La Belle au Bois Dormant

~ Parution par Пётр Ильич Чайковский (afficher toutes les versions de cette parution, 2 proposées)

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▼ CD 1
noTitreÉvaluationDurée
1La Belle au Bois Dormant, suite de ballet op. 66 Introduction, la fée carabosse
orchestre :
[unknown] ([inconnu], Special Purpose Artist – Do not add releases here, if possible.), Amsterdam Symphony Orchestra (Alfred Scholz pseudonym), Deutsches Symphonie‐Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993), The English Philharmonic Orchestra (an Alfred Scholz pseudonym assocated with Simon Addison, not the orchestra founded in 1998), London Festival Orchestra (Alfred Scholz pseudonym), Musici di San Marco (an Alfred Scholz pseudonym), New Philharmonia Orchestra London (Alfred Scholz related, not the London Philharmonic, the Philharmonia or the New Philharmonia), New Philharmonic Orchestra (Alfred Scholz related orchestra used on budget recordings), New Philharmonic Orchestra London (bogus name used on budget releases, not the London Philharmonic or the New Philharmonia), Philharmonic Orchestra London (Alfred Scholz pseudonym), Radio Symphony Orchestra Ljubljana (RTV Slovenia Symphony Orchestra, RTV Slovenia Symphony Orchestra) et Russian State Symphony Orchestra (Orchestre symphonique de la fédération de Russie, “Evgeny Svetlanov” / GASO)
conductor :
L. Siegel (fictitious conductor, Alfred Scholz pseudonym), Alfred Scholz, Peter Stern (fictitious conductor, Alfred Scholz pseudonym), Serge Tchaikov (conductor, unknown pseudonym, probably Alfred Scholz related), George Ralph Warren et Peter Wohlert
recording of :
The Sleeping Beauty Suite, op. 66a: I. Introduction. La Fée des Lilas
compositeur :
Pyotr Ilyich Tchaikovsky (Piotr Ilitch Tchaïkovski, Russian romantic composer)
partie de :
The Sleeping Beauty, op. 66a (Suite)
recording of :
The Sleeping Beauty, op. 66: Introduction
compositeur :
Pyotr Ilyich Tchaikovsky (Piotr Ilitch Tchaïkovski, Russian romantic composer)
partie de :
Спящая красавица, op. 66 (La Belle au bois dormant, op. 66, The Sleeping Beauty)
3:33
2La Belle au Bois Dormant, suite de ballet op. 66 Pas d'action
orchestre :
[unknown] ([inconnu], Special Purpose Artist – Do not add releases here, if possible.), Amsterdam Symphony Orchestra (Alfred Scholz pseudonym), Deutsches Symphonie‐Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993), The English Philharmonic Orchestra (an Alfred Scholz pseudonym assocated with Simon Addison, not the orchestra founded in 1998), London Festival Orchestra (Alfred Scholz pseudonym), Musici di San Marco (an Alfred Scholz pseudonym), New Philharmonia Orchestra London (Alfred Scholz related, not the London Philharmonic, the Philharmonia or the New Philharmonia), New Philharmonic Orchestra (Alfred Scholz related orchestra used on budget recordings), New Philharmonic Orchestra London (bogus name used on budget releases, not the London Philharmonic or the New Philharmonia), Orquesta Sinfónica Clásica de Baviera (an Alfred Scholz pseudonym), Philharmonic Orchestra London (Alfred Scholz pseudonym), Radio Symphony Orchestra Ljubljana (RTV Slovenia Symphony Orchestra, RTV Slovenia Symphony Orchestra) et Russian State Symphony Orchestra (Orchestre symphonique de la fédération de Russie, “Evgeny Svetlanov” / GASO)
conductor :
L. Siegel (fictitious conductor, Alfred Scholz pseudonym), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym), Alfred Scholz, Peter Stern (fictitious conductor, Alfred Scholz pseudonym), Serge Tchaikov (conductor, unknown pseudonym, probably Alfred Scholz related), George Ralph Warren et Peter Wohlert
recording of :
The Sleeping Beauty Suite, op. 66a: II. Adagio. Pas d'action
compositeur :
Пётр Ильич Чайковский (Piotr Ilitch Tchaïkovski, Russian romantic composer)
partie de :
The Sleeping Beauty, op. 66a (Suite)
5:24
3La Belle au Bois Dormant, suite de ballet op. 66 Panorama
orchestre :
