Ultimate Seventies: 1975

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

▼ CD 1
Nr.TitelKünstlerBewertungLänge
1You’re No Good
recording engineer:
Val Garay und David Hassinger
Techniker(in):
Val Garay
Produzent(in):
Peter Asher
Bass:
Kenny Edwards (Bryndle/Stone Poneys/Linda Ronstadt)
E-Gitarre:
Ed Black
Schlagzeug, Hybrid-Piano und Perkussion und Solo-E-Gitarre:
Andrew Gold
Hintergrundgesang:
Clydie King und Shirley Matthews (Canadian pop singer)
Saiteninstrumente arranger:
Gregory Rose
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1974, in 2006) und Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1974, in 2013)
aufgenommen bei:
Sound Factory (1969–1980) in Los Angeles, California (Kalifornien), Vereinigte Staaten
Teil von:
New York Post: 100 Greatest Covers (2007) (Nummer: 38)
cover recording of:
You’re No Good (von 1974-06 bis 1974-09)
Texter und Komponist(in):
Clint Ballard, Jr.
publisher:
Beardog Publishing, Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und Edwin H. Morris & Co. (a division of MPL Communications Inc.)
Linda Ronstadt53:43
2Jackie Blue
phonographisches Urheberrecht (℗) von:
A&M Records
recording of:
Jackie Blue
Verfasser(in):
Steve Cash und Larry Lee (Vinyl Kings and Ozark Mountain Daredevils)
Ozark Mountain Daredevils53:39
3That’s the Way (I Like It)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (EMI Records Limited, not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1975, in 1976) und T.K. Records (Miami‐based disco label) (in 1975)
Bearbeitung von:
That’s the Way (I Like It) von KC and the Sunshine Band (US funk, R&B & disco band)
recording of:
That’s the Way (I Like It)
Verfasser(in):
Harry Wayne Casey und Richard Finch
publisher:
EMI Longitude Music, EMI Music (Electric & Musical Industries Music, do not use as release label! this is a music publisher), EMI Music Publishing Australia Pty Ltd (not for release label use!) und Mushroom Music (Mushroom label's publishing company)
KC and the Sunshine Band4.43:03
4Must of Got Lost
recording of:
Must of Got Lost
Verfasser(in):
The J. Geils Band
J. Geils Band53:00
5Why Can’t We Be Friends?
recording engineer:
Ed Barton (engineer), Andrew Berliner und Chris Huston
Partner-Produzent(in):
Lonnie Jordan und Howard E. Scott (US funk/rock guitarist, member of War)
Produzent(in):
Jerry Goldstein
Mix:
Ed Barton (engineer)
recording of:
Why Can’t We Be Friends?
Verfasser(in):
Papa Dee Allen, Harold Brown, B.B. Dickerson, Jerry Goldstein, Lonnie Jordan, Charles Miller (US saxophonist & flutist, member of War), Lee Oskar und Howard E. Scott (US funk/rock guitarist, member of War)
War4.23:53
6Sister Golden Hair
assistierende(r) Techniker(in):
Tom Anderson (engineer)
Techniker(in):
Geoff Emerick (British recording engineer)
Produzent(in):
George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
andere Instrumente:
America (US folk/soft rock band)
Bassgitarre:
David Dickey (U.S. drummer and bassist)
Schlagzeug und Perkussion:
Willie Leacox
vocals:
America (US folk/soft rock band)
arranger:
George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1975), Warner Music H.K. Ltd. (in 1997) und Rhino Entertainment Company (not for release label use!) (in 2011)
Teil von:
Paste: The 25 Greatest Yacht Rock Songs of All Time (Nummer: 12) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 264)
recording of:
Sister Golden Hair
Texter und Komponist(in):
Gerald Beckley
America4.13:22
7Philadelphia Freedom
Akustikgitarre und E-Gitarre:
Davey Johnstone (in 1974-08)
Conga, Maracas / Rumba-Rasseln und Tamburin:
Ray Cooper (percussionist) (in 1974-08)
E-Bass:
Dee Murray (in 1974-08)
Hybrid-Piano und Sologesang:
Elton John (English singer, songwriter, pianist, and composer) (in 1974-08)
Schlagzeug:
Nigel Olsson (in 1974-08)
arranger:
Gene Page
phonographisches Urheberrecht (℗) von:
This Record Co. Ltd. (copyright holder) (in 2004, in 2005, in 2011)
recording of:
Philadelphia Freedom (in 1974-08)
Texter:
Bernie Taupin
Komponist(in):
