Mucho Macho

~ Release by Machito And His Afro-Cuban Salseros (see all versions of this release, 4 available)

Annotation

CD made in Germany.
Liner Notes, Producer Repackaging Project – Joe Conzo
Producer – Norman Granz

Annotation last modified on 2023-11-19 14:38 UTC.

Tracklist

▼ CD 1
#TitleArtistRatingLength
1Asia Minor
recorded in:
New York, New York, United States (from 1948 until 1949)
producer:
Norman Granz
alto saxophone:
Gene Johnson (US jazz saxophonist) (from 1948 until 1949) and Fred Skerritt (from 1948 until 1949)
baritone saxophone:
Leslie Johnakins (from 1948 until 1949)
bongos:
José Mangual (from 1948 until 1949)
congas:
Luis Miranda (jazz conga player) (from 1948 until 1949)
percussion:
Machito (Francisco Raúl Gutiérrez Grillo, cuban afro-jazz) (from 1948 until 1949)
piano:
René Hernández (from 1948 until 1949)
tenor saxophone:
José Madera (saxophone, aka "Pin") (from 1948 until 1949)
timbales:
Ubaldo Nieto (from 1948 until 1949)
trumpet:
Mario Bauzá (from 1948 until 1949), Frank Davilla (from 1948 until 1949) and Bobby Woodlen (from 1948 until 1949)
recording of:
Asia Minor (in 1949-12)
composer:
Roger "King" Mozian
Machito and his Afro-Cuban Salseros3:09
2Un poquito de tu amor
recorded in:
New York, New York, United States (from 1948 until 1949)
producer:
Norman Granz
alto saxophone:
Gene Johnson (US jazz saxophonist) (from 1948 until 1949) and Fred Skerritt (from 1948 until 1949)
baritone saxophone:
Leslie Johnakins (from 1948 until 1949)
bongos:
José Mangual (from 1948 until 1949)
congas:
Luis Miranda (jazz conga player) (from 1948 until 1949)
percussion:
Machito (Francisco Raúl Gutiérrez Grillo, cuban afro-jazz) (from 1948 until 1949)
piano:
René Hernández (from 1948 until 1949)
tenor saxophone:
José Madera (saxophone, aka "Pin") (from 1948 until 1949)
timbales:
Ubaldo Nieto (from 1948 until 1949)
trumpet:
Mario Bauzá (from 1948 until 1949), Frank Davilla (from 1948 until 1949) and Bobby Woodlen (from 1948 until 1949)
vocals:
Graciela
cover recording of:
Un poquito de tu amor (in 1949-12)
writer:
Julio Gutiérrez (Cuban pianist, composer, orchestra conductor)
Machito and his Afro-Cuban Salseros3:13
3Tumba el quinto
recorded in:
New York, New York, United States (from 1948 until 1949)
producer:
Norman Granz
alto saxophone:
Gene Johnson (US jazz saxophonist) (from 1948 until 1949) and Fred Skerritt (from 1948 until 1949)
baritone saxophone:
Leslie Johnakins (from 1948 until 1949)
bongos:
José Mangual (from 1948 until 1949)
congas:
Luis Miranda (jazz conga player) (from 1948 until 1949)
percussion:
Machito (Francisco Raúl Gutiérrez Grillo, cuban afro-jazz) (from 1948 until 1949)
piano:
René Hernández (from 1948 until 1949)
tenor saxophone:
José Madera (saxophone, aka "Pin") (from 1948 until 1949)
timbales:
Ubaldo Nieto (from 1948 until 1949)
trumpet:
Mario Bauzá (from 1948 until 1949), Frank Davilla (from 1948 until 1949) and Bobby Woodlen (from 1948 until 1949)
recording of:
Tumba el quinto (in 1949-12)
composer:
Calixto Leicea
Machito and his Afro-Cuban Salseros2:45
4Jungle Drums
recorded in:
New York, New York, United States (from 1948 until 1949)
producer:
Norman Granz
alto saxophone:
Gene Johnson (US jazz saxophonist) (from 1948 until 1949) and Fred Skerritt (from 1948 until 1949)
