Tenors Head-On

~ Release by Bill Perkins, Richie Kamuca (see all versions of this release, 2 available)

Tracklist

▼ CD 1
#TitleRatingLength
1Cotton Tail
recorded in:
Los Angeles, California, United States (in 1956-07)
recording engineer:
Val Valentin (in 1956-07)
producer:
Howard Rumsey (American jazz double-bassist)
bass:
Red Mitchell (jazz double-bassist, composer and lyricist) (in 1956-07)
drums (drum set):
Stan Levey (in 1956-07)
piano:
Pete Jolly (American jazz pianist, accordionist, and composer) (in 1956-07)
tenor saxophone:
Richie Kamuca (in 1956-07)
woodwind:
Bill Perkins (jazz saxophonist) (in 1956-07)
instrumental recording of:
Cotton Tail (in 1956-07)
lyricist and composer:
Duke Ellington (US composer, pianist & jazz bandleader)
4:38
2I Want a Little Girl
recorded in:
Los Angeles, California, United States (in 1956-07)
recording engineer:
Val Valentin (in 1956-07)
producer:
Howard Rumsey (American jazz double-bassist)
bass:
Red Mitchell (jazz double-bassist, composer and lyricist) (in 1956-07)
drums (drum set):
Stan Levey (in 1956-07)
piano:
Pete Jolly (American jazz pianist, accordionist, and composer) (in 1956-07)
tenor saxophone:
Richie Kamuca (in 1956-07)
woodwind:
Bill Perkins (jazz saxophonist) (in 1956-07)
instrumental recording of:
I Want a Little Girl (in 1956-07)
lyricist:
Billy Moll
composer:
Murray Mencher
publisher:
Shapiro, Bernstein & Co., Inc.
5:58
3Blues for Two
recorded in:
Los Angeles, California, United States (in 1956-07)
recording engineer:
Val Valentin (in 1956-07)
producer:
Howard Rumsey (American jazz double-bassist)
bass:
Red Mitchell (jazz double-bassist, composer and lyricist) (in 1956-07)
drums (drum set):
Stan Levey (in 1956-07)
piano:
Pete Jolly (American jazz pianist, accordionist, and composer) (in 1956-07)
tenor saxophone:
Richie Kamuca (in 1956-07)
woodwind:
Bill Perkins (jazz saxophonist) (in 1956-07)
4:30
4Indian Summer
recorded in:
Los Angeles, California, United States (in 1956-07)
recording engineer:
Val Valentin (in 1956-07)
producer:
Howard Rumsey (American jazz double-bassist)
bass:
Red Mitchell (jazz double-bassist, composer and lyricist) (in 1956-07)
drums (drum set):
Stan Levey (in 1956-07)
piano:
Pete Jolly (American jazz pianist, accordionist, and composer) (in 1956-07)
tenor saxophone:
Richie Kamuca (in 1956-07)
woodwind:
Bill Perkins (jazz saxophonist) (in 1956-07)
instrumental recording of:
Indian Summer (in 1956-07)
lyricist:
Al Dubin (in 1939)
composer:
Victor Herbert (composer) (in 1919)
publisher:
Harms, Inc.
4:41
5Don't Be That Way
recorded in:
Los Angeles, California, United States (in 1956-07)
recording engineer:
Val Valentin (in 1956-07)
producer:
Howard Rumsey (American jazz double-bassist)
bass:
Red Mitchell (jazz double-bassist, composer and lyricist) (in 1956-07)
drums (drum set):
Stan Levey (in 1956-07)
piano:
Pete Jolly (American jazz pianist, accordionist, and composer) (in 1956-07)
tenor saxophone:
Richie Kamuca (in 1956-07)
woodwind:
Bill Perkins (jazz saxophonist) (in 1956-07)
instrumental recording of:
Don’t Be That Way (in 1956-07)
lyricist:
Mitchell Parish
composer:
Benny Goodman (clarinetist and bandleader) and Edgar Sampson
publisher:
EMI Robbins Catalog Inc. (ASCAP), Robbins Music Corp. Ltd., Robbins Music Corporation and The Songwriters Guild
part of:
New York, New York (1977 musical film soundtrack)
5:07
6Oh! Look at Me Now
