Requiem / Orchestral Works

~ Release by Gabriel Fauré; Sir Neville Marriner, Academy of St. Martin in the Fields (see all versions of this release, 1 available)

Annotation

Copyright: © 2018 Universal Music Australia Pty Ltd.
This Compilation ℗ 2018 Decca Music Group Limited

Annotation last modified on 2025-01-04 14:30 UTC.

Tracklist

▼ Digital Media 1
#TitleArtistRatingLength
1Requiem in D minor, op. 48: I. Introitus. Requiem aeternam - Kyrie
choir vocals:
Academy of St Martin in the Fields Chorus (in 1993-01)
vocals:
Academy of St Martin in the Fields Chorus
orchestra:
Academy of St Martin in the Fields (in 1993-01)
conductor:
Sir Neville Marriner (conductor) (in 1993-01)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1993-01)
recording of:
Requiem, op. 48: I. Introït et Kyrie (1890, second version) (in 1993-01)
composer:
Gabriel Fauré (French composer) (from 1886 until 1900)
part of:
Requiem, op. 48 (1890, second version)
Gabriel Fauré6:44
2Requiem in D minor, op. 48: II. Offertorium. Domine Jesu Christe
baritone vocals:
Sir Thomas Allen (baritone) (in 1993-01)
choir vocals:
Academy of St Martin in the Fields Chorus (in 1993-01)
vocals:
Academy of St Martin in the Fields Chorus
orchestra:
Academy of St Martin in the Fields (in 1993-01)
conductor:
Sir Neville Marriner (conductor) (in 1993-01)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1993-01)
recording of:
Requiem, op. 48: II. Offertoire (1890, second version) (in 1993-01)
composer:
Gabriel Fauré (French composer) (from 1886 until 1900)
part of:
Requiem, op. 48 (1890, second version)
Gabriel Fauré8:04
3Requiem in D minor, op. 48: III. Sanctus
choir vocals:
Academy of St Martin in the Fields Chorus (in 1993-01)
vocals:
Academy of St Martin in the Fields Chorus
orchestra:
Academy of St Martin in the Fields (in 1993-01)
conductor:
Sir Neville Marriner (conductor) (in 1993-01)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1993-01)
recording of:
Requiem, op. 48: III. Sanctus (1890, second version) (in 1993-01)
composer:
Gabriel Fauré (French composer) (from 1886 until 1900)
part of:
Requiem, op. 48 (1890, second version)
Gabriel Fauré3:14
4Requiem in D minor, op. 48: IV. Pie Jesu
soprano vocals:
Sylvia McNair (soprano) (in 1993-01)
vocals:
Academy of St Martin in the Fields Chorus
orchestra:
Academy of St Martin in the Fields (in 1993-01)
conductor:
Sir Neville Marriner (conductor) (in 1993-01)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1993-01)
recording of:
Requiem, op. 48: IV. Pie Jesu (1890, second version) (in 1993-01)
composer:
Gabriel Fauré (French composer) (from 1886 until 1900)
part of:
CHAPTER IV PIE JESU (REST)
part of:
Requiem, op. 48 (1890, second version)
Gabriel Fauré4:18
5Requiem in D minor, op. 48: V. Agnus dei
choir vocals:
Academy of St Martin in the Fields Chorus (in 1993-01)
vocals:
Academy of St Martin in the Fields Chorus
orchestra:
Academy of St Martin in the Fields (in 1993-01)
conductor:
Sir Neville Marriner (conductor) (in 1993-01)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1993-01)
recording of:
Requiem, op. 48: V. Agnus Dei et Lux Aeterna (1890, second version) (in 1993-01)
composer:
Gabriel Fauré (French composer) (from 1886 until 1900)
part of:
Requiem, op. 48 (1890, second version)
Gabriel Fauré5:35
6Requiem in D minor, op. 48: VI. Libera me
baritone vocals:
Sir Thomas Allen (baritone) (in 1993-01)
choir vocals:
Academy of St Martin in the Fields Chorus (in 1993-01)
vocals:
Academy of St Martin in the Fields Chorus
orchestra:
Academy of St Martin in the Fields (in 1993-01)
conductor:
Sir Neville Marriner (conductor) (in 1993-01)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1993-01)
recording of:
Requiem, op. 48: VI. Libera me (1890, second version) (in 1993-01)
composer:
Gabriel Fauré (French composer) (from 1886 until 1900)
part of:
Requiem, op. 48 (1890, second version)