baritone saxophone:
Leslie Johnakins (from 1948 until 1949)
bass:
Roberto Rodriguez (jazz bassist)
bongos:
José Mangual (from 1948 until 1949)
congas:
Luis Miranda (jazz conga player) (from 1948 until 1949)
percussion:
Machito (Francisco Raúl Gutiérrez Grillo, cuban afro-jazz) (from 1948 until 1949)
piano:
René Hernández (from 1948 until 1949)
tenor saxophone:
José Madera (saxophone, aka "Pin") (from 1948 until 1949)
timbales:
Ubaldo Nieto (from 1948 until 1949)
trumpet:
Mario Bauzá (from 1948 until 1949), Frank Davilla (from 1948 until 1949) and Bobby Woodlen (from 1948 until 1949)
cover recording of:
Jungle Drums (from 1948 until 1949)
lyricist:
Carmen Lombardo and Charles O'Flynn
composer:
Ernesto Lecuona
publisher:
Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919)
Machito and his Afro-Cuban Salseros2:59
5Llora timbero
recorded in:
New York, New York, United States (from 1948 until 1949)
producer:
Norman Granz
alto saxophone:
Gene Johnson (US jazz saxophonist) (from 1948 until 1949) and Fred Skerritt (from 1948 until 1949)
baritone saxophone:
Leslie Johnakins (from 1948 until 1949)
bongos:
José Mangual (from 1948 until 1949)
congas:
Luis Miranda (jazz conga player) (from 1948 until 1949)
percussion:
Machito (Francisco Raúl Gutiérrez Grillo, cuban afro-jazz) (from 1948 until 1949)
piano:
René Hernández (from 1948 until 1949)
tenor saxophone:
José Madera (saxophone, aka "Pin") (from 1948 until 1949)
timbales:
Ubaldo Nieto (from 1948 until 1949)
trumpet:
Mario Bauzá (from 1948 until 1949), Frank Davilla (from 1948 until 1949) and Bobby Woodlen (from 1948 until 1949)
recording of:
Llora timbero (in 1949-12)
composer:
Israel Rodríguez
Machito and his Afro-Cuban Salseros3:08
6Vive como yo
recorded in:
New York, New York, United States (from 1948 until 1949)
producer:
Norman Granz
alto saxophone:
Gene Johnson (US jazz saxophonist) (from 1948 until 1949) and Fred Skerritt (from 1948 until 1949)
baritone saxophone:
Leslie Johnakins (from 1948 until 1949)
bongos:
José Mangual (from 1948 until 1949)
congas:
Luis Miranda (jazz conga player) (from 1948 until 1949)
percussion:
Machito (Francisco Raúl Gutiérrez Grillo, cuban afro-jazz) (from 1948 until 1949)
piano:
René Hernández (from 1948 until 1949)
tenor saxophone:
José Madera (saxophone, aka "Pin") (from 1948 until 1949)
timbales:
Ubaldo Nieto (from 1948 until 1949)
trumpet:
Mario Bauzá (from 1948 until 1949), Frank Davilla (from 1948 until 1949) and Bobby Woodlen (from 1948 until 1949)
vocals:
Graciela
recording of:
Vive como yo (in 1949-12)
composer:
Pablo Cairo (Cuban singer, guitarist and songwriter)
Machito and his Afro-Cuban Salseros2:55
7Babarabatiti
recorded in:
New York, New York, United States (from 1948 until 1949)
producer:
Norman Granz
alto saxophone:
Gene Johnson (US jazz saxophonist) (from 1948 until 1949) and Fred Skerritt (from 1948 until 1949)
baritone saxophone:
Leslie Johnakins (from 1948 until 1949)
bongos:
José Mangual (from 1948 until 1949)
congas:
Luis Miranda (jazz conga player) (from 1948 until 1949)
percussion:
Machito (Francisco Raúl Gutiérrez Grillo, cuban afro-jazz) (from 1948 until 1949)
piano:
René Hernández (from 1948 until 1949)
tenor saxophone:
José Madera (saxophone, aka "Pin") (from 1948 until 1949)
