Miami Nights: Die Kulthits der 80s

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

▶ CD 1
▼ CD 2
#TitleArtistRatingLength
1Lessons in Love
engineer and mixer:
Julian Mendelsohn (Australian record producer and engineer)
assistant producer:
Julian Mendelsohn (Australian record producer and engineer)
producer:
Wally Badarou and Level 42
guest saxophone:
Gary Barnacle
phonographic copyright (℗) by:
Polydor Ltd. (UK) (not for release label use; fka Polydor Records Ltd.) (in 1986)
recording of:
Lessons in Love
lyricist:
Boon Gould
writer:
Wally Badarou and Mark King
publisher:
BMG Music Publishing Ltd., Chappell Music Ltd., Findhaven Ltd., Island Visual Arts Ltd., Level 42 Music Ltd. and Ruby Ruby Ltd.
Level 423.64:01
2Rock Me Amadeus
producer:
Ferdi Bolland and Rob Bolland
music videos:
Rock Me Amadeus by Falco (Austrian pop & rock musician)
part of:
TV Cream: Real 100 Best Singles Ever (number: 15) and VH1: 100 Greatest Songs of the 80's (compiled in 2006) (number: 87)
recording of:
Rock Me Amadeus (in 1985)
lyricist:
Ferdi Bolland, Rob Bolland and Falco (Austrian pop & rock musician)
composer:
Ferdi Bolland and Rob Bolland
publisher:
Manuskript (not for release label use! this is only for copyrights and publishing relationships) and Nada Music (Dutch publisher)
Falco3.653:23
3Maria Magdalena
Sandra3:59
4Funkytown
recording of:
Funkytown
lyricist and composer:
Steven Greenberg
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Red Sea Songs, Rick S. Music (publishing company associated with Casablanca), Steven Greenberg Music, Warner Chappell, Warner Chappell Music (publisher as Warner/Chappell Music), Warner/Chappell Music Australia Pty. Ltd. and Warner/Chappell Music Ltd. (1996–2019)
Lipps, Inc.3:59
5Let’s Hear It for the Boy
producer:
George Duke
mixer:
Tom Perry (engineer), Tommy Vicari and Erik Zobler
analog synthesizer [Prophet V], electronic drum set [Linn Drums], Minimoog [Mini-Moog] and Moog [Memory Moog]:
George Duke
guitar:
Paul Jackson, Jr. (fusion/urban jazz composer, arranger, producer and guitarist)
percussion:
Paulinho da Costa (Brazilian percussionist)
background vocals:
George Merrill, Shannon Rubicam and Deniece Williams (US soul/funk vocalist/songwriter)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1984), Sony Music Entertainment (Sony Music Entertainment, Inc., NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1984) and Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP) (in 1984)
recording of:
Let’s Hear It for the Boy
lyricist:
Dean Pitchford
composer:
Thomas Snow (US keyboardist/songwriter)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and Ensign Music Corporation
part of:
The 57th Academy Award for Best Original Song (number: 2)
Deniece Williams3.64:18
6Come Back and Stay (album version)
producer:
Laurie Latham
bass guitar:
Pino Palladino
guitar:
Paul Young (English pop singer and musician)
phonographic copyright (℗) by:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1983)
cover recording of:
Come Back and Stay
lyricist and composer:
Jack Lee (US songwriter and musician)
publisher:
Chrysalis Music Ltd. (music publisher (affiliated with PRS)) and Chrysalis Songs
Paul Young4.54:21
7High Energy
recording of:
High Energy
writer:
Ian Levine and Fiachra Trench
publisher:
EMI Tunes Ltd
Evelyn Thomas3:40
8Atlantis Is Calling (S.O.S. for Love)
recording of:
Atlantis is Calling (S.O.S. for Love) (Lady, I know it was hard... But it's much harder to ignore...)
writer:
Dieter Bohlen (from 1986 to present)
Modern Talking53:47
9You Spin Me ’round (Like a Record)
producer:
Pete Waterman
performer:
Dead or Alive (UK new wave band) (in 1984)
music videos:
You Spin Me Round (Like a Record) (On 'Blue Peter') (TX 10/01/2003) by Dead or Alive (UK new wave band)
part of:
VH1: 100 Greatest Songs of the 80's (compiled in 2006) (number: 52)
recording of:
You Spin Me Round (Like a Record)
writer:
Pete Burns, Steve Coy, Tim Lever and Mike Percy
publisher:
Burning Music Ltd., Métisse Music, Warner Chappell Music France and Westbury Music Ltd.
part of:
American Psycho
Dead or Alive4.253:12
10Iko Iko
engineer and producer:
Brian Tench
alto saxophone:
Miranda Joyce
bass guitar:
Lesley Shone
drums (drum set):
Judy Parsons
guitar:
Sarah‐Jane Owen
lead vocals:
Jennie Matthias
phonographic copyright (℗) by:
Stiff Records Ltd. (in 1982) and Stiff Records (in 1983)
cover recording of:
Iko Iko
lyricist:
James Crawford, Jr. (R&B musician James “Sugar Boy” Crawford, Jr.), Barbara Anne Hawkins, Rosa Lee Hawkins and Joan Marie Johnson (Joan Marie Johnson Faust)
composer:
James Crawford, Jr. (R&B musician James “Sugar Boy” Crawford, Jr.), Barbara Anne Hawkins and Rosa Lee Hawkins
publisher:
Arc Music Corp. (U.S. rock & blues publisher), EMI Longitude Music Co., IKO Legal Hold, Melder Publishing Co., Songs of Windswept Pacific, Trio Music Company Inc. and フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division)
