Die Entführung aus dem Serail

~ Release by Wolfgang Amadeus Mozart; Maria Stader, Ernst Haefliger, Rita Streich, Martin Vantin, Josef Greindl, RIAS‐Symphonie‐Orchester Berlin, Ferenc Fricsay (see all versions of this release, 2 available)

Tracklist

▼ Digital Media 1
#TitleArtistRatingLength
1Die Entführung aus dem Serail, KV 384: Ouvertüre
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Wolfgang Lohse
orchestra:
RIAS-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (from 1954-05-16 until 1954-05-24)
conductor:
Ferenc Fricsay (conductor) (from 1954-05-16 until 1954-05-24)
balance engineer:
Karlheinz Westphal (from 1954-05-16 until 1954-05-24)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1954)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1954-05-16 until 1954-05-24)
recording of:
Die Entführung aus dem Serail, K. 384: Ouvertüre (from 1954-05-16 until 1954-05-24)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1782)
part of:
Die Entführung aus dem Serail, K. 384
Wolfgang Amadeus Mozart4:10
2Die Entführung aus dem Serail, KV 384: Erster Akt, Nr. 1. Arie: »Hier soll ich dich denn sehen« (Belmonte)
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Wolfgang Lohse
tenor vocals [Belmonte]:
Ernst Haefliger (tenor) (from 1954-05-16 until 1954-05-24)
orchestra:
RIAS-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (from 1954-05-16 until 1954-05-24)
conductor:
Ferenc Fricsay (conductor) (from 1954-05-16 until 1954-05-24)
balance engineer:
Karlheinz Westphal (from 1954-05-16 until 1954-05-24)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1954)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1954-05-16 until 1954-05-24)
recording of:
Die Entführung aus dem Serail, K. 384: Akt I, Szene I. No. 1 Arie "Hier soll ich dich denn sehen" (Belmonte) (from 1954-05-16 until 1954-05-24)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt I
Wolfgang Amadeus Mozart2:33
3Die Entführung aus dem Serail, KV 384: Erster Akt. »Wer ist denn dieser Alte ...?« (Belmonte) - Nr. 2. Lied & Duet: »Wer ein Liebchen hat gefunden« (Osmin, Belmonte)
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Wolfgang Lohse
bass vocals [Osmin]:
Josef Greindl (operatic bass) (from 1954-05-16 until 1954-05-24)
spoken vocals [Belmonte]:
Sebastian Fischer (actor, voice actor and dubbing speaker) (from 1954-05-16 until 1954-05-24)
tenor vocals [Belmonte]:
Ernst Haefliger (tenor) (from 1954-05-16 until 1954-05-24)
orchestra:
RIAS-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (from 1954-05-16 until 1954-05-24)
conductor:
Ferenc Fricsay (conductor) (from 1954-05-16 until 1954-05-24)
balance engineer:
Karlheinz Westphal (from 1954-05-16 until 1954-05-24)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1954)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1954-05-16 until 1954-05-24)
recording of:
Die Entführung aus dem Serail, K. 384: Akt I, Szene II. No. 2 Lied und Duett "Wer ein Liebchen hat gefunden" (Osmin) / "Verwünscht seist du samt deinem Liede!" (Osmin, Belmonte) (from 1954-05-16 until 1954-05-24)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt I
Wolfgang Amadeus Mozart6:58
4Die Entführung aus dem Serail, KV 384: Erster Akt. »Vielleicht lass' ich mir noch so einen Schurken« (Osmin, Pedrillo)
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Wolfgang Lohse
spoken vocals [Osmin]:
Josef Greindl (operatic bass) (from 1954-05-16 until 1954-05-24)
spoken vocals [Pedrillo]:
Wolfgang Spier (actor, voice actor, dubbing artist) (from 1954-05-16 until 1954-05-24)
conductor:
Ferenc Fricsay (conductor) (from 1954-05-16 until 1954-05-24)
balance engineer:
Karlheinz Westphal (from 1954-05-16 until 1954-05-24)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1954)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1954-05-16 until 1954-05-24)
recording of:
Die Entführung aus dem Serail, K. 384: Akt I, Szene III. Dialog "Könnt' ich mir doch noch so einen Schurken" (Osmin, Pedrillo) (from 1954-05-16 until 1954-05-24)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt I
Wolfgang Amadeus Mozart0:41
5Die Entführung aus dem Serail, KV 384: Erster Akt, Nr. 3. Arie: »Solche hergelauf'ne Laffen« (Osmin)
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Wolfgang Lohse
bass vocals [Osmin]:
Josef Greindl (operatic bass) (from 1954-05-16 until 1954-05-24)
orchestra:
RIAS-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (from 1954-05-16 until 1954-05-24)
conductor:
Ferenc Fricsay (conductor) (from 1954-05-16 until 1954-05-24)
balance engineer:
Karlheinz Westphal (from 1954-05-16 until 1954-05-24)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1954)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1954-05-16 until 1954-05-24)
recording of:
Die Entführung aus dem Serail, K. 384: Akt I, Szene III. No. 3 Arie "Solche hergelauf'ne Laffen" (Osmin) / Akt I, Szene III. Dialog "Was bist du nur für ein Mensch!" (Pedrillo) / Akt I, Szene III. "Erst geköpft, dann gehangen" (Osmin) (from 1954-05-16 until 1954-05-24)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt I
Wolfgang Amadeus Mozart4:50
6Die Entführung aus dem Serail, KV 384: Erster Akt. »Geh nur, verwünschter Aufpasser« (Pedrillo, Belmonte)
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Wolfgang Lohse
spoken vocals [Belmonte]:
Sebastian Fischer (actor, voice actor and dubbing speaker) (from 1954-05-16 until 1954-05-24)
spoken vocals [Pedrillo]:
Wolfgang Spier (actor, voice actor, dubbing artist) (from 1954-05-16 until 1954-05-24)
conductor:
Ferenc Fricsay (conductor) (from 1954-05-16 until 1954-05-24)
balance engineer:
Karlheinz Westphal (from 1954-05-16 until 1954-05-24)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1954)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1954-05-16 until 1954-05-24)
recording of:
Die Entführung aus dem Serail, K. 384: Akt I, Szene IV. Dialog "Geh nur, verwünschter Aufpasser!" (Pedrillo, Belmonte) (from 1954-05-16 until 1954-05-24)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt I
Wolfgang Amadeus Mozart1:20
7Die Entführung aus dem Serail, KV 384: Erster Akt, Nr. 4. Rezitativ & Arie: »Konstanze, dich wiederzusehen« - »O wie ängstlich, o wie feurig« (Belmonte)
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Wolfgang Lohse
tenor vocals [Belmonte]:
Ernst Haefliger (tenor) (from 1954-05-16 until 1954-05-24)
orchestra:
RIAS-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (from 1954-05-16 until 1954-05-24)
conductor:
Ferenc Fricsay (conductor) (from 1954-05-16 until 1954-05-24)
balance engineer:
Karlheinz Westphal (from 1954-05-16 until 1954-05-24)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1954)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1954-05-16 until 1954-05-24)
recording of:
Die Entführung aus dem Serail, K. 384: Akt I, Szene V. No. 4 Rezitativ und Arie "Konstanze, dich wieder zu sehen!" (Belmonte) / "O wie ängstlich, o wie feurig" (Belmonte) (from 1954-05-16 until 1954-05-24)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt I
Wolfgang Amadeus Mozart5:07
8Die Entführung aus dem Serail, KV 384: Erster Akt. »Versteckt euch, Herr« (Pedrillo) - Chor der Janitscharen: »Singt dem großen Bassa Lieder« (Chor)
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Wolfgang Lohse
choir vocals:
RIAS-Kammerchor (German chamber choir) (from 1954-05-16 until 1954-05-24)