timbales:
Ubaldo Nieto (from 1948 until 1949)
trumpet:
Mario Bauzá (from 1948 until 1949), Frank Davilla (from 1948 until 1949) and Bobby Woodlen (from 1948 until 1949)
cover recording of:
Babarabatiri (from 1948 until 1949)
writer:
Antar Daly
Machito and his Afro-Cuban Salseros2:56
8Cleopatra Rumba (Desert Dance)
recorded in:
New York, New York, United States (from 1948 until 1949)
producer:
Norman Granz
alto saxophone:
Gene Johnson (US jazz saxophonist) (from 1948 until 1949) and Fred Skerritt (from 1948 until 1949)
baritone saxophone:
Leslie Johnakins (from 1948 until 1949)
bongos:
José Mangual (from 1948 until 1949)
congas:
Luis Miranda (jazz conga player) (from 1948 until 1949)
percussion:
Machito (Francisco Raúl Gutiérrez Grillo, cuban afro-jazz) (from 1948 until 1949)
piano:
René Hernández (from 1948 until 1949)
tenor saxophone:
José Madera (saxophone, aka "Pin") (from 1948 until 1949)
timbales:
Ubaldo Nieto (from 1948 until 1949)
trumpet:
Mario Bauzá (from 1948 until 1949), Frank Davilla (from 1948 until 1949) and Bobby Woodlen (from 1948 until 1949)
recording of:
Cleopatra Rumba (Desert dance) (in 1949-12)
composer:
Roger "King" Mozian
Machito and his Afro-Cuban Salseros3:02
9U-Bla-Ba-Du
recorded in:
New York, New York, United States (from 1948 until 1949)
producer:
Norman Granz
alto saxophone:
Gene Johnson (US jazz saxophonist) (from 1948 until 1949) and Fred Skerritt (from 1948 until 1949)
baritone saxophone:
Leslie Johnakins (from 1948 until 1949)
bongos:
José Mangual (from 1948 until 1949)
congas:
Luis Miranda (jazz conga player) (from 1948 until 1949)
percussion:
Machito (Francisco Raúl Gutiérrez Grillo, cuban afro-jazz) (from 1948 until 1949)
piano:
René Hernández (from 1948 until 1949)
tenor saxophone:
José Madera (saxophone, aka "Pin") (from 1948 until 1949)
timbales:
Ubaldo Nieto (from 1948 until 1949)
trumpet:
Mario Bauzá (from 1948 until 1949), Frank Davilla (from 1948 until 1949) and Bobby Woodlen (from 1948 until 1949)
recording of:
U-Bla-Ba-Du (in 1949-12)
composer:
Pepe Becke (Afro-Cuban popular musician)
Machito and his Afro-Cuban Salseros3:17
10El sopón
recorded in:
New York, New York, United States (from 1948 until 1949)
producer:
Norman Granz
alto saxophone:
Gene Johnson (US jazz saxophonist) (from 1948 until 1949) and Fred Skerritt (from 1948 until 1949)
baritone saxophone:
Leslie Johnakins (from 1948 until 1949)
bongos:
José Mangual (from 1948 until 1949)
congas:
Luis Miranda (jazz conga player) (from 1948 until 1949)
percussion:
Machito (Francisco Raúl Gutiérrez Grillo, cuban afro-jazz) (from 1948 until 1949)
piano:
René Hernández (from 1948 until 1949)
tenor saxophone:
José Madera (saxophone, aka "Pin") (from 1948 until 1949)
timbales:
Ubaldo Nieto (from 1948 until 1949)
trumpet:
Mario Bauzá (from 1948 until 1949), Frank Davilla (from 1948 until 1949) and Bobby Woodlen (from 1948 until 1949)
recording of:
El sopón (in 1949-12)
composer:
Obdulio Morales and Marion Sunshine
Machito and his Afro-Cuban Salseros2:50
11Gone City
recorded in:
New York, New York, United States (from 1948 until 1949)
producer:
Norman Granz
alto saxophone:
Gene Johnson (US jazz saxophonist) (from 1948 until 1949) and Fred Skerritt (from 1948 until 1949)
baritone saxophone:
Leslie Johnakins (from 1948 until 1949)
bongos:
José Mangual (from 1948 until 1949)
congas:
Luis Miranda (jazz conga player) (from 1948 until 1949)
percussion:
Machito (Francisco Raúl Gutiérrez Grillo, cuban afro-jazz) (from 1948 until 1949)
piano:
René Hernández (from 1948 until 1949)
tenor saxophone:
José Madera (saxophone, aka "Pin") (from 1948 until 1949)
timbales:
Ubaldo Nieto (from 1948 until 1949)
trumpet:
Mario Bauzá (from 1948 until 1949), Frank Davilla (from 1948 until 1949) and Bobby Woodlen (from 1948 until 1949)
recording of:
Gone City (in 1949-12)
writer:
Chico O’Farrill
Machito and his Afro-Cuban Salseros2:52
12Babalu
recorded in:
New York, New York, United States (from 1948 until 1949)
producer:
Norman Granz
alto saxophone:
Gene Johnson (US jazz saxophonist) (from 1948 until 1949) and Fred Skerritt (from 1948 until 1949)
baritone saxophone:
Leslie Johnakins (from 1948 until 1949)
bongos:
José Mangual (from 1948 until 1949)
congas:
Luis Miranda (jazz conga player) (from 1948 until 1949)
percussion:
Machito (Francisco Raúl Gutiérrez Grillo, cuban afro-jazz) (from 1948 until 1949)
piano:
René Hernández (from 1948 until 1949)
tenor saxophone:
José Madera (saxophone, aka "Pin") (from 1948 until 1949)
timbales:
Ubaldo Nieto (from 1948 until 1949)
trumpet:
Mario Bauzá (from 1948 until 1949), Frank Davilla (from 1948 until 1949) and Bobby Woodlen (from 1948 until 1949)
cover recording of:
Babalu (Desi Arnaz song) (from 1948 until 1949)
composer:
Margarita Lecuona (Cuban composer)
translator:
Sydney King Russell
translated version of:
Babalú
Machito and his Afro-Cuban Salseros2:43
13Vaya Nina
recorded in:
New York, New York, United States (from 1948 until 1949)
producer:
Norman Granz
alto saxophone:
Gene Johnson (US jazz saxophonist) (from 1948 until 1949) and Fred Skerritt (from 1948 until 1949)
baritone saxophone:
Leslie Johnakins (from 1948 until 1949)
bongos:
José Mangual (from 1948 until 1949)
congas:
Luis Miranda (jazz conga player) (from 1948 until 1949)
percussion:
Machito (Francisco Raúl Gutiérrez Grillo, cuban afro-jazz) (from 1948 until 1949)
piano:
René Hernández (from 1948 until 1949)
tenor saxophone:
José Madera (saxophone, aka "Pin") (from 1948 until 1949)
timbales:
Ubaldo Nieto (from 1948 until 1949)
trumpet:
Mario Bauzá (from 1948 until 1949), Frank Davilla (from 1948 until 1949) and Bobby Woodlen (from 1948 until 1949)
recording of:
Vaya! Niña! (Vaya! Vaya!) (in 1949-12)
writer:
Chico O’Farrill
Machito and his Afro-Cuban Salseros2:50
14Hall of the Mambo King
recorded in:
New York, New York, United States (from 1948 until 1949)
producer:
Norman Granz
alto saxophone:
Gene Johnson (US jazz saxophonist) (from 1948 until 1949) and Fred Skerritt (from 1948 until 1949)
baritone saxophone:
Leslie Johnakins (from 1948 until 1949)
bongos:
José Mangual (from 1948 until 1949)
congas:
Luis Miranda (jazz conga player) (from 1948 until 1949)
percussion:
Machito (Francisco Raúl Gutiérrez Grillo, cuban afro-jazz) (from 1948 until 1949)
piano:
René Hernández (from 1948 until 1949)
tenor saxophone:
José Madera (saxophone, aka "Pin") (from 1948 until 1949)
timbales:
Ubaldo Nieto (from 1948 until 1949)
trumpet:
Mario Bauzá (from 1948 until 1949), Frank Davilla (from 1948 until 1949) and Bobby Woodlen (from 1948 until 1949)
