Absolute Hits of the 50's

~ Release by Various Artists (see all versions of this release, 1 available)

Annotation

Edited by Tine Hanson & Mogens Hansen
Publisher: EVA

Edited by Tine Hanson & Mogens Hansen
Publisher: EVA

Annotation last modified on 2006-05-30 18:18 UTC.

Tracklist

▼ CD 1
#TitleArtistRatingLength
1Wake Up Little Susie
phonographic copyright (℗) by:
Cadence (NYC-based label founded by Archie Bleyer) (in 1957)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1957 (number: 21) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 311)
recording of:
Wake Up Little Susie (in 1957)
writer:
Boudleaux Bryant and Felice Bryant
publisher:
Acuff-Rose Publications, Inc. (BMI), House of Bryant Publications (publisher; do NOT use as release label) and Sony/ATV Acuff Rose Music (tradename of Sony/ATV Songs LLC)
The Everly Brothers4.652:02
2Living Doll
producer:
Norrie Paramor
vocals:
Cliff Richard
performer:
The Drifters (London group, pre-Shadows)
recording of:
Living Doll
lyricist and composer:
Lionel Bart
Cliff Richard2:38
3Stupid Cupid
Connie Francis2:12
4He's Got the Whole World in His Hand
phonographic copyright (℗) by:
EMI Records Ltd. (EMI Records Limited, not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1957)
recording of:
He’s Got the Whole World in His Hands (in 1958)
lyricist and composer:
[traditional] (special purpose artist)
publisher:
Thandewye Music (publisher; do NOT use as release label)
Laurie London2:21
5Kansas City
part of:
Dave Marsh: The Best of the Top 40 Singles: 1959 (number: 5)
cover recording of:
Kansas City (aka “K.C. Loving”)
lyricist:
Jerry Leiber (in 1952)
composer:
Mike Stoller (in 1952)
publisher:
EMI Music Ltd., Jerry Leiber Music, Mike Stoller Music (ASCAP), Peter Maurice Music Co. Ltd. and Sony/ATV Songs LLC
Wilbert Harrison32:28
6Blue Suede Shoes
double bass:
Clayton Perkins (in 1955-12)
drums (drum set):
W.S. Holland (in 1955-12)
guitar:
Carl Perkins (American pioneer of rockabilly music) (in 1955-12) and Jay Perkins (in 1955-12)
vocals:
Carl Perkins (American pioneer of rockabilly music) (in 1955-12)
phonographic copyright (℗) by:
Sun (US label founded in 1952) (in 1955, from 1956 to present)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1956 (number: 5) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 95)
recording of:
Blue Suede Shoes (in 1955-12)
lyricist and composer:
Carl Perkins (American pioneer of rockabilly music) (in 1955)
publisher:
Aberbach (London) (Publisher), Carl Perkins Music Inc., Carlin Music Corp., EMI Music Publishing (do not use as a release label!), Hi Lo Music, Hill and Range Songs, Inc. (publisher), Unichappell Music, Unichappell Music, Inc. and Wren Music Co.
part of:
Million Dollar Quartet (jukebox musical, book by Floyd Mutrux and Colin Escott)
Carl Perkins42:15
7Oh Carol
phonographic copyright (℗) by:
BMG Music
recording of:
Oh! Carol (in 1959)
lyricist:
Howard Greenfield
composer:
Neil Sedaka
publisher:
Screen Gems–EMI Music Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) and Universal Music Careers
translated version of:
Karel (Oh Carol)
Neil Sedaka32:15
8Personality
recording of:
Personality (in 1959)
lyricist and composer:
Harold Logan and Lloyd Price
Lloyd Price2:36
9Why do Fools Fall in Love
part of:
Dave Marsh: The Best of the Top 40 Singles: 1956 (number: 8) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 307)
recording of:
Why Do Fools Fall in Love (in 1955-11)
additional writer:
George Goldner, Jimmy Merchant (US singer, member of The Teenagers) and Herman Santiago (singer for Frankie Lymon & The Teenagers)
writer:
Morris Levy and Frankie Lymon
publisher:
EMI Longitude Music, Patricia Music, Warner Chappell, ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (until 2017-03-31), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (from 2017-04-01 to present) and ソニー・ミュージックパブリッシング EMI外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (from 2021-07-01 to present)
