Complete Recordings on Deutsche Grammophon

~ Release by Herbert von Karajan (see all versions of this release, 1 available)

Tracklist

▶ CD 1
▶ CD 2
▶ CD 3
▶ CD 4
▶ CD 5
▶ CD 6
▶ CD 7
▶ CD 8
▶ CD 9
▶ CD 10
▶ CD 11
▶ CD 12
▶ CD 13
▶ CD 14
▶ CD 15
▶ CD 16
▶ CD 17
▶ CD 18
▶ CD 19
▶ CD 20
▶ CD 21
▶ CD 22
▶ CD 23
▶ CD 24
▶ CD 25
▶ CD 26
▶ CD 27
▶ CD 28
▶ CD 29
▶ CD 30
▶ CD 31
▶ CD 32
▶ CD 33
▶ CD 34
▶ CD 35
▶ CD 36
▶ CD 37
▶ CD 38
▶ CD 39
▶ CD 40
▶ CD 41
▶ CD 42
▶ CD 43
▶ CD 44
▶ CD 45
▶ CD 46
▶ CD 47
▶ CD 48
▶ CD 49
▶ CD 50
▶ CD 51
▶ CD 52
▶ CD 53
▶ CD 54
▶ CD 55
▶ CD 56
▶ CD 57
▶ CD 58
▶ CD 59
▶ CD 60
▶ CD 61
▶ CD 62
▶ CD 63
▶ CD 64
▶ CD 65
▶ CD 66
▶ CD 67
▶ CD 68
▶ CD 69
▶ CD 70
▶ CD 71
▶ CD 72
▶ CD 73
▶ CD 74
▶ CD 75
▶ CD 76
▶ CD 77
▶ CD 78
▶ CD 79
▶ CD 80
▶ CD 81
▶ CD 82
▶ CD 83
▶ CD 84
▶ CD 85
▶ CD 86
▶ CD 87
▶ CD 88
▶ CD 89
▶ CD 90
▶ CD 91
▼ CD 92
#TitleArtistRatingLength
1Matthäus Passion, BWV 244: Erster Teil. Nr. 33. Duett "So ist mein Jesus nun gefangen" (Sopran, Alt, Chor)
producer:
Hans Weber (producer/engineer)
choir vocals:
Chor der Deutschen Oper Berlin (Chorus of the German Opera Berlin) (in 1972-01) and Wiener Singverein (in 1972-01)
contralto vocals:
Christa Ludwig (mezzo-soprano) (in 1972-01)
soprano vocals:
Gundula Janowitz (soprano) (in 1972-01)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1971-12-14 until 1972-11-01)
conductor:
Herbert von Karajan (conductor) (from 1971-12-14 until 1972-11-01)
chorus master:
Helmuth Froschauer (conductor and chorus master) (in 1972-01) and Walter Hagen-Groll (chorus master) (in 1972-01)
balance engineer:
Günter Hermanns (producer/engineer) (from 1971-12-14 until 1972-11-01)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1971-12-14 until 1972-11-01)
recording of:
Matthäus-Passion, BWV 244: Teil I, XXVII. Arie (Sopran, Alt) und Chor "So ist mein Jesus nun gefangen" - XXVIIb. Cori "Sind Blitze, sind Donner in Wolken verschwunden?" (from 1971-12-14 until 1972-11-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach5:25
2Matthäus Passion, BWV 244: Erster Teil. Nr. 34. Rezitativ "Und siehe, einer aus denen, die mit Jesu waren" (Evangelist, Jesus)
producer:
Hans Weber (producer/engineer)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1972-01)
tenor vocals:
Peter Schreier (German tenor and conductor) (in 1972-01)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1971-12-14 until 1972-11-01)
conductor:
Herbert von Karajan (conductor) (from 1971-12-14 until 1972-11-01)
balance engineer:
Günter Hermanns (producer/engineer) (from 1971-12-14 until 1972-11-01)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1971-12-14 until 1972-11-01)
recording of:
Matthäus-Passion, BWV 244: Teil I, XXVIII. Rezitativ (Evangelist, Jesus) "Und siehe, einer aus denen, die mit Jesu waren" (from 1971-12-14 until 1972-11-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach2:57
3Matthäus Passion, BWV 244: Erster Teil. Nr. 35. Choral "O Mensch, bewein dein' Sünde groß"
producer:
Hans Weber (producer/engineer)
choir vocals:
Chor der Deutschen Oper Berlin (Chorus of the German Opera Berlin) (in 1972-01) and Wiener Singverein (in 1972-01)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1971-12-14 until 1972-11-01)
conductor:
Herbert von Karajan (conductor) (from 1971-12-14 until 1972-11-01)
chorus master:
Helmuth Froschauer (conductor and chorus master) (in 1972-01) and Walter Hagen-Groll (chorus master) (in 1972-01)
balance engineer:
Günter Hermanns (producer/engineer) (from 1971-12-14 until 1972-11-01)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1971-12-14 until 1972-11-01)
recording of:
Matthäus-Passion, BWV 244: Teil I, XXIX. Choral "O Mensch, bewein dein Sünde groß" (from 1971-12-14 until 1972-11-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach7:35
4Matthäus Passion, BWV 244: Zweiter Teil. Nr. 36. Arie & Chor "Ach! Nun ist mein Jesu hin" (Alt, Chor)
producer:
Hans Weber (producer/engineer)
choir vocals:
