| # | Title | Rating | Length |
|---|
| 1 | Goin' Out of My Head | 4 | 2:14 |
| 2 | Once I Loved- recording engineer:
- Rudy van Gelder (on 1965-12-22)
- producer:
- Creed Taylor
- alto flute, baritone saxophone and bass clarinet:
- Dan Bank (on 1965-12-22)
- alto saxophone:
- Jerry Dodgion (on 1965-12-22) and Phil Woods (on 1965-12-22)
- bass trombone:
- Tony Studd (on 1965-12-22)
- clarinet:
- Romeo Penque (on 1965-11-20), Bob Ashton (on 1965-12-22), Jerry Dodgion (on 1965-12-22) and Phil Woods (on 1965-12-22)
- congas:
- Candido (on 1965-12-22)
- cor anglais [English horn], oboe and tenor saxophone:
- Romeo Penque (on 1965-11-20)
- double bass [bass]:
- George Duvivier (on 1965-12-22)
- drums (drum set):
- Grady Tate (on 1965-11-20)
- electric guitar [guitar]:
- Wes Montgomery (on 1965-12-22)
- flute:
- Romeo Penque (on 1965-11-20), Bob Ashton (on 1965-12-22), Dan Bank (on 1965-12-22) and Jerry Dodgion (on 1965-12-22)
- piano:
- Herbie Hancock (on 1965-12-22) and Roger Kellaway (on 1965-12-22)
- piccolo:
- Romeo Penque (on 1965-11-20) and Jerry Dodgion (on 1965-12-22)
- saxophone:
- Bob Ashton (on 1965-12-22)
- trombone:
- Wayne Andre (on 1965-12-22), Jimmy Cleveland (on 1965-12-22) and Quentin Jackson (on 1965-12-22)
- trumpet:
- Donald Byrd (on 1965-12-22), Danny Moore (on 1965-12-22), Joe Newman (on 1965-12-22) and Ernie Royal (on 1965-12-22)
- conductor:
- Oliver Nelson (on 1965-12-22)
- arranger:
- Oliver Nelson
- recorded at:
- Van Gelder Studio in Englewood Cliffs, New Jersey, United States (on 1965-12-22)
- instrumental recording of:
- Once I Loved (on 1965-12-22)
- lyricist:
- Vinicius de Moraes
- composer:
- Antônio Carlos Jobim
- translator:
- Ray Gilbert
- publisher:
- Corcovado Music Corp. and Ipanema Music Corp.
- translated version of:
- O amor em paz
| | 4:46 |
| 3 | Boss City | | 3:46 |
| 4 | Chim Chim Cheree- recording engineer:
- Rudy van Gelder (on 1965-12-22)
- producer:
- Creed Taylor
- alto flute, baritone saxophone and bass clarinet:
- Dan Bank (on 1965-12-22)
- alto saxophone:
- Jerry Dodgion (on 1965-12-22) and Phil Woods (on 1965-12-22)
- bass trombone:
- Tony Studd (on 1965-12-22)
- clarinet:
- Romeo Penque (on 1965-11-20), Bob Ashton (on 1965-12-22), Jerry Dodgion (on 1965-12-22) and Phil Woods (on 1965-12-22)
- congas:
- Candido (on 1965-12-22)
- cor anglais [English horn], oboe and tenor saxophone:
- Romeo Penque (on 1965-11-20)
- double bass [bass]:
- George Duvivier (on 1965-12-22)
- drums (drum set):
- Grady Tate (on 1965-12-22)
- electric guitar [guitar]:
- Wes Montgomery (on 1965-12-22)
- flute:
- Romeo Penque (on 1965-11-20), Bob Ashton (on 1965-12-22), Dan Bank (on 1965-12-22) and Jerry Dodgion (on 1965-12-22)
- piano:
- Herbie Hancock (on 1965-12-22) and Roger Kellaway (on 1965-12-22)
- piccolo:
- Romeo Penque (on 1965-11-20) and Jerry Dodgion (on 1965-12-22)
- saxophone:
- Bob Ashton (on 1965-12-22)
- trombone:
- Wayne Andre (on 1965-12-22), Jimmy Cleveland (on 1965-12-22) and Quentin Jackson (on 1965-12-22)