Frankie Lymon & The Teenagers4.52:18
10(We're Gonna) Rock Around the Clock
double bass:
Marshall Lytle (on 1954-04-12)
drums (drum set):
Billy Gussak (on 1954-04-12)
electric guitar [lead guitar]:
Danny Cedrone (on 1954-04-12)
electric guitar [rhythm guitar] and lead vocals:
Bill Haley (on 1954-04-12)
piano:
Johnny Grande (on 1954-04-12)
steel guitar:
William F. 'Billy' Williamson (on 1954-04-12)
tenor saxophone:
Joey D'Ambrosio (on 1954-04-12)
recorded at:
Pythian Temple in Lincoln Square, New York, New York, United States (on 1954-04-12)
recording of:
Rock Around the Clock (Bill Haley’s version)
lyricist and composer:
Jimmy De Knight (in 1952) and Max C. Freedman (American songwriter and lyricist) (in 1952)
arranger:
Harry Filler
publisher:
Edward Kassner Music Co. Ltd. and Myers Music, Inc.
version of:
We’re Gonna Rock Around the Clock (Original Freedman / De Knight version)
Bill Haley and His Comets42:13
11Mona Lisa
cover recording of:
Mona Lisa
lyricist:
Raymond B. Evans (American songwriter)
composer:
Jay Livingston
publisher:
Famous Chappell and Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
sub-publisher:
BMG Unisong Music Publishers BV
part of:
The 23rd Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 23)
Carl Mann2:23
12Ooby Dooby
recording of:
Ooby Dooby
lyricist and composer:
Wade Moore and Dick Penner
publisher:
Hi Lo Music, Peer International Corporation (BMI) and Southern Music Publishing Company Limited
Roy Orbison2:13
13What do You Want to Make Those Eyes at Me For?
recording of:
What Do You Want to Make Those Eyes at Me For?
lyricist:
Howard Johnson (songwriter / lyricist) and Joseph McCarthy (lyricist, 1885–1943)
composer:
James V. Monaco
part of:
Irene (the musical)
Emile Ford & the Checkmates22:05
14Great Balls of Fire
producer:
Jack Clement and Sam Phillips (founder of Sun Records) (in 1957)
bass guitar:
Sidney Stokes
drums (drum set):
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
piano:
Jerry Lee Lewis (Rock & Roll pianist, nicknamed “The Killer”) (in 1957-10)
vocals:
Jerry Lee Lewis (Rock & Roll pianist, nicknamed “The Killer”) (in 1957-10)
phonographic copyright (℗) by:
Sun Record Company (in 1957)
edit of:
Great Balls of Fire (chat & master) by Jerry Lee Lewis (Rock & Roll pianist, nicknamed “The Killer”)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1957 (number: 7), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 96) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 242)
recording of:
Great Balls of Fire (in 1957-10)
writer:
Otis Blackwell (American pianist, singer and songwriter) and Jack Hammer (Earl Burroughs, co-wrote Great Balls of Fire)
publisher:
Carlin Music Corporation and Hill & Range Songs, Inc. (publisher)
Jerry Lee Lewis4.41:52
15Tears on My Pillow
part of:
Dave Marsh: The Best of the Top 40 Singles: 1958 (recordings) (number: 30) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 478)
recording of:
Tears on My Pillow
lyricist:
Al Lewis (Tin Pan Alley era lyricist)
composer:
Sylvester Bradford
publisher:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) (from 1989 to present)
Little Anthony & the Imperials2.52:15
16Summertime Blues
part of:
Dave Marsh: The Best of the Top 40 Singles: 1958 (recordings) (number: 11), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 73) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 432)
recording of:
Summertime Blues (in 1958-08)
writer:
Jerry Capehart and Eddie Cochran (US rock and roll musician active in 1950s)
publisher:
American Music (publisher), Cinephonic Music Co., Ltd., Edition Wilhelm Hansen, Elvis Presley Music, Gallo Music Publishers, Gladys Music, Hill and Range Songs, Inc. (publisher), Rightsong Music, Viva Music, Inc, Warner Bros. Music (publisher; do NOT use as release label) and Warner–Tamerlane Publishing Corp. (Warner–Tamerlane Publishing Corporation, publisher; do NOT use as release label)
