Absolute Cinema

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

CD 1
#TitleArtistRatingLength
1My Heart Will Go On
recording engineer:
Humberto Gatica and David Gleeson
miscellaneous support:
Emilie Charlap (task: orchestratra contractor) and Dan Shea (task: sound design)
additional drum machine [drum and rhythm] programming:
Dan Shea
drum machine [drum and rhythm] programming:
Walter Afanasieff
programming:
Dan Shea
assistant engineer:
Chris Brooke, Tony Gonzalez (engineer), Tyson Leeper, Glen Marchese, Ethan Schofer and Greg Thompson (engineer, mixer)
engineer:
Humberto Gatica (lead vocals) and Dan Shea
co-producer:
James Horner (American score composer)
producer:
Walter Afanasieff
mixer:
Humberto Gatica
additional keyboard:
Dan Shea
bass synthesizer [synth bass], Hammond organ [Hammond B-3 organ] and keyboard:
Walter Afanasieff
fiddle [Irish fiddle]:
Paul Peabody (violinist)
guitar:
Dann Huff
tin whistle [pennywhistle/whistles]:
Tony Hinnigan (cellist, multi-instrumentalist, most notably flutes, whistles, and pipes)
background vocals:
Cleytoven Richardson, Leslie Ellis, Skyler Jett, Konesha Owens and Jeanie Tracy
conductor:
William Ross (composer, orchestrator, arranger, conductor)
arranger:
Walter Afanasieff
orchestrator:
William Ross (composer, orchestrator, arranger, conductor)
recorded at:
The Hit Factory in Manhattan, New York, New York, United States and Wallyworld in San Rafael, California, United States
mixed at:
The Hit Factory in Manhattan, New York, New York, United States
music videos:
My Heart Will Go On (love theme from Titanic) by Céline Dion (Celine Dion)
part of:
The Co-Op: Top 10 British Funeral Songs (number: 2) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 279)
recording of:
My Heart Will Go On
lyricist:
Will Jennings
composer:
James Horner (American score composer)
publisher:
Blue Sky Rider Songs, EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), Ensign Music Corporation, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Fox Film Music Corporation (BMI-affiliated), Irving Music, Inc., Rondor Music (London) Ltd., Rondor Music Publishing, Sony/ATV Harmony, Sony/ATV Melody, TCF Music Publishing, Inc. (Twentieth Century Fox Music Publishing, Inc.; ASCAP), Universal Music Publishing Ltd. (Universal Music Publishing Limited, UK subsidiary of Universal Music Publishing Group), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), フジパシフィック音楽出版 第2事業部 (Fujipacific Music Publishing Division 2) (until 2014-12-31) and フジパシフィックミュージック 第2事業部 (Fujipacific Music, Inc. Division 2) (from 2015-01-01 to present)
part of:
The 70th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 70)
part of:
Titanic
Céline Dion4.354:40
2(I’ve Had) The Time of My Life
assistant engineer:
Jeff DeMorris (task: 2nd assistant engineer) and Dan Nebenzal (task: 1st assistant engineer)
engineer:
Carmine Rubino
producer:
Michael Lloyd (US guitarist/singer producer)
vocals:
Bill Medley and Jennifer Warnes
remixer:
Jimmy Ienner (producer), Michael Lloyd (US guitarist/singer producer), Dan Nebenzal and Carmine Rubino
additional arranger:
John D’Andrea and Michael Lloyd (US guitarist/singer producer)
arranger:
Gene Page
phonographic copyright (℗) by:
Vestron Music Inc. (in 1987)
produced for:
Mike Curb Productions
recorded at:
The Village Recorder (Village Studios, aka The Village Recorder) in Los Angeles, California, United States
recording of:
(I’ve Had) The Time of My Life
lyricist:
Franke Previte
composer:
John DeNicola and Donald Markowitz
publisher:
ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) (ended), Calspen Music, EMI April Music Inc., Marcu Music Company, Inc., Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Sony/ATV Tunes LLC (ASCAP), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), フジパシフィックミュージック (Fujipacific Music, Inc.), Donald Jay Music, Ltd. (publisher) (in 1987), Jemava Music Corp. (in 1987), Knockout Music Inc. (in 1987) and R.U. Cyrius Publishing (in 1987)
part of:
The 60th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 60)
Bill Medley & Jennifer Warnes3.854:45
3It Must Have Been Love
programming and producer:
Clarence Öfwerman
engineer:
Anders Herrlin and Alar Suurna
mixer:
Humberto Gatica
drums (drum set):
Pelle Alsing (from 1987 until 1990)
electric guitar [electric guitars]:
Jonas Isacsson (from 1987 until 1990)
keyboard [keyboards] and synclavier:
Clarence Öfwerman (from 1987 until 1990)
vocals:
Marie Fredriksson (from 1987 until 1990) and Per Gessle (Swedish singer and guitarist) (from 1987 until 1990)
phonographic copyright (℗) by:
EMI Svenska AB (not for release label use!) (in 1990)
recorded at:
Audio Sweden in Stockholm, Stockholms län (Stockholm county), Sweden (from 1987 until 1990) and EMI Studios in Stockholm, Stockholms län (Stockholm county), Sweden (from 1987 until 1990)
mixed at:
Ground Control Studios in Santa Monica, California, United States
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 466)
recording of:
It Must Have Been Love (from 1987 until 1990)
lyricist and composer:
Per Håkan Gessle (Swedish singer and guitarist)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) and Jimmy Fun Music
Roxette3.154:19
4The Grease Megamix
lead vocals:
Olivia Newton‐John (British‐Australian singer, actress and activist) and John Travolta (American actor and singer)
remixer:
Phil Harding & Ian Curnow (duo)
DJ-mixer:
Ian Curnow and Phil Harding (engineer, producer and remixer)
phonographic copyright (℗) by:
Universal International Music B.V. (company, do not use as label) (in 1990, in 2003)
DJ-mix of and mash-up of:
Greased Lightnin’ by John Travolta (American actor and singer), Summer Nights by John Travolta (American actor and singer), Olivia Newton‐John (British‐Australian singer, actress and activist) & Cast ([theatre], Special Purpose Artist - Do not add releases here, if possible.) and You’re the One That I Want by John Travolta (American actor and singer) & Olivia Newton‐John (British‐Australian singer, actress and activist)
recording of:
The Grease Megamix
writer:
Warren Casey, John Farrar and Jim Jacobs
medley of:
Summer Nights (Grease, 1971 musical)
medley of:
You’re the One That I Want (Grease, 1978 film)
medley of:
Greased Lightnin’ (Grease, 1971 musical)
John Travolta & Olivia Newton‐John3.554:50
5Flashdance… What a Feeling
producer:
Giorgio Moroder
vocals:
Irene Cara
phonographic copyright (℗) by:
Polygram Records, Inc. (New York) (PolyGram Records, Incorporated, not for release label use! US division of PolyGram) (in 1983) and Unidisc Music Inc. (not for release label use! use “Unidisc” instead) (in 1983)
part of:
Billboard: Greatest of All Time Hot 100 Songs (number: 38) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 492)
recording of:
Flashdance… What a Feeling
lyricist:
Irene Cara and Keith Forsey (drummer, producer and songwriter)
composer:
Giorgio Moroder
publisher:
Alcor Music (publisher), Carasmatic Music, Carub Music (publisher), Chappell Music Ltd., Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), GMPC, Intersong Music, Intersong Music Ltd., Intersong U.S.A. (publisher), Sony/ATV Harmony and WB Music Corp. (1929–2019)
part of:
The 56th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 56)
Irene Cara3.653:50
