| # | Title | Artist | Rating | Length |
|---|
| 1 | Inkanyeza Nezazi | Ladysmith Black Mambazo | 2 | 4:49 |
| 2 | I Heard It Through the Grapevine- producer:
- Norman Whitfield
- drums (drum set):
- Richard "Pistol" Allen (from 1967-02-03 until 1967-04-10) and Uriel Jones (from 1967-02-03 until 1967-04-10)
- instruments:
- The Funk Brothers (from 1967-02-03 until 1967-04-10)
- organ:
- Earl Van Dyke (from 1967-02-03 until 1967-04-10)
- background vocals:
- The Andantes (from 1967-02-03 until 1967-04-10)
- lead vocals:
- Marvin Gaye (from 1967-02-03 until 1967-04-10)
- orchestra:
- Detroit Symphony Orchestra (from 1967-02-03 until 1967-04-10)
- phonographic copyright (℗) by:
- Motown Record Company (in 1968)
- recorded at:
- Hitsville in Detroit, Michigan, United States (from 1967-02-03 until 1967-04-10)
- part of:
- Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (number: 80), Billboard: Greatest of All Time Hot 100 Songs (number: 93), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 119) and Billboard: The 500 Best Pop Songs (number: 307)
- recording of:
- I Heard It Through the Grapevine (from 1967-02-03 until 1967-04-10)
- writer:
- Barrett Strong and Norman Whitfield
- publisher:
- EMI Music Publishing Ltd. , EMI Songs Australia, EMI Songs Scandinavia AB, Jobete Music, Jobete Music (UK) Ltd., Jobette-Carlin Music Ltd., Stone Agate Music, Stone Agate Music Division and ソニー・ミュージックパブリッシング フジパシフィック事業部
| Marvin Gaye | 4.3 | 3:12 |
| 3 | You Gotta Be | Des’ree | 3.35 | 3:55 |
| 4 | Search for the Hero | M People | 3 | 4:11 |
| 5 | I Just Want to Make Love to You | Etta James | 3 | 3:06 |
| 6 | Let’s Face the Music and Dance | Nat King Cole | | 2:26 |
| 7 | Memories Are Made of This | Dean Martin | 5 | 2:18 |
| 8 | Music to Watch the Girls Go By | Andy Williams | | 2:33 |
| 9 | Guaglione | Pérez Prado | | 2:24 |
| 10 | Bullitt | Lalo Schifrin | 4 | 2:05 |
| 11 | Blow Up A‐Go‐Go | James Clarke | | 2:32 |
| 12 | Mas Que Nada | Sérgio Mendes | | 2:40 |
| 13 | Fly Me to the Moon | Julie London | 4 | 2:33 |
| 14 | Wondrous Place | Billy Fury | | 2:23 |
| 15 | Mellow Yellow | Donovan | 4 | 3:39 |
| 16 | I Can’t Let Maggie Go | Honeybus | | 2:57 |
| 17 | Good Vibrations- recording engineer:
- Bruce Botnick, Chuck Britz and Larry Levine
- engineer:
- Chuck Britz and Jim Lockert
- producer:
- The Beach Boys and Brian Wilson
- mixer:
- Derry FitzGerald
- lead vocals:
- Mike Love and Carl Wilson (from 1966-02 until 1966-06)
- vocals:
- Mike Love (from 1966-02 until 1966-06)
- phonographic copyright (℗) by:
- Capitol Records, Inc. (in 1966)
- recorded at:
- Gold Star Studios in Hollywood, Los Angeles, California, United States, Sunset Sound in Hollywood, Los Angeles, California, United States and Western Recorders in Los Angeles, California, United States (from 1966-02 until 1966-06)
- part of:
- Rolling Stone: 500 Greatest Songs of All Time (number: 6), Billboard: The 500 Best Pop Songs (number: 25), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 53)
- recording of:
- Good Vibrations (from 1966-02 until 1966-06)
- lyricist:
- Mike Love and Brian Wilson
- composer:
- Brian Wilson
- publisher:
- Irving Music, Inc., J. Albert & Son P/L, Rondor Music (London) Ltd., Rondor Music Publishing, Sea of Tunes Publishing Co. and Universal Music Publishing
- version of:
- Good Vibrations
| The Beach Boys | 4.2 | 3:37 |
| 18 | Part of the Union | Strawbs | | 2:57 |
| 19 | Wild Thing | The Troggs | 4.45 | 2:37 |
| 20 | We’ve Gotta Get Out of This Place | The Animals | 3.8 | 3:14 |
| 21 | He Ain’t Heavy, He’s My Brother- producer:
- Ron Richards
- phonographic copyright (℗) by:
- EMI Records Ltd. (in 1969) and The Hollies Ltd. (from 1969 until 1970)