revision of:
Jockomo
The Belle Stars32:58
11Words
producer:
Jean-Michel Gallois-Montbrun (Rolando Tambin) and Frédéric Leibovitz
arranger:
Daniel Darras, F.R. David and Frédéric Leibovitz
phonographic copyright (℗) by:
Carrère (just “Carrère" or “Disques Carrère”, not “CARRÈRE MUSIC”) (in 1982)
recording of:
Words
lyricist:
Martin Kupersmith and Louis Sandy Yagura
writer:
Martin Kupersmith, Louis Sandy Yagura and Robert Fitoussi (French artist)
composer:
Robert Fitoussi (French artist)
publisher:
Fable Music and Warner Chappell
translated version of:
Sen můj a Lízin
F.R. David4.653:27
12In the Army Now (album version)
recording engineer:
Tim "Ted" Summerhayes
assistant engineer:
Kevin Whyte
engineer:
Simon Sullivan and Tim "Ted" Summerhaynes
producer:
Pip Williams (producer)
phonographic copyright (℗) by:
Mercury Records Ltd. (not for release label use!) (in 1986) and Phonogram Ltd. (London) (company name, NOT a label!) (in 1986)
recorded at:
Chipping Norton Recording Studios in Chipping Norton, Oxfordshire, England, United Kingdom
mixed at:
Mayfair Studios (England) in London (Greater London), England, United Kingdom
cover recording of:
In the Army Now
writer:
Ferdi Bolland and Rob Bolland
publisher:
Beadle Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Dayglow Music NV, Dayglow Muziekuitgeverij N.V., Island Music Ltd., Nada Music (Dutch publisher), Nada Music International, Nada Music International CV and The International Music Network
Status Quo3.54:42
13Do You Really Want to Hurt Me
assistant engineer:
Gordon Milne (engineer)
engineer and producer:
Steve Levine (producer)
mixer:
Steve Levine (producer) and Jon Moss
bass guitar:
Mikey Craig (Culture Club bassist)
drums (drum set) and vibraphone:
Jon Moss
electric piano, guitar and synthesizer:
Roy Hay (Member of Culture Club and composer for film and television)
synclavier:
Keith Miller (Synthesiser Pioneer)
additional vocals:
Helen Terry (UK singer)
lead vocals:
Boy George
phonographic copyright (℗) by:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1982)
recorded at:
Red Bus Studios in London (Greater London), England, United Kingdom (in 1982)
music videos:
Do You Really Want to Hurt Me by Culture Club (English pop group)
part of:
VH1: 100 Greatest Songs of the 80's (compiled in 2006) (number: 58)
recording of:
Do You Really Want to Hurt Me
writer:
Mikey Craig (Culture Club bassist), George O’Dowd, Roy Hay (Member of Culture Club and composer for film and television) and Jon Moss
publisher:
EMI Virgin Music Australia Pty Ltd, EMI Virgin Music Ltd. (do not use this as a release label!), EMI Virgin Music Publishing Australia P/L and Virgin Music (Publishers) Ltd.
Culture Club3.954:23
14Santa Maria
Oliver Onions4:03
15Fade to Grey
recording of:
Fade to Grey
writer:
Billy Currie, Chris Payne (UK keyboards/viola for Gary Numan/Visage/Dramatis) and Midge Ure
publisher:
Island Music Ltd.
Visage3:51
16I Like Chopin
recording of:
I Like Chopin
lyricist:
Gazebo (80s Italian synth‐pop artist Paul Mazzolini “I Like Chopin”)
composer:
Pierluigi Giombini (arranger ,composer and producer)
publisher:
Abramo Allione Ed Mus SRL, Shinko Music Entertainment Co., Ltd., Televis Edizioni Musicali S.R.L. (publisher), Universal Music Publishing Group Japan (UNIVERSAL MUSIC PUBLISHING LLC, work publisher – do NOT use as a release label) and Watanabe Music Publishing Co., Ltd. (Japanese publisher, 1962–present)
Gazebo34:07
17China in Your Hand
engineer:
Jerry Napier
producer:
Roy Thomas Baker (producer)
bass:
Paul Jackson (T'Pau bassist)
drums (drum set) [drums] and percussion:
Tim Burgess (T'Pau drummer)
guitar [rhythm guitar] and other instruments [some bits]:
Ron Rogers (Ronald Phillip Rogers, T'Pau)
keyboard [keyboards]:
Michael Chetwood
other instruments [other bits] and solo guitar [guitar solos]:
Taj Wyzgowski
vocals:
Carol Decker
phonographic copyright (℗) by:
Siren Records Ltd. (company and copyrights holder. File NO releases) (in 1987)
produced for:
RTB Audio Visual Productions USA (Also credited as R.T.B. Audio Visual Productions Inc., RTB Audio Visual Productions (USA) Inc. and other similar variants)
recording of:
China in Your Hand
writer:
Carol Decker and Ron Rogers (Ronald Phillip Rogers, T'Pau)
publisher:
BMG Music Publishing (NYC‐based headquarters, with national subsidiaries under it), M15 Publishing Ltd and Virgin Music (Publ.) Ltd. (publisher) (in 1987)
T’Pau4.255:07
18Tell It Like It Is
cover recording of:
Tell It Like It Is
writer:
George Davis (US musician & songwriter George Richard Davis Jr., guitar, bass, saxophone, oboe) and Lee Diamond
publisher:
Conrad Music (publisher; do NOT use as release label) and Olrap Publishing Co., Inc.
Don Johnson4:33

Credits

Release

ASIN:DE: B00GS8DWWG [info]