The 20th Century in Music

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

▼ CD 1
#TitleArtistRatingLength
1Swinging on a Star
recording of:
Swinging on a Star
lyricist:
Johnny Burke (American lyricist, 1908-1964) (in 1944)
composer:
Jimmy Van Heusen (in 1944)
publisher:
Bourne Co. (not for release label use, this is a music publisher), Burke & Van Heusen, Inc. and Music Sales Corporation (American copyright holder in both popular and classical music)
part of:
The 17th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 17)
Bing Crosby2:33
2A Tisket a Tasket
recorded in:
New York, New York, United States (on 1938-05-02)
alto saxophone:
Louis Jordan (US jazz, blues and r&b musician and songwriter) (on 1938-05-02)
double bass:
Beverly Peer (on 1938-05-02)
drums (drum set):
Chick Webb (on 1938-05-02)
guitar:
Bobby Johnson (US guitarist) (on 1938-05-02)
piano:
Tommy Fulford (on 1938-05-02)
reeds:
Garvin Bushell (on 1938-05-02)
tenor saxophone:
Wayman Carver (on 1938-05-02) and Teddy McRae (on 1938-05-02)
trombone:
George Matthews (trombone) (on 1938-05-02), Nat Story (on 1938-05-02) and Sandy Williams (American jazz trombonist) (on 1938-05-02)
trumpet:
Mario Bauzá (on 1938-05-02), Taft Jordan (on 1938-05-02) and Bobby Stark (on 1938-05-02)
vocals:
Ella Fitzgerald (American jazz singer) (on 1938-05-02)
orchestra:
Chick Webb and His Orchestra (on 1938-05-02)
part of:
Grammy Hall of Fame (number: 1986)
recording of:
A‐Tisket, A‐Tasket (on 1938-05-02)
lyricist:
[traditional] (special purpose artist), Ella Fitzgerald (American jazz singer) and Van Alexander (aka Al Feldman)
composer:
[traditional] (special purpose artist)
part of:
Roud Folk Song Index (number: 13188)
Ella Fitzgerald32:39
3Star Dust
bass:
Sid Weiss (on 1940-11-11)
drums (drum set):
Buddy Rich (on 1940-11-11)
guitar:
Clark Yocum (on 1940-11-11)
piano:
Joe Bushkin (on 1940-11-11)
saxophone:
Heinie Beau (on 1940-11-11), Don Lodice (on 1940-11-11), Paul Mason (jazz saxophonist) (on 1940-11-11), Johnny Mince (on 1940-11-11) and Fred Stulce (on 1940-11-11)
trombone:
George Arus (on 1940-11-11), Tommy Dorsey (Swing trombone player & band leader) (on 1940-11-11), Les Jenkins (on 1940-11-11) and Lowell Martin (jazz trombonist) (on 1940-11-11)
trumpet:
Ziggy Elman (on 1940-11-11), Ray Linn (on 1940-11-11) and Chuck Peterson (trumpet) (on 1940-11-11)
lead vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1940-11-11)
vocals:
Connie Haines (in 1940), The Pied Pipers (American vocal group, active 1930s-50s) (in 1940) and Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (in 1940, on 1940-11-11)
conductor:
Tommy Dorsey (Swing trombone player & band leader)
performer:
The Pied Pipers (American vocal group, active 1930s-50s) and Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”)
arranger:
Sy Oliver
recorded at:
RCA Studios in Hollywood, Los Angeles, California, United States (on 1940-11-11)
cover recording of:
Stardust (the jazz standard) (on 1940-11-11)
lyricist:
Mitchell Parish (in 1929)
composer:
Hoagy Carmichael (in 1927)
publisher:
Mills Music, Inc. (ended), All Nations Music, EMI Mills Music Inc. (ASCAP-affiliated), EMI Music Publishing Ltd. (PRS‐affiliated), Everbright Music Co., Hoagy Publishing Co., Lawrence Wright Music Co., Ltd. and Songs of Peer, Ltd. (ASCAP)
sub-publisher:
イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (from 2021-07-01 to present)
part of:
American Splendor
Frank Sinatra & The Pied Pipers3:13
4(There'll Be Bluebirds Over) The White Cliffs of Dover
Kate Smith3:04
5You Oughtta Be in Pictures
Rudy Vallée and His Connecticut Yankees3:26
6Till the End of Time
vocals:
Perry Como (US pop singer & TV personality, 1912–2001) (in 1945)
orchestra:
Russ Case and His Orchestra and Russ Case Orchestra
phonographic copyright (℗) by:
BMG Entertainment (in 1945)
recording of:
Till the End of Time (on 1945-07-03)
lyricist:
Buddy Kaye (in 1945)
composer:
Ted Mossman (in 1945)
is based on:
Polonaise in A-flat major, op. 53 “Heroique”
Perry Como3:11
7It's Magic
vocals:
Doris Day (in 1947)
orchestra:
George Siravo and His Orchestra (in 1947)
conductor:
Percy Faith (on 1947-11-12)
recording of:
It’s Magic (on 1947-11-12)
lyricist:
Sammy Cahn
composer:
Jule Styne
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
The 21st Academy Award for Best Original Song (number: 2)
Doris Day3:27
8Too Young
recording of:
Too Young
lyricist:
Sylvia Dee (American lyricist)
composer:
Sidney Lippman (American songwriter)
publisher:
Aria Music Co.
