Wederhoor Fauré

~ Release by Gabriel Fauré (see all versions of this release, 1 available)

Tracklist

▼ CD 1
#TitleRatingLength
1Cantique de Jean Racine
producer:
Christopher Hazell
organ:
James Vivian (organist) (from 1996-07-01 until 1996-07-05)
choir vocals:
Choir of King’s College, Cambridge (from 1996-07-01 until 1996-07-05)
conductor:
Stephen Cleobury (organist, conductor) (from 1996-07-01 until 1996-07-05)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom (from 1996-07-01 until 1996-07-05)
recording of:
Cantique de Jean Racine, op. 11 (for choir and piano or organ) (from 1996-07-01 until 1996-07-05)
lyricist:
Jean Racine (French dramatist)
composer:
Gabriel Fauré (French composer) (in 1865)
dedicated to:
César Franck (Belgian-born French composer)
part of:
Works of Gabriel Fauré by opus number (number: op. 11)
5:36
2Pavane
producer:
Chris Hazell
choir vocals:
Academy of St Martin in the Fields Chorus (in 1981-06)
orchestra:
Academy of St Martin in the Fields (in 1981-06)
conductor:
Sir Neville Marriner (conductor) (in 1981-06)
balance engineer:
Stanley Goodall (engineer) (in 1981-06)
recorded at:
St. Barnabas Church (Woodside Park, Finchley, London N12) in Finchley, Barnet (London Borough of Barnet), London (Greater London), England, United Kingdom (in 1981-06)
recording of:
Pavane in F-sharp minor, op. 50 (for orchestra and (optional) chorus) (in 1981-06)
lyricist:
Robert de Montesquiou
composer:
Gabriel Fauré (French composer) (in 1887)
arrangement of:
Pavane, op. 50 (for piano and chorus)
5:45
3Dolly, op. 56: I. Berceuse
recording engineer:
Werner Mayer (classical producer) (in 1986-11)
executive producer:
Hanno Rinke
producer:
Hanno Rinke
orchestra:
Boston Symphony Orchestra (in 1986-11)
conductor:
Seiji Ozawa (conductor and composer) (in 1986-11)
balance engineer:
Hans‐Peter Schweigmann
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1986-11)
recording of:
Dolly Suite, op. 56: I. Berceuse (orchestrated by Rabaud) (in 1986-11)
orchestrator:
Henri Rabaud
composer:
Gabriel Fauré (French composer)
orchestration of:
Dolly, op. 56 : I. Berceuse (for piano four hands)
part of:
Dolly Suite, op. 56 (orchestrated by Rabaud)
recording of:
Dolly Suite, op. 56: I. Berceuse (catch-all for arrangements)
composer:
Gabriel Fauré (French composer)
arrangement of:
Dolly, op. 56 : I. Berceuse (for piano four hands)
part of:
Dolly Suite, op. 56 (catch-all for arrangements)
2:38
4Dolly, op. 56: II. Mi-a-ou
recording engineer:
Werner Mayer (classical producer) (in 1986-11)
executive producer:
Hanno Rinke
producer:
Hanno Rinke
orchestra:
Boston Symphony Orchestra (in 1986-11)
conductor:
Seiji Ozawa (conductor and composer) (in 1986-11)
balance engineer:
Hans‐Peter Schweigmann
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1986-11)
recording of:
Dolly Suite, op. 56: II. Mi-a-ou (orchestrated by Rabaud) (in 1986-11)
orchestrator:
Henri Rabaud
composer:
Gabriel Fauré (French composer)
orchestration of:
Dolly, op. 56 : II. Mi-a-ou (for piano four hands)
part of:
Dolly Suite, op. 56 (orchestrated by Rabaud)
2:18
5Dolly, op. 56: III. Le jardin de Dolly
recording engineer:
Werner Mayer (classical producer) (in 1986-11)
executive producer:
Hanno Rinke
producer:
Hanno Rinke
orchestra:
Boston Symphony Orchestra (in 1986-11)
conductor:
Seiji Ozawa (conductor and composer) (in 1986-11)
balance engineer:
Hans‐Peter Schweigmann
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1986-11)
recording of:
Dolly Suite, op. 56: III. Le Jardin de Dolly (orchestrated by Rabaud) (in 1986-11)
orchestrator:
Henri Rabaud
composer:
Gabriel Fauré (French composer)
orchestration of:
Dolly, op. 56 : III. Le Jardin de Dolly (for piano four hands)
part of:
Dolly Suite, op. 56 (orchestrated by Rabaud)
2:57
6Dolly, op. 56: IV. Kitty-valse
recording engineer:
Werner Mayer (classical producer) (in 1986-11)
executive producer:
Hanno Rinke
producer:
Hanno Rinke
orchestra:
Boston Symphony Orchestra (in 1986-11)
conductor:
Seiji Ozawa (conductor and composer) (in 1986-11)
balance engineer:
Hans‐Peter Schweigmann
