The Ultimate Collection

~ Release by Johann Sebastian Bach (see all versions of this release, 1 available)

Annotation

1: P 1985

3: P 1972
4: P 1979
5: P 1976
6: P 1983
7: P 1984
8: P 1992
9: P 1979
10: P 1982/1984
11: P 1984
12: P 1994
13: P 1975
14: P 1983
15: P 1962
16: P 1985
17: P 1979
18: P 1983
19: P 1981

Annotation last modified on 2015-02-11 10:59 UTC.

Tracklist

▼ CD 1
#TitleRatingLength
1Brandenburg Concerto No.3, BWV 1048, Allegro
cello:
Jaap ter Linden (cellist/violist/conductor) (in 1983-12), Wouter Möller (cellist) (in 1983-12) and Ruud van der Meer (in 1983-12)
viola:
Nicola Cleminson (in 1983-12), Trevor Jones (British violist, ex. Salomon Quartet) (in 1983-12) and Jan Schlapp (violist Janet Schlapp) (in 1983-12)
violin:
Alison Bury (violinist) (in 1983-12), Graham Cracknell (in 1983-12) and Monica Huggett (violinist) (in 1983-12)
violone:
Jaap ter Linden (cellist/violist/conductor) (in 1983-12), Richte van der Meer (cellist) (in 1983-12) and Wouter Möller (cellist) (in 1983-12)
orchestra:
Amsterdam Baroque Orchestra (in 1983-12)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1983-12)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1983-12)
recording of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048: I. (in 1983-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048 (Brandenburg Concerto No. 3 in G major, BWV 1048, Hillborg version with new 2nd mvt)
part of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048 (Brandenburg Concerto No. 3 in G major, BWV 1048)
5:43
2Suite No.2, BWV 1067, Badinerie
flute:
Jean‐Pierre Rampal (flautist)
orchestra:
Amsterdam Baroque Orchestra and Orchestre de chambre Jean‐François Paillard
conductor:
Ton Koopman (conductor, organist and harpsichordist) and Jean‐François Paillard (French conductor)
recording of:
Orchestersuite Nr. 2 h-Moll, BWV 1067: VII. Badinerie (Orchestral suite no. 2 in B minor, BWV 1067: VII. Badinerie)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Orchestersuite Nr. 2 h-Moll, BWV 1067 (Orchestral suite no. 2 in B minor, BWV 1067)
1:23
3Cantata, BWV 208, Sheep May Safely Graze (Schafe Können sicher weiden)
mezzo-soprano vocals, solo mezzo-soprano vocals and soprano vocals:
Elisabeth von Magnus (mezzo-soprano / alto) (in 1995-09)
orchestra:
Amsterdam Baroque Orchestra (in 1995-09)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1995-09)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1995-09)
recording of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: IX. Aria (Sopran II) “Schafe können sicher weiden” (in 1995-09)
premiered in:
Weißenfels, Sachsen-Anhalt (Saxony-Anhalt), Germany (in 1713-02)
composed in:
Weimar, Thüringen (Thuringia), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1713)
librettist:
Salomon Franck
part of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”
4:11
4Violin Concerto No.2 in E major, BWV 1042, Allegro assai
engineer:
Pierre Lavoix (engineer) (in 1978-04) and Daniel Madelaine (engineer) (in 1978-04)
violin:
Gérard Jarry (violinist) (in 1978-04)
orchestra:
Orchestre de chambre Jean‐François Paillard (in 1978-04)
conductor:
Jean‐François Paillard (French conductor) (in 1978-04)
recorded at:
Eglise Notre-Dame des Roses in Grisy-Suisnes, Seine-et-Marne, Île-de-France, France (in 1978-04)
recording of:
Konzert für Violine und Orchester E-Dur, BWV 1042: III. Allegro assai (in 1978-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Konzert für Violine und Orchester E-Dur, BWV 1042 (Violin Concerto in E major, BWV 1042)
2:52
5Concerto for harpsichord, strings & continuo No. 5 in F minor, BWV 1056: Largo
recorded in:
Lisbon, Lisboa (Lisbon District), Portugal (from 1974-06-28 until 1974-06-29)
recording engineer:
Pierre Lavoix (engineer) (in 1974-06)
producer:
Michel Garcin (French producer) (in 1974-06)
piano:
Maria João Pires (pianist) (in 1974-06, from 1974-06-28 until 1974-06-29)
orchestra:
Orquestra Gulbenkian (The Gulbenkian Orchestra) (in 1974-06) and Orchestre de Chambre de la Fondation Gulbenkian de Lisbonne (The Gulbenkian Orchestra) (from 1974-06-28 until 1974-06-29)
conductor:
Michel Corboz (conductor and composer) (in 1974-06, from 1974-06-28 until 1974-06-29)
balance engineer:
Pierre Lavoix (engineer)
recording of:
Concerto no. 5 for Keyboard and Orchestra in F minor, BWV 1056: II. Largo (from 1974-06-28 until 1974-06-29)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Concerto no. 5 for Keyboard and Orchestra in F minor, BWV 1056
