60 Number Ones of the Sixties

~ Release by Various Artists (see all versions of this release, 1 available)

Annotation

Label: Warner Bros. Records

Annotation last modified on 2019-09-17 02:47 UTC.

Tracklist

CD 1
CD 2
#TitleArtistRatingLength
1Something in the Air
producer:
Pete Townshend (of The Who)
recording of:
Something in the Air (in 1969)
lyricist and composer:
John Keen ("Speedy")
publisher:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Fabulous Music, Ltd. (this is a publisher, not an imprint!) and Songs of Windswept Pacific
Thunderclap Newman43:55
2Keep On Running
recording of:
Keep On Running
lyricist and composer:
Jackie Edwards
publisher:
Island Music Ltd. and Universal/Island Music Ltd. (for music publishing use only, formerly Island Music Ltd.)
The Spencer Davis Group52:36
3Needles and Pins
cover recording of:
Needles and Pins
lyricist:
Sonny Bono
composer:
Sonny Bono and Jack Nitzsche (American musician and score composer)
publisher:
EMI Catalogue, EMI Unart Catalog Inc., EMI United Partnership Ltd. and Metric Music
The Searchers3.652:12
4Last Train to Clarksville
recording of:
Last Train to Clarksville
writer:
Tommy Boyce (US songwriter of Boyce and Hart) and Bobby Hart
publisher:
Screen Gems–Columbia Music, Inc. and Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
The Monkees2:36
5Yeh, Yeh
Georgie Fame & the Blue Flames2:46
6Baby Love
producer:
Lamont Dozier and Brian Holland (Motown producer & songwriter)
foot stomps [footstomps]:
Michael Valvano (on 1964-08-13)
instruments:
The Funk Brothers (on 1964-08-13)
background vocals:
Florence Ballard (on 1964-08-13) and Mary Wilson (on 1964-08-13)
lead vocals:
Diana Ross (on 1964-08-13)
phonographic copyright (℗) by:
Motown Record Corporation (company credits only; do NOT use as release label) (in 1964) and UMG Recordings (Universal Music Group, Inc., operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1964)
recorded at:
Hitsville (Motown Records) in Detroit, Michigan, United States (on 1964-08-13)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (number: 4), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 324) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 499)
recording of:
Baby Love (on 1964-08-13)
lyricist:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
composer:
Lamont Dozier and Brian Holland (Motown producer & songwriter)
publisher:
Jobete Music (UK) Ltd. and Stone Agate Music Division
The Supremes4.652:34
7Dizzy
Tommy Roe2:44
8Michelle
phonographic copyright (℗) by:
Northern Songs Ltd. (in 1965)
cover recording of:
Michelle (in 1965-12)
writer:
John Lennon (The Beatles) and Paul McCartney (The Beatles)
publisher:
Northern Songs Ltd. and Sony/ATV Music Publishing LLC (1995–2020)
The Overlanders2:22
9Tired of Waiting for You
engineer:
Bob Auger (Robert Auger, engineer) and Alan McKenzie (engineer)
bass guitar and background vocals:
Pete Quaife (Kinks' bass guitarist) (in 1964)
drums (drum set):
Bobby Graham (UK pop/rock session drummer and producer, 1940–2009) (in 1964)
guitar:
Dave Davies (lead guitarist, backing (and occasional lead) singer for The Kinks) (from 1964 until 1964-12-29) and Ray Davies (UK singer/songwriter, member of The Kinks) (from 1964 until 1964-12-29)
lead vocals:
Ray Davies (UK singer/songwriter, member of The Kinks) (in 1964)
phonographic copyright (℗) by:
Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1965)
recorded at:
Pye Studios, Studio 2 in London (Greater London), England, United Kingdom (in 1964) and IBC Studios in London (Greater London), England, United Kingdom (on 1964-12-29: guitar)
recording of:
Tired of Waiting for You (from 1964 until 1964-12-29)
lyricist and composer:
Ray Davies (UK singer/songwriter, member of The Kinks)
publisher:
Edward Kassner Music Co. Ltd. and Jay Boy
The Kinks52:31
10Half as Nice
Amen Corner2:48
11The Sun Ain’t Going to Shine Anymore
phonographic copyright (℗) by:
Phonogram Ltd. (in 1966) and PolyGram Records, Inc. (New York) (PolyGram Records, Incorporated, not for release label use! US division of PolyGram) (in 1966)
cover recording of:
The Sun Ain’t Gonna Shine (Anymore) (in 1966)
writer:
Bob Crewe and Bob Gaudio
publisher:
EMI Longitude Music, EMI Music (Electric & Musical Industries Music, do not use as release label! this is a music publisher), Seasons Four Music and Warner Chappell Music (publisher as Warner/Chappell Music)
The Walker Brothers3.53:00
12You Don’t Have to Say You Love Me
producer:
John Franz
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 491)
recording of:
You Don’t Have to Say You Love Me
lyricist:
Simon Napier-Bell, Vito Pallavicini (Lyricist) and Vicki Wickham
composer:
Pino Donaggio (Italian singer‐songwriter and score composer)
publisher:
Accordo Ediccione, B. Feldman & Co. Ltd. (publisher est. 1946), EMI Miller Catalog, Inc., EMI United Partnership Ltd. and Miller Music Corp.
translated version of:
Io che non vivo (senza te)
Dusty Springfield3.72:48
13Mr Tamborine Man
producer:
Terry Melcher
12 string guitar:
Jim McGuinn
bass:
Chris Hillman
drums (drum set):
Michael Clarke (drummer for the 1960s rock group The Byrds)
guitar:
David Crosby
vocals:
David Crosby, Chris Hillman and Jim McGuinn
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP) (in 1965)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1965 (recordings) (number: 10), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 79) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 230)
cover recording of:
Mr. Tambourine Man (in 1965)
lyricist and composer:
Bob Dylan (from 1964-02 until 1964-04)
publisher:
Blossom Music Ltd., M. Witmark & Sons, Sony Music Publishing (worldwide except Japan, ended 1995), Sony/ATV Music Publishing Ltd., Warner Bros. Music (publisher; do NOT use as release label), Warner Brothers Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner/Chappell (Warner/Chappell Music, Inc.) (from 1964 until 1992) and Special Rider Music (from 1992 to present)
The Byrds4.152:19
14With a Girl Like You
recording of:
With a Girl Like You
writer:
Reg Presley
The Troggs4.42:07
15These Boots Are Made for Walking
engineer:
Eddie Brackett
producer:
Lee Hazlewood
vocals:
Nancy Sinatra
conductor:
Billy Strange
arranger:
Billy Strange
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 109)
recording of:
These Boots Are Made for Walkin’
lyricist and composer:
Lee Hazlewood
writer:
Hazelwood
publisher:
Criterion Music Corp. (in 1966)
version of:
Boots (original melody)
Nancy Sinatra4.152:38
16It’s Not Unusual
recording engineer:
Bill Price (UK producer/engineer)
producer:
Peter Sullivan (UK producer)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1965)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 393)
recording of:
It’s Not Unusual
writer:
Gordon Mills (60s/70s UK producer and songwriter) and Les Reed
publisher:
Leeds Music (ended), BMG Platinum Songs US, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Valley Music Ltd (publisher) and Universal Duchess Music Corp. (in 1964)
Tom Jones4.51:56
17Respect
recording engineer:
Tom Dowd
producer:
Jerry Wexler
baritone saxophone:
Willie Bridges (on 1967-02-14)
bass guitar:
Tommy Cogbill (on 1967-02-14)
cornet:
Melvin Lastie (on 1967-02-14)
drums (drum set):
Roger Hawkins (on 1967-02-14)
guitar:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (on 1967-02-14)
organ:
Spooner Oldham (on 1967-02-14)
piano:
Aretha Franklin (on 1967-02-14)
tenor saxophone:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (on 1967-02-14) and King Curtis (saxophonist) (on 1967-02-14)
background vocals:
Carolyn Franklin (on 1967-02-14) and Erma Franklin (on 1967-02-14)
vocals:
Aretha Franklin (on 1967-02-14)
conductor:
Tom Dowd (on 1967-02-14)
arranger:
Tom Dowd and Arif Mardin
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1967) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1967)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1967-02-14)
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 1), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 5), CBC Music: 10 Songs That Have Changed the World, Billboard: The 500 Best Pop Songs (as of October 2023) (number: 21), New York Post: 100 Greatest Covers (2007) (number: 52) and Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
cover recording of:
Respect (on 1967-02-14)
lyricist and composer:
Otis Redding
publisher:
Cotillion Music Inc. (BMI), East-Time-Walco, Irving Music, Inc., Rondor Music (London) Ltd. and Warner/Chappell North America