Wiener Singverein (in 1972-01)
contralto vocals:
Christa Ludwig (mezzo-soprano) (in 1972-01)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1971-12-14 until 1972-11-01)
conductor:
Herbert von Karajan (conductor) (from 1971-12-14 until 1972-11-01)
chorus master:
Helmuth Froschauer (conductor and chorus master) (in 1972-01)
balance engineer:
Günter Hermanns (producer/engineer) (from 1971-12-14 until 1972-11-01)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1971-12-14 until 1972-11-01)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXX. Arie (Alt) und Chor "Ach! nun ist mein Jesus hin" (from 1971-12-14 until 1972-11-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach4:51
5Matthäus Passion, BWV 244: Zweiter Teil. Nr. 37. Rezitativ "Die aber Jesum gegriffen hatten" (Evangelist)
producer:
Hans Weber (producer/engineer)
tenor vocals:
Peter Schreier (German tenor and conductor) (in 1972-01)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1971-12-14 until 1972-11-01)
conductor:
Herbert von Karajan (conductor) (from 1971-12-14 until 1972-11-01)
balance engineer:
Günter Hermanns (producer/engineer) (from 1971-12-14 until 1972-11-01)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1971-12-14 until 1972-11-01)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXI. Rezitativ (Evangelist) "Die aber Jesum gegriffen hatten" (from 1971-12-14 until 1972-11-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach1:05
6Matthäus Passion, BWV 244: Zweiter Teil. Nr. 38. Choral "Mir hat die Welt trüglich gericht't"
producer:
Hans Weber (producer/engineer)
choir vocals:
Wiener Singverein (in 1972-01)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1971-12-14 until 1972-11-01)
conductor:
Herbert von Karajan (conductor) (from 1971-12-14 until 1972-11-01)
chorus master:
Helmuth Froschauer (conductor and chorus master) (in 1972-01)
balance engineer:
Günter Hermanns (producer/engineer) (from 1971-12-14 until 1972-11-01)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1971-12-14 until 1972-11-01)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXII. Choral "Mir hat die Welt trüglich gericht'" (from 1971-12-14 until 1972-11-01)
lyricist:
Adam Reusner
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 213)
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach1:08
7Matthäus Passion, BWV 244: Zweiter Teil. Nr. 39. Rezitativ "Und wiewohl viel falsche Zeugen herzutraten" (Evangelist, Zeugen, Pontifex)
producer:
Hans Weber (producer/engineer)
bass vocals:
Anton Diakov (Bulgarian operatic bass) (in 1972-01)
contralto vocals:
Christa Ludwig (mezzo-soprano) (in 1972-01)
tenor vocals:
Peter Schreier (German tenor and conductor) (in 1972-01)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1971-12-14 until 1972-11-01)
conductor:
Herbert von Karajan (conductor) (from 1971-12-14 until 1972-11-01)
balance engineer:
Günter Hermanns (producer/engineer) (from 1971-12-14 until 1972-11-01)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1971-12-14 until 1972-11-01)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXIII. Rezitativ (Evangelist, 2 Zeugen, Hohepriester) "Und wiewohl viel falsche Zeugen herzutraten" (from 1971-12-14 until 1972-11-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach1:15
8Matthäus Passion, BWV 244: Zweiter Teil. Nr. 40. Rezitativ "Mein Jesus schweigt" (Tenor)
producer:
Hans Weber (producer/engineer)
tenor vocals:
Horst Laubenthal (tenor) (in 1972-01)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1971-12-14 until 1972-11-01)
conductor:
Herbert von Karajan (conductor) (from 1971-12-14 until 1972-11-01)
balance engineer:
Günter Hermanns (producer/engineer) (from 1971-12-14 until 1972-11-01)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1971-12-14 until 1972-11-01)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXIV. Accompagnato-Rezitativ (Tenor) "Mein Jesus schweigt zu falschen Lügen stille" (from 1971-12-14 until 1972-11-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach1:23