recording of:
Concerto no. 5 for Keyboard and Orchestra in F minor, BWV 1056: II. Largo (in 1974-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Concerto no. 5 for Keyboard and Orchestra in F minor, BWV 1056
3:16
6Partita for Solo Violin, No.3 in E major, BWV 1006, Gavotte en Rondeau
recorded in:
Haarlem, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1982-03 until 1982-06)
violin:
Thomas Zehetmair (violinist and conductor) (from 1982-03 until 1982-06)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1982-03 until 1982-06)
recording of:
Violin Partita no. 3 in E major, BWV 1006: III. Gavotte en rondeau (from 1982-03 until 1982-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1720)
part of:
Violin Partita no. 3 in E major, BWV 1006
2:31
7Cantata, BWV 147, Chorale No.10, Jesu Joy of Man's Desiring (Jesu bleibet meine Freude)
choir vocals:
Scottish Philharmonic Singers (in 1983-03)
orchestra:
Scottish Chamber Orchestra (in 1983-03)
conductor:
Raymond Leppard (conductor and harpsichordist) (in 1983-03)
chorus master:
Ian McCrorie (choir master) (in 1983-03)
recorded at:
Usher Hall in Edinburgh, Scotland, United Kingdom (in 1983-03)
recording of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring) (in 1983-03)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-07-02)
lyricist:
Martin Janus (German Protestant minister, c. 1620–1682) (in 1665)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“
3:40
8Prelude in C major, BWV 846
solo harp:
Marielle Nordmann (harpist)
phonographic copyright (℗) by:
Warner Music UK (formerly Warner Records Ltd., a branch of WEA International)
recording of:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 1 in C major, BWV 846: Prelude
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1722)
part of:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 1 in C major, BWV 846
revision of:
Prelude and Fugue no. 1 in C major, BWV 846a: I. Prelude
51:44
9Concerto for 2 Violins in D minor, BWV 1043, Largo ma non tanto
engineer:
Pierre Lavoix (engineer) (in 1978-04) and Daniel Madelaine (engineer) (in 1978-04)
violin:
Pierre Amoyal (violinist and conductor) (in 1978-04) and Gérard Jarry (violinist) (in 1978-04)
orchestra:
Orchestre de chambre Jean‐François Paillard (in 1978-04)
conductor:
Jean‐François Paillard (French conductor) (in 1978-04)
recorded at:
Eglise Notre-Dame des Roses in Grisy-Suisnes, Seine-et-Marne, Île-de-France, France (in 1978-04)
recording of:
Concerto for 2 Violins in D minor, BWV 1043: II. Largo ma non tanto (in 1978-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1730 until 1731)
part of:
Concerto for 2 Violins in D minor, BWV 1043
7:29
10Cello Suite No.1 in G major, BWV 1007, Prelude
cello:
Jörg Baumann (cellist) (from 1982 until 1984)
recording of:
Suite für Violoncello solo no. 1 G-Dur, BWV 1007: I. Prélude (from 1982 until 1984)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Suite für Violoncello solo no. 1 G-Dur, BWV 1007 (Cello Suite No. 1 in G major, BWV 1007)
2:33
11Cantata, BWV 140, Chorale No.4 Sleepers Awake (Wachet auf)
choir vocals:
Scottish Chamber Chorus (in 1983-03)
tenor vocals:
Scottish Philharmonic Singers (in 1983-03)
orchestra:
Scottish Chamber Orchestra (in 1983-03)
conductor:
Raymond Leppard (conductor and harpsichordist) (in 1983-03)
chorus master:
Ian McCrorie (choir master) (in 1983-03)
recorded at:
Usher Hall in Edinburgh, Scotland, United Kingdom (in 1983-03)
recording of:
Wachet auf, ruft uns die Stimme, BWV 140: IV. Choral (Tenor) “Zion hört die Wächter singen” (in 1983-03)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1731-11-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
is based on:
Wachet auf, ruft uns die Stimme
part of:
Kantate, BWV 140 "Wachet auf, ruft uns die Stimme"
4:56
12St John Passion, BWV 245, Herr, unser Herrscher (excerpt)
choir vocals:
De Nederlandse Bachvereniging (The Netherlands Bach Society) (in 1993-03)
orchestra:
Amsterdam Baroque Orchestra (in 1993-03)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1993-03)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1993-03)
partial recording of:
Johannes-Passion, BWV 245: Teil I. No. 1 Chorus "Herr, unser Herrscher" (in 1993-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Johannes-Passion, BWV 245 (St. John Passion, BWV 245)