Aretha Franklin3.92:18
18Baby, Now That I’ve Found You
recording of:
Baby Now That I’ve Found You
lyricist and composer:
Tony Macaulay and John MacLeod (producer & songwriter, partner of Tony Macaulay)
publisher:
ATV Music Ltd., Belmont (publisher), BMG Music Pub. Ltd. and Sony/ATV Music Pub. Ltd.
The Foundations2:48
19Reach Out I’ll Be There
producer:
Lamont Dozier and Brian Holland (Motown producer & songwriter)
instruments:
The Funk Brothers (in 1966)
background vocals:
The Andantes (in 1966), Marlene Barrow (in 1966), Renaldo Benson (in 1966), Louvain Demps (in 1966), Abdul “Duke” Fakir (in 1966), Jackie Hicks (in 1966) and Lawrence Payton (in 1966)
lead vocals:
Levi Stubbs (in 1966)
phonographic copyright (℗) by:
Motown Record Company (company credits only; do NOT use as release label) (in 1966)
recorded at:
Hitsville (Motown Records) in Detroit, Michigan, United States (in 1966)
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 78) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 206)
recording of:
Reach Out, I’ll Be There (in 1966)
lyricist:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
composer:
Lamont Dozier and Brian Holland (Motown producer & songwriter)
publisher:
Jobete Music (UK) Ltd., Jobete Music Co., Inc., Stone Agate Music Division, イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (from 2021-07-01 to present)
Four Tops42:56
20Groovin’
recording of:
Groovin’
writer:
Eddie Brigati and Felix Cavaliere (American singer, songwriter, record producer, and musician)
publisher:
Slacsar
The Young Rascals2:24
21Tighten Up
Archie Bell & the Drells2:46
22Sweets for My Sweet
cover recording of:
Sweets for My Sweet
writer:
Doc Pomus and Mort Shuman (US singer, pianist & songwriter)
publisher:
Carlin Music Corporation, Pomus Songs Inc. and Trio Music Company
The Searchers42:27
23The Israelites
Desmond Dekker2:29
24Ob la di, Ob‐La‐Da
producer:
Mike Smith (60’s & 70’s UK Producer)
cover recording of:
Ob‐La‐Di, Ob‐La‐Da (in 1968)
writer:
John Lennon (The Beatles) and Paul McCartney (The Beatles)
publisher:
Maclen Music, Inc. (U.S. based publisher for Lennon–McCartney), Northern Songs, Sony/ATV Music Publishing LLC (1995–2020) and Sony/ATV Tunes LLC (ASCAP)
Marmalade2:59
25Concrete and Clay
engineer:
Victor Smith
producer:
John Barker (producer)
performer:
Unit 4+2
recording of:
Concrete and Clay
writer:
Tommy Moeller and Brian Parker
publisher:
Apollo Music Ltd. (UK work publisher), EMI Longitude Music, Universal/MCA Music Publishing Pty Ltd, イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (from 2021-07-01 to present)
Unit 4+23.52:10
26King of the Road
recorded in:
Tennessee, United States
producer:
Jerry Kennedy
vocals:
Roger Miller (US singer/songwriter/actor, “King of the Road”) (in 1964-11)
phonographic copyright (℗) by:
Smash (in 1965)
recording of:
King of the Road (on 1964-11-03)
lyricist:
Roger Miller (US singer/songwriter/actor, “King of the Road”)
composer:
Roger Miller (US singer/songwriter/actor, “King of the Road”) (in 1964)
publisher:
Burlington Music Co., Ltd.
Roger Miller4.652:26
27Out of Time
cover recording of:
Out of Time
writer:
Mick Jagger and Keith Richards (Rolling Stones guitarist)
publisher:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”)
Chris Farlowe3:23
28Everlasting LoveLove Affair42:53
29San Francisco
producer:
Lou Adler and John Phillips (The Mamas & The Papas)
vocals:
Scott McKenzie (in 1967-05)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1967) and Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP) (in 1967)
recording of:
San Francisco (Be Sure to Wear Flowers in Your Hair) (in 1967-05)
publisher:
John Phillips (The Mamas & The Papas)
lyricist and composer:
John Phillips (The Mamas & The Papas)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Honest John Music, MCA Music Ltd., Universal Music Corp. (USA, affiliated with ASCAP), Universal‐MCA Music Publishing (US) and Wingate Music Corp.
Scott McKenzie3.752:46
30Albatross
recording of:
Albatross
composer:
Peter Green (former member of Fleetwood Mac)
publisher:
Crosstown Songs UK Ltd. and Palan Music Publishing Ltd.
Fleetwood Mac2:09

Credits

Release

ASIN:UK: B00005206G [info]