9Matthäus Passion, BWV 244: Zweiter Teil. Nr. 41. Arie "Gehuld! Wenn mich falsche Zungen stechen" (Tenor)
producer:
Hans Weber (producer/engineer)
tenor vocals:
Horst Laubenthal (tenor) (in 1972-01)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1971-12-14 until 1972-11-01)
conductor:
Herbert von Karajan (conductor) (from 1971-12-14 until 1972-11-01)
balance engineer:
Günter Hermanns (producer/engineer) (from 1971-12-14 until 1972-11-01)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1971-12-14 until 1972-11-01)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXV. Arie (Tenor) "Geduld! Wenn mich falsche Zungen stechen" (from 1971-12-14 until 1972-11-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach5:22
10Matthäus Passion, BWV 244: Zweiter Teil. Nr. 42. Rezitativ "Und der Hoheprieste antwortete und sprach zu ihm" (Evangelist, Pontifex, Jesus)
producer:
Hans Weber (producer/engineer)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1972-01)
bass vocals:
Anton Diakov (Bulgarian operatic bass) (in 1972-01)
choir vocals:
Wiener Singverein (in 1972-01)
tenor vocals:
Peter Schreier (German tenor and conductor) (in 1972-01)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1971-12-14 until 1972-11-01)
conductor:
Herbert von Karajan (conductor) (from 1971-12-14 until 1972-11-01)
chorus master:
Helmuth Froschauer (conductor and chorus master) (in 1972-01)
balance engineer:
Günter Hermanns (producer/engineer) (from 1971-12-14 until 1972-11-01)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1971-12-14 until 1972-11-01)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXVIa. "Und der Hohepriester antwortete" (Evangelista, Pontifex, Jesus) (from 1971-12-14 until 1972-11-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, XXXVIa. "Und der Hohepriester antwortete" (Evangelista, Pontifex, Jesus) - XXXVIb. Cori "Er ist des Todes schuldig" - XXXVIc. "Da speieten sie aus" (Evangelista) - XXXVId. Cori "Weissage uns, Christe"
Johann Sebastian Bach1:46
11Matthäus Passion, BWV 244: Zweiter Teil. Nr. 43. Rezitativ "Da speieten sie aus un sein Angesicht" (Evangelist, Chor)
producer:
Hans Weber (producer/engineer)
choir vocals:
Wiener Singverein (in 1972-01)
tenor vocals:
Peter Schreier (German tenor and conductor) (in 1972-01)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1971-12-14 until 1972-11-01)
conductor:
Herbert von Karajan (conductor) (from 1971-12-14 until 1972-11-01)
chorus master:
Helmuth Froschauer (conductor and chorus master) (in 1972-01)
balance engineer:
Günter Hermanns (producer/engineer) (from 1971-12-14 until 1972-11-01)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1971-12-14 until 1972-11-01)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXVIb. "Er ist des Todes schuldig" (Chori) (from 1971-12-14 until 1972-11-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, XXXVIa. "Und der Hohepriester antwortete" (Evangelista, Pontifex, Jesus) - XXXVIb. Cori "Er ist des Todes schuldig" - XXXVIc. "Da speieten sie aus" (Evangelista) - XXXVId. Cori "Weissage uns, Christe"
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXVIc. "Da speieten sie aus" (Evangelista) (from 1971-12-14 until 1972-11-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, XXXVIa. "Und der Hohepriester antwortete" (Evangelista, Pontifex, Jesus) - XXXVIb. Cori "Er ist des Todes schuldig" - XXXVIc. "Da speieten sie aus" (Evangelista) - XXXVId. Cori "Weissage uns, Christe"
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXVId. "Weissage uns, Christe" (Chori) (from 1971-12-14 until 1972-11-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, XXXVIa. "Und der Hohepriester antwortete" (Evangelista, Pontifex, Jesus) - XXXVIb. Cori "Er ist des Todes schuldig" - XXXVIc. "Da speieten sie aus" (Evangelista) - XXXVId. Cori "Weissage uns, Christe"
Johann Sebastian Bach0:36
12Matthäus Passion, BWV 244: Zweiter Teil. Nr. 44. Choral "Wer hat dich so geschlagen"