recording of:
Hall of the Mambo King (in 1949-12)
composer:
Edvard Grieg (composer)
arranger:
José "Pin" Madera (saxophone, aka "Pin")
arrangement of:
Hall of the Mountain King
is based on:
Hall of the Mountain King
Machito and his Afro-Cuban Salseros2:41
15Donkey Serenade
recorded in:
New York, New York, United States (from 1948 until 1949)
producer:
Norman Granz
alto saxophone:
Gene Johnson (US jazz saxophonist) (from 1948 until 1949) and Fred Skerritt (from 1948 until 1949)
baritone saxophone:
Leslie Johnakins (from 1948 until 1949)
bongos:
José Mangual (from 1948 until 1949)
congas:
Luis Miranda (jazz conga player) (from 1948 until 1949)
percussion:
Machito (Francisco Raúl Gutiérrez Grillo, cuban afro-jazz) (from 1948 until 1949)
piano:
René Hernández (from 1948 until 1949)
tenor saxophone:
José Madera (saxophone, aka "Pin") (from 1948 until 1949)
timbales:
Ubaldo Nieto (from 1948 until 1949)
trumpet:
Mario Bauzá (from 1948 until 1949), Frank Davilla (from 1948 until 1949) and Bobby Woodlen (from 1948 until 1949)
cover recording of:
The Donkey Serenade (from 1948 until 1949)
writer:
George Forrest (American composer and lyricist) and Robert Wright (US stage & screen composer & lyricist)
composer:
Rudolf Friml and Herbert Stothart (composer)
part of:
The Firefly (Rudolf Friml operetta)
Machito and his Afro-Cuban Salseros2:56
16Mambo Jambo
recorded in:
New York, New York, United States (from 1948 until 1949)
producer:
Norman Granz
alto saxophone:
Gene Johnson (US jazz saxophonist) (from 1948 until 1949) and Fred Skerritt (from 1948 until 1949)
baritone saxophone:
Leslie Johnakins (from 1948 until 1949)
bongos:
José Mangual (from 1948 until 1949)
congas:
Luis Miranda (jazz conga player) (from 1948 until 1949)
percussion:
Machito (Francisco Raúl Gutiérrez Grillo, cuban afro-jazz) (from 1948 until 1949)
piano:
René Hernández (from 1948 until 1949)
tenor saxophone:
José Madera (saxophone, aka "Pin") (from 1948 until 1949)
timbales:
Ubaldo Nieto (from 1948 until 1949)
trumpet:
Mario Bauzá (from 1948 until 1949), Frank Davilla (from 1948 until 1949) and Bobby Woodlen (from 1948 until 1949)
cover recording of:
Mambo Jambo (in 1950-08)
composer:
Pérez Prado (Cuban bandleader, singer, organist, pianist and composer)
Machito and his Afro-Cuban Salseros2:14
17At Sundown
recorded in:
New York, New York, United States (from 1948 until 1949)
producer:
Norman Granz
alto saxophone:
Gene Johnson (US jazz saxophonist) (from 1948 until 1949) and Fred Skerritt (from 1948 until 1949)
baritone saxophone:
Leslie Johnakins (from 1948 until 1949)
bongos:
José Mangual (from 1948 until 1949)
congas:
Luis Miranda (jazz conga player) (from 1948 until 1949)
percussion:
Machito (Francisco Raúl Gutiérrez Grillo, cuban afro-jazz) (from 1948 until 1949)
piano:
René Hernández (from 1948 until 1949)
tenor saxophone:
José Madera (saxophone, aka "Pin") (from 1948 until 1949)
timbales:
Ubaldo Nieto (from 1948 until 1949)
trumpet:
Mario Bauzá (from 1948 until 1949), Frank Davilla (from 1948 until 1949) and Bobby Woodlen (from 1948 until 1949)
cover recording of:
At Sundown (from 1948 until 1949)
lyricist and composer:
Walter Donaldson (in 1927)
publisher:
Donaldson Publishing Co. and Leo Feist, Inc.
