| # | Title | Artist | Rating | Length |
|---|
| 1 | Born to Be Wild- producer:
- Gabriel Mekler
- phonographic copyright (℗) by:
- Geffen Records (in 1968) and MCA Records, Inc. (in 1968)
- part of:
- Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, VH1: 100 Greatest Hard Rock Songs (number: 53) and Rolling Stone: 500 Greatest Songs of All Time (number: 129)
- recording of:
- Born to Be Wild
- lyricist and composer:
- Mars Bonfire
- publisher:
- Duchess Music Corporation , Manitou Music, Manitou Music Canada, MCA Music Canada, Songs of Universal, Inc. , Universal/MCA Music Ltd. , Universal/MCA Music Publishing GmbH, Universal/MCA Music Publishing Pty Ltd, シンコーミュージック・エンタテイメント and ユニバーサル・ミュージック・パブリッシング Synch事業部
| Steppenwolf | 4.25 | 3:29 |
| 2 | Rocks | Primal Scream | 3.6 | 3:34 |
| 3 | What’s the Frequency, Kenneth? | R.E.M. | | 4:00 |
| 4 | Scooby Snacks- assistant recording engineer:
- Edward Douglas (from 1995-04-25 until 1995-05-20) and Juan Garcia (from 1995-04-25 until 1995-05-20)
- recording engineer:
- Tim Latham (from 1995-04-25 until 1995-05-20)
- producer:
- Fun Lovin’ Criminals
- assistant mixer:
- Sean “Puffy” Coffey (from 1995-06-03 until 1995-07-19)
- mixer:
- Tim Latham (from 1995-06-03 until 1995-07-19)
- performer:
- Fun Lovin’ Criminals
- arranger:
- Fun Lovin’ Criminals
- phonographic copyright (℗) by:
- EMI Records Ltd. (in 1996) and EMI Records USA (in 1996)
- recorded at:
- Steve Rosenthal’s Magic Shop in Manhattan, New York, New York, United States (from 1995-04-25 until 1995-05-20)
- mixed at:
- Platinum Island NYC in New York, New York, United States (from 1995-06-03 until 1995-07-19)
- samples:
- Movement of Fear by Tones on Tail
- recording of:
- Scooby Snacks
- additional lyricist:
- Quentin Tarantino
- writer:
- Stephen Borgovini, Brian Leiser and Huey Morgan
- publisher:
- Beggars Banquet Music Ltd., DiFontaine Carting & Asbestos Removal, Co., Notting Hill Music (UK) Ltd., Universal Music Careers and Universal PolyGram International Publishing, Inc.
| Fun Lovin’ Criminals | 3.6 | 3:03 |
| 5 | Higher Ground- additional engineer:
- Michael Beinhorn
- engineer:
- Garth Richardson
- producer:
- Michael Beinhorn
- mixer:
- Dave Jerden and Garth Richardson
- bass:
- Flea
- drums (drum set):
- Chad Smith
- guitar:
- John Frusciante
- background vocals:
- Sir Babs, Vicki Calhoun, Aklia Chinn, Bruno Deron, Joel Virgel Viergel, Iris Parker, Julie Ritter, Randy Ruff, Gretchen Seager, Jack Sherman, Laura Spinosa, Kristen Vigard, WAG and Merrill Ward
- lead vocals:
- Anthony Kiedis
- phonographic copyright (℗) by:
- Capitol Records, LLC (in 1989), EMI Records Ltd. (in 1989) and EMI Records USA (in 1989)
- produced for:
- Demolition Sound
- recorded at:
- Ocean Way Recording in Hollywood, Los Angeles, California, United States
- cover recording of:
- Higher Ground
- lyricist and composer:
- Stevie Wonder
- publisher:
- Black Bull Music, Inc., EMI Music Publishing , Jobete Music (UK) Ltd., Jobete Music Co., Inc. and Stein & Van Stock, Inc.
| Red Hot Chili Peppers | 4.15 | 3:21 |
| 6 | The Bartender and the Thief | Stereophonics | | 3:08 |
| 7 | Word Up | Gun | 4 | 4:15 |
| 8 | The Riverboat Song | Ocean Colour Scene | 3.55 | 4:54 |
| 9 | A Girl Like You | Edwyn Collins | 3.75 | 3:54 |
| 10 | Breakfast at Tiffany’s | Deep Blue Something | 3.7 | 4:16 |
| 11 | Two Princes | Spin Doctors | 4.25 | 4:14 |
| 12 | What’s Up- recording engineer, producer and mixer:
- David Tickle
- mastering:
- Stephen Marcussen
- additional engineer:
- Jessie Kanner , Kent Mactke, Laurent Tardy and Paul Dieter
- engineer:
- Mark Hensley
- acoustic guitar and electric guitar:
- Linda Perry (in 1992)
- bass:
- Christa Hillhouse (in 1992)
- drums (drum set):
- Dawn Richardson (in 1992)
- guitar:
- Louis Metoyer (in 1992) and Roger Rocha (in 1992)
- vocals:
- Christa Hillhouse (in 1992) and Linda Perry (in 1992)
- phonographic copyright (℗) by:
- Interscope Records (in 1992)
- recorded at:
- Groove Masters in Santa Monica, California, United States (in 1992), The Bunker (in 1992) and The Plant Studios in Sausalito, California, United States (in 1992)
- mixed at:
- The Bunker
- recording of:
- What’s Up? (in 1992)
- lyricist and composer:
- Linda Perry
- publisher:
- Famous Music Corporation , Famous Music Publishing Germany GmbH & Co. KG, Sony/ATV Harmony, Sony/ATV Harmony UK and Stuck in the Throat
| 4 Non Blondes | 4.35 | 4:14 |
| 13 | Place Your Hands | Reef | 4 | 3:38 |
| 14 | Waterfront | Simple Minds | | 4:41 |
| 15 | Hush | Deep Purple | 4.15 | 4:26 |
| 16 | Fire | The Crazy World of Arthur Brown | 3.85 | 2:55 |
| 17 | Baby I Love You | Ramones | | 3:48 |
| 18 | Inside | Stiltskin | 3.65 | 4:26 |
| 19 | Walk on the Wild Side- producer:
- David Bowie , Lou Reed and Mick Ronson
- baritone saxophone:
- Ronnie Ross (in 1972-08)
- double bass and electric bass guitar:
- Herbie Flowers (in 1972-08)
- drums (drum set):
- John Halsey (in 1972-08)
- background vocals:
- The Thunder Thighs (in 1972-08)
- lead vocals:
- Lou Reed (in 1972-08)
- brass arranger and strings arranger:
- Mick Ronson
- arranger:
- David Bowie , Lou Reed and Mick Ronson
- phonographic copyright (℗) by:
- BMG Music (in 1972), RCA Records (in 1972) and Sony BMG Music Entertainment (in 1972)
- recorded at:
- Trident Studios in Soho, Westminster, London , England, United Kingdom (in 1972-08)
- mixed at:
- Trident Studios in Soho, Westminster, London , England, United Kingdom
- part of:
- Indie 88: Top 500 Indie Rock Songs (number: 75), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 180) and Rolling Stone: 500 Greatest Songs of All Time (number: 221)
- recording of:
- Walk on the Wild Side (in 1972-08)
- lyricist and composer:
- Lou Reed
- publisher:
- EMI Music Publishing Australia Pty. Limited, Oakfield Avenue Music Ltd. and Screen Gems–EMI Music Ltd.
| Lou Reed | 4.25 | 4:13 |
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