Gabriel Fauré4:28
7Requiem in D minor, op. 48: VII. In paradisum
organ:
John Birch (organist) (in 1993-01)
choir vocals:
Academy of St Martin in the Fields Chorus (in 1993-01)
orchestra:
Academy of St Martin in the Fields (in 1993-01)
conductor:
Sir Neville Marriner (conductor) (in 1993-01)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1993-01)
recording of:
Requiem, op. 48: VII. In Paradisum (1890, second version) (in 1993-01)
composer:
Gabriel Fauré (French composer) (from 1886 until 1900)
publisher:
Éditions Durand (1947–present)
part of:
28 Days Later
part of:
Requiem, op. 48 (1890, second version)
Gabriel Fauré3:19
8Pelléas et Mélisande, op. 80: 1. Prélude
producer:
Chris Hazell
orchestra:
Academy of St Martin in the Fields (in 1981-06)
conductor:
Sir Neville Marriner (conductor) (in 1981-06)
balance engineer:
Stanley Goodall (engineer) (in 1981-06)
recorded at:
St. Barnabas Church (Woodside Park, Finchley, London N12) in Finchley, Barnet (London Borough of Barnet), London (Greater London), England, United Kingdom (in 1981-06)
recording of:
Pelléas et Mélisande, op. 80: I. Prélude. Quasi adagio (in 1981-06)
composer:
Gabriel Fauré (French composer)
part of:
Pelléas et Mélisande, op. 80
Gabriel Fauré5:58
9Pelléas et Mélisande, op. 80: 2. Andantino quasi Allegretto (La Fileuse)
producer:
Chris Hazell
orchestra:
Academy of St Martin in the Fields (in 1981-06)
conductor:
Sir Neville Marriner (conductor) (in 1981-06)
balance engineer:
Stanley Goodall (engineer) (in 1981-06)
recorded at:
St. Barnabas Church (Woodside Park, Finchley, London N12) in Finchley, Barnet (London Borough of Barnet), London (Greater London), England, United Kingdom (in 1981-06)
recording of:
Pelléas et Mélisande, op. 80: II. Fileuse. Andantino quasi allegretto (in 1981-06)
composer:
Gabriel Fauré (French composer)
part of:
Pelléas et Mélisande, op. 80
Gabriel Fauré2:46
10Pelléas et Mélisande, op. 80: 3. Sicilienne
producer:
Chris Hazell
flute:
William Bennett (flautist) (in 1981-06)
orchestra:
Academy of St Martin in the Fields (in 1981-06)
conductor:
Sir Neville Marriner (conductor) (in 1981-06)
balance engineer:
Stanley Goodall (engineer) (in 1981-06)
recorded at:
St. Barnabas Church (Woodside Park, Finchley, London N12) in Finchley, Barnet (London Borough of Barnet), London (Greater London), England, United Kingdom (in 1981-06)
recording of:
Pelléas et Mélisande, op. 80: III. Sicilienne (in 1981-06)
composer:
Gabriel Fauré (French composer)
part of:
Pelléas et Mélisande, op. 80
Gabriel Fauré3:58
11Pelléas et Mélisande, op. 80: 4. Molto adagio
producer:
Chris Hazell
orchestra:
Academy of St Martin in the Fields (in 1981-06)
conductor:
Sir Neville Marriner (conductor) (in 1981-06)
balance engineer:
Stanley Goodall (engineer) (in 1981-06)
recorded at:
St. Barnabas Church (Woodside Park, Finchley, London N12) in Finchley, Barnet (London Borough of Barnet), London (Greater London), England, United Kingdom (in 1981-06)
recording of:
Pelléas et Mélisande, op. 80: IV. La Mort de Mélisande. Molto adagio (in 1981-06)
composer:
Gabriel Fauré (French composer)
part of:
Pelléas et Mélisande, op. 80
Gabriel Fauré4:22
12Pavane, op. 50
producer:
Chris Hazell
choir vocals:
Academy of St Martin in the Fields Chorus (in 1981-06)
orchestra:
Academy of St Martin in the Fields (in 1981-06)
conductor:
Sir Neville Marriner (conductor) (in 1981-06)
balance engineer:
Stanley Goodall (engineer) (in 1981-06)
recorded at:
St. Barnabas Church (Woodside Park, Finchley, London N12) in Finchley, Barnet (London Borough of Barnet), London (Greater London), England, United Kingdom (in 1981-06)
recording of:
Pavane in F-sharp minor, op. 50 (for orchestra and (optional) chorus) (in 1981-06)
lyricist:
Robert de Montesquiou
composer:
Gabriel Fauré (French composer) (in 1887)
arrangement of:
Pavane, op. 50 (for piano and chorus)
Gabriel Fauré5:50