Machito and his Afro-Cuban Salseros2:42
18Why Do I Love You
recorded in:
New York, New York, United States (from 1948 until 1949)
producer:
Norman Granz
alto saxophone:
Gene Johnson (US jazz saxophonist) (from 1948 until 1949) and Fred Skerritt (from 1948 until 1949)
baritone saxophone:
Leslie Johnakins (from 1948 until 1949)
bongos:
José Mangual (from 1948 until 1949)
congas:
Luis Miranda (jazz conga player) (from 1948 until 1949)
percussion:
Machito (Francisco Raúl Gutiérrez Grillo, cuban afro-jazz) (from 1948 until 1949)
piano:
René Hernández (from 1948 until 1949)
tenor saxophone:
José Madera (saxophone, aka "Pin") (from 1948 until 1949)
timbales:
Ubaldo Nieto (from 1948 until 1949)
trumpet:
Mario Bauzá (from 1948 until 1949), Frank Davilla (from 1948 until 1949) and Bobby Woodlen (from 1948 until 1949)
cover recording of:
Why Do I Love You? (Show Boat) (from 1948 until 1949)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Jerome Kern
publisher:
T.B. Harms Co. (in 1927)
medley of:
Selections from "Show boat"
part of:
Show Boat (1951 film)
part of:
Show Boat: Act II
Machito and his Afro-Cuban Salseros2:33
19Mambo Is Here to Stay
recorded in:
New York, New York, United States (from 1948 until 1949)
producer:
Norman Granz
alto saxophone:
Gene Johnson (US jazz saxophonist) (from 1948 until 1949) and Fred Skerritt (from 1948 until 1949)
baritone saxophone:
Leslie Johnakins (from 1948 until 1949)
bongos:
José Mangual (from 1948 until 1949)
congas:
Luis Miranda (jazz conga player) (from 1948 until 1949)
percussion:
Machito (Francisco Raúl Gutiérrez Grillo, cuban afro-jazz) (from 1948 until 1949)
piano:
René Hernández (from 1948 until 1949)
tenor saxophone:
José Madera (saxophone, aka "Pin") (from 1948 until 1949)
timbales:
Ubaldo Nieto (from 1948 until 1949)
trumpet:
Mario Bauzá (from 1948 until 1949), Frank Davilla (from 1948 until 1949) and Bobby Woodlen (from 1948 until 1949)
recording of:
Mambo Is Here to Stay (in 1950-08)
composer:
Walter “Gil” Fuller (jazz composer & arranger)
arranger:
Machito (Francisco Raúl Gutiérrez Grillo, cuban afro-jazz)
Machito and his Afro-Cuban Salseros3:02
20Rose Room
recorded in:
New York, New York, United States (from 1948 until 1949)
producer:
Norman Granz
alto saxophone:
Gene Johnson (US jazz saxophonist) (from 1948 until 1949) and Fred Skerritt (from 1948 until 1949)
baritone saxophone:
Leslie Johnakins (from 1948 until 1949)
bongos:
José Mangual (from 1948 until 1949)
congas:
Luis Miranda (jazz conga player) (from 1948 until 1949)
percussion:
Machito (Francisco Raúl Gutiérrez Grillo, cuban afro-jazz) (from 1948 until 1949)
piano:
René Hernández (from 1948 until 1949)
tenor saxophone:
José Madera (saxophone, aka "Pin") (from 1948 until 1949)
timbales:
Ubaldo Nieto (from 1948 until 1949)
trumpet:
Mario Bauzá (from 1948 until 1949), Frank Davilla (from 1948 until 1949) and Bobby Woodlen (from 1948 until 1949)
cover recording of:
Rose Room (from 1948 until 1949)
lyricist:
Harry Williams (American songwriter, co-writer of “In the Shade of the Old Apple Tree”) (in 1917)
composer:
Art Hickman (in 1917)
publisher:
EMI Music Publishing (do not use as a release label!), Miller Music (publisher), Paul Rodriguez Music Ltd, Universal Music Publishing Group (Universal Music Publishing Group Corporation) and Warner/Chappell Music, Inc.
