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~ Release by Various Artists (see all versions of this release, 3 available)

Tracklist

▼ CD 1
#TitleArtistRatingLength
1To Know Him Is to Love Him
engineer:
Stan Ross (recording engineer, mixer & producer)
producer:
Phil Spector
instruments:
Phil Spector (in 1958-07)
membranophone:
Sandy Nelson (in 1958-07)
arranger:
Phil Spector
engineered at:
Gold Star Studios in Hollywood, Los Angeles, California, United States (in 1958-07)
recording of:
To Know Him Is to Love Him (in 1958-07)
lyricist and composer:
Phil Spector
publisher:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Bourne Music Ltd., Mother Bertha Music Inc. and Vogue Music
The Teddy Bears2:24
2Corrine, Corrina
producer:
Phil Spector
arranger:
Robert Mersey
recorded at:
Bell Sound Studios in New York, New York, United States (from 1960-09 until 1960-10)
cover recording of:
Corrine, Corrina (from 1960-09 until 1960-10)
lyricist:
[traditional] (special purpose artist), Armetia Chatman (blues musician, aka Bo Chatmon) (in 1929), J. Mayo ‘Ink’ Williams (in 1929) and Mitchell Parish (in 1932)
composer:
[traditional] (special purpose artist)
publisher:
Belwin-Mills Publishing Corp., EMI Music Publishing France and Gotham Music Service, Inc. (on 1932-03-18)
Ray Peterson2:41
3Spanish Harlem
engineer:
Phil Ramone
producer:
Jerry Leiber and Mike Stoller
arranger:
Stan Applebaum (US composer, arranger and conductor)
recorded at:
Bell Sound Studios in New York, New York, United States (from 1960-10 until 1960-11)
recording of:
Spanish Harlem (from 1960-10 until 1960-11)
lyricist:
Jerry Leiber
composer:
Phil Spector
publisher:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Carlin Music Corporation, Mother Bertha Music Inc., Sony/ATV Songs LLC, Trio Music Co., Inc. and Unichappell Music
Ben E. King2:53
4Pretty Little Angel Eyes
engineer:
Bill McGuire
producer:
Phil Spector
arranger:
Phil Spector
recorded at:
Mirasound Studios in New York, New York, United States (from 1961-05 until 1961-06)
recording of:
Pretty Little Angel Eyes (from 1961-05 until 1961-06)
writer:
Tommy Boyce (US songwriter of Boyce and Hart) and Curtis Lee (US rock & roll singer, had single "Pretty Little Angel Eyes")
Curtis Lee52:47
5Every Breath I Take
producer:
Phil Spector
arranger:
Alan Lauber
recorded at:
Bell Sound Studios in New York, New York, United States (from 1961-06 until 1961-07)
recording of:
Every Breath I Take (from 1961-06 until 1961-07)
writer:
Gerry Goffin and Carole King
Gene Pitney2:46
6I Love How You Love Me
engineer:
Stan Ross (recording engineer, mixer & producer)
producer:
Phil Spector
background vocals:
Albeth Paris, Sherrell Paris and Phil Spector
lead vocals [singing voice on 1st lead]:
Priscilla Paris
spoken vocals [spoken voice on 2nd lead over the instrumental break]:
Albeth Paris
arranger:
Hank Levine and Phil Spector
recorded at:
Gold Star Studios in Hollywood, Los Angeles, California, United States (from 1961-07 until 1961-08)
cover recording of:
I Love How You Love Me (from 1961-07 until 1961-08)
writer:
Larry Kolber and Barry Mann
publisher:
Robert Mellin Ltd. and Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
The Paris Sisters42:08
7Under the Moon of Love
engineer:
William McMeekin
producer:
Phil Spector
arranger:
Arnold Goland and Phil Spector
recorded at:
Mirasound Studios in New York, New York, United States (from 1961-08 until 1961-09)
recording of:
Under the Moon of Love (from 1961-08 until 1961-09)
writer:
Tommy Boyce (US songwriter of Boyce and Hart) and Curtis Lee (US rock & roll singer, had single "Pretty Little Angel Eyes")
publisher:
BMG Music Publishing (NYC‐based headquarters, with national subsidiaries under it)
Curtis Lee32:53
8There’s No Other Like My Baby
engineer:
William McMeekin
producer:
Phil Spector
lead vocals:
Barbara Alston (from 1961-09 until 1961-10)
arranger:
Arnold Goland and Phil Spector
recorded at:
Mirasound Studios in New York, New York, United States (from 1961-09 until 1961-10)
recording of:
There’s No Other (Like My Baby) (from 1961-09 until 1961-10)
composer:
Lee Bates and Phil Spector
publisher:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”) and Mother Bertha Music Inc.