3:46
13Sonata, BWV 1031, Sicilienne
flute:
Jean‐Pierre Rampal (flautist) (in 1973-09)
harpsichord:
Robert Veyron‐Lacroix (harpsichordist) (in 1973-09)
viola da gamba:
Jordi Savall (viol player, conductor and composer) (in 1973-09)
recorded at:
Église Saint-Jean-Baptiste de Grenelle in Paris, Île-de-France, France (in 1973-09)
recording of:
Flute Sonata in E-flat major, BWV 1031: II. Siciliano (in 1973-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Flute Sonata in E-flat major, BWV 1031
2:09
14Partita No.2 for Solo Violin in D minor, BWV 1004, Sarabande
recorded in:
Haarlem, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1982-03 until 1982-06)
violin:
Thomas Zehetmair (violinist and conductor) (from 1982-03 until 1982-05, from 1982-03 until 1982-06)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1982-03 until 1982-06)
recording of:
Violin Partita no. 2 in D minor, BWV 1004: III. Sarabande (from 1982-03 until 1982-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1717 until 1723)
part of:
Violin Partita no. 2 in D minor, BWV 1004
3:21
15Brandenburg Concerto No.2 in F major, BWV 1047, Allegro assai
flute:
Kurt Redel (German flautist and conductor) (from 1962-05-01 until 1962-05-06)
oboe:
Pierre Pierlot (oboist) (from 1962-05-01 until 1962-05-06)
trumpet:
Maurice André (French trumpeter) (from 1962-05-01 until 1962-05-06)
violin:
Reinhold Barchet (violinist) (from 1962-05-01 until 1962-05-06)
orchestra:
Münchener Kammerorchester (Munich Chamber Orchestra) (from 1962-05-01 until 1962-05-06)
conductor:
Kurt Redel (German flautist and conductor) (from 1962-05-01 until 1962-05-06)
recorded at:
Salesianum de Munich in München (Munich), Bayern (Bavaria), Germany (from 1962-05-01 until 1962-05-06)
recording of:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047: III. Allegro assai (from 1962-05-01 until 1962-05-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047 (Brandenburg Concerto No. 2 in F major, BWV 1047)
2:55
16Suite No.3. BWV 1068, Air
producer and editor:
Yolanta Skura
orchestra:
English Baroque Soloists (The English Baroque Soloists) (from 1983-01-06 until 1983-01-27)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (from 1983-01-06 until 1983-01-27)
balance engineer:
Pierre Lavoix (engineer)
phonographic copyright (℗) by:
Warner Music UK Ltd. (not for release label use!) (in 1985)
recorded at:
St. Giles’ Cripplegate in City of London, London (Greater London), England, United Kingdom (from 1983-01-06 until 1983-01-27)
recording of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Air on the G string) (from 1983-01-06 until 1983-01-27)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1730)
part of:
Orchestersuite Nr. 3 D-Dur, BWV 1068 (Orchestral suite no. 3 in D major, BWV 1068)
4:07
17Concerto for Violin in A minor, BWV 1041, Andante
engineer:
Pierre Lavoix (engineer) (in 1978-04) and Daniel Madelaine (engineer) (in 1978-04)
violin:
Gérard Jarry (violinist) (in 1978-04)
orchestra:
Orchestre de chambre Jean‐François Paillard (in 1978-04)
conductor:
Jean‐François Paillard (French conductor) (in 1978-04)
recorded at:
Eglise Notre-Dame des Roses in Grisy-Suisnes, Seine-et-Marne, Île-de-France, France (in 1978-04)
recording of:
Violin Concerto in A minor, BWV 1041: II. Andante (in 1978-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Violin Concerto in A minor, BWV 1041
6:20
18St Matthew Passion, BWV 244, Chorale "O Haupt voll Blut und Wunden"
producer:
Michel Garcin (French producer)
choir vocals:
Ensemble Vocal de Lausanne (in 1982-06)
orchestra:
Orchestre de Chambre de Lausanne (Lausanne Chamber Orchestra) (in 1982-06)
conductor:
Michel Corboz (conductor and composer) (in 1982-06)
balance engineer:
Pierre Lavoix (engineer)
recorded at:
Casino de Vevey in Vevey, Vaud (Canton of Vaud), Switzerland (from 1982-06-12 until 1982-06-19)
recording of:
Matthäus-Passion, BWV 244: Teil II, LIV. Choral "O Haupt voll Blut und Wunden" (in 1982-06)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 162)
part of:
Matthäus-Passion, BWV 244: Teil II
2:18
19Toccata & Fugue in D minor, BWV 565
organ:
Marie‐Claire Alain (organist) (in 1981)
recorded at:
Sankt Nicolai Kirke (St. Nicolai Church) in Kolding, Region of Southern Denmark, Denmark (in 1981)
recording of:
Toccata und Fuge d-Moll, BWV 565 (in 1981)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 565)
8:20