6When You Say Nothing at All
programming and producer:
Stephen Lipson
engineer and mixer:
Heff Moraes
accordion and whistle:
James McNally
bass:
Stephen Lipson
drums (drum set):
Andy Duncan (UK drummer and producer)
guitar:
Dominic Miller (guitarist)
keyboard:
Peter-John Vettese (British keyboardist, songwriter, arranger and record producer)
background vocals:
Tessa Niles and Miriam Stockley
vocals:
Ronan Keating
phonographic copyright (℗) by:
Polydor Ltd. (aka Polydor Ltée, Canadian manufacturer and distributor from 1966–1978, may show maple-leaf logo) (in 1999) and Polygram Ireland Ltd. (in 1999)
recorded at:
Metropolis (London) in London (Greater London), England, United Kingdom and The Aquarium (Studio) in London (Greater London), England, United Kingdom
mixed at:
The Aquarium (Studio) in London (Greater London), England, United Kingdom
cover recording of:
When You Say Nothing at All
writer:
Paul Overstreet and Don Schlitz
Ronan Keating2.554:16
7The James Bond Theme
producer:
John Barry (English score composer)
conductor and performer:
John Barry (English score composer)
arranger:
John Barry (English score composer)
recording of:
James Bond Theme (on 1962-07-23)
composer:
Monty Norman
publisher:
EMI Music Publishing (do not use as a release label!) and EMI United Partnership
part of:
James Bond themes
is based on:
Bad Sign, Good Sign (From the stage musical “A House for Mr Biswas”)
The John Barry Seven and Orchestra1:59
8Ready to Take a Chance Again
lead vocals:
Barry Manilow
phonographic copyright (℗) by:
Arista Records (not an imprint, use “Arista” for release labels) (in 1978)
recording of:
Ready to Take a Chance Again
lyricist:
Norman Gimbel
composer:
Charles Fox (film/TV composer, also Latin pianist)
publisher:
Sony/ATV Melody and Universal Music Careers
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
part of:
The 51st Academy Award for Best Original Song (number: 2)
part of:
Foul Play (1978 film soundtrack)
Barry Manilow2:58
9May It Be
recording of:
May It Be (Enya song for Lord of the Rings soundtrack)
orchestrator:
Howard Shore (Canadian score composer)
lyricist:
Roma Ryan
composer:
Enya (Irish singer-songwriter) and Nicky Ryan
publisher:
EMI Blackwood Music Inc., EMI Music Publishing Ltd. (PRS‐affiliated) and EMI Songs Ltd.
part of:
The 74th Academy Award for Best Original Song (number: 2)
part of:
The Lord of the Rings: The Fellowship of the Ring (film soundtrack)
Enya4:16
10Now We Are Free
recording engineer and mixer:
Alan Meyerson
assistant engineer:
Jake Jackson (recording engineer) and Nick Wollage
producer:
Klaus Badelt (German score composer) and Hans Zimmer (German score composer)
orchestra:
The Lyndhurst Orchestra
conductor:
Gavin Greenaway
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 2000) and Universal Classics Group (not for release label use, a division of UMG Recordings, Inc.) (in 2000)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
recording of:
Now We Are Free (Gladiator)
lyricist:
Lisa Gerrard
composer:
Klaus Badelt (German score composer), Lisa Gerrard and Hans Zimmer (German score composer)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), SKG Songs and Universal‐MCA Music Publishing (US)
part of:
Gladiator
medley including a cover recording of:
Now We Are Free (Gladiator)
lyricist:
Niloofar Rafiei
is based on:
Now We Are Free (Gladiator)
medley of:
Now We Are Free (Gladiator)
Hans Zimmer / Lisa Gerrard & The Lyndhurst Orchestra54:15
11You Never Can Tell
producer:
Chuck Berry, Leonard Chess, Leonard & Phil Chess (Legendary US production duo), Phil Chess and Willie Dixon
drums (drum set):