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1986-11)
recording of:
Dolly Suite, op. 56: IV. Kitty Valse (orchestrated by Rabaud) (in 1986-11)
orchestrator:
Henri Rabaud
composer:
Gabriel Fauré (French composer)
orchestration of:
Dolly, op. 56 : IV. Kitty Valse (for piano four hands)
part of:
Dolly Suite, op. 56 (orchestrated by Rabaud)
3:10
7Dolly, op. 56: V. Tendresse
recording engineer:
Werner Mayer (classical producer) (in 1986-11)
executive producer:
Hanno Rinke
producer:
Hanno Rinke
orchestra:
Boston Symphony Orchestra (in 1986-11)
conductor:
Seiji Ozawa (conductor and composer) (in 1986-11)
balance engineer:
Hans‐Peter Schweigmann
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1986-11)
recording of:
Dolly Suite, op. 56: V. Tendresse (orchestrated by Rabaud) (in 1986-11)
orchestrator:
Henri Rabaud
composer:
Gabriel Fauré (French composer)
orchestration of:
Dolly, op. 56 : V. Tendresse (for piano four hands)
part of:
Dolly Suite, op. 56 (orchestrated by Rabaud)
4:25
8Dolly, op. 56: VI. Le pas espagnol
recording engineer:
Werner Mayer (classical producer) (in 1986-11)
executive producer:
Hanno Rinke
producer:
Hanno Rinke
orchestra:
Boston Symphony Orchestra (in 1986-11)
conductor:
Seiji Ozawa (conductor and composer) (in 1986-11)
balance engineer:
Hans‐Peter Schweigmann
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1986-11)
recording of:
Dolly Suite, op. 56: VI. Le Pas Espagnol (orchestrated by Rabaud) (in 1986-11)
orchestrator:
Henri Rabaud
composer:
Gabriel Fauré (French composer)
orchestration of:
Dolly, op. 56 : VI. Le Pas espagnol (for piano four hands)
part of:
Dolly Suite, op. 56 (orchestrated by Rabaud)
2:43
9Après un Rêve, op. 7 Nr. 1
recording engineer:
Werner Mayer (classical producer) (in 1986-11)
executive producer:
Hanno Rinke
producer:
Hanno Rinke
cello:
Jules Eskin (cellist) (in 1986-11)
orchestra:
Boston Symphony Orchestra (in 1986-11)
conductor:
Seiji Ozawa (conductor and composer) (in 1986-11)
balance engineer:
Hans‐Peter Schweigmann
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1986-11)
recording of:
Après un rêve, op. 7 no. 1 (for cello and orchestra, Dubensky) (in 1986-11)
composer:
Gabriel Fauré (French composer) (in 1877)
arranger:
Arcady Dubensky
arrangement of:
Après un rêve, op. 7 no. 1 (original; for voice and piano)
3:19
10Pelléas et Mélisande: Prélude
orchestra:
Rotterdam Philharmonic Orchestra (in 1979-11)
conductor:
David Zinman (conductor) (in 1979-11)
recording of:
Pelléas et Mélisande, op. 80: I. Prélude. Quasi adagio
composer:
Gabriel Fauré (French composer)
part of:
Pelléas et Mélisande, op. 80
6:05
11Pelléas et Mélisande: Andantino quasi allegretto
orchestra:
Rotterdam Philharmonic Orchestra (in 1979-11)
conductor:
David Zinman (conductor) (in 1979-11)
recording of:
Pelléas et Mélisande, op. 80: II. Fileuse. Andantino quasi allegretto
composer:
Gabriel Fauré (French composer)
part of:
Pelléas et Mélisande, op. 80
2:20
12Pelléas et Mélisande: Lento (The King's Three blind Daughthers)
soprano vocals:
Jill Gomez (soprano)
orchestra:
Rotterdam Philharmonic Orchestra (in 1979-11)
conductor:
David Zinman (conductor) (in 1979-11)
recording of:
Pelleas et Melisande, op. 80: The King's Three Blind Daughers (Lento)
lyricist:
Maurice Maeterlinck (Belgian playwriter & poet)
composer:
Gabriel Fauré (French composer)
translator:
Jack Mackail
3:25
13Pelléas et Mélisande: Sicilienne (allegretto molto moderato)
orchestra:
Rotterdam Philharmonic Orchestra (in 1979-11)
conductor:
David Zinman (conductor) (in 1979-11)
recording of:
Pelléas et Mélisande, op. 80: III. Sicilienne
composer:
Gabriel Fauré (French composer)
part of:
Pelléas et Mélisande, op. 80
3:24
14Pelléas et Mélisande: Andante
orchestra:
Rotterdam Philharmonic Orchestra (in 1979-11)
conductor:
David Zinman (conductor) (in 1979-11)
recording of:
Pelléas et Mélisande, op. 80 (orchestration: Charles Koechlin): Andante
composer:
Gabriel Fauré (French composer)
part of:
Pelléas et Mélisande, op. 80
1:02
15Pelléas et Mélisande: Molto Adagio
orchestra:
Rotterdam Philharmonic Orchestra (in 1979-11)
conductor:
David Zinman (conductor) (in 1979-11)
recording of:
Pelléas et Mélisande, op. 80: IV. La Mort de Mélisande. Molto adagio
composer:
Gabriel Fauré (French composer)
part of:
Pelléas et Mélisande, op. 80
4:29
16Fantaisie
producer:
Chris Hazell
flute:
William Bennett (flautist) (in 1981-06)
orchestra:
Academy of St Martin in the Fields (in 1981-06)
conductor:
Sir Neville Marriner (conductor) (in 1981-06)
balance engineer:
Stanley Goodall (engineer) (in 1981-06)
recorded at:
St. Barnabas Church (Woodside Park, Finchley, London N12) in Finchley, Barnet (London Borough of Barnet), London (Greater London), England, United Kingdom (in 1981-06)
recording of:
Fantaisie pour flûte & piano en ut majeur, op. 79 (in 1981-06)
composer:
Gabriel Fauré (French composer) (in 1898)
dedicated to:
Paul Taffanel
premiered at:
[concert] (1898-07-28)
part of:
Works of Gabriel Fauré by opus number (number: op. 79)
recording of:
Fantaisie, op. 79 (catch-all for arrangements)
composer:
Gabriel Fauré (French composer) (in 1898)
arrangement of:
Fantaisie pour flûte & piano en ut majeur, op. 79
5:35
17Masques et Bergamasques: Ouverture. Allegro molto vivo
producer:
Chris Hazell
orchestra:
Academy of St Martin in the Fields (in 1981-06)
conductor:
Sir Neville Marriner (conductor) (in 1981-06)
balance engineer:
Stanley Goodall (engineer) (in 1981-06)
recorded at:
St. Barnabas Church (Woodside Park, Finchley, London N12) in Finchley, Barnet (London Borough of Barnet), London (Greater London), England, United Kingdom (in 1981-06)
recording of:
Suite, op. 112 "Masques et bergamasques": I. Overture: Allegro molto vivo (in 1981-06)
composer:
Gabriel Fauré (French composer)
is based on:
Masques et bergamasques, comédie musicale en 1 acte : I. Ouverture
part of:
Suite, op. 112 "Masques et bergamasques"
3:43
18Masques et Bergamasques: Menuet. Tempo di minuetto. Allegretto
producer:
Chris Hazell
orchestra:
Academy of St Martin in the Fields (in 1981-06)
conductor:
Sir Neville Marriner (conductor) (in 1981-06)
balance engineer:
Stanley Goodall (engineer) (in 1981-06)
recorded at:
St. Barnabas Church (Woodside Park, Finchley, London N12) in Finchley, Barnet (London Borough of Barnet), London (Greater London), England, United Kingdom (in 1981-06)
recording of:
Suite, op. 112 "Masques et bergamasques": II. Menuet: Tempo di minuetto – Allegretto moderato (in 1981-06)
composer:
Gabriel Fauré (French composer)
is based on:
Masques et bergamasques, comédie musicale en 1 acte : V. Menuet
part of:
Suite, op. 112 "Masques et bergamasques"
2:39
19Masques et Bergamasques: Gavotte. Allegro vivo
producer:
Chris Hazell
orchestra:
Academy of St Martin in the Fields (in 1981-06)
conductor:
Sir Neville Marriner (conductor) (in 1981-06)
balance engineer:
Stanley Goodall (engineer) (in 1981-06)
recorded at:
St. Barnabas Church (Woodside Park, Finchley, London N12) in Finchley, Barnet (London Borough of Barnet), London (Greater London), England, United Kingdom (in 1981-06)
recording of:
Suite, op. 112 "Masques et bergamasques": III. Gavotte: Allegro vivo (in 1981-06)
composer:
Gabriel Fauré (French composer)
is based on:
Masques et bergamasques, comédie musicale en 1 acte : VII. Gavotte
part of:
Suite, op. 112 "Masques et bergamasques"
3:09
20Masques et Bergamasques: Pastorale. Andantino tranquillo
producer:
Chris Hazell
flute:
William Bennett (flautist)
orchestra:
Academy of St Martin in the Fields (in 1981-06)
conductor:
Sir Neville Marriner (conductor) (in 1981-06)
balance engineer:
Stanley Goodall (engineer) (in 1981-06)
recorded at:
St. Barnabas Church (Woodside Park, Finchley, London N12) in Finchley, Barnet (London Borough of Barnet), London (Greater London), England, United Kingdom (in 1981-06)
recording of:
Suite, op. 112 "Masques et bergamasques": IV. Pastorale: Andantino tranquillo (in 1981-06)
composer:
Gabriel Fauré (French composer)
is based on:
Masques et bergamasques, comédie musicale en 1 acte : II. Pastorale
part of:
Suite, op. 112 "Masques et bergamasques"
4:08
▶ CD 2