[unknown] ([inconnu], Special Purpose Artist – Do not add releases here, if possible.), Amsterdam Symphony Orchestra (Alfred Scholz pseudonym), Deutsches Symphonie‐Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993), The English Philharmonic Orchestra (an Alfred Scholz pseudonym assocated with Simon Addison, not the orchestra founded in 1998), London Festival Orchestra (Alfred Scholz pseudonym), Musici di San Marco (an Alfred Scholz pseudonym), New Philharmonia Orchestra London (Alfred Scholz related, not the London Philharmonic, the Philharmonia or the New Philharmonia), New Philharmonic Orchestra (Alfred Scholz related orchestra used on budget recordings), New Philharmonic Orchestra London (bogus name used on budget releases, not the London Philharmonic or the New Philharmonia), Philharmonic Orchestra London (Alfred Scholz pseudonym), Radio Symphony Orchestra Ljubljana (RTV Slovenia Symphony Orchestra, RTV Slovenia Symphony Orchestra) et Russian State Symphony Orchestra (Orchestre symphonique de la fédération de Russie, “Evgeny Svetlanov” / GASO)
conductor :
L. Siegel (fictitious conductor, Alfred Scholz pseudonym), Alfred Scholz, Peter Stern (fictitious conductor, Alfred Scholz pseudonym), Serge Tchaikov (conductor, unknown pseudonym, probably Alfred Scholz related), George Ralph Warren et Peter Wohlert
recording of :
The Sleeping Beauty Suite, op. 66a: III. Pas de caractère
compositeur :
Пётр Ильич Чайковский (Piotr Ilitch Tchaïkovski, Russian romantic composer)
partie de :
The Sleeping Beauty, op. 66a (Suite)
partiel recording of :
The Sleeping Beauty Suite, op. 66a: IV. Panorama
compositeur :
Пётр Ильич Чайковский (Piotr Ilitch Tchaïkovski, Russian romantic composer)
partie de :
The Sleeping Beauty, op. 66a (Suite)
recording of :
The Sleeping Beauty Suite, op. 66a: IV. Panorama
compositeur :
Пётр Ильич Чайковский (Piotr Ilitch Tchaïkovski, Russian romantic composer)
partie de :
The Sleeping Beauty, op. 66a (Suite)
2:35
4La Belle au Bois Dormant, suite de ballet op. 66 Valse
orchestre :
[unknown] ([inconnu], Special Purpose Artist – Do not add releases here, if possible.), Amsterdam Symphony Orchestra (Alfred Scholz pseudonym), Deutsches Symphonie‐Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993), The English Philharmonic Orchestra (an Alfred Scholz pseudonym assocated with Simon Addison, not the orchestra founded in 1998), London Festival Orchestra (Alfred Scholz pseudonym), Musici di San Marco (an Alfred Scholz pseudonym), New Philharmonia Orchestra London (Alfred Scholz related, not the London Philharmonic, the Philharmonia or the New Philharmonia), New Philharmonic Orchestra (Alfred Scholz related orchestra used on budget recordings), New Philharmonic Orchestra London (bogus name used on budget releases, not the London Philharmonic or the New Philharmonia), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Philharmonic Orchestra London (Alfred Scholz pseudonym), Radio Symphony Orchestra Ljubljana (RTV Slovenia Symphony Orchestra, RTV Slovenia Symphony Orchestra), Royal Philharmonic Orchestra et Russian State Symphony Orchestra (Orchestre symphonique de la fédération de Russie, “Evgeny Svetlanov” / GASO)
conductor :
L. Siegel (fictitious conductor, Alfred Scholz pseudonym), Alfred Scholz, Peter Stern (fictitious conductor, Alfred Scholz pseudonym), Serge Tchaikov (conductor, unknown pseudonym, probably Alfred Scholz related), George Ralph Warren et Peter Wohlert
recording of :
The Sleeping Beauty Suite, op. 66a: III. Pas de caractère
compositeur :
Пётр Ильич Чайковский (Piotr Ilitch Tchaïkovski, Russian romantic composer)
partie de :
The Sleeping Beauty, op. 66a (Suite)
recording of :
The Sleeping Beauty Suite, op. 66a: IV. Panorama
compositeur :
Пётр Ильич Чайковский (Piotr Ilitch Tchaïkovski, Russian romantic composer)
partie de :
The Sleeping Beauty, op. 66a (Suite)
recording of :
The Sleeping Beauty Suite, op. 66a: V. Valse
compositeur :
Пётр Ильич Чайковский (Piotr Ilitch Tchaïkovski, Russian romantic composer)
partie de :
The Sleeping Beauty, op. 66a (Suite)
partiel recording of :
The Sleeping Beauty Suite, op. 66a: V. Valse
compositeur :
Пётр Ильич Чайковский (Piotr Ilitch Tchaïkovski, Russian romantic composer)
partie de :
The Sleeping Beauty, op. 66a (Suite)
4:24
5La Belle au Bois Dormant, suite de ballet op. 66 Apothéose
orchestre :