Eddie Cochran3.351:58
17Be-Bop-A-Lula
double bass [upright bass]:
Jack Neal (on 1956-05-04)
drums (drum set) [drums]:
Dickie Harrell (on 1956-05-04)
guitar [lead guitar]:
Cliff Gallup (lead guitarist for The Blue Caps) (on 1956-05-04)
guitar [rhythm guitar]:
Willie Williams (50s rock guitarist) (on 1956-05-04)
vocals:
Gene Vincent (on 1956-05-04)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (from 1956 to present)
recorded at:
Owen Bradley Studio (aka the "Quonset Hut") in Nashville, Tennessee, United States (on 1956-05-04)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1956 (number: 9) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 102)
recording of:
Be‐Bop‐A‐Lula (on 1956-05-04)
writer:
Bill “Tex” Davis and Gene Vincent
Gene Vincent4.352:36
18Handful of Songs
Tommy Steele2:07
19At the Hop
part of:
Dave Marsh: The Best of the Top 40 Singles: 1957 (number: 28)
recording of:
At the Hop
writer:
John L. Medora, Artie Singer (US songwriter, producer and bandleader) and David White (rock ’n’ roll pianist & songwriter, member of Danny & the Juniors)
publisher:
Sea-Lark Enterprises, Inc., Singular Music and Tristan Music Ltd.
Danny & the Juniors3.52:31
20Chantilly Lace
recording of:
Chantilly Lace
lyricist and composer:
J.P. Richardson
publisher:
Glad Music Co.
Big Bopper42:25
21Blueberry Hill
phonographic copyright (℗) by:
Everest Records (classical) and Liberty (a division of UMG Recordings, Inc.) (in 1957)
edit of:
Blueberry Hill (Imperial) by Fats Domino
part of:
Dave Marsh: The Best of the Top 40 Singles: 1956 (number: 17), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 81) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 147)
cover recording of:
Blueberry Hill (on 1956-06-27)
lyricist:
Al Lewis (Tin Pan Alley era lyricist) and Larry Stock
composer:
Vincent Rose (early-20th century violinist, pianist, composer & bandleader)
publisher:
Chappell & Co., Inc. (USA), Larry Stock Music Co., Redwood Music Ltd. (Carlin), Sovereign Music Company and Victoria Music Publishing Co. Ltd.
part of:
12 Monkeys Soundtrack
Fats Domino4.652:21
22Here Comes Summer
recording of:
Here Comes Summer
lyricist and composer:
Jerry Keller
Jerry Keller2:09
23Bony Moronie
baritone saxophone:
Jewell Grant (US saxophonist) (on 1957-09-11)
bass:
Ted Brinson (on 1957-09-11)
guitar:
Rene Hall (on 1957-09-11)
membranophone:
Earl Palmer (on 1957-09-11)
piano:
Larry Williams (1950s rocker) (on 1957-09-11)
saxophone:
John E. Oliveri (on 1957-09-11)
tenor saxophone:
Plas Johnson (on 1957-09-11)
vocals:
Larry Williams (1950s rocker) (on 1957-09-11)
recorded at:
Master Recorders in Hollywood, Los Angeles, California, United States (on 1957-09-11)
recording of:
Boney Maroney (on 1957-09-11)
lyricist and composer:
Lawrence E. Williams (1950s rocker)
publisher:
ATV Music Ltd., EMI Music (Electric & Musical Industries Music, do not use as release label! this is a music publisher), Sony/ATV Music Publishing (UK) Ltd. and Venice Music
Larry Williams3:05
24Donna
recording engineer:
Larry Levine and Stan Ross (recording engineer, mixer & producer)
producer:
Bob Keane
phonographic copyright (℗) by:
Del-Fi Records Inc. (in 1958)
recording of:
Donna
lyricist and composer:
Ritchie Valens
publisher:
Carlin Music Corporation
Richie Valens4.82:30
25Petite Fleur
performer:
Monty Sunshine
cover recording of:
Petite Fleur (French lyrics)
lyricist:
Fernand Bonifay
composer:
Sidney Bechet
publisher:
Warner/Chappell (Warner/Chappell Music, Inc.)
version of:
Petite Fleur (original instrumental)
Chris Barber’s Jazz Band2:43
▶ CD 2

Credits

Release group

part of:Absolute Hits of the (EVA Records (Denmark)) (number: 50) (order: 1)
Wikidata:Q12300445 [info]