- trumpet:
- Donald Byrd (on 1965-12-22), Danny Moore (on 1965-12-22), Joe Newman (on 1965-12-22) and Ernie Royal (on 1965-12-22)
- conductor:
- Oliver Nelson (on 1965-12-22)
- arranger:
- Oliver Nelson
- recorded at:
- Van Gelder Studio in Englewood Cliffs, New Jersey, United States (on 1965-12-22)
- recording of:
- Chim Chim Cher-ee (on 1965-12-22)
- lyricist and composer:
- Richard M. Sherman and Robert B. Sherman
- publisher:
- Campbell Connelly & Co. Ltd., The Walt Disney Co. and Wonderland Music Company, Inc. (in 1964)
- part of:
- The 37th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 37)
- part of:
- Mary Poppins
- part of:
- Mary Poppins
| | 4:51 |
| 5 | Naptown Blues- recording engineer:
- Rudy van Gelder (on 1965-12-22)
- producer:
- Creed Taylor
- alto flute, baritone saxophone and bass clarinet:
- Dan Bank (on 1965-12-22)
- alto saxophone:
- Jerry Dodgion (on 1965-12-22) and Phil Woods (on 1965-12-22)
- bass trombone:
- Tony Studd (on 1965-12-22)
- clarinet:
- Romeo Penque (on 1965-11-20), Bob Ashton (on 1965-12-22), Jerry Dodgion (on 1965-12-22) and Phil Woods (on 1965-12-22)
- congas:
- Candido (on 1965-12-22)
- cor anglais [English horn], oboe and tenor saxophone:
- Romeo Penque (on 1965-11-20)
- double bass [bass]:
- George Duvivier (on 1965-12-22)
- drums (drum set):
- Grady Tate (on 1965-12-22)
- electric guitar [guitar]:
- Wes Montgomery (on 1965-12-22)
- flute:
- Romeo Penque (on 1965-11-20), Bob Ashton (on 1965-12-22), Dan Bank (on 1965-12-22) and Jerry Dodgion (on 1965-12-22)
- piano:
- Herbie Hancock (on 1965-12-22) and Roger Kellaway (on 1965-12-22)
- piccolo:
- Romeo Penque (on 1965-11-20) and Jerry Dodgion (on 1965-12-22)
- saxophone:
- Bob Ashton (on 1965-12-22)
- trombone:
- Wayne Andre (on 1965-12-22), Jimmy Cleveland (on 1965-12-22) and Quentin Jackson (on 1965-12-22)
- trumpet:
- Donald Byrd (on 1965-12-22), Danny Moore (on 1965-12-22), Joe Newman (on 1965-12-22) and Ernie Royal (on 1965-12-22)
- conductor:
- Oliver Nelson (on 1965-12-22)
- arranger:
- Oliver Nelson
- recorded at:
- Van Gelder Studio in Englewood Cliffs, New Jersey, United States (on 1965-12-22)
- recording of:
- Naptown Blues (on 1965-12-22)
- composer:
- Wes Montgomery
| | 3:08 |
| 6 | Twisted Blues- recording engineer:
- Rudy van Gelder (on 1965-12-22)
- producer:
- Creed Taylor
- alto flute, baritone saxophone and bass clarinet:
- Dan Bank (on 1965-12-22)
- alto saxophone:
- Jerry Dodgion (on 1965-12-22) and Phil Woods (on 1965-12-22)
- bass trombone:
- Tony Studd (on 1965-12-22)
- clarinet:
- Romeo Penque (on 1965-11-20), Bob Ashton (on 1965-12-22), Jerry Dodgion (on 1965-12-22) and Phil Woods (on 1965-12-22)
- congas:
- Candido (on 1965-12-22)
- cor anglais [English horn], oboe and tenor saxophone:
- Romeo Penque (on 1965-11-20)
- double bass [bass]:
- George Duvivier (on 1965-12-22)
- drums (drum set):
- Grady Tate (on 1965-12-22)
- electric guitar [guitar]:
- Wes Montgomery (on 1965-12-22)
- flute:
- Romeo Penque (on 1965-11-20), Bob Ashton (on 1965-12-22), Dan Bank (on 1965-12-22) and Jerry Dodgion (on 1965-12-22)
- piano:
- Herbie Hancock (on 1965-12-22) and Roger Kellaway (on 1965-12-22)
- piccolo:
- Romeo Penque (on 1965-11-20) and Jerry Dodgion (on 1965-12-22)
- saxophone:
- Bob Ashton (on 1965-12-22)
- trombone:
- Wayne Andre (on 1965-12-22), Jimmy Cleveland (on 1965-12-22) and Quentin Jackson (on 1965-12-22)
- trumpet:
- Donald Byrd (on 1965-12-22), Danny Moore (on 1965-12-22), Joe Newman (on 1965-12-22) and Ernie Royal (on 1965-12-22)
- conductor:
- Oliver Nelson (on 1965-12-22)
- arranger:
- Oliver Nelson
- recorded at:
- Van Gelder Studio in Englewood Cliffs, New Jersey, United States (on 1965-12-22)
- recording of:
- Twisted Blues (on 1965-12-22)
- composer:
- Wes Montgomery
| | 4:15 |
| 7 | End of a Love Affair- recording engineer:
- Rudy van Gelder (on 1965-12-22)
- producer:
- Creed Taylor
- alto flute, baritone saxophone and bass clarinet:
- Dan Bank (on 1965-12-22)
- alto saxophone:
- Jerry Dodgion (on 1965-12-22) and Phil Woods (on 1965-12-22)
- bass:
- George Duvivier (on 1965-12-22)
- bass trombone:
- Tony Studd (on 1965-12-22)
- clarinet:
- Romeo Penque (on 1965-11-20), Bob Ashton (on 1965-12-22), Jerry Dodgion (on 1965-12-22) and Phil Woods (on 1965-12-22)
- congas:
- Candido (on 1965-12-22)
- cor anglais [English horn], oboe and tenor saxophone:
- Romeo Penque (on 1965-11-20)
- drums (drum set):
- Grady Tate (on 1965-12-22)
- flute:
- Romeo Penque (on 1965-11-20), Bob Ashton (on 1965-12-22), Dan Bank (on 1965-12-22) and Jerry Dodgion (on 1965-12-22)
- guitar:
- Wes Montgomery (on 1965-12-22)
- piano:
- Herbie Hancock (on 1965-12-22) and Roger Kellaway (on 1965-12-22)
- piccolo:
- Romeo Penque (on 1965-11-20) and Jerry Dodgion (on 1965-12-22)
- saxophone:
- Bob Ashton (on 1965-12-22)
- trombone:
- Wayne Andre (on 1965-12-22), Jimmy Cleveland (on 1965-12-22) and Quentin Jackson (on 1965-12-22)
- trumpet:
- Donald Byrd (on 1965-12-22), Danny Moore (on 1965-12-22), Joe Newman (on 1965-12-22) and Ernie Royal (on 1965-12-22)
- conductor:
- Oliver Nelson (on 1965-12-22)
- arranger:
- Oliver Nelson
- recorded at:
- Van Gelder Studio in Englewood Cliffs, New Jersey, United States (on 1965-12-22)
- instrumental recording of:
- The End of a Love Affair (on 1965-12-22)
- lyricist and composer:
- Edward Redding
- publisher:
- MCA Music Publishing
| | 3:43 |
| 8 | It Was a Very Good Year- recording engineer:
- Rudy van Gelder (on 1965-12-22)
- producer:
- Creed Taylor
- alto flute, baritone saxophone and bass clarinet:
- Dan Bank (on 1965-12-22)
- alto saxophone:
- Jerry Dodgion (on 1965-12-22) and Phil Woods (on 1965-12-22)
- bass trombone:
- Tony Studd (on 1965-12-22)
- clarinet:
- Romeo Penque (on 1965-11-20), Bob Ashton (on 1965-12-22), Jerry Dodgion (on 1965-12-22) and Phil Woods (on 1965-12-22)
- congas:
- Candido (on 1965-12-22)
- cor anglais [English horn], oboe and tenor saxophone:
- Romeo Penque (on 1965-11-20)
- double bass [bass]:
- George Duvivier (on 1965-12-22)