[unknown] ([inconnu], Special Purpose Artist – Do not add releases here, if possible.), Amsterdam Symphony Orchestra (Alfred Scholz pseudonym), Deutsches Symphonie‐Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993), The English Philharmonic Orchestra (an Alfred Scholz pseudonym assocated with Simon Addison, not the orchestra founded in 1998), London Festival Orchestra (Alfred Scholz pseudonym), Musici di San Marco (an Alfred Scholz pseudonym), New Philharmonia Orchestra London (Alfred Scholz related, not the London Philharmonic, the Philharmonia or the New Philharmonia), New Philharmonic Orchestra (Alfred Scholz related orchestra used on budget recordings), New Philharmonic Orchestra London (bogus name used on budget releases, not the London Philharmonic or the New Philharmonia), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Philharmonic Orchestra London (Alfred Scholz pseudonym), Radio Symphony Orchestra Ljubljana (RTV Slovenia Symphony Orchestra, RTV Slovenia Symphony Orchestra) et Russian State Symphony Orchestra (Orchestre symphonique de la fédération de Russie, “Evgeny Svetlanov” / GASO)
conductor :
L. Siegel (fictitious conductor, Alfred Scholz pseudonym), Alfred Scholz, Peter Stern (fictitious conductor, Alfred Scholz pseudonym), Serge Tchaikov (conductor, unknown pseudonym, probably Alfred Scholz related), George Ralph Warren et Peter Wohlert
recording of :
The Sleeping Beauty Suite, op. 66a: V. Valse
compositeur :
Пётр Ильич Чайковский (Piotr Ilitch Tchaïkovski, Russian romantic composer)
partie de :
The Sleeping Beauty, op. 66a (Suite)
partiel recording of :
The Sleeping Beauty Suite, op. 66a: V. Valse
compositeur :
Пётр Ильич Чайковский (Piotr Ilitch Tchaïkovski, Russian romantic composer)
partie de :
The Sleeping Beauty, op. 66a (Suite)
recording of :
The Sleeping Beauty, op. 66: Acte III, no. 30. Finale: b. Apothéose
compositeur :
Пётр Ильич Чайковский (Piotr Ilitch Tchaïkovski, Russian romantic composer)
partie de :
The Sleeping Beauty, op. 66: Acte III
2:08
6Quatuor à cordes No.1 en ré majeur op. 11 Moderato e semplice
quatuor à cordes :
International String Quartet New York
recording of :
String Quartet no. 1 in D major, op. 11: I. Moderato e semplice
compositeur :
Пётр Ильич Чайковский (Piotr Ilitch Tchaïkovski, Russian romantic composer) (le 1871-02)
partie de :
String Quartet no. 1 in D major, op. 11
9:18
7Quatuor à cordes No.1 en ré majeur op. 11 - Andante cantabile
quatuor à cordes :
International String Quartet New York
recording of :
String Quartet no. 1 in D major, op. 11: II. Andante cantabile
compositeur :
Пётр Ильич Чайковский (Piotr Ilitch Tchaïkovski, Russian romantic composer) (le 1871-02)
partie de :
String Quartet no. 1 in D major, op. 11
6:37
8Quatuor à cordes No.1 en ré majeur op. 11 Scherzo: Allegro non tanto
quatuor à cordes :
International String Quartet New York
recording of :
String Quartet no. 1 in D major, op. 11: III. Scherzo - Allegro non tanto e con fuoco
compositeur :
Пётр Ильич Чайковский (Piotr Ilitch Tchaïkovski, Russian romantic composer) (le 1871-02)
partie de :
String Quartet no. 1 in D major, op. 11
4:00
9Quatuor à cordes No.1 en ré majeur op. 11 Finale: Allegro giusto
quatuor à cordes :
International String Quartet New York
recording of :
String Quartet no. 1 in D major, op. 11: IV. Finale. Allegro giusto
compositeur :
Пётр Ильич Чайковский (Piotr Ilitch Tchaïkovski, Russian romantic composer) (le 1871-02)
partie de :
String Quartet no. 1 in D major, op. 11
7:24
10"1812", Ouverture solennelle op. 49
orchestre :
National Symphony Orchestra (unidentified orchestra, supposedly of Canada), Radio Symphony Orchestra Ljubjlana (RTV Slovenia Symphony Orchestra, RTV Slovenia Symphony Orchestra), Royal Promenade Orchestra et Slovak National Philharmonic Orchestra (Orchestre philharmonique slovaque)
conductor :
Henry Adolph (fictitious conductor, Alfred Scholz pseudonym), Alfred Gehardt (conductor), Anton Nanut (conductor), Libor Pešek (conductor), Bystrík Režucha (conductor) et Laurence Siegel (fictitious conductor, Alfred Scholz pseudonym)
interprète :
Slovak Philharmonic (Alfred Scholz pseudonym)
droits phonographiques (℗) par :
Mediaphon (for copyrights use only – this is the short name used in legal notices by Mediaphon GmbH, aka Mediaphon-Musikproduktion und Verlag GmbH) (le 1989)
recording of :
The Year 1812, Festival Overture in E-flat major, op. 49
première en :
Moscow, Russie (le 1882-08-20)
compositeur :
Пётр Ильич Чайковский (Piotr Ilitch Tchaïkovski, Russian romantic composer) (du 1880-09 au 1880-11)
partie de :
The Tchaikovsky Handbook (numéro : TH 49), Thematic and Bibliographical Catalogue of P. I. Čajkovskij's Works (numéro : ČW 46) et Works of Pyotr Ilyich Tchaikovsky by opus number (numéro : op. 49)
est basée sur :
Боже, Царя храни! (God Save the Tsar!)
15:32