from 1982 until 1984) and Uwe Kleinsorge (oboist) (from 1982 until 1984)
timpani:
Werner Legutke (percussionist) (from 1982 until 1984)
trumpet:
Ludwig Güttler (trumpet player) (from 1982 until 1984), Roland Rudolph (trumpet player) (from 1982 until 1984) and Heinz Stiefel (from 1982 until 1984)
violin:
Eberhard Palm (violinist) (from 1982 until 1984)
orchestra:
Neues Bachisches Collegium Musicum (New Bach Collegium Musicum) (from 1982 until 1984)
conductor:
Max Pommer (conductor) (from 1982 until 1984)
phonographic copyright (℗) by:
Delta Music GmbH (not for release label use! 1970–2007, succeeded in 2008 by Delta Music & Entertainment GmbH & Co. KG) (in 1985)
recorded at:
Paul-Gerhardt-Kirche in Leipzig, Sachsen (Saxony), Germany (from 1982 until 1984)
recording of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Air on the G string) (from 1982 until 1984)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1730)
part of:
Orchestersuite Nr. 3 D-Dur, BWV 1068 (Orchestral suite no. 3 in D major, BWV 1068)
4:06
3Overture No. 2: Badinerie
bassoon:
Gerd Schulze (bassoonist)
cello:
Burkhard Schmidt (cellist)
double bass:
Rainer Hucke (double bass player)
flute:
Karl-Heinz Passin (flutist)
harpsichord:
Walter Heinz Bernstein (harpsichordist and organist)
orchestra:
Neues Bachisches Collegium Musicum Leipzig (New Bach Collegium Musicum)
conductor:
Max Pommer (conductor)
recording of:
Orchestersuite Nr. 2 h-Moll, BWV 1067: VII. Badinerie (Orchestral suite no. 2 in B minor, BWV 1067: VII. Badinerie)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Orchestersuite Nr. 2 h-Moll, BWV 1067 (Orchestral suite no. 2 in B minor, BWV 1067)
1:27
4Oboe Concerto in D minor: Adagio
oboe:
Burkhard Glaetzner (oboist)
orchestra:
Neues Bachisches Collegium Musicum (New Bach Collegium Musicum)
conductor:
Max Pommer (conductor)
recording of:
Concerto for Oboe, Strings and Basso Continuo in D minor, BWV 1059R: II. Adagio
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Concerto for Oboe, Strings and Basso Continuo in D minor, BWV 1059R
23:07
5Minuet in D minor, BWV Anh. 132
flute:
Karl-Heinz Passin (flutist)
harpsichord:
Walter Heinz Bernstein (harpsichordist and organist)
recording of:
Menuett in d-Moll, BWV Anh. 132
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
part of:
Bach-Werke-Verzeichnis (number: BWV Anh. 132)
1:13
6Minuet in G major, BWV Anh. 116
harpsichord and virginal:
Walter Heinz Bernstein (harpsichordist and organist)
recording of:
Minuet in G major, BWV Anh. 116
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV Anh. 116)
2:11
7Overture No. 1: Passepied
bassoon:
Gerd Schulze (bassoonist) (from 1982 until 1984)
cello:
Burkhard Schmidt (cellist)
double bass:
Rainer Hucke (double bass player)
harpsichord:
Walter Heinz Bernstein (harpsichordist and organist)
oboe:
Günter Heidrich (oboist) (from 1982 until 1984) and Uwe Kleinsorge (oboist) (from 1982 until 1984)
orchestra:
New Bach Collegium Musicum
conductor:
Max Pommer (conductor)
phonographic copyright (℗) by:
Delta Music GmbH (not for release label use! 1970–2007, succeeded in 2008 by Delta Music & Entertainment GmbH & Co. KG) (in 1985)
recorded at:
Paul-Gerhardt-Kirche in Leipzig, Sachsen (Saxony), Germany (from 1982 until 1984)
recording of:
Orchestersuite Nr. 1 C-Dur, BWV 1066: VII. Passepied I / Passepied II (from 1982 until 1984)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Orchestersuite Nr. 1 C-Dur, BWV 1066 (Orchestral suite no. 1 in C major, BWV 1066)
3:10
8Toccata and Fugue in D minor, BWV 565
producer:
Horst Kunze (balance engineer)
organ:
Hannes Kästner (German organist and cembalist) (in 1981)
recorded at:
St. Thomas Church in Leipzig, Sachsen (Saxony), Germany (in 1981)
recording of:
Toccata und Fuge d-Moll, BWV 565 (in 1981)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 565)
9:24
9“Ich liebe den Höchsten von ganzem Gemüte”, Cantata, BWV 174: Sinfonia
cello:
Siegfried Hunger (cellist) (in 1984), Burkhard Schmidt (cellist) (in 1984) and Matthias Schreiber (cellist) (in 1984)
trumpet:
Kurt Sandau (trumpet player) (in 1984)
viola:
Eberhard Freiberger (violist) (in 1984), Wolfgang Gränitz (violist) (in 1984) and Olaf Hallmann (violist) (in 1984)
violin:
Gunar Kaltofen (in 1984), Roald Reinecke (violinist) (in 1984) and Karl Suske (violinist) (in 1984)
orchestra:
Neues Bachisches Collegium Musicum (New Bach Collegium Musicum) (in 1984)
conductor:
Max Pommer (conductor) (in 1984)