- drums (drum set):
- Grady Tate (on 1965-12-22)
- electric guitar [guitar]:
- Wes Montgomery (on 1965-12-22)
- flute:
- Romeo Penque (on 1965-11-20), Bob Ashton (on 1965-12-22), Dan Bank (on 1965-12-22) and Jerry Dodgion (on 1965-12-22)
- piano:
- Herbie Hancock (on 1965-12-22) and Roger Kellaway (on 1965-12-22)
- piccolo:
- Romeo Penque (on 1965-11-20) and Jerry Dodgion (on 1965-12-22)
- saxophone:
- Bob Ashton (on 1965-12-22)
- trombone:
- Wayne Andre (on 1965-12-22), Jimmy Cleveland (on 1965-12-22) and Quentin Jackson (on 1965-12-22)
- trumpet:
- Donald Byrd (on 1965-12-22), Danny Moore (on 1965-12-22), Joe Newman (on 1965-12-22) and Ernie Royal (on 1965-12-22)
- conductor:
- Oliver Nelson (on 1965-12-22)
- arranger:
- Oliver Nelson
- recorded at:
- Van Gelder Studio in Englewood Cliffs, New Jersey, United States (on 1965-12-22)
- instrumental recording of:
- It Was a Very Good Year (on 1965-12-22)
- lyricist and composer:
- Ervin Drake
- publisher:
- Memory Lane Music , Reedlands Music Corp. and The Songwriters Guild
| | 3:43 |
| 9 | Golden Earrings- recording engineer:
- Rudy van Gelder (on 1965-12-22)
- producer:
- Creed Taylor
- alto flute, baritone saxophone and bass clarinet:
- Dan Bank (on 1965-12-22)
- alto saxophone:
- Jerry Dodgion (on 1965-12-22) and Phil Woods (on 1965-12-22)
- bass trombone:
- Tony Studd (on 1965-12-22)
- clarinet:
- Romeo Penque (on 1965-11-20), Bob Ashton (on 1965-12-22), Jerry Dodgion (on 1965-12-22) and Phil Woods (on 1965-12-22)
- congas:
- Candido (on 1965-12-22)
- cor anglais [English horn], oboe and tenor saxophone:
- Romeo Penque (on 1965-11-20)
- double bass [bass]:
- George Duvivier (on 1965-12-22)
- drums (drum set):
- Grady Tate (on 1965-12-22)
- electric guitar [guitar]:
- Wes Montgomery (on 1965-12-22)
- flute:
- Romeo Penque (on 1965-11-20), Bob Ashton (on 1965-12-22), Dan Bank (on 1965-12-22) and Jerry Dodgion (on 1965-12-22)
- piano:
- Herbie Hancock (on 1965-12-22) and Roger Kellaway (on 1965-12-22)
- piccolo:
- Romeo Penque (on 1965-11-20) and Jerry Dodgion (on 1965-12-22)
- saxophone:
- Bob Ashton (on 1965-12-22)
- trombone:
- Wayne Andre (on 1965-12-22), Jimmy Cleveland (on 1965-12-22) and Quentin Jackson (on 1965-12-22)
- trumpet:
- Donald Byrd (on 1965-12-22), Danny Moore (on 1965-12-22), Joe Newman (on 1965-12-22) and Ernie Royal (on 1965-12-22)
- conductor:
- Oliver Nelson (on 1965-12-22)
- arranger:
- Oliver Nelson
- recorded at:
- Van Gelder Studio in Englewood Cliffs, New Jersey, United States (on 1965-12-22)
- instrumental recording of:
- Golden Earrings (on 1965-12-22)
- lyricist:
- Ray Evans and Jay Livingston
- composer:
- Victor Young
| | 5:19 |
| 10 | Tequila | | 3:23 |
| 11 | Little Child (Daddy Dear) | | 2:30 |
| 12 | What the World Needs Now Is Love | | 5:00 |
| 13 | The Big Hurt | | 4:34 |
| 14 | Bumpin' on Sunset | | 4:52 |
| 15 | Insensatez (How Insensitive) | | 3:47 |
| 16 | The Thumb | | 4:51 |
| 17 | Midnight Mood | | 5:35 |
| 18 | Wives and Lovers | | 3:00 |
| 19 | Tequila | | 2:41 |