Odie Payne (American Chicago blues drummer) (from 1964-01-07 until 1964-01-09)
electric bass guitar:
Louis Satterfield (from 1964-01-07 until 1964-01-09)
guitar:
Chuck Berry (from 1964-01-07 until 1964-01-09)
piano:
Johnnie Johnson (from 1964-01-07 until 1964-01-09)
tenor saxophone:
Rubin Cooper (from 1964-01-07 until 1964-01-09) and George Patterson (from 1964-01-07 until 1964-01-09)
vocals:
Chuck Berry (from 1964-01-07 until 1964-01-09)
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1964)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (from 1964-01-07 until 1964-01-09)
recording of:
You Never Can Tell (from 1964-01-07 until 1964-01-09)
lyricist and composer:
Chuck Berry
publisher:
Arc Music Corp. (U.S. rock & blues publisher), Tristan Music Ltd. and Isalee Music (in 1994)
Chuck Berry4.152:43
12I Got You (I Feel Good)
recorded in:
Miami, Florida, United States (on 1965-05-06)
producer:
James Brown (The Godfather of Soul)
alto saxophone:
Nat Jones (Saxophonist and organist, worked with James Brown) (on 1965-05-06) and Maceo Parker (US funk/jazz saxophonist) (on 1965-05-06)
bass:
Bernard Odum (on 1965-05-06)
drums (drum set):
Melvin Parker (on 1965-05-06)
guitar:
Alphonso "Country" Kellum (on 1965-05-06) and Jimmy Nolen (on 1965-05-06)
organ:
Nat Jones (Saxophonist and organist, worked with James Brown) (on 1965-05-06)
tenor saxophone:
Al "Brisco" Clark (on 1965-05-06), St. Clair Pinckney (on 1965-05-06) and Eldee Williams (on 1965-05-06)
trombone:
Levi Rasbury (on 1965-05-06)
trumpet:
Joe Dupars (on 1965-05-06), Mike Ridley (on 1965-05-06) and Ron Tooley (American trumpeter) (on 1965-05-06)
lead vocals:
James Brown (The Godfather of Soul) (on 1965-05-06)
phonographic copyright (℗) by:
PolyGram Records, Inc. (PolyGram Records, Incorporated, not for release label use! US division of PolyGram) (in 1965), Universal Records Inc. (not for release label use! a division of UMG Recordings, Inc.) (in 1965) and PolyGram Inc. (1978–1990) (in 1988)
recorded at:
Criteria Studios in Miami, Florida, United States (on 1965-05-06)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 78) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 359)
cover recording of:
I Found You (a.k.a. I Got You (I Feel Good)) (on 1965-05-06)
lyricist and composer:
James Brown (The Godfather of Soul)
publisher:
Fort Knox Music Co, Hudson Bay Music Inc., Peter Maurice Music Co. Ltd., Trio Music Co., Inc. and Try Me Inc.
James Brown4.72:44
13License to Kill
producer:
Walter Afanasieff and Narada Michael Walden
vocals:
Gladys Knight
arranger:
Walter Afanasieff and Narada Michael Walden
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1989)
recording of:
Licence to Kill
writer:
Walter Afanasieff, Jeffrey Cohen (70s/80s US funk/soul producer/songwriter) and Narada Michael Walden
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing (do not use as a release label!) and SBK Songs Ltd. (in 1989)
part of:
James Bond themes
quotes music from:
Goldfinger
Gladys Knight3.355:14
14Purple Rain
phonographic copyright (℗) by:
NPG Records, Inc. (in 2017)
recorded at:
First Avenue in Minneapolis, Minnesota, United States (on 1983-08-03) and Sunset Sound, Studio 3 in Hollywood, Los Angeles, California, United States (from 1983-08 until 1983-09)
edit of:
Purple Rain (live with overdubs, 1983-08-03: First Avenue, Minneapolis, MN, USA) by Prince (“The Artist Formerly Known as…”) and The Revolution (founded by Prince)
live recording of:
Purple Rain (on 1983-08-03)
lyricist and composer:
Prince (“The Artist Formerly Known as…”)
publisher:
Because Éditions, Controversy Music and Island Music Ltd.