recorded in:
Los Angeles, California, United States (in 1956-07)
recording engineer:
Val Valentin (in 1956-07)
producer:
Howard Rumsey (American jazz double-bassist)
bass:
Red Mitchell (jazz double-bassist, composer and lyricist) (in 1956-07)
drums (drum set):
Stan Levey (in 1956-07)
piano:
Pete Jolly (American jazz pianist, accordionist, and composer) (in 1956-07)
tenor saxophone:
Richie Kamuca (in 1956-07)
woodwind:
Bill Perkins (jazz saxophonist) (in 1956-07)
instrumental recording of:
Oh! Look at Me Now (in 1956-07)
lyricist:
John DeVries (in 1941)
composer:
Joe Bushkin (in 1941)
publisher:
Campbell Connelly, Embassy Music Corporation and Hampshire House Publishing Corp.
5:38
7Spain
recorded in:
Los Angeles, California, United States (in 1956-07)
recording engineer:
Val Valentin (in 1956-07)
producer:
Howard Rumsey (American jazz double-bassist)
bass:
Red Mitchell (jazz double-bassist, composer and lyricist) (in 1956-07)
drums (drum set):
Stan Levey (in 1956-07)
piano:
Pete Jolly (American jazz pianist, accordionist, and composer) (in 1956-07)
tenor saxophone:
Richie Kamuca (in 1956-07)
woodwind:
Bill Perkins (jazz saxophonist) (in 1956-07)
5:03
8Pick a Dilly
recorded in:
Los Angeles, California, United States (in 1956-07)
recording engineer:
Val Valentin (in 1956-07)
producer:
Howard Rumsey (American jazz double-bassist)
bass:
Red Mitchell (jazz double-bassist, composer and lyricist) (in 1956-07)
drums (drum set):
Stan Levey (in 1956-07)
piano:
Pete Jolly (American jazz pianist, accordionist, and composer) (in 1956-07)
tenor saxophone:
Richie Kamuca (in 1956-07)
woodwind:
Bill Perkins (jazz saxophonist) (in 1956-07)
4:26
9Solid de Sylva
recorded in:
Los Angeles, California, United States (on 1956-10-29)
recording engineer:
Val Valentin (on 1956-10-29)
producer:
Richard Bock (record producer) and Woody Woodward
bass clarinet, clarinet, flute and woodwind:
Bill Perkins (jazz saxophonist) (on 1956-10-29)
double bass [bass]:
Red Mitchell (jazz double-bassist, composer and lyricist) (on 1956-10-29)
drums (drum set):
Mel Lewis (American jazz drummer) (on 1956-10-29)
piano:
Hampton Hawes (on 1956-10-29)
tenor saxophone:
Richie Kamuca (on 1956-10-29) and Bill Perkins (jazz saxophonist) (on 1956-10-29)
recorded at:
[unknown] (only use for recorded at if explicitly stated to be at an unknown place.) (on 1956-10-29)
recording of:
Solid Desylva (on 1956-10-29)
composer:
Bill Perkins (jazz saxophonist)
4:32
10Just Friends
recorded in:
Los Angeles, California, United States (on 1956-10-29)
recording engineer:
Val Valentin (on 1956-10-29)
producer:
Richard Bock (record producer) and Woody Woodward
bass clarinet, clarinet, flute and woodwind:
Bill Perkins (jazz saxophonist) (on 1956-10-29)
double bass [bass]:
Red Mitchell (jazz double-bassist, composer and lyricist) (on 1956-10-29)
drums (drum set):
Mel Lewis (American jazz drummer) (on 1956-10-29)
piano:
Hampton Hawes (on 1956-10-29)
tenor saxophone:
Richie Kamuca (on 1956-10-29) and Bill Perkins (jazz saxophonist) (on 1956-10-29)
recorded at:
[unknown] (only use for recorded at if explicitly stated to be at an unknown place.) (on 1956-10-29)
recording of:
Just Friends (on 1956-10-29)
lyricist:
Sam M. Lewis (1930s lyricist)
composer:
John Klenner
publisher:
EMI Robbins Catalog Inc. (ASCAP)
instrumental recording of:
Just Friends (on 1956-10-29)
lyricist:
Sam M. Lewis (1930s lyricist)
composer:
John Klenner
publisher:
EMI Robbins Catalog Inc. (ASCAP)
5:11
11All of Me
recorded in:
Los Angeles, California, United States (on 1956-10-29)
recording engineer:
Val Valentin (on 1956-10-29)
producer:
Richard Bock (record producer) and Woody Woodward
bass clarinet, clarinet, flute and woodwind:
Bill Perkins (jazz saxophonist) (on 1956-10-29)
double bass [bass]:
Red Mitchell (jazz double-bassist, composer and lyricist) (on 1956-10-29)
drums (drum set):
Mel Lewis (American jazz drummer) (on 1956-10-29)
piano:
Hampton Hawes (on 1956-10-29)
tenor saxophone:
Richie Kamuca (on 1956-10-29) and Bill Perkins (jazz saxophonist) (on 1956-10-29)
recorded at:
[unknown] (only use for recorded at if explicitly stated to be at an unknown place.) (on 1956-10-29)
instrumental recording of:
All of Me (on 1956-10-29)
writer:
Gerald Marks (in 1932) and Seymour Simons (in 1932)
publisher:
Bourne Co. (not for release label use, this is a music publisher), Bourne, Inc., Francis, Day & Hunter Ltd., Marlong Music Corp., Round Hill Songs and Sony/ATV Tunes LLC (ASCAP)
sub-publisher:
Peermusic and 日音 Synch事業部 (NICHION, INC. Synch Division)
4:33
12Limehouse Blues
recorded in:
Los Angeles, California, United States (on 1956-10-29)
recording engineer:
Val Valentin (on 1956-10-29)
producer:
Richard Bock (record producer) and Woody Woodward
bass clarinet, clarinet, flute and woodwind:
Bill Perkins (jazz saxophonist) (on 1956-10-29)
double bass [bass]:
Red Mitchell (jazz double-bassist, composer and lyricist) (on 1956-10-29)
drums (drum set):
Mel Lewis (American jazz drummer) (on 1956-10-29)
piano:
Hampton Hawes (on 1956-10-29)
tenor saxophone:
Richie Kamuca (on 1956-10-29) and Bill Perkins (jazz saxophonist) (on 1956-10-29)
recorded at:
[unknown] (only use for recorded at if explicitly stated to be at an unknown place.) (on 1956-10-29)
recording of:
Limehouse Blues (on 1956-10-29)
lyricist:
Douglas Furber
composer:
Philip Braham
publisher:
Harms, Inc. and Warner Bros. Mus. (ASCAP) (publisher; do NOT use as release label)
instrumental recording of:
Limehouse Blues (on 1956-10-29)
lyricist:
Douglas Furber
composer:
Philip Braham
publisher:
Harms, Inc. and Warner Bros. Mus. (ASCAP) (publisher; do NOT use as release label)
3:19
13Sweet and Lovely
recorded in:
Los Angeles, California, United States (on 1956-10-29)
recording engineer:
Val Valentin (on 1956-10-29)
producer:
Richard Bock (record producer) and Woody Woodward
bass clarinet, clarinet, flute and woodwind:
Bill Perkins (jazz saxophonist) (on 1956-10-29)
double bass [bass]:
Red Mitchell (jazz double-bassist, composer and lyricist) (on 1956-10-29)
drums (drum set):
Mel Lewis (American jazz drummer) (on 1956-10-29)
piano:
Hampton Hawes (on 1956-10-29)
tenor saxophone:
Richie Kamuca (on 1956-10-29) and Bill Perkins (jazz saxophonist) (on 1956-10-29)
recorded at:
[unknown] (only use for recorded at if explicitly stated to be at an unknown place.) (on 1956-10-29)
instrumental recording of:
Sweet and Lovely (on 1956-10-29)
lyricist:
Harry Tobias
composer:
Gus Arnheim and Charles N. Daniels
publisher:
Harry Tobias Music, Keith Prowse Music, Redwood Music, Sony/ATV Tunes LLC (ASCAP), Anne-Rachel Music Corp. (in 1931), Chappell & Co. (in 1931), Quartet Music Inc. (in 1931) and Range Road Music Inc. (in 1931)
5:02

Credits

Release group

Wikidata:Q86664290 [info]