producer:
Hans Weber (producer/engineer)
choir vocals:
Wiener Singverein (in 1972-01)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1971-12-14 until 1972-11-01)
conductor:
Herbert von Karajan (conductor) (from 1971-12-14 until 1972-11-01)
chorus master:
Helmuth Froschauer (conductor and chorus master) (in 1972-01)
balance engineer:
Günter Hermanns (producer/engineer) (from 1971-12-14 until 1972-11-01)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1971-12-14 until 1972-11-01)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXVII. Choral "Wer hat dich so geschlagen" (from 1971-12-14 until 1972-11-01)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 292)
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach1:15
13Matthäus Passion, BWV 244: Zweiter Teil. Nr. 45. Rezitativ "Petrus aber saß draußen im Palast!" (Evangelist, Erste Magd, Petrus, Zweite Magd, Chor) / Nr. 46. Rezitativ "Da hub er, sich zu verfluchen" (Evangelist, Petrus)
producer:
Hans Weber (producer/engineer)
bass vocals:
Anton Diakov (Bulgarian operatic bass) (in 1972-01)
contralto vocals:
Christa Ludwig (mezzo-soprano) (in 1972-01)
soprano vocals:
Gundula Janowitz (soprano) (in 1972-01)
tenor vocals:
Peter Schreier (German tenor and conductor) (in 1972-01)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1971-12-14 until 1972-11-01)
conductor:
Herbert von Karajan (conductor) (from 1971-12-14 until 1972-11-01)
chorus master:
Helmuth Froschauer (conductor and chorus master) (in 1972-01)
balance engineer:
Günter Hermanns (producer/engineer) (from 1971-12-14 until 1972-11-01)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1971-12-14 until 1972-11-01)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXVIIIa. "Petrus aber saß draussen im Palast" (Evangelista, Ancilla I/II, Petrus) - XXXVIIIb. Coro "Wahrlich, du bist auch einer von denen" - XXXVIIIc. "Da hub er an, sich zu verfluchen" (Evangelista, Petrus) (from 1971-12-14 until 1972-11-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach2:54
14Matthäus Passion, BWV 244: Zweiter Teil. Nr. 47. Arie "Erbarme dich, mein Gott" (Alt)
producer:
Hans Weber (producer/engineer)
contralto vocals:
Christa Ludwig (mezzo-soprano) (from 1971-12-14 until 1972-11-01)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1971-12-14 until 1972-11-01)
conductor:
Herbert von Karajan (conductor) (from 1971-12-14 until 1972-11-01)
balance engineer:
Günter Hermanns (producer/engineer) (from 1971-12-14 until 1972-11-01)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1971-12-14 until 1972-11-01)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXIX. Aria (Alto) "Erbarme dich, mein Gott" (from 1971-12-14 until 1972-11-01)
orchestrator:
Ton Koopman (conductor, organist and harpsichordist)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach7:13
15Matthäus Passion, BWV 244: Zweiter Teil. Nr. 48. Choral "Bin ich gleich von dir gewichen"
producer:
Hans Weber (producer/engineer)
choir vocals:
Wiener Singverein (in 1972-01)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1971-12-14 until 1972-11-01)
conductor:
Herbert von Karajan (conductor) (from 1971-12-14 until 1972-11-01)
chorus master:
Helmuth Froschauer (conductor and chorus master) (in 1972-01)
balance engineer:
Günter Hermanns (producer/engineer) (from 1971-12-14 until 1972-11-01)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1971-12-14 until 1972-11-01)
recording of:
Matthäus-Passion, BWV 244: Teil II, XL. Choral "Bin ich gleich von dir gewichen" (from 1971-12-14 until 1972-11-01)
lyricist:
Johann von Rist
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 361)
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach1:38
16Matthäus Passion, BWV 244: Zweiter Teil. Nr. 49. Rezitativ "Des Morgens aber hielten alle Hohepriester" (Evangelist, Judas, Chor) / Nr. 50. Rezitativ "Und er warf die Silberlinge in den Tempel" (Evangelist, Pontifex)
producer:
Hans Weber (producer/engineer)
bass vocals:
Anton Diakov (Bulgarian operatic bass) (in 1972-01)
choir vocals:
Chor der Deutschen Oper Berlin (Chorus of the German Opera Berlin) (in 1972-01) and Wiener Singverein (in 1972-01)
tenor vocals:
Peter Schreier (German tenor and conductor) (in 1972-01)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1971-12-14 until 1972-11-01)
conductor:
Herbert von Karajan (conductor) (from 1971-12-14 until 1972-11-01)
chorus master:
Helmuth Froschauer (conductor and chorus master) (in 1972-01) and Walter Hagen-Groll (chorus master) (in 1972-01)
balance engineer:
Günter Hermanns (producer/engineer) (from 1971-12-14 until 1972-11-01)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1971-12-14 until 1972-11-01)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLIa. "Des Morgens aber hielten alle Hohepriester" (Evangelista, Judas) - XLIb. Cori "Was gehet uns das an?" - XLIc. "Und er warf die Silberlinge in den Tempel" (Evangelista, Pontifex I/II) (from 1971-12-14 until 1972-11-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach1:52
17Matthäus Passion, BWV 244: Zweiter Teil. Nr. 51. Arie "Gebt mir meinem Jesum Wieder!" (Baß)
producer:
Hans Weber (producer/engineer)
bass vocals:
Walter Berry (bass-baritone) (in 1972-01)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1971-12-14 until 1972-11-01)
conductor:
Herbert von Karajan (conductor) (from 1971-12-14 until 1972-11-01)
balance engineer:
Günter Hermanns (producer/engineer) (from 1971-12-14 until 1972-11-01)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1971-12-14 until 1972-11-01)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLII. Aria (Basso) "Gebt mir meinen Jesum wieder" (from 1971-12-14 until 1972-11-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach3:53
18Matthäus Passion, BWV 244: Zweiter Teil. Nr. 52. Rezitativ "Sie hielten aber einen Rat" (Evangelist, Pilatus, Jesus)
producer:
Hans Weber (producer/engineer)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1972-01)
bass vocals:
Anton Diakov (Bulgarian operatic bass) (in 1972-01)
tenor vocals:
Peter Schreier (German tenor and conductor) (in 1972-01)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1971-12-14 until 1972-11-01)
conductor:
Herbert von Karajan (conductor) (from 1971-12-14 until 1972-11-01)
balance engineer:
Günter Hermanns (producer/engineer) (from 1971-12-14 until 1972-11-01)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1971-12-14 until 1972-11-01)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLIII. "Sie hielten aber einen Rat" (Evangelista, Pilatus, Jesus) (from 1971-12-14 until 1972-11-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach2:22
19Matthäus Passion, BWV 244: Zweiter Teil. Nr. 53. Choral "Befiel du deine Wege und was dein Herze Kränkt"
producer:
Hans Weber (producer/engineer)
choir vocals:
Wiener Singverein (in 1972-01)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1971-12-14 until 1972-11-01)
conductor:
Herbert von Karajan (conductor) (from 1971-12-14 until 1972-11-01)
chorus master:
Helmuth Froschauer (conductor and chorus master) (in 1972-01)
balance engineer:
Günter Hermanns (producer/engineer) (from 1971-12-14 until 1972-11-01)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1971-12-14 until 1972-11-01)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLIV. Choral "Befiehl du deine Wege" (from 1971-12-14 until 1972-11-01)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 159)
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach1:41
20Matthäus Passion, BWV 244: Zweiter Teil. Nr. 54. Rezitativ "Auf das fest aber hatte" (Evangelist, Pilatus, Pilati Weib, Chor)
producer:
Hans Weber (producer/engineer)
bass vocals:
Anton Diakov (Bulgarian operatic bass) (in 1972-01)
choir vocals:
Wiener Singverein (in 1972-01)
soprano vocals:
Gundula Janowitz (soprano) (in 1972-01)
tenor vocals:
Peter Schreier (German tenor and conductor) (in 1972-01)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1971-12-14 until 1972-11-01)