performer:
Ludwig Güttler (trumpet player) (in 1984)
phonographic copyright (℗) by:
Delta Music GmbH (not for release label use! 1970–2007, succeeded in 2008 by Delta Music & Entertainment GmbH & Co. KG) (in 1985)
recorded at:
Paul-Gerhardt-Kirche in Leipzig, Sachsen (Saxony), Germany (in 1984)
recording of:
Kantate, BWV 174 „Ich liebe den Höchsten von ganzem Gemüte“: I. Sinfonia (in 1984)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1729-06-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
librettist:
Christian Friedrich Henrici (in 1728)
is based on:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048: I.
part of:
Kantate, BWV 174 "Ich liebe den Höchsten von ganzem Gemüte"
6:12
10Brandenburg Concerto No. 2 in F major, BWV 1047: Andante
orchestra:
Neues Bachisches Collegium Musicum (New Bach Collegium Musicum)
conductor:
Max Pommer (conductor)
recording of:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047: II. Andante (Brandenburg Concerto No. 2 in F major, BWV 1047: II. Andante)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047 (Brandenburg Concerto No. 2 in F major, BWV 1047)
3:36
11Easter Oratorio, BWV 249: Sinfonia
orchestra:
Neues Bachisches Collegium Musicum (New Bach Collegium Musicum)
conductor:
Max Pommer (conductor)
recorded at:
Paul-Gerhardt-Kirche in Leipzig, Sachsen (Saxony), Germany (in 1984)
recording of:
Oster-Oratorium, BWV 249: I. Sinfonia (in 1984)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-04-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (on 1725-04-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
version of:
Kantate, BWV 249a "Enfliehet, entschwindet, entweicht, ihr Sorgen": Sinfonia
part of:
Concerto for 3 trumpets, timpani, 3 oboes, bassoon, strings & continuo in D major (after BWV 249), BWV deest
part of:
Oster-Oratorium, BWV 249 (Easter Oratorio, BWV 249)
3:58
12Violin Concerto in E major, BWV 1042: Adagio
violin:
Szenthelyi Miklós (Miklós Szenthelyi, violinist)
orchestra:
Hungarian Chamber Orchestra
conductor:
Győriványi Ráth György
recording of:
Konzert für Violine und Orchester E-Dur, BWV 1042: II. Adagio
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Konzert für Violine und Orchester E-Dur, BWV 1042 (Violin Concerto in E major, BWV 1042)
6:10
13“Wachet auf, ruft uns die Stimme”, Chorale, BWV 645
producer:
Horst Kunze (balance engineer)
organ:
Hannes Kästner (German organist and cembalist) (in 1981)
recorded at:
St. Thomas Church in Leipzig, Sachsen (Saxony), Germany (in 1981)
recording of:
Sechs Choräle von Verschiedener Art (Schübler-Choräle): Wachet auf, ruft uns die Stimme, BWV 645 (in 1981)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 645)
is based on:
Wachet auf, ruft uns die Stimme, BWV 140: IV. Choral (Tenor) “Zion hört die Wächter singen”
part of:
Sechs Choräle von verschiedener Art
5:01
14Brandenburg Concerto No. 1 in F major, BWV 1046: Adagio
oboe:
Günter Heidrich (oboist) (from 1982 until 1984)
violino piccolo:
Eberhard Palm (violinist) (from 1982 until 1984)
orchestra:
Neues Bachisches Collegium Musicum (New Bach Collegium Musicum) (from 1982 until 1984)
conductor:
Max Pommer (conductor) (from 1982 until 1984)
phonographic copyright (℗) by:
Delta Music GmbH (not for release label use! 1970–2007, succeeded in 2008 by Delta Music & Entertainment GmbH & Co. KG) (in 1985)
recorded at:
Paul-Gerhardt-Kirche in Leipzig, Sachsen (Saxony), Germany (from 1982 until 1984)
recording of:
Brandenburgisches Konzert Nr. 1 F-Dur, BWV 1046: II. Adagio (from 1982 until 1984)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 1 F-Dur, BWV 1046 (Brandenburg Concerto No. 1 in F major, BWV 1046)
4:06
15“Kommst du nun, Jesu, vom Himmel herunter”, Chorale, BWV 650
co-recording engineer:
Hugo Gneipelt
recording engineer:
Bernd Runge
organ:
Friedrich Kircheis (organist) (in 1981-08)
trumpet:
Ludwig Güttler (trumpet player) (in 1981-08)
recorded at:
Predigerkirche Erfurt in Erfurt, Thüringen (Thuringia), Germany (in 1981-08)
recording of:
Sechs Choräle von Verschiedener Art (Schübler-Choräle): Kommst du nun, Jesus vom Himmel herunter, BWV 650 (catch all for arrangements) (in 1981-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Sechs Choräle von Verschiedener Art (Schübler-Choräle): Kommst du nun, Jesus vom Himmel herunter, BWV 650
3:46

Credits

Release group

part of:Masters of Classical Music (number: 2) (order: 2)
Discogs:https://www.discogs.com/master/444239 [info]