Little Bird

~ Release by The Pete Jolly Trio And Friends (see all versions of this release, 3 available)

Tracklist

▼ 12" Vinyl 1
#	Title	Rating	Length
A1	Little Bird engineer: Bones Howe producer: Jackie Mills and Tommy Wolf (US pianist/composer) bass: Chuck Berghofer (Jazz bassist) (from 1962-11 until 1963-01) drums (drum set): Larry Bunker (from 1962-11 until 1963-01) piano: Pete Jolly (American jazz pianist, accordionist, and composer) (from 1962-11 until 1963-01) recorded at: Conway Recording Studios in Hollywood, Los Angeles, California, United States (from 1962-11 until 1963-01) recording of: Little Bird writer: Dick Grove, Pete Jolly (American jazz pianist, accordionist, and composer) and Tommy Wolf (US pianist/composer)		2:18
A2	Three-Four-Five engineer: Bones Howe producer: Jackie Mills and Tommy Wolf (US pianist/composer) bass: Chuck Berghofer (Jazz bassist) (from 1962-11 until 1963-01) drums (drum set): Larry Bunker (from 1962-11 until 1963-01) piano: Pete Jolly (American jazz pianist, accordionist, and composer) (from 1962-11 until 1963-01) recorded at: Conway Recording Studios in Hollywood, Los Angeles, California, United States (from 1962-11 until 1963-01) recording of: Three-Four-Five writer: Pete Jolly (American jazz pianist, accordionist, and composer)		2:55
A3	Never Never Land engineer: Bones Howe producer: Jackie Mills and Tommy Wolf (US pianist/composer) bass: Chuck Berghofer (Jazz bassist) (from 1962-11 until 1963-01) drums (drum set): Larry Bunker (from 1962-11 until 1963-01) piano: Pete Jolly (American jazz pianist, accordionist, and composer) (from 1962-11 until 1963-01) recorded at: Conway Recording Studios in Hollywood, Los Angeles, California, United States (from 1962-11 until 1963-01) instrumental recording of: Never Never Land (Peter Pan, 1954 musical) lyricist: Betty Comden and Adolph Green composer: Jule Styne publisher: Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.), Quaytor Productions LLC and WC Music Corp. part of: Peter Pan (1954 musical)		6:33
A4	Alone Together engineer: Bones Howe producer: Jackie Mills and Tommy Wolf (US pianist/composer) bass: Chuck Berghofer (Jazz bassist) (from 1962-11 until 1963-01) drums (drum set): Larry Bunker (from 1962-11 until 1963-01) piano: Pete Jolly (American jazz pianist, accordionist, and composer) (from 1962-11 until 1963-01) recorded at: Conway Recording Studios in Hollywood, Los Angeles, California, United States (from 1962-11 until 1963-01) instrumental recording of: Alone Together lyricist: Howard Dietz (librettist) writer: Schwartz & Dietz (Howard Dietz and Arthur Schwartz (lyricist and composer respectively)) composer: Arthur Schwartz publisher: Arthur Schwartz Music Ltd., Warner Bros. Music (publisher; do NOT use as release label) and Warner Bros., Inc. (Warner Bros. Music Division) sub-publisher: ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)		7:57
B1	To Kill a Mockingbird engineer: Bones Howe producer: Jackie Mills and Tommy Wolf (US pianist/composer) bass: Chuck Berghofer (Jazz bassist) (from 1962-11 until 1963-01) drums (drum set): Larry Bunker (from 1962-11 until 1963-01) piano: Pete Jolly (American jazz pianist, accordionist, and composer) (from 1962-11 until 1963-01) recorded at: Conway Recording Studios in Hollywood, Los Angeles, California, United States (from 1962-11 until 1963-01) recording of: Main Title (To Kill a Mockingbird) composer: Elmer Bernstein (American score composer) part of: To Kill a Mockingbird		2:20
B2	Spring Can Really Hang You Up the Most engineer: Bones Howe producer: Jackie Mills and Tommy Wolf (US pianist/composer) bass: Chuck Berghofer (Jazz bassist) (from 1962-11 until 1963-01) drums (drum set): Larry Bunker (from 1962-11 until 1963-01) piano: Pete Jolly (American jazz pianist, accordionist, and composer) (from 1962-11 until 1963-01) recorded at: Conway Recording Studios in Hollywood, Los Angeles, California, United States (from 1962-11 until 1963-01) instrumental recording of: Spring Can Really Hang You Up the Most lyricist: Fran Landesman composer: Tommy Wolf (US pianist/composer) publisher: Wolfland		2:55
B3	My Favorite Things engineer: Bones Howe producer: Jackie Mills and Tommy Wolf (US pianist/composer) bass: Chuck Berghofer (Jazz bassist) (from 1962-11 until 1963-01) drums (drum set): Larry Bunker (from 1962-11 until 1963-01) piano: Pete Jolly (American jazz pianist, accordionist, and composer) (from 1962-11 until 1963-01) recorded at: Conway Recording Studios in Hollywood, Los Angeles, California, United States (from 1962-11 until 1963-01) instrumental recording of: My Favorite Things (The Sound of Music) lyricist: Oscar Hammerstein II (of Rodgers & Hammerstein) composer: Richard Rodgers (composer) publisher: Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Williamson Music Company and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) part of: American Splendor part of: The Sound of Music (Rodgers & Hammerstein musical)		4:25
B4	Toot Toot Tootsie (Goodbye) engineer: Bones Howe producer: Jackie Mills and Tommy Wolf (US pianist/composer) bass: Chuck Berghofer (Jazz bassist) (from 1962-11 until 1963-01) drums (drum set): Larry Bunker (from 1962-11 until 1963-01) piano: Pete Jolly (American jazz pianist, accordionist, and composer) (from 1962-11 until 1963-01) recorded at: Conway Recording Studios in Hollywood, Los Angeles, California, United States (from 1962-11 until 1963-01) instrumental recording of: Toot, Toot, Tootsie (Goo’ Bye) writer: Ernie Erdman, Gus Kahn and Dan Russo publisher: Salabert		5:11
B5	Falling in Love With Love engineer: Bones Howe producer: Jackie Mills and Tommy Wolf (US pianist/composer) bass: Chuck Berghofer (Jazz bassist) (from 1962-11 until 1963-01) drums (drum set): Larry Bunker (from 1962-11 until 1963-01) piano: Pete Jolly (American jazz pianist, accordionist, and composer) (from 1962-11 until 1963-01) recorded at: Conway Recording Studios in Hollywood, Los Angeles, California, United States (from 1962-11 until 1963-01) instrumental recording of: Falling in Love With Love lyricist: Lorenz Hart (in 1938) composer: Richard Rodgers (composer) (in 1938) publisher: Chappell & Co. and Chappell & Co., Inc. (USA) part of: The Boys From Syracuse part of: The Real Book (compilation of jazz standards, Volume I)		4:32

Credits

Release

liner notes:	Johnny Mercer
guest guitar:	Howard Roberts (jazz guitarist, educator, session musician and producer)
guest percussion:	Kenny Hume
illustration:	Don Weller (illustrator)
design:	Bill Pate

Discogs:	https://www.discogs.com/release/5496444 [info]