spoken vocals [Pedrillo]:
Wolfgang Spier (actor, voice actor, dubbing artist) (from 1954-05-16 until 1954-05-24)
orchestra:
RIAS-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (from 1954-05-16 until 1954-05-24)
conductor:
Ferenc Fricsay (conductor) (from 1954-05-16 until 1954-05-24)
chorus master:
Helmuth Froschauer (conductor and chorus master) (from 1954-05-16 until 1954-05-24)
balance engineer:
Karlheinz Westphal (from 1954-05-16 until 1954-05-24)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1954)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1954-05-16 until 1954-05-24)
recording of:
Die Entführung aus dem Serail, K. 384: Akt I, Szene VI. No. 5b Chor de Janitscharen "Singt dem grossen Bassa Lieder" (Chor und Solisten der Janitscharen) (from 1954-05-16 until 1954-05-24)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt I
Wolfgang Amadeus Mozart1:45
9Die Entführung aus dem Serail, KV 384: Erster Akt. »Immer noch traurig, geliebte Konstanze?« (Selim, Konstanze)
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Wolfgang Lohse
spoken vocals [Konstanze]:
Beate Guttmann (from 1954-05-16 until 1954-05-24)
spoken vocals [Selim]:
Walter Franck (from 1954-05-16 until 1954-05-24)
conductor:
Ferenc Fricsay (conductor) (from 1954-05-16 until 1954-05-24)
balance engineer:
Karlheinz Westphal (from 1954-05-16 until 1954-05-24)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1954)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1954-05-16 until 1954-05-24)
recording of:
Die Entführung aus dem Serail, K. 384: Akt I, Szene VII. Dialog "Immer noch traurig, geliebte Konstanze?" (Selim, Konstanze) (from 1954-05-16 until 1954-05-24)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt I
Wolfgang Amadeus Mozart0:25
10Die Entführung aus dem Serail, KV 384: Erster Akt, Nr. 6. Arie: »Ach ich liebte, war so glücklich« (Konstanze)
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Wolfgang Lohse
soprano vocals [Konstanze]:
Maria Stader (soprano) (from 1954-05-16 until 1954-05-24)
orchestra:
RIAS-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (from 1954-05-16 until 1954-05-24)
conductor:
Ferenc Fricsay (conductor) (from 1954-05-16 until 1954-05-24)
balance engineer:
Karlheinz Westphal (from 1954-05-16 until 1954-05-24)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1954)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1954-05-16 until 1954-05-24)
recording of:
Die Entführung aus dem Serail, K. 384: Akt I, Szene VII. No. 6 Arie "Ach ich liebte, war so glücklich" (Konstanze) (from 1954-05-16 until 1954-05-24)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt I
Wolfgang Amadeus Mozart4:52
11Die Entführung aus dem Serail, KV 384: Erster Akt. »Ihr Schmerz, ihre Standhaftigkeit« (Selim, Pedrillo, Belmonte, Osmin)
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Wolfgang Lohse
spoken vocals [Belmonte]:
Sebastian Fischer (actor, voice actor and dubbing speaker) (from 1954-05-16 until 1954-05-24)
spoken vocals [Osmin]:
Josef Greindl (operatic bass) (from 1954-05-16 until 1954-05-24)
spoken vocals [Pedrillo]:
Wolfgang Spier (actor, voice actor, dubbing artist) (from 1954-05-16 until 1954-05-24)
spoken vocals [Selim]:
Walter Franck (from 1954-05-16 until 1954-05-24)
conductor:
Ferenc Fricsay (conductor) (from 1954-05-16 until 1954-05-24)
balance engineer:
Karlheinz Westphal (from 1954-05-16 until 1954-05-24)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1954)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1954-05-16 until 1954-05-24)
recording of:
Die Entführung aus dem Serail, K. 384: Akt I, Szene VIII. Dialog "Undankbare! Ihr Schmerz, ihre Tränen" (Selim, Pedrillo, Belmonte, Osmin) (from 1954-05-16 until 1954-05-24)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt I