- recorded at:
- Abbey Road Studios in St John's Wood, Westminster, London , England, United Kingdom (on 1969-06-25)
- cover recording of:
- He Ain’t Heavy, He’s My Brother (on 1969-06-25)
- writer:
- Bob Russell and Bobby Scott
- publisher:
- Amber Leigh Music Inc., Campbell Connelly & Co. Ltd., Cyril Shane Music, Harrison Music Corp., Heath Levy Music, Jenny Music Inc., Music Sales Corporation and ミュージック・セールス
| The Hollies | 4.2 | 4:14 |
| 22 | Your Cheatin’ Heart | Glen Campbell | | 3:18 |
| 23 | That’s Amore | Dean Martin | 4.35 | 3:08 |
| 24 | Stand by Me- recorded in:
- New York, New York, United States (on 1960-10-27)
- producer:
- Leiber and Stoller
- vocals:
- Ben E. King (on 1960-10-27)
- conductor:
- Stan Applebaum (on 1960-10-27)
- arranger:
- Stan Applebaum
- phonographic copyright (℗) by:
- HHO Ltd. and WEA International Inc. (in 1961)
- part of:
- Dave Marsh: The Best of the Top 40 Singles: 1961 (number: 1), Billboard: The 500 Best Pop Songs (number: 62), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (number: 121) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 131)
- recording of:
- Stand by Me (on 1960-10-27)
- publisher:
- Mike Stoller
- writer:
- Ben E. King, Jerry Leiber and Mike Stoller
- publisher:
- Hornall Brothers Music , Jerry Leiber Music, Leiber Stoller Songs Ltd., Melodie der Welt GmbH & Co. KG, Sony/ATV Music Publishing Ltd., Sony/ATV Songs LLC, Trio Music and Unichappell Music
| Ben E. King | 4.65 | 2:59 |
| 25 | When a Man Loves a Woman- recorded in:
- Muscle Shoals, Alabama, United States (on 1966-02-17)
- producer:
- Marlin Greene and Quin Ivy
- double bass:
- Albert Lowe Jr. (on 1966-02-17)
- drums (drum set):
- Roger Hawkins (on 1966-02-17)
- farfisa [farfisa organ]:
- Spooner Oldham (on 1966-02-17)
- guitar:
- Marlin Greene (on 1966-02-17)
- vocals:
- Percy Sledge (on 1966-02-17)
- phonographic copyright (℗) by:
- HHO Ltd. , WEA International Inc. (, in 1966) and Atlantic Recording Corporation (in 1966)
- recorded at:
- Norala Studio in Sheffield, Alabama, United States (on 1966-02-17)
- part of:
- Rolling Stone: 500 Greatest Songs of All Time (number: 54) and Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
- recording of:
- When a Man Loves a Woman (on 1966-02-17)
- writer:
- Calvin Lewis and Andrew Wright
- publisher:
- Mijac Music, Warner Chappell Music , Warner Chappell Music Ltd. , Warner Chappell North America, Warner/Chappell , Pronto Music, Inc. (from 1966 to present), Quinvy Music Publishing Company, Inc. (from 1966 to present), Warner–Tamerlane Publishing Corp. (from 1966 to present), Pronto (in 1972) and Quinvy (in 1972)
| Percy Sledge | 4.25 | 2:56 |
| 26 | Mercedes Benz- recorded in:
- Los Angeles, California, United States (on 1970-10-01)
- engineer:
- Phil Macy
- producer:
- Paul A. Rothchild
- bass guitar:
- Brad Campbell (on 1970-10-01)
- drums (drum set):
- Clark Pierson (on 1970-10-01)
- guest bongos and congas:
- Bobbye Hall (on 1970-10-01)
- guest tambourine:
- Sandra Crouch (on 1970-10-01)
- guitar:
- John Till (on 1970-10-01)
- organ:
- Ken Pearson (on 1970-10-01)
- piano:
- Richard Bell (on 1970-10-01)
- background vocals:
- Phil Badella (on 1970-10-01), Richard Bell (on 1970-10-01), Brad Campbell (on 1970-10-01), John Cooke (on 1970-10-01), Janis Joplin (on 1970-10-01), Vince Mitchell (on 1970-10-01), Ken Pearson (on 1970-10-01), Clark Pierson (on 1970-10-01) and John Till (on 1970-10-01)
- lead vocals:
- Janis Joplin (on 1970-10-01)
- performer:
- Full Tilt Boogie (on 1970-10-01)
- recording of:
- Mercedes Benz (on 1970-10-01)
- writer:
- Janis Joplin, Michael McClure and Bob Neuwirth
| Janis Joplin | 3.35 | 1:47 |
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