Prince & The Revolution2.54:04
15The Power of Love
recording engineer:
Jim Gaines and Robert Missbach
additional engineer:
Michael Christopher (engineer), Phil Kaffel and Malcolm Pollack
assistant engineer:
Rob Beaton, Alex Haas (Trance remixer/producer. Member of Cypher 7), Tom Size (US audio engineer) and Jim "Watts" Vereecke
producer:
Bob Clearmountain, Jellybean (US producer John Benitez) and Huey Lewis and the News (American pop rock band)
mixer:
Robert Missbach
bass guitar:
Mario Cipollina
drums (drum set) and percussion:
Bill Gibson (US drummer for Huey Lews & the News)
guitar:
Johnny Colla (US sax & guitarist for Huey Lewis & the News) and Chris Hayes (US rock guitarist & singer (Huey Lewis & The News))
harmonica:
Huey Lewis
keyboard:
Sean Hopper (US Keyboardist for Huey Lewis & the News)
saxophone:
Johnny Colla (US sax & guitarist for Huey Lewis & the News)
vocals:
Johnny Colla (US sax & guitarist for Huey Lewis & the News), Bill Gibson (US drummer for Huey Lews & the News), Chris Hayes (US rock guitarist & singer (Huey Lewis & The News)), Sean Hopper (US Keyboardist for Huey Lewis & the News) and Huey Lewis
phonographic copyright (℗) by:
Chrysalis (in 1985) and Chrysalis Records, Inc. (not for release label use!) (in 1985)
recorded at:
Fantasy Studios (Berkeley) in Berkeley, California, United States, Studio D Recording in Sausalito, California, United States and The Plant Studios (1981-2008) in Sausalito, California, United States
mixed at:
Power Station Studios (Power Station at BerkleeNYC, fka Power Station, Avatar Studios) in Hell's Kitchen, New York, New York, United States
music videos:
The Power of Love (full length) by Huey Lewis and the News (American pop rock band)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 108)
recording of:
The Power of Love (Back to the Future)
writer:
Johnny Colla (US sax & guitarist for Huey Lewis & the News), Chris Hayes (US rock guitarist & singer (Huey Lewis & The News)) and Huey Lewis
publisher:
Cause and Effect Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Huey Lewis Music, Hulex Music (publisher), Kinda Blue Music and Mushroom Music (Mushroom label's publishing company)
sub-publisher:
Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division) and Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
part of:
The 58th Academy Award for Best Original Song (number: 2)
part of:
Back to the Future: the Musical
Huey Lewis and the News43:45
16Axel F
producer:
Harold Faltermeyer
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) and Geffen Records (in 1984)
mixed at:
The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, United States
part of:
VH1's 100 Greatest One-Hit Wonders of the '80s (number: 70)
recording of:
Axel F (Beverly Hills Cop)
composer:
Harold Faltermeyer
Harold Faltermeyer4.13:02
17Gonna Fly Now (Theme From Rocky)
engineer:
Ami Hadani
lead vocals:
DeEtta Little and Nelson Pigford
phonographic copyright (℗) by:
Metro–Goldwyn–Mayer Music Inc. (licensing of music of which MGM owns the rights and focuses on releasing soundtrack releases) (in 1976)
recording of:
Gonna Fly Now
lyricist:
Carol Connors and Ayn Robbins
composer:
Bill Conti
publisher:
EMI U Catalog Inc. (publisher; do NOT use as release label), EMI Unart Catalog Inc., フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
part of:
The 49th Academy Award for Best Original Song (number: 2)
Bill Conti4.652:48
18Med Suntrip mot solen
Bengt Palmer Orkester2:18
19Always Look on the Bright Side of Life
lead vocals:
Eric Idle
phonographic copyright (℗) by:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1979)
recording of:
Always Look on the Bright Side of Life
lyricist and composer:
Eric Idle
publisher:
Oops Publishing Ltd.
version of:
Look on the Bright Side of Life (All Things Dull and Ugly)
part of:
Part Five: Miserere Loves Company
Monty Python3.53:43
20Theme from Love story
recording of:
Theme From Love Story (Instrumental)
composer:
Francis Lai (French composer)
Francis Lai3:20
21Love Theme From The Godfather
orchestra:
The City of Prague Philharmonic Orchestra (, in 2000-08)
conductor:
Paul Bateman (conductor)
recorded at:
Smecky Music Studios in Praha (Prague), Czechia (in 2000-08) and Whitfield Street Studios (London) in London (Greater London), England, United Kingdom (in 2000-09: choir vocals)
instrumental cover recording of:
Speak Softly Love (The Godfather, Love Theme) (in 2000-08)
lyricist:
Larry Kusik
composer:
Nino Rota (composer)
publisher:
Famous Chappell Ltd., Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) and Famous Music Publishing Limited
version of:
Love Theme from The Godfather
The City of Prague Philharmonic Orchestra2:43
CD 2
CD 3