Wolfgang Amadeus Mozart1:33
12Die Entführung aus dem Serail, KV 384: Erster Akt, Nr. 7. Terzett: »Marsch! Trollt euch fort!« (Osmin, Belmonte, Pedrillo)
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Wolfgang Lohse
bass vocals [Osmin]:
Josef Greindl (operatic bass) (from 1954-05-16 until 1954-05-24)
tenor vocals [Belmonte]:
Ernst Haefliger (tenor) (from 1954-05-16 until 1954-05-24)
tenor vocals [Pedrillo]:
Martin Vantin (tenor) (from 1954-05-16 until 1954-05-24)
orchestra:
RIAS-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (from 1954-05-16 until 1954-05-24)
conductor:
Ferenc Fricsay (conductor) (from 1954-05-16 until 1954-05-24)
balance engineer:
Karlheinz Westphal (from 1954-05-16 until 1954-05-24)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1954)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1954-05-16 until 1954-05-24)
recording of:
Die Entführung aus dem Serail, K. 384: Akt I, Szene X. No. 7 Terzett "Marsch, marsch, marsch! Trollt euch fort" (Osmin, Belmonte, Pedrillo) (from 1954-05-16 until 1954-05-24)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt I
Wolfgang Amadeus Mozart1:59
13Die Entführung aus dem Serail, KV 384: Zweiter Akt, Nr. 8. Arie: »Durch Zärtlichkeit und Schmeichein« (Blonde)
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Wolfgang Lohse
soprano vocals [Blonde]:
Rita Streich (soprano) (from 1954-05-16 until 1954-05-24)
orchestra:
RIAS-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (from 1954-05-16 until 1954-05-24)
conductor:
Ferenc Fricsay (conductor) (from 1954-05-16 until 1954-05-24)
balance engineer:
Karlheinz Westphal (from 1954-05-16 until 1954-05-24)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1954)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1954-05-16 until 1954-05-24)
recording of:
Die Entführung aus dem Serail, K. 384: Akt II, Szene I. No. 8 Arie "Durch Zärtlichkeit und Schmeicheln" (Blonde) (from 1954-05-16 until 1954-05-24)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt II
Wolfgang Amadeus Mozart3:07
14Die Entführung aus dem Serail, KV 384: Zweiter Akt. »Ach, seht doch mal« (Osmin, Blonde)
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Wolfgang Lohse
spoken vocals [Blonde]:
Rita Streich (soprano) (from 1954-05-16 until 1954-05-24)
spoken vocals [Osmin]:
Josef Greindl (operatic bass) (from 1954-05-16 until 1954-05-24)
conductor:
Ferenc Fricsay (conductor) (from 1954-05-16 until 1954-05-24)
balance engineer:
Karlheinz Westphal (from 1954-05-16 until 1954-05-24)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1954)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1954-05-16 until 1954-05-24)
recording of:
Die Entführung aus dem Serail, K. 384: Akt II, Szene I. Dialog "Ei seht doch mal" (Osmin, Blonde) (from 1954-05-16 until 1954-05-24)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt II
Wolfgang Amadeus Mozart0:48
15Die Entführung aus dem Serail, KV 384: Zweiter Akt, Nr. 9. Duett: »Ich gehe, doch rate ich dir« (Osmin, Blonde)
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Wolfgang Lohse
bass vocals [Osmin]:
Josef Greindl (operatic bass) (from 1954-05-16 until 1954-05-24)
soprano vocals [Blonde]:
Rita Streich (soprano) (from 1954-05-16 until 1954-05-24)
orchestra:
RIAS-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (from 1954-05-16 until 1954-05-24)
conductor:
Ferenc Fricsay (conductor) (from 1954-05-16 until 1954-05-24)
balance engineer:
Karlheinz Westphal (from 1954-05-16 until 1954-05-24)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1954)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1954-05-16 until 1954-05-24)