Nat King Cole3:13
9Hey There
recorded in:
Hollywood, Los Angeles, California, United States (on 1954-05-22)
producer:
Al Ham and Mitch Miller
vocals:
Rosemary Clooney (on 1954-05-22)
orchestra:
Buddy Cole and His Orchestra (on 1954-05-22)
arranger:
Jimmy Carroll (1913 - 1972, songwriter, orchestra arranger & conductor)
recording of:
Hey There (The Pajama Game) (on 1954-05-22)
lyricist and composer:
Richard Adler (musical composer/lyricist) and Jerry Ross (musical composer/lyricist)
publisher:
Frank Music (from 1954 until 2010), J & J Ross Co. (from 2011 to present) and Lakshmi Puja Music Ltd. (from 2011 to present)
part of:
The Pajama Game (musical)
Rosemary Clooney4.53:02
10The Wayward Wind
recording of:
The Wayward Wind
lyricist and composer:
Stan Lebowsky and Herb Newman
Gogi Grant22:59
11Tennessee Waltz
orchestra:
Jack Rael & his Orchestra (in 1950-11)
conductor:
Jack Rael (in 1950-11)
cover recording of:
Tennessee Waltz (on 1950-10-14)
lyricist:
Redd Stewart (in 1946)
composer:
Pee Wee King (in 1946)
publisher:
Acuff-Rose Publications, Inc. (BMI), Cinephonic Music Co., Ltd. and Sony/ATV Acuff Rose Music (tradename of Sony/ATV Songs LLC)
Patti Page3:04
12Anytime
cover recording of:
Any Time (on 1947-08-20)
lyricist and composer:
Herbert Happy Lawson (in 1921)
publisher:
Adams-Lawson Music Publishers (on 1921-12-22) and Herbert Happy Lawson Music Publishing Co. (on 1921-12-27)
Eddy Arnold42:53
13Wish You Were Here
recording of:
Wish You Were Here (1952 song from the musical “Wish You Were Here”)
lyricist and composer:
Harold Rome
publisher:
Chappell & Co., Inc. (USA), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
Wish You Were Here (1952 musical)
Eddie Fisher2:57
14Fever
double bass [bass]:
Joe Mondragon (on 1958-05-19)
drums (drum set):
Shelly Manne (US jazz drummer) (on 1958-05-19)
finger snaps:
Peggy Lee (jazz vocalist) (on 1958-05-19) and Howard Roberts (jazz guitarist, educator, session musician and producer) (on 1958-05-19)
vocals:
Peggy Lee (jazz vocalist) (on 1958-05-19)
conductor:
Jack Marshall (US jazz guitarist, composer, arranger & record producer) (on 1958-05-19)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1958)
cover recording of:
Fever (on 1958-05-19)
writer:
Eddie Cooley and John Davenport (songwriter Otis Blackwell)
publisher:
Carlin Music Corp., Chrysalis Songs, Fort Knox Music, Fort Knox Music Co, Fort Knox Music Inc., Jay & Cee Music, Lark Music Ltd., Trio Music (publisher), Trio Music Co., Inc. and Trio Music Company
part of:
The Adjustment Bureau
Peggy Lee4.253:21
15It's Not for Me to Say
executive producer:
Michael Berniker and Jerry Shulman
producer:
Al Ham and Mitch Miller
orchestra:
Ray Conniff and His Orchestra
phonographic copyright (℗) by:
Jon Mat Records, Inc. (in 1957)
recording of:
It’s Not for Me to Say
lyricist:
Al Stillman
composer:
Robert Allen (US songwriter/arranger/pianist)
publisher:
Campbell Connelly & Co. Ltd., Charlie Deitcher Productions, Inc., Edward Kassner Music Co. Ltd., Kitty Anne Music Co., Inc., Music Sales Corporation (American copyright holder in both popular and classical music) and ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
Johnny Mathis3:06
16Jambalaya
Jo Stafford2:58
17Love Letters in the Sand
producer:
Randy Wood (producer)
bass:
Larry Breen (on 1956-11-24)
clarinet:
Ryland Weston (on 1956-11-24)
drums (drum set):
Dick Shanahan (on 1956-11-24)
guitar:
Barney Kessel (on 1956-11-24) and Jack Marshall (US jazz guitarist, composer, arranger & record producer) (on 1956-11-24)
piano:
Milt Rogers (bandleader, arranger and composer) (on 1956-11-24)
saxophone:
Babe Russin (on 1956-11-24) and Justin Gordon (on 1956-11-24)
vibraphone:
Bernie Mattinson (on 1956-11-24)
choir vocals:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1956-11-24)
vocals:
Pat Boone (on 1956-11-24)
conductor:
Billy Vaughn (on 1956-11-24)
phonographic copyright (℗) by:
HHO Ltd. (The Henry Hadaway Organisation Ltd., music licensing)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1956-11-24)
cover recording of:
Love Letters in the Sand (on 1956-11-24)
lyricist:
Charles Kenny (songwriter, violinist) and Nick Kenny
composer:
J. Fred Coots, Charles Kenny (songwriter, violinist) and Nick Kenny
publisher:
Bourne (not for release label use, this is a music publisher), Bourne, Inc. and Francis, Day & Hunter Ltd.