Elton John (English singer, songwriter, pianist, and composer)
publisher:
Universal–Songs of PolyGram International, Inc.
Elton John3.655:29
8Black Water
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1974)
recording of:
Black Water
Texter und Komponist(in):
Patrick Simmons
publisher:
Lansdowne Music Publishers, ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
The Doobie Brothers4.54:18
9Love Is a Rose
Techniker(in):
Val Garay
Produzent(in):
Peter Asher
Akustikgitarre und Händeklatschen:
Andrew Gold
Banjo:
Herb Pedersen
Bass:
Kenny Edwards (Bryndle/Stone Poneys/Linda Ronstadt)
Fiddle:
David Lindley
Händeklatschen, shakers und Tamburin:
Peter Asher
Mundharmonika:
Jim Connor (US folk/country composer, singer and musician)
Schlagzeug:
Russ Kunkel
Hintergrundgesang:
Kenny Edwards (Bryndle/Stone Poneys/Linda Ronstadt), Andrew Gold und Herb Pedersen
Sologesang:
Linda Ronstadt
cover recording of:
Love Is a Rose
Texter und Komponist(in):
Neil Young (Canadian singer, songwriter & musician)
publisher:
Silver Fiddle Music
basiert auf:
Dance, Dance, Dance
Linda Ronstadt52:47
10How Long
Produzent(in):
John Anthony (British producer and record executive)
phonographisches Urheberrecht (℗) von:
Anchor Records (UK 70s indie label), Cavalcade Records Ltd, Minder Records (in 1974) und Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (in 2015)
Teil von:
Paste: The 25 Greatest Yacht Rock Songs of All Time (Nummer: 7), Paste: The 50 Greatest One-Hit Wonders of All Time (Nummer: 31) und The Downloader’s Music Source Book (Nummer: 121)
recording of:
How Long?
Texter und Komponist(in):
Paul Carrack
publisher:
Anchor Music Ltd. und Minder Music Ltd.
Ace43:23
11Dance With Me
phonographisches Urheberrecht (℗) von:
Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1975)
recording of:
Dance With Me
Texter:
Johanna Hall
Komponist(in):
John Hall (US guitarist/vocalist for Orleans, later US congressman)
publisher:
EMI Blackwood Music Inc., Siren Songs, イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (vom 2021-07-01 bis heute)
Orleans53:02
12Free Bird
recording of:
Free Bird
Texter und Komponist(in):
Allen Collins und Ronnie Van Zant
publisher:
EMI Longitude Music, Songs of Universal, Inc. (BMI) und Universal Duchess Music Corp.
Lynyrd Skynyrd54:45
13You Are So Beautiful
assistierende(r) Techniker(in):
David Gallo (engineer) und David Roberts (engineer)
Techniker(in):
Guy Charbonneau
Produzent(in):
Michael Lang (Producer)
Mix:
Chris Lord‐Alge
Bass:
Dave McDaniel (bass)
Klavier:
Nicky Hopkins (pianist and organist)
Sologesang:
Joe Cocker
phonographisches Urheberrecht (℗) von:
A&M Records (in 1973)
aufgenommen bei:
Memorial Auditorium in Lowell, Massachusetts, Vereinigte Staaten (am 1989-10-05)
cover recording of:
You Are So Beautiful
Verfasser(in):
Bruce Fisher und Billy Preston
publisher:
Almo Music Corporation (USA, affiliated with ASCAP) und Preston Songs (ASCAP)
sub-publisher:
Universal Music Publishing Ltd. (Hong Kong)
Joe Cocker3.952:45
14Feel Like Makin’ Love
recording engineer:
Ron Nevison (in 1974-09)
Produzent(in):
Bad Company (British blues-rock supergroup)
Mix:
Ron Nevison
E-Bass:
Boz Burrell (English musician)
Gitarre:
Mick Ralphs und Paul Rodgers
Keyboard:
Mick Ralphs
Klavier und Sologesang:
Paul Rodgers
Schlagzeug:
Simon Kirke
Herausgeber:
Badco Music, Inc.
phonographisches Urheberrecht (℗) von:
Swan Song Inc. (in 1975)
aufgenommen bei:
Clearwell Castle in Gloucestershire, England, Vereinigtes Königreich (in 1974-09)
mixed at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich
Teil von:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (Nummer: 78)
recording of:
Feel Like Makin’ Love (in 1974-09)
Verfasser(in):
Mick Ralphs und Paul Rodgers
publisher:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), WC Music Corp., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division) und Badco Music, Inc. (vom 1974 bis heute)
Bad Company4.45:13
15Lady Marmalade
Produzent(in):
Allen Toussaint
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1974)
Bearbeitung von:
Lady Marmalade von LaBelle (American female vocal group, of "Lady Marmalade" fame)
cover recording of:
Lady Marmalade (Voulez-vous coucher avec moi, ce soir ?)
Verfasser(in):
Bob Crewe und Kenny Nolan
publisher:
Ardmore and Beechwood Ltd., EMI (EMI Records, EMI Records, since 1972), EMI April Music Inc., EMI Blackwood Music Inc., EMI Music (Electric & Musical Industries Music, do not use as release label! this is a music publisher), EMI Songs Australia Pty. Ltd., Jobete Music Co., Inc., Kenny Nolan Publishing, Pathe Publications (F.E.) Ltd., Stone Diamond Music Corporation und TannyBoy Music
LaBelle4.753:20
16Pick Up the Pieces
Produzent(in):
Arif Mardin
Horn arranger:
Roger Ball
arranger:
AWB
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1974, in 1975)
Teil von:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
recording of:
Pick Up the Pieces
Verfasser(in):
Roger Ball, Alan Gorrie, Malcolm Duncan, Robbie McIntosh (Scottish drummer for Average White Band), Onnie McIntyre (Scottish guitarist and vocalist) und Hamish Stuart (Scottish guitarist, bassist, singer composer & producer)
publisher:
Average Music, BMG Bumblebee (A BMI-affiliated publishing entity of BMG Rights Management), Bug Music Ltd., Fairwood Music (USA) Inc. (affiliated to ASCAP), Fairwood Music Ltd. und Joe’s Songs Inc.
Average White Band4.053:59
17Island Girl
assistierende(r) Techniker(in):
Mark Guercio (Engineer)
Techniker(in):
Jeff Guercio
Produzent(in):
Gus Dudgeon
Akustikgitarre:
Caleb Quaye
Banjo, E-Gitarre, Slide-Gitarre und Steel-Gitarre:
Davey Johnstone
Bassgitarre:
Kenny Passarelli (Bass, piano)
Conga, Marimba und Tamburin:
Ray Cooper (percussionist)
Klavier und Sologesang:
Elton John (English singer, songwriter, pianist, and composer)
membranophone:
Roger Pope
Solo-mellotron und Synthesizer:
James Newton Howard (American score composer)
Hintergrundgesang:
Ann Orson (English singer, songwriter, pianist, and composer), Kiki Dee, Davey Johnstone, Kenny Passarelli (Bass, piano) und Caleb Quaye
phonographisches Urheberrecht (℗) von:
The Island Def Jam Music Group (Island Def Jam Music Group, American holding company, not normally a release label) (in 1996)
aufgenommen bei:
Caribou Ranch Recording Studio in Nederland, Colorado, Vereinigte Staaten
recording of:
Island Girl
Texter:
Bernie Taupin
Komponist(in):
Elton John (English singer, songwriter, pianist, and composer)
publisher:
Universal-On Backstreet Music, Inc., Universal–Songs of PolyGram International, Inc. und Big Pig Music Ltd. (publisher) (in 1975)
Elton John3.43:46
18Some Kind of Wonderful
Produzent(in):
Jimmy Ienner (producer)
phonographisches Urheberrecht (℗) von:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1979, in 2001)
cover recording of:
Some Kind of Wonderful
Texter und Komponist(in):
Willie John Ellison (American/Canadian musician)
publisher:
Crash Music, Dandelion Music Company und Fermata do Brasil
Grand Funk4.253:22
19The Hustle
Produzent(in):
Luigi Creatore und Hugo Peretti
conductor:
Van McCoy
arranger:
Van McCoy
phonographisches Urheberrecht (℗) von:
Avco Records Corp. (in 1975)
recording of:
The Hustle
Texter und Komponist(in):
Van McCoy
publisher:
Van McCoy Music, Warner Bros. Music Co. Ltd. und Warner–Tamerlane Publishing Corp. (Warner–Tamerlane Publishing Corporation, publisher; do NOT use as release label)
Van McCoy23:29
20Let’s Do It Again
Techniker(in):
Roger Anfinsen und Fred Breitberg
Produzent(in):
Curtis Mayfield
arranger:
Gil Askey und Richard Tufo
aufgenommen bei:
Curtom Studios in Chicago, Illinois, Vereinigte Staaten
Bearbeitung von:
Let’s Do It Again (long version) von The Staple Singers
recording of:
Let’s Do It Again
Texter und Komponist(in):
Curtis Mayfield
publisher:
Warner–Tamerlane Publishing Corp. (Warner–Tamerlane Publishing Corporation, publisher; do NOT use as release label) (vom 1975 bis heute)
The Staple Singers53:28

Nennungen

Veröffentlichungsgruppe

Teil von:Ultimate Seventies (A Compilation of the Seventies) (Nummer: 1975) (Reihenfolge: 6)