recording of:
Die Entführung aus dem Serail, K. 384: Akt II, Szene I. No. 9 Duett "Ich gehe, doch rate ich dir" (Osmin, Blonde) (from 1954-05-16 until 1954-05-24)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt II
Wolfgang Amadeus Mozart3:31
16Die Entführung aus dem Serail, KV 384: Zweiter Akt, Nr. 10. Rezitativ & Arie: »Welcher Kummer herrscht in meiner Seele« - »Traukigkeit ward mir zum Lose« (Konstanze)
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Wolfgang Lohse
soprano vocals [Konstanze]:
Maria Stader (soprano) (from 1954-05-16 until 1954-05-24)
orchestra:
RIAS-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (from 1954-05-16 until 1954-05-24)
conductor:
Ferenc Fricsay (conductor) (from 1954-05-16 until 1954-05-24)
balance engineer:
Karlheinz Westphal (from 1954-05-16 until 1954-05-24)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1954)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1954-05-16 until 1954-05-24)
recording of:
Die Entführung aus dem Serail, K. 384: Akt II, Szene II. No. 10a Rezitativ "Welcher Kummer herrscht in meiner Seele" (Konstanze) (from 1954-05-16 until 1954-05-24)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt II
recording of:
Die Entführung aus dem Serail, K. 384: Akt II, Szene II. No. 10b Arie "Traurigkeit ward mir zum Lose" (Konstanze) (from 1954-05-16 until 1954-05-24)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt II
Wolfgang Amadeus Mozart7:41
17Die Entführung aus dem Serail, KV 384: Zweiter Akt. »Nun, Konstanze, der Tag ist bald verstrichen« (Selim, Konstanze)
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Wolfgang Lohse
spoken vocals [Konstanze]:
Beate Guttmann (from 1954-05-16 until 1954-05-24)
spoken vocals [Selim]:
Walter Franck (from 1954-05-16 until 1954-05-24)
conductor:
Ferenc Fricsay (conductor) (from 1954-05-16 until 1954-05-24)
balance engineer:
Karlheinz Westphal (from 1954-05-16 until 1954-05-24)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1954)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1954-05-16 until 1954-05-24)
recording of:
Die Entführung aus dem Serail, K. 384: Akt II, Szene III. Dialog "Nun, Konstanze, hast du dich entschieden?" (Selim, Konstanze) (from 1954-05-16 until 1954-05-24)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt II
Wolfgang Amadeus Mozart0:30
18Die Entführung aus dem Serail, KV 384: Zweiter Akt, Nr. 11. Arie: »Martern aller Arten« (Konstanze)
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Wolfgang Lohse
soprano vocals [Konstanze]:
Maria Stader (soprano) (from 1954-05-16 until 1954-05-24)
orchestra:
RIAS-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (from 1954-05-16 until 1954-05-24)
conductor:
Ferenc Fricsay (conductor) (from 1954-05-16 until 1954-05-24)
balance engineer:
Karlheinz Westphal (from 1954-05-16 until 1954-05-24)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1954)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1954-05-16 until 1954-05-24)
recording of:
Die Entführung aus dem Serail, K. 384: Akt II, Szene III. No. 11 Arie "Introduktion - Martern aller Arten - Doch du bist entschlossen" (Konstanze) (from 1954-05-16 until 1954-05-24)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt II
Wolfgang Amadeus Mozart8:03
▶ Digital Media 2

Credits

Release

part of:The Originals (Deutsche Grammophon/Archiv Produktion) (order: 1)
purchase for download:https://itunes.apple.com/de/album/id57205093 [info]
https://play.google.com/store/music/album?id=Bky3he4pmg3qdqpqrsyhid6yzw4 [info] (until 2020-10-12)
stream for free:https://open.spotify.com/album/01KI0DHpDXzcKQwJsMFjXy [info]