conductor:
Herbert von Karajan (conductor) (from 1971-12-14 until 1972-11-01)
chorus master:
Helmuth Froschauer (conductor and chorus master) (in 1972-01)
balance engineer:
Günter Hermanns (producer/engineer) (from 1971-12-14 until 1972-11-01)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1971-12-14 until 1972-11-01)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLVa. "Auf das Fest aber hatte der Landpfleger Gewohnheit" (Evangelista, Pilatus, Uxor Pilati, Chori) (from 1971-12-14 until 1972-11-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, XLVa. "Auf das Fest aber hatte der Landpfleger Gewohnheit" (Evangelista, Pilatus, Uxor Pilati, Cori) - XLVb. Cori "Lass ihn kreuzigen"
Johann Sebastian Bach2:28
21Matthäus Passion, BWV 244: Zweiter Teil. Nr. 55. Choral "Wie wunderbarlich ist doch diese Strafe!"
producer:
Hans Weber (producer/engineer)
choir vocals:
Wiener Singverein (in 1972-01)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1971-12-14 until 1972-11-01)
conductor:
Herbert von Karajan (conductor) (from 1971-12-14 until 1972-11-01)
chorus master:
Helmuth Froschauer (conductor and chorus master) (in 1972-01)
balance engineer:
Günter Hermanns (producer/engineer) (from 1971-12-14 until 1972-11-01)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1971-12-14 until 1972-11-01)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLVI. Choral "Wie wunderbarlich ist doch diese Strafe" (from 1971-12-14 until 1972-11-01)
lyricist:
Johann Heermann
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 167)
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach1:13
22Matthäus Passion, BWV 244: Zweiter Teil. Nr. 56. Rezitativ "Der Landpfleger sagte" (Evangelist, Pilatus)
producer:
Hans Weber (producer/engineer)
bass vocals:
Anton Diakov (Bulgarian operatic bass) (in 1972-01)
tenor vocals:
Peter Schreier (German tenor and conductor) (in 1972-01)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1971-12-14 until 1972-11-01)
conductor:
Herbert von Karajan (conductor) (from 1971-12-14 until 1972-11-01)
balance engineer:
Günter Hermanns (producer/engineer) (from 1971-12-14 until 1972-11-01)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1971-12-14 until 1972-11-01)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLVII. "Der Landpfleger sagte" (Evangelista, Pilatus) (from 1971-12-14 until 1972-11-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach0:19
23Matthäus Passion, BWV 244: Zweiter Teil. Nr. 57. Rezitativ "Er hat uns allen wohlgetan" (Sopran)
producer:
Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1971-12-14 until 1972-11-01)
conductor:
Herbert von Karajan (conductor) (from 1971-12-14 until 1972-11-01)
balance engineer:
Günter Hermanns (producer/engineer) (from 1971-12-14 until 1972-11-01)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1971-12-14 until 1972-11-01)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLVIII. Recitativo (Soprano) "Er hat uns allen wohlgetan" (from 1971-12-14 until 1972-11-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach1:23
24Matthäus Passion, BWV 244: Zweiter Teil. Nr. 58. Arie "Aus Liebe will mein Heiland sterben" (Sopran)
producer:
Hans Weber (producer/engineer)
soprano vocals:
Gundula Janowitz (soprano) (in 1972-01)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1971-12-14 until 1972-11-01)
conductor:
Herbert von Karajan (conductor) (from 1971-12-14 until 1972-11-01)
balance engineer:
Günter Hermanns (producer/engineer) (from 1971-12-14 until 1972-11-01)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1971-12-14 until 1972-11-01)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLIX. Aria (Soprano) "Aus Liebe will mein Heiland sterben" (from 1971-12-14 until 1972-11-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach5:36
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Credits

Release

ASIN:JP: B00118YMAE [info]