| # | Title | Artist | Rating | Length |
|---|
| 1 | A Hard Rain’s A‐Gonna Fall | Bob Dylan | 4.25 | 6:51 |
| 2 | Hello Vietnam (single version) | Johnnie Wright | | 3:08 |
| 3 | It’s My Life | The Animals | 3.2 | 3:08 |
| 4 | Eve of Destruction | Barry McGuire | 4.6 | 3:33 |
| 5 | Turn Turn Turn | The Byrds | 4.65 | 3:51 |
| 6 | Masters of War | The Staple Singers | | 4:36 |
| 7 | Mustang Sally- recorded in:
- Muscle Shoals, Alabama, United States (on 1966-10-13)
- engineer:
- Tom Dowd and Rick Hall
- producer:
- Rick Hall and Jerry Wexler
- drums (drum set):
- Roger Hawkins (from 1966-10-13 until 1966-10-14)
- electric bass guitar [electric bass]:
- Tommy Cogbill (from 1966-10-13 until 1966-10-14)
- guitar:
- Jimmy Johnson (from 1966-10-13 until 1966-10-14)
- guitar [lead guitar]:
- Lincoln "Chips" Moman (from 1966-10-13 until 1966-10-14)
- keyboard [piano, organ]:
- Dewey "Spooner" Oldham (from 1966-10-13 until 1966-10-14)
- tenor saxophone:
- Gilbert Caples (from 1966-10-13 until 1966-10-14), Charles Chalmers (from 1966-10-13 until 1966-10-14) and Eddie Logan (from 1966-10-13 until 1966-10-14)
- trumpet:
- Gene “Bowlegs” Miller (from 1966-10-13 until 1966-10-14)
- vocals:
- Wilson Pickett (from 1966-10-13 until 1966-10-14)
- recorded at:
- Fame Studios in Muscle Shoals, Alabama, United States (from 1966-10-13 until 1966-10-14)
- part of:
- Rolling Stone: 500 Greatest Songs of All Time (number: 434)
- cover recording of:
- Mustang Sally (from 1966-10-13 until 1966-10-14)
- lyricist and composer:
- Sir Mack Rice
- publisher:
- EMI Music Publishing Ltd. , EMI Songs Australia Pty. Ltd., Fourteenth Hour Music, Inc., Springtime Music, Inc. and フジパシフィックミュージック SBK事業部
| Wilson Pickett | 4 | 3:06 |
| 8 | Smokestack Lightnin’ | Howlin’ Wolf | 5 | 3:08 |
| 9 | Backlash Blues | Nina Simone | 4.65 | 2:29 |
| 10 | The Sound of Silence | Simon & Garfunkel | | 3:05 |
| 11 | One Too Many Mornings | Bob Dylan | 4.2 | 2:39 |
| 12 | Ain’t Too Proud to Beg | The Temptations | 5 | 2:32 |
| 13 | Are You Experienced? | The Jimi Hendrix Experience | 4 | 4:14 |
| 14 | I’m a Man (single version) | The Spencer Davis Group | | 2:55 |
| 15 | Green Onions (single version) | Booker T. & the MG’s | 4.15 | 2:54 |
| 16 | Strange Brew- recording engineer:
- Tom Dowd (from 1967-04 until 1967-05)
- producer:
- Felix Pappalardi
- bass:
- Jack Bruce (from 1967-04 until 1967-05)
- drums (drum set):
- Ginger Baker (from 1967-04 until 1967-05)
- guitar:
- Eric Clapton (from 1967-04 until 1967-05)
- vocals:
- Jack Bruce (from 1967-04 until 1967-05) and Eric Clapton (from 1967-04 until 1967-05)
- phonographic copyright (℗) by:
- Robert Stigwood Group Ltd. (in 1967) and Robert Stigwood Organisation Ltd. (in 1967)
- recorded at:
- Atlantic Studios in Midtown Manhattan, New York, New York, United States (from 1967-04 until 1967-05)
- recording of:
- Strange Brew (from 1967-04 until 1967-05)
- writer:
- Eric Clapton, Gail Collins Pappalardi and Felix Pappalardi
- publisher:
- Careers–BMG Music Publishing, Inc., Casserole Music Corp., Dratleaf Music Ltd., Pronto Music , Unichappell Music, Inc., Warner Chappell Music Ltd. , Warner Chappell Music, Inc., Warner–Tamerlane Publishing Corp. and Windfall Music Enterprises Incorporated
| Cream | 4.15 | 2:47 |
| 17 | Waist Deep in the Big Muddy (live) | Pete Seeger | | 2:55 |
| 18 | A Whiter Shade of Pale | Procol Harum | 4.1 | 4:01 |
| 19 | The Lord Is in This Place- engineer:
- John Wood
- producer:
- Joe Boyd
- phonographic copyright (℗) by:
- Universal Island Records Ltd. (in 2003)
- recorded at:
- St Peters Westbourne Grove in Kensington, Kensington and Chelsea, London , England, United Kingdom (in 1968)
- engineered at:
- Sound Techniques in Chelsea, Kensington and Chelsea, London , England, United Kingdom (in 1968)
- recording of:
- "The Lord Is in This Place, How Dreadful Is This Place?" (in 1968)
- writer and composer:
- Sandy Denny, Ashley Hutchings and Richard Thompson
- publisher:
- Warlock Music Ltd.
- sub-publisher:
- Pubco
| Fairport Convention | 2 | 1:59 |
| 20 | For What It’s Worth | Buffalo Springfield | 4.45 | 2:35 |