The Mexican

~ Release by Alan Silvestri (see all versions of this release, 1 available)

Tracklist

▼ CD 1
#TitleArtistRatingLength
1Main Title
recording engineer and mixer:
Dennis Sands (American sound engineer)
producer:
David Bifano (producer and engineer for Alan Silvestri's motion picture soundtracks) and Alan Silvestri (American score composer)
editor:
Ken Karman, Denise Okimoto and Jacqueline Tager (editor)
recording of:
Main Title
composer:
Alan Silvestri (American score composer)
Alan Silvestri0:52
2Blame Shifting
recording engineer and mixer:
Dennis Sands (American sound engineer)
producer:
David Bifano (producer and engineer for Alan Silvestri's motion picture soundtracks) and Alan Silvestri (American score composer)
editor:
Ken Karman, Denise Okimoto and Jacqueline Tager (editor)
recording of:
Blame Shifting
composer:
Alan Silvestri (American score composer)
Alan Silvestri0:59
3Oye
recording engineer and mixer:
Dennis Sands (American sound engineer)
producer:
David Bifano (producer and engineer for Alan Silvestri's motion picture soundtracks) and Alan Silvestri (American score composer)
editor:
Ken Karman, Denise Okimoto and Jacqueline Tager (editor)
recording of:
Oye
composer:
Alan Silvestri (American score composer)
Alan Silvestri1:34
4These Boots are Made for Walkin'
engineer:
Eddie Brackett
producer:
Lee Hazlewood
vocals:
Nancy Sinatra
conductor:
Billy Strange
arranger:
Billy Strange
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 109)
recording of:
These Boots Are Made for Walkin’
lyricist and composer:
Lee Hazlewood
writer:
Hazelwood
publisher:
Criterion Music Corp. (in 1966)
version of:
Boots (original melody)
Nancy Sinatra4.152:44
510% Clint
recording engineer and mixer:
Dennis Sands (American sound engineer)
producer:
David Bifano (producer and engineer for Alan Silvestri's motion picture soundtracks) and Alan Silvestri (American score composer)
editor:
Ken Karman, Denise Okimoto and Jacqueline Tager (editor)
recording of:
10% Clint
composer:
Alan Silvestri (American score composer)
Alan Silvestri1:11
6Leroy's Morning
recording engineer and mixer:
Dennis Sands (American sound engineer)
producer:
David Bifano (producer and engineer for Alan Silvestri's motion picture soundtracks) and Alan Silvestri (American score composer)
editor:
Ken Karman, Denise Okimoto and Jacqueline Tager (editor)
recording of:
Leroy's Morning
composer:
Alan Silvestri (American score composer)
Alan Silvestri1:41
7Why Can't We Be Friends
recording engineer:
Ed Barton (engineer), Andrew Berliner and Chris Huston
associate producer:
Lonnie Jordan and Howard E. Scott (US funk/rock guitarist, member of War)
producer:
Jerry Goldstein
mixer:
Ed Barton (engineer)
recording of:
Why Can’t We Be Friends?
writer:
Papa Dee Allen, Harold Brown, B.B. Dickerson, Jerry Goldstein, Lonnie Jordan, Charles Miller (US saxophonist & flutist, member of War), Lee Oskar and Howard E. Scott (US funk/rock guitarist, member of War)
War4.23:52
8Want Our Life Back
recording engineer and mixer:
Dennis Sands (American sound engineer)
producer:
David Bifano (producer and engineer for Alan Silvestri's motion picture soundtracks) and Alan Silvestri (American score composer)
editor:
Ken Karman, Denise Okimoto and Jacqueline Tager (editor)
recording of:
Want Our Life Back
composer:
Alan Silvestri (American score composer)
Alan Silvestri1:31
9Frank's Dead
recording engineer and mixer:
Dennis Sands (American sound engineer)
producer:
David Bifano (producer and engineer for Alan Silvestri's motion picture soundtracks) and Alan Silvestri (American score composer)
editor:
Ken Karman, Denise Okimoto and Jacqueline Tager (editor)
recording of:
Frank's Dead
composer:
Alan Silvestri (American score composer)
Alan Silvestri2:52
10You're Nobody 'Til Somebody Loves You
recording of:
You’re Nobody Till Somebody Loves You
writer:
James Cavanaugh, Russ Morgan (Big Band orchestra leader) and Larry Stock
publisher:
Capitol Records (imprint of Capitol Records, Inc.), Shapiro, Bernstein & Co., Inc. and Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic)
part of:
The Real Book (compilation of jazz standards, Volume I)
Dean Martin51:59
11Jerry and Ted to Pawn Shop
recording engineer and mixer:
Dennis Sands (American sound engineer)
producer:
David Bifano (producer and engineer for Alan Silvestri's motion picture soundtracks) and Alan Silvestri (American score composer)
editor:
Ken Karman, Denise Okimoto and Jacqueline Tager (editor)
recording of:
Jerry and Ted to Pawn Shop
composer:
Alan Silvestri (American score composer)