13Fantaisie, op. 79 (Orch. Louis Aubert)
producer:
Chris Hazell
flute:
William Bennett (flautist) (in 1981-06)
orchestra:
Academy of St Martin in the Fields (in 1981-06)
conductor:
Sir Neville Marriner (conductor) (in 1981-06)
balance engineer:
Stanley Goodall (engineer) (in 1981-06)
recorded at:
St. Barnabas Church (Woodside Park, Finchley, London N12) in Finchley, Barnet (London Borough of Barnet), London (Greater London), England, United Kingdom (in 1981-06)
recording of:
Fantaisie pour flûte & piano en ut majeur, op. 79 (in 1981-06)
composer:
Gabriel Fauré (French composer) (in 1898)
dedicated to:
Paul Taffanel
premiered at:
[concert] (1898-07-28)
part of:
Works of Gabriel Fauré by opus number (number: op. 79)
recording of:
Fantaisie, op. 79 (catch-all for arrangements)
composer:
Gabriel Fauré (French composer) (in 1898)
arrangement of:
Fantaisie pour flûte & piano en ut majeur, op. 79
Gabriel Fauré5:38
14Masques et Bergamasques, suite, op. 112: 1. Ouverture
producer:
Chris Hazell
orchestra:
Academy of St Martin in the Fields (in 1981-06)
conductor:
Sir Neville Marriner (conductor) (in 1981-06)
balance engineer:
Stanley Goodall (engineer) (in 1981-06)
recorded at:
St. Barnabas Church (Woodside Park, Finchley, London N12) in Finchley, Barnet (London Borough of Barnet), London (Greater London), England, United Kingdom (in 1981-06)
recording of:
Suite, op. 112 "Masques et bergamasques": I. Overture: Allegro molto vivo (in 1981-06)
composer:
Gabriel Fauré (French composer)
is based on:
Masques et bergamasques, comédie musicale en 1 acte : I. Ouverture
part of:
Suite, op. 112 "Masques et bergamasques"
Gabriel Fauré3:45
15Masques et Bergamasques, suite, op. 112: 2. Menuet
producer:
Chris Hazell
orchestra:
Academy of St Martin in the Fields (in 1981-06)
conductor:
Sir Neville Marriner (conductor) (in 1981-06)
balance engineer:
Stanley Goodall (engineer) (in 1981-06)
recorded at:
St. Barnabas Church (Woodside Park, Finchley, London N12) in Finchley, Barnet (London Borough of Barnet), London (Greater London), England, United Kingdom (in 1981-06)
recording of:
Suite, op. 112 "Masques et bergamasques": II. Menuet: Tempo di minuetto – Allegretto moderato (in 1981-06)
composer:
Gabriel Fauré (French composer)
is based on:
Masques et bergamasques, comédie musicale en 1 acte : V. Menuet
part of:
Suite, op. 112 "Masques et bergamasques"
Gabriel Fauré2:39
16Masques et Bergamasques, suite, op. 112: 3. Gavotte
producer:
Chris Hazell
orchestra:
Academy of St Martin in the Fields (in 1981-06)
conductor:
Sir Neville Marriner (conductor) (in 1981-06)
balance engineer:
Stanley Goodall (engineer) (in 1981-06)
recorded at:
St. Barnabas Church (Woodside Park, Finchley, London N12) in Finchley, Barnet (London Borough of Barnet), London (Greater London), England, United Kingdom (in 1981-06)
recording of:
Suite, op. 112 "Masques et bergamasques": III. Gavotte: Allegro vivo (in 1981-06)
composer:
Gabriel Fauré (French composer)
is based on:
Masques et bergamasques, comédie musicale en 1 acte : VII. Gavotte
part of:
Suite, op. 112 "Masques et bergamasques"
Gabriel Fauré3:10
17Masques et Bergamasques, suite, op. 112: 4. Pastorale
producer:
Chris Hazell
flute:
William Bennett (flautist)
orchestra:
Academy of St Martin in the Fields (in 1981-06)
conductor:
Sir Neville Marriner (conductor) (in 1981-06)
balance engineer:
Stanley Goodall (engineer) (in 1981-06)
recorded at:
St. Barnabas Church (Woodside Park, Finchley, London N12) in Finchley, Barnet (London Borough of Barnet), London (Greater London), England, United Kingdom (in 1981-06)
recording of:
Suite, op. 112 "Masques et bergamasques": IV. Pastorale: Andantino tranquillo (in 1981-06)
composer:
Gabriel Fauré (French composer)
is based on:
Masques et bergamasques, comédie musicale en 1 acte : II. Pastorale
part of:
Suite, op. 112 "Masques et bergamasques"
Gabriel Fauré4:08