Pat Boone2:15
18Everybody's Somebody's Fool
vocals:
Connie Francis (American former actress and chart-topping singer)
recording of:
Everybody’s Somebody’s Fool
lyricist:
Howard Greenfield
composer:
Jack Keller
Connie Francis2:40
19Release Me
Engelbert Humperdinck3:20
20Alfie
vocals:
Dionne Warwick
cover recording of:
Alfie
lyricist:
Hal David (in 1965)
composer:
Burt Bacharach (in 1965)
publisher:
BMG Music Publishing Ltd., Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Famous-Chappell and Sony/ATV Harmony
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
part of:
The 39th Academy Award for Best Original Song (number: 2)
part of:
Alfie (1966 film)
Dionne Warwick2:47
21By the Time I Get to Phoenix
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 450)
cover recording of:
By the Time I Get to Phoenix (on 1967-08-17)
lyricist and composer:
Jimmy Webb (US songwriter, composer, producer, pianist & singer)
publisher:
Charles Koppelman Music, Jonathan Three Music Co. and Martin Bandier Music
recording of:
By the Time I Get to Phoenix
lyricist and composer:
Jimmy Webb (US songwriter, composer, producer, pianist & singer)
publisher:
Charles Koppelman Music, Jonathan Three Music Co. and Martin Bandier Music
Glen Campbell32:43
22You Needed Me
phonographic copyright (℗) by:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1978) and EMI Music Canada (in 1978)
part of:
Billboard Year-End Hot 100 singles of 1978 (number: 63)
recording of:
You Needed Me (in 1978)
lyricist and composer:
Randy Goodrum
publisher:
Chappell & Co., Inc. (USA), Ironside Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Australia Pty. Ltd., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Anne Murray53:38
23Blue Bayou
recording engineer and mixer:
Val Garay
assistant engineer:
Mark Howlett
producer:
Peter Asher
acoustic guitar:
Waddy Wachtel (from 1977-05-23 until 1977-07-22)
bass guitar [bass] and mandolin:
Kenny Edwards (Bryndle/Stone Poneys/Linda Ronstadt) (from 1977-05-23 until 1977-07-22)
cowbell, drums (drum set) and electronic drum set [syn-drums]:
Rick Marotta (US drummer/percussionist) (from 1977-05-23 until 1977-07-22)
electric piano:
Don Grolnick (from 1977-05-23 until 1977-07-22)
marimba:
Steve Forman (US percussionist) (from 1977-05-23 until 1977-07-22)
steel guitar:
Dan Dugmore (from 1977-05-23 until 1977-07-22)
background vocals:
Kenny Edwards (Bryndle/Stone Poneys/Linda Ronstadt) (from 1977-05-23 until 1977-07-22) and Don Henley (from 1977-05-23 until 1977-07-22)
lead vocals:
Linda Ronstadt (from 1977-05-23 until 1977-07-22)
phonographic copyright (℗) by:
Asylum Records (Warner Music subsidiary) (in 1977), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1978) and Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 2017)
recorded at:
Sound Factory, LA (1969–1980) in Los Angeles, California, United States (from 1977-05-23 until 1977-07-22)
part of:
Billboard Year-End Hot 100 singles of 1978 (number: 61)
cover recording of:
Blue Bayou (from 1977-05-23 until 1977-07-22)
lyricist:
Joe Melson (in 1963) and Roy Orbison (in 1963)
composer:
Joe Melson and Roy Orbison
publisher:
Acuff-Rose Publications, Inc. (BMI) (in 1961)
Linda Ronstadt4.253:55
24My Way
cover recording of:
My Way (Frank Sinatra song)
lyricist:
Paul Anka
composer:
Claude François and Jacques Revaux
previously attributed to:
Gilles Thibaut
translator:
Bobby Cruz
publisher:
Babel Music S.A., Chrysalis Standards Inc., Don C. Publications Inc., Eddie Barclay, Jeune Musique Éditions, Shapiro, Bernstein & Co., Inc., Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Spanka Music, Spanka Music Corp., Thibout Music, Warner Chappell Music France, Warner Chappell Music Ltd. (no slash; used 1988–1996), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (until 2017-03-31) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (from 2017-04-01 to present)
translated version of:
Comme d’habitude
Elvis Presley3:46
▶ CD 2
▶ CD 3
▶ CD 4