Alan Silvestri1:28
12The Mexican
recording engineer and mixer:
Dennis Sands (American sound engineer)
producer:
David Bifano (producer and engineer for Alan Silvestri's motion picture soundtracks) and Alan Silvestri (American score composer)
editor:
Ken Karman, Denise Okimoto and Jacqueline Tager (editor)
recording of:
The Mexican
composer:
Alan Silvestri (American score composer)
Alan Silvestri2:14
13Airport
recording engineer and mixer:
Dennis Sands (American sound engineer)
producer:
David Bifano (producer and engineer for Alan Silvestri's motion picture soundtracks) and Alan Silvestri (American score composer)
editor:
Ken Karman, Denise Okimoto and Jacqueline Tager (editor)
recording of:
Airport
composer:
Alan Silvestri (American score composer)
Alan Silvestri2:22
14Safety Dance
producer:
Marc Durand (Canadian producer)
part of:
VH1's 100 Greatest One-Hit Wonders of the '80s (number: 17)
recording of:
The Safety Dance
lyricist and composer:
Ivan Doroschuk (Men Without Hats)
publisher:
Betty Songs, Ivan Ltd., Polygram Music, Universal Music Publishing Pty Ltd. (AU subsidiary of Universal Music Publishing Group), Universal Texas City Music Inc., Universal–Songs of PolyGram International, Inc., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), Tactik Music (publisher) (in 1982) and Wintrup Musik (in 1982)
Men Without Hats4.54:34
15El Cable
Juan García Esquivel32:19
16Margolese Compound
recording engineer and mixer:
Dennis Sands (American sound engineer)
producer:
David Bifano (producer and engineer for Alan Silvestri's motion picture soundtracks) and Alan Silvestri (American score composer)
editor:
Ken Karman, Denise Okimoto and Jacqueline Tager (editor)
recording of:
Margolese Compound
composer:
Alan Silvestri (American score composer)
Alan Silvestri1:04
17Where's My Stuff
recording engineer and mixer:
Dennis Sands (American sound engineer)
producer:
David Bifano (producer and engineer for Alan Silvestri's motion picture soundtracks) and Alan Silvestri (American score composer)
editor:
Ken Karman, Denise Okimoto and Jacqueline Tager (editor)
recording of:
Where's My Stuff
composer:
Alan Silvestri (American score composer)
Alan Silvestri1:02
18Thieves
recording engineer and mixer:
Dennis Sands (American sound engineer)
producer:
David Bifano (producer and engineer for Alan Silvestri's motion picture soundtracks) and Alan Silvestri (American score composer)
editor:
Ken Karman, Denise Okimoto and Jacqueline Tager (editor)
recording of:
Thieves
composer:
Alan Silvestri (American score composer)
Alan Silvestri1:12
19A Good F'ing Reason
recording engineer and mixer:
Dennis Sands (American sound engineer)
producer:
David Bifano (producer and engineer for Alan Silvestri's motion picture soundtracks) and Alan Silvestri (American score composer)
editor:
Ken Karman, Denise Okimoto and Jacqueline Tager (editor)
recording of:
A Good F'ing Reason
composer:
Alan Silvestri (American score composer)
Alan Silvestri1:16
20It's Cursed, That Gun
recording engineer and mixer:
Dennis Sands (American sound engineer)
producer:
David Bifano (producer and engineer for Alan Silvestri's motion picture soundtracks) and Alan Silvestri (American score composer)
editor:
Ken Karman, Denise Okimoto and Jacqueline Tager (editor)
recording of:
It's Cursed, That Gun
composer:
Alan Silvestri (American score composer)
Alan Silvestri3:25
21Oye, Oye
recording engineer and mixer:
Dennis Sands (American sound engineer)
producer:
David Bifano (producer and engineer for Alan Silvestri's motion picture soundtracks) and Alan Silvestri (American score composer)
editor:
Ken Karman, Denise Okimoto and Jacqueline Tager (editor)
recording of:
Oye, Oye
composer:
Alan Silvestri (American score composer)
Alan Silvestri1:33
22A Miracle
recording engineer and mixer:
Dennis Sands (American sound engineer)
producer:
David Bifano (producer and engineer for Alan Silvestri's motion picture soundtracks) and Alan Silvestri (American score composer)
editor:
Ken Karman, Denise Okimoto and Jacqueline Tager (editor)
recording of:
A Miracle
composer:
Alan Silvestri (American score composer)
Alan Silvestri2:28
23End Credits Medley - The Mexican
recording engineer and mixer:
Dennis Sands (American sound engineer)
producer:
David Bifano (producer and engineer for Alan Silvestri's motion picture soundtracks) and Alan Silvestri (American score composer)
editor:
Ken Karman, Denise Okimoto and Jacqueline Tager (editor)
recording of:
End Credits Medley - The Mexican
composer:
Alan Silvestri (American score composer)
Alan Silvestri5:03