Machito and his Afro-Cuban Salseros3:21
21Tea for Two
recorded in:
New York, New York, United States (from 1948 until 1949)
producer:
Norman Granz
alto saxophone:
Gene Johnson (US jazz saxophonist) (from 1948 until 1949) and Fred Skerritt (from 1948 until 1949)
baritone saxophone:
Leslie Johnakins (from 1948 until 1949)
bongos:
José Mangual (from 1948 until 1949)
congas:
Luis Miranda (jazz conga player) (from 1948 until 1949)
percussion:
Machito (Francisco Raúl Gutiérrez Grillo, cuban afro-jazz) (from 1948 until 1949)
piano:
René Hernández (from 1948 until 1949)
tenor saxophone:
José Madera (saxophone, aka "Pin") (from 1948 until 1949)
timbales:
Ubaldo Nieto (from 1948 until 1949)
trumpet:
Mario Bauzá (from 1948 until 1949), Frank Davilla (from 1948 until 1949) and Bobby Woodlen (from 1948 until 1949)
cover recording of:
Tea for Two (No, No, Nanette) (from 1948 until 1949)
lyricist:
Irving Caesar
composer:
Vincent Youmans
publisher:
Chappell Music Ltd., Irving Caesar Music Corp., Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) (until 2019-05-28) and Harms, Inc. (on 1924-06-10)
sub-publisher:
ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (until 2017-03-31) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (from 2017-04-01 to present)
part of:
No, No, Nanette
Machito and his Afro-Cuban Salseros2:52
22Finaliza un amor
recorded in:
New York, New York, United States (from 1948 until 1949)
producer:
Norman Granz
alto saxophone:
Gene Johnson (US jazz saxophonist) (from 1948 until 1949) and Fred Skerritt (from 1948 until 1949)
baritone saxophone:
Leslie Johnakins (from 1948 until 1949)
bongos:
José Mangual (from 1948 until 1949)
congas:
Luis Miranda (jazz conga player) (from 1948 until 1949)
percussion:
Machito (Francisco Raúl Gutiérrez Grillo, cuban afro-jazz) (from 1948 until 1949)
piano:
René Hernández (from 1948 until 1949)
tenor saxophone:
José Madera (saxophone, aka "Pin") (from 1948 until 1949)
timbales:
Ubaldo Nieto (from 1948 until 1949)
trumpet:
Mario Bauzá (from 1948 until 1949), Frank Davilla (from 1948 until 1949) and Bobby Woodlen (from 1948 until 1949)
vocals:
Graciela
recording of:
Finaliza un amor (in 1949-12)
composer:
Raúl Díaz (Latin music composer)
Machito and his Afro-Cuban Salseros2:53
23The World Is Waiting for the Sunrise
recorded in:
New York, New York, United States (from 1948 until 1949)
producer:
Norman Granz
alto saxophone:
Gene Johnson (US jazz saxophonist) (from 1948 until 1949) and Fred Skerritt (from 1948 until 1949)
baritone saxophone:
Leslie Johnakins (from 1948 until 1949)
bongos:
José Mangual (from 1948 until 1949)
congas:
Luis Miranda (jazz conga player) (from 1948 until 1949)
percussion:
Machito (Francisco Raúl Gutiérrez Grillo, cuban afro-jazz) (from 1948 until 1949)
piano:
René Hernández (from 1948 until 1949)
tenor saxophone:
José Madera (saxophone, aka "Pin") (from 1948 until 1949)
timbales:
Ubaldo Nieto (from 1948 until 1949)
trumpet:
Mario Bauzá (from 1948 until 1949), Frank Davilla (from 1948 until 1949) and Bobby Woodlen (from 1948 until 1949)
cover recording of:
The World Is Waiting for the Sunrise (from 1948 until 1949)
lyricist:
Gene Lockhart (in 1918)
composer:
Raymond Roberts (in 1918)
publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division) and Chappell Music Ltd. (on 1919-01-24)
Machito and his Afro-Cuban Salseros2:33
24St. Louis Blues
recorded in:
New York, New York, United States (from 1948 until 1949)
producer:
Norman Granz
alto saxophone:
Gene Johnson (US jazz saxophonist) (from 1948 until 1949) and Fred Skerritt (from 1948 until 1949)
baritone saxophone:
Leslie Johnakins (from 1948 until 1949)
bongos:
José Mangual (from 1948 until 1949)
congas:
Luis Miranda (jazz conga player) (from 1948 until 1949)
percussion:
Machito (Francisco Raúl Gutiérrez Grillo, cuban afro-jazz) (from 1948 until 1949)
piano:
René Hernández (from 1948 until 1949)
tenor saxophone:
José Madera (saxophone, aka "Pin") (from 1948 until 1949)
timbales:
Ubaldo Nieto (from 1948 until 1949)
trumpet:
Mario Bauzá (from 1948 until 1949), Frank Davilla (from 1948 until 1949) and Bobby Woodlen (from 1948 until 1949)
cover recording of:
St. Louis Blues (from 1948 until 1949)
lyricist and composer:
William Christopher Handy (in 1913)
sub-publisher:
Reuter & Reuter Förlags AB
Machito and his Afro-Cuban Salseros2:40