The Crystals2:32
9Uptown
engineer:
William McMeekin
producer:
Phil Spector
guitar:
Phil Spector (in 1962-02)
lead vocals:
Barbara Alston (in 1962-02)
arranger:
Hank Levine and Phil Spector
recorded at:
Mirasound Studios in New York, New York, United States (in 1962-02)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1962 (number: 23)
recording of:
Uptown (in 1962-02)
writer:
Barry Mann and Cynthia Weil
publisher:
Dyad Music Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (from 2021-07-01 to present)
The Crystals52:21
10He Hit Me (It Felt Like a Kiss)
engineer:
William McMeekin
producer:
Phil Spector
lead vocals:
Barbara Alston (in 1962-06)
arranger:
Arnold Goland and Phil Spector
recorded at:
Mirasound Studios in New York, New York, United States (in 1962-06)
recording of:
He Hit Me (It Felt Like a Kiss) (in 1962-06)
lyricist:
Gerry Goffin
composer:
Carole King
The Crystals2:34
11He’s a Rebel
engineer:
Larry Levine
producer:
Phil Spector
background vocals:
Fanita James (soul singer) (in 1962-07) and Jean King (in 1962-07)
lead vocals:
Darlene Love (in 1962-07)
arranger:
Jack Nitzsche (American musician and score composer)
recorded at:
Gold Star Studios in Hollywood, Los Angeles, California, United States (in 1962-07)
recording of:
He’s a Rebel (in 1962-07)
lyricist and composer:
Gene Pitney
publisher:
January Music Corp.
The Crystals52:28
12Zip‐A‐Dee‐Doo‐Dah
engineer:
Larry Levine
producer:
Phil Spector
vocals:
Fanita James (soul singer) (in 1962-08), Darlene Love (in 1962-08) and Bobby Sheen (in 1962-08)
arranger:
Jack Nitzsche (American musician and score composer)
recorded at:
Gold Star Studios in Hollywood, Los Angeles, California, United States (in 1962-08)
recording of:
Zip‐a‐Dee‐Doo‐Dah (Song of the South) (in 1962-08)
lyricist:
Ray Gilbert
composer:
Allie Wrubel (US composer and songwriter)
publisher:
Joy Music Inc. and Walt Disney Music Company (music publisher, do not use as release label) (in 1945)
part of:
The 20th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 20)
part of:
Song of the South (1946 live action/animated film)
Bob B. Soxx and the Blue Jeans2:50
13Puddin’ n’ Tain
engineer:
Larry Levine
producer:
Phil Spector
arranger:
Jack Nitzsche (American musician and score composer)
recorded at:
Gold Star Studios in Hollywood, Los Angeles, California, United States (in 1962-11)
recording of:
Puddin' n' Tain (in 1962-11)
writer:
Brice Coefield, Gary Pipkin and Alonzo Willis
The Alley Cats2:48
14He’s Sure the Boy I Love
engineer:
Larry Levine
producer:
Phil Spector
arranger:
Jack Nitzsche (American musician and score composer)
recorded at:
Gold Star Studios in Hollywood, Los Angeles, California, United States (in 1962-11)
recording of:
He’s Sure the Boy I Love (in 1962-11)
writer:
Barry Mann and Cynthia Weil
publisher:
Aldon Music and Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
The Crystals2:46
15Why Do Lovers Break Each Others Hearts
engineer:
Larry Levine
producer:
Phil Spector
arranger:
Jack Nitzsche (American musician and score composer)
recorded at:
Gold Star Studios in Hollywood, Los Angeles, California, United States (in 1962-11)
recording of:
Why Do Lovers Break Each Others Hearts (in 1962-11)
writer:
Ellie Greenwich, Tony Powers and Phil Spector
publisher:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Mother Bertha Music Inc. and Unichappell Music, Inc.
Bob B. Soxx and the Blue Jeans2:49
16(Today I Met) The Boy I’m Gonna Marry
engineer:
Larry Levine
producer:
Phil Spector
arranger:
Jack Nitzsche (American musician and score composer)
recorded at:
Gold Star Studios in Hollywood, Los Angeles, California, United States (in 1963-03)
recording of:
(Today I Met) The Boy I’m Gonna Marry (in 1963-03)
writer:
Ellie Greenwich, Tony Powers and Phil Spector
publisher:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Mother Bertha Music Inc. and Unichappell Music, Inc.
Darlene Love2:49
17Da Doo Ron Ron
engineer:
Larry Levine
producer:
Phil Spector
lead vocals:
LaLa Brooks (in 1963-03)
arranger:
Jack Nitzsche (American musician and score composer)
recorded at:
Gold Star Studios in Hollywood, Los Angeles, California, United States (in 1963-03)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 114) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 366)
recording of:
Da Doo Ron Ron (in 1963-03)
writer:
Jeff Barry, Ellie Greenwich and Phil Spector
publisher:
Universal Music Publishing Group Japan (UNIVERSAL MUSIC PUBLISHING LLC, work publisher – do NOT use as a release label) (ended), ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Intersong (publisher), Mother Bertha Music Inc., Trio Music Co., Inc., Universal–Songs of PolyGram International, Inc., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), 日本アブコ音楽出版 (ABKCO Japan Publishing), フジパシフィック音楽出版 (Fujipacific Music inc.) (until 2014-12-31), イーエムアイ音楽出版 C・F事業部 (EMI Music Publishing Japan C.F. division) (until 2021-06-30), フジパシフィックミュージック (Fujipacific Music, Inc.) (from 2015-01-01 to present) and ソニー・ミュージックパブリッシング EMI外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (from 2021-07-01 to present)
The Crystals52:18
18Heartbreaker
engineer:
Larry Levine
producer:
Phil Spector
lead vocals:
LaLa Brooks (in 1963-03)
arranger:
Jack Nitzsche (American musician and score composer)
recorded at:
Gold Star Studios in Hollywood, Los Angeles, California, United States (in 1963-03)
recording of:
Heartbreaker (in 1963-03)
writer:
Jeff Barry, Ellie Greenwich and Phil Spector
publisher:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Mother Bertha Music Inc., Trio Music Company and Universal–Songs of PolyGram International, Inc.
The Crystals2:35
19Why Don’t They Let Us Fall in Love
engineer:
Larry Levine
producer:
Phil Spector
arranger:
Jack Nitzsche (American musician and score composer)
recorded at:
Gold Star Studios in Hollywood, Los Angeles, California, United States (in 1963-03)
recording of:
Why Don't They Let Us Fall in Love? (in 1963-03)
writer:
Jeff Barry, Ellie Greenwich and Phil Spector
publisher:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Mother Bertha Music Inc., Trio Music Company and Universal–Songs of PolyGram International, Inc.
Veronica2:40
20Chapel of Love
engineer:
Larry Levine
producer:
Phil Spector
arranger:
Jack Nitzsche (American musician and score composer)
recorded at:
Gold Star Studios in Hollywood, Los Angeles, California, United States (in 1963-04)
cover recording of:
Chapel of Love (in 1963-04)
writer:
Jeff Barry, Ellie Greenwich and Phil Spector
publisher:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Mother Bertha Music Inc., Trio Music Company, Universal–Songs of PolyGram International, Inc., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), 日本アブコ音楽出版 (ABKCO Japan Publishing), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (from 2021-07-01 to present)
Darlene Love2:26
21Not Too Young to Get Married
engineer:
Larry Levine
producer:
Phil Spector
lead vocals:
Darlene Love (in 1963-04)
arranger:
Jack Nitzsche (American musician and score composer)
recorded at:
Gold Star Studios in Hollywood, Los Angeles, California, United States (in 1963-04)
recording of:
Not Too Young to Get Married (in 1963-04)
lyricist and composer:
Jeff Barry, Ellie Greenwich and Phil Spector
publisher:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Mother Bertha Music Inc., Trio Music Company and Universal–Songs of PolyGram International, Inc.
Bob B. Soxx and the Blue Jeans2:28
22Wait Til My Bobby Gets Home
engineer:
Larry Levine (in 1963-05)
producer:
Phil Spector
lead vocals:
Darlene Love (in 1963-05) and Edna Wright (in 1963-05)
arranger:
Jack Nitzsche (American musician and score composer) (in 1963-05)
recorded at:
Gold Star Studios in Hollywood, Los Angeles, California, United States (in 1963-05)
recording of:
Wait Til My Bobby Gets Home (in 1963-05)
writer:
Jeff Barry, Ellie Greenwich and Phil Spector
publisher:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Mother Bertha Music Inc., Trio Music Company and Universal–Songs of PolyGram International, Inc.
Darlene Love2:24
23All Grown Up
engineer:
Larry Levine
producer:
Phil Spector
lead vocals:
LaLa Brooks (in 1963-06)
arranger:
Jack Nitzsche (American musician and score composer)
recorded at:
Gold Star Studios in Hollywood, Los Angeles, California, United States (in 1963-06)
recording of:
All Grown Up (in 1963-06)
writer:
Jeff Barry, Ellie Greenwich and Phil Spector
publisher:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Mother Bertha Music Inc., Trio Music Company and Universal–Songs of PolyGram International, Inc.
The Crystals2:49